Category Archives: Reviews

SUMMERLAND Review

SUMMERLAND presented by Cincinnati Playhouse in the Park through March 5. Click here for more information on the production. I attended the opening night performance.

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Michael Rothhaar as William H. Mumler & Whitney Maris Brown as Mrs. Mumler. Photo by Mikki Schaffner.

A taste of Halloween comes late (or early, depending on your point of view) to the Park’s Shelterhouse with SUMMERLAND. If you are unfamiliar with the term, “Summerland” is the name given by Theosophists, Wiccans and some earth-based contemporary pagan religions to their conceptualization of an afterlife.

Arlitia Jones’ play uses the now infamous image taken by Spirit Photographer William H. Mumler as a jumping off point for her play. In the photo, a seated Mary Todd Lincoln is captured with the ghostly image of her late husband standing beside her.

Director Michael Evan Haney elicits unique and believable performances from his talented ensemble of three. Billy Finn is strong as the young and driven Jospeh Tooker, determined to prove Mumler is the fraud Tooker is convinced he is. Michael Rothhaar charms as William H. Mumler, a man who appears to genuinely believe his work is a comfort to the living. Playing Mrs. Mumler, Whitney Maris Brown is mesmerizing as the enigmatic and otherworldly wife and possible conspirator.

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Whitney Maris Brown as Mrs. Mumler & Billy Finn as Joseph Tooker. Photo by Mikki Schaffner.

My favorite scene of the play is the beginning of Act II. The “confrontation” between Mrs. Mumler and Tooker is immensely satisfying to watch. Brown is a force of nature as she assails, cajoles and taunts Mr. Tooker, keeping him completely off balance.

For me, one of most successful aspects of the play is how well the technical team set the mood for the piece. The special effects worked well and the theater magic stayed well-hidden in the intimate performance space. The end of Act I is indeed “spooky.”

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Billy Finn as Joseph Tooker & Michael Rothhaar as William H. Mumler. Photo by Mikki Schaffner.

As a new work the play could still use a bit of editing. The first scene went a bit long in exposition considering how quickly it becomes apparent that the young man is there for more than his portrait sitting. The epilogue also seems a bit anti-climatic, working hard to establish a connection between the two men after all that has transpired.

Overall, an engaging and unique historical drama with a supernatural bent.

My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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THE MAN WHO SHOT LIBERTY VALANCE Review

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Craig Branch as Ronsome Foster, Derek Snow as Jim Mosten & Erin Carr as Hallie Jackson.

THE MAN WHO SHOT LIBERTY VALANCE presented by Falcon Theatre through Feb. 11. Click here for more information on the production. I attended the opening Saturday performance.

To the best of my recollection, THE MAN WHO SHOT LIBERTY VALANCE is only the second play I’ve attended that was set in the Old West. My dad was a huge John Wayne fan, but I don’t remember seeing the film as a kid, so I’ll leave it to someone else to tell you how it stacks up against the movie.

In this cast, Craig Branch does well as fish-out-of-water Ransome Foster, an Easterner passing through town on his way West who gets waylaid by the title character. As bar owner Hallie Jackson, Erin Carr is completely believable as a strong-willed woman with little experience in the ways of the heart.

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Craig Branch as Ransome Foster & Allen R. Middleton as Bert Barricune.

Allen R. Middleton is pitch perfect as Bert Barricune, the hard-nosed cowboy with a well-hidden heart of gold. Derek Snow’s Jim (Reverend) Mosten, is a kind, gentle soul who’s easily likeable and provides a great emotional impact to the play. The relationships between these four characters are well-defined and believable.

Eleventh hour addition to the cast, Paul Morris, is spot-on as the villain of the piece, Liberty Valance. His entrance near the end of Act I completely changes the mood of the show. As Marshal Johnson, I would have liked to have seen stronger character choices from actor Terry Gosdin. As portrayