Category Archives: Reviews

THE ROCKY HORROR SHOW Review

THE ROCKY HORROR SHOW presented by Warsaw Federal Incline Theater through March 5. Click here for more information on the production. I attended the opening Saturday night performance.

wfit_the-rocky-horror-show1

The Cast. Photo by Mikki Schaffner Photography.

I imagine staging a musical based on a movie, especially one with such a rabid fan base, would present a challenge in finding that balance between the two mediums. Since I’m not part of the film’s fan base, I’ll be talking about the theatrical side of things.

Vocally I thought the cast was really strong, but unfortunately at the performance I attended, there were several issues working against them. The sound execution was clunky. Mics were not hot on entrances and the balance was off between the orchestra and both the backup and lead vocals. I also felt the tempos on several of the rock-n-roll numbers were too fast which made it hard to understand the lyrics if you don’t know them.

wfit_the-rocky-horror-show3

Caroline Schisholm as Janet & Dakota Mullins as Brad. Photo by Mikki Schaffner Photography.

Matt Krieg does well as Frank-n-Furter, but I would like to have seen him be bigger and take command of the stage. Dakota Mullins was fun to watch as Brad and I felt he had a good sense of the character that he maintained well throughout the zany situations of the show. Solos and group numbers aside, it seemed like the bulk of the ensemble spent most of the show standing in small groups upstage, so they tended to fade into the background. Their blocking seemed tied to their characters’ lines so there were stretches where the show seemed visually stagnant.

The pacing also felt slow to me. It almost seemed like the cast was holding for expected laughs that just didn’t come. Other times cast members would make a long cross and hit their mark before speaking. The audience participation aspect of this performance exacerbated the problem when the video cues for the audience callbacks were late. Some of the comic bits were over-milked in the sense that longer doesn’t always translate into funnier.

wfit_the-rocky-horror-show2

Marissa Poole as Magenta, Heather Hale as Columbia, Matt Krieg as Frank-n-Furter, Chris Logan Carter as Riff Raff & Michael Wright as Phantom. Photo by Mikki Schaffner Photography.

I enjoyed the multi-level set design by Brett Bowling. It had several fun surprises with the front door being a personal favorite. I also thought the “machine” was visually a great compilation of mixed/matched found objects. Costumes worked well and I thought the similar but different looks of the bustiers across the cast was great. The one “head scratcher” was Frank’s blood-stained smock which looked like he had tried to “Shout” out the blood stain before returning to the stage.

While I understand the decision to present the cast on video during the curtain call, I’d much rather applaud the actual actors who have worked so hard the past couple of hours.

Overall I found the show fun, but at times uneven. If this is your first time experiencing THE ROCKY HORROR SHOW, I’d strongly advise you to avoid the audience participation performances. Despite the pre-show warnings, we still wound up with alot of “Brads” in the audience.

My rating: 4 out of 5. If you are a Rocky fan, make it 4.25. With corrected sound issues make that a 4.5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews

RICHARD III Review

RICHARD III presented by Cincinnati Shakespeare Company through March 11. Click here for more information on the production. I attended the opening night performance.

csc_richard-iiia

Billy Chace as Richard III (Kyle Brumley and Geoffrey Warren Barnes in the background). Photo by Mikki Schaffner Photography.

Congratulations to Cincinnati Shakespeare Company! With the opening of RICHARD III, CSC becomes only the second theater company in the United States to complete Shakespeare’s entire history cycle in chronological order.

Billy Chace is exceptional as Richard, Duke of Gloucester who manipulates (and murders) his way to the throne through friend and foe to become King Richard III. Chace plays the role with great humor and zeal, giving us a King who is fully aware of his misdeeds and unapologetic in his quest for the crown.

csc_richard-iiid

Aiden Sims as Lady Anne and Billy Chace as Richard III. Photo by Mikki Schaffner Photography.

Director Brian Isaac Phillips again keeps the action focused and brisk. The ensemble, across the board, was excellent, giving the production great energy and scope. Favorite scenes included Lady Anne’s (Aiden Sims) confrontation with Richard over the dead body of Henry VI, the grief-stricken, half-mad, curse-flinging Queen Margaret (Kelly Mengelkoch), and Queen Elizabeth (Sara Clark) going nose to nose with Richard after the death of her children.

The haunting dream shared by Richard and Henry, Earl of Richmond, was visually striking and appropriately creepy. The special stage effect added a unique element to the final battle between their forces.

csc_richard-iiic

Sara Clark as Queen Elizabeth and Billy Chace as Richard III. Photo by Mikki Schaffner Photography.

Overall, a perfect and immensely satisfying conclusion to CSC’s four-year epic endeavor. Bravo!

My rating: 5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews

THIS WIDE NIGHT Review

THIS WIDE NIGHT presented by The Clifton Players through March 4. Click here for more information on the production. I attended the opening night performance.

cp_this-wide-night1

Miranda McGee as Marie & Dale Hodges as Lorraine.

Can dreams of the future made by cellmates survive the reality of life outside of prison? That possibility is explored in Clifton Players’ production of the two-person play, THIS WIDE NIGHT.

Miranda McGee, perhaps more known for her comedic turns, shines in the challenging role of Marie. Throughout the performance, I was struck how the emotional swings of her character emanated from the actress and always rang true.

As Lorraine, Dale Hodges enters as an adrift soul trying to find solace with the only “family” she has known during her long incarceration. She brings a great vulnerability to the role but there are these great moments of seemingly innocent manipulation that remind the audience she’s not as innocent as she appears.

cp_this-wide-night2

Miranda McGee as Marie & Dale Hodges as Lorraine.

Faults aside, I was surprised how invested I had become in these two ladies. True to its source material (interviews from recently released inmates) the script doesn’t answer all questions or provide a happy ending.

Director Kevin Crowley keeps the movement within the confirmed space of the studio apartment natural and motivated. There are several great stage pictures created in response to lines in the script that could easily be missed by a less experienced director.

Re-configuring the play space worked well to create Marie’s below street level apartment. I would encourage the covering of the windows above the apartment door as the foot traffic outside was a bit distracting at times.

One element that was unclear to me was how much time had passed between the various scenes. The dialogue in the scenes doesn’t always help. A bit of period underscoring during the scene changes might have helped define the time period. Speaking of the time period, the use of a CD and a shopping bag printed with a web site address were a bit anachronistic. One of the downsides of such an intimate venue. 🙂

Overall, a smartly directed production with strong, emotional true performances.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews

SUMMERLAND Review

SUMMERLAND presented by Cincinnati Playhouse in the Park through March 5. Click here for more information on the production. I attended the opening night performance.

pip_summerland2

Michael Rothhaar as William H. Mumler & Whitney Maris Brown as Mrs. Mumler. Photo by Mikki Schaffner.

A taste of Halloween comes late (or early, depending on your point of view) to the Park’s Shelterhouse with SUMMERLAND. If you are unfamiliar with the term, “Summerland” is the name given by Theosophists, Wiccans and some earth-based contemporary pagan religions to their conceptualization of an afterlife.

Arlitia Jones’ play uses the now infamous image taken by Spirit Photographer William H. Mumler as a jumping off point for her play. In the photo, a seated Mary Todd Lincoln is captured with the ghostly image of her late husband standing beside her.

Director Michael Evan Haney elicits unique and believable performances from his talented ensemble of three. Billy Finn is strong as the young and driven Jospeh Tooker, determined to prove Mumler is the fraud Tooker is convinced he is. Michael Rothhaar charms as William H. Mumler, a man who appears to genuinely believe his work is a comfort to the living. Playing Mrs. Mumler, Whitney Maris Brown is mesmerizing as the enigmatic and otherworldly wife and possible conspirator.

pip_summerland1

Whitney Maris Brown as Mrs. Mumler & Billy Finn as Joseph Tooker. Photo by Mikki Schaffner.

My favorite scene of the play is the beginning of Act II. The “confrontation” between Mrs. Mumler and Tooker is immensely satisfying to watch. Brown is a force of nature as she assails, cajoles and taunts Mr. Tooker, keeping him completely off balance.

For me, one of most successful aspects of the play is how well the technical team set the mood for the piece. The special effects worked well and the theater magic stayed well-hidden in the intimate performance space. The end of Act I is indeed “spooky.”

pip_summerland3

Billy Finn as Joseph Tooker & Michael Rothhaar as William H. Mumler. Photo by Mikki Schaffner.

As a new work the play could still use a bit of editing. The first scene went a bit long in exposition considering how quickly it becomes apparent that the young man is there for more than his portrait sitting. The epilogue also seems a bit anti-climatic, working hard to establish a connection between the two men after all that has transpired.

Overall, an engaging and unique historical drama with a supernatural bent.

My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews

THE MAN WHO SHOT LIBERTY VALANCE Review

ft_the-man-who-shot-liberty-valance1

Craig Branch as Ronsome Foster, Derek Snow as Jim Mosten & Erin Carr as Hallie Jackson.

THE MAN WHO SHOT LIBERTY VALANCE presented by Falcon Theatre through Feb. 11. Click here for more information on the production. I attended the opening Saturday performance.

To the best of my recollection, THE MAN WHO SHOT LIBERTY VALANCE is only the second play I’ve attended that was set in the Old West. My dad was a huge John Wayne fan, but I don’t remember seeing the film as a kid, so I’ll leave it to someone else to tell you how it stacks up against the movie.

In this cast, Craig Branch does well as fish-out-of-water Ransome Foster, an Easterner passing through town on his way West who gets waylaid by the title character. As bar owner Hallie Jackson, Erin Carr is completely believable as a strong-willed woman with little experience in the ways of the heart.

ft_the-man-who-shot-liberty-valance2

Craig Branch as Ransome Foster & Allen R. Middleton as Bert Barricune.

Allen R. Middleton is pitch perfect as Bert Barricune, the hard-nosed cowboy with a well-hidden heart of gold. Derek Snow’s Jim (Reverend) Mosten, is a kind, gentle soul who’s easily likeable and provides a great emotional impact to the play. The relationships between these four characters are well-defined and believable.

Eleventh hour addition to the cast, Paul Morris, is spot-on as the villain of the piece, Liberty Valance. His entrance near the end of Act I completely changes the mood of the show. As Marshal Johnson, I would have liked to have seen stronger character choices from actor Terry Gosdin. As portrayed, the Marshall’s personality and temperament seem out of place in comparison to the other residents of this frontier town.

Ed Cohen is a great choice for the Narrator, but I do think that placing him seated at a table upstage right table is a weak choice to engage the audience. The line delivery was low, conversational, and partly addressed to his table mate. If you are the narrator and break the fourth wall, then be the narrator and break the fourth wall. Nathan Tubbs, Paul Kerford Wilson and Jay Dallas Benson nicely round out the ensemble.

ft_the-man-who-shot-liberty-valance3

Erin Carr as Hallie Jackson & Allen R. Middleton as Bert Barricune.

Director Tara Williams has a good eye for motivated movement and setting stage pictures. I did feel that the space downstage right was underutilized with the show being center and stage left heavy. The biggest struggle with the show for me was the pacing. There seems to be this unwritten rule that people of the Old West talk…real…slow….and there were times when this was true in this production as well. Quicker line pickups would have also helped, as not every cue line needs a reaction. This is especially true in the final pages of Act II, which as written drags out the reveal that the audience has already figured out. As performed, it seems to run about ten minutes longer than it should.

The set works well for the most part and I really enjoy the look of the reclaimed wood. The rocking chair seems like an odd choice for a saloon and actors struggled to get around it. Another awkward moment was trying to get the casket off stage after the initial scene. Although I couldn’t see the exit downstage left, it was easy to hear the modern door hardware.

Overall, a solid Western with great characters and a romance or two that will only get stronger in its final two weeks.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews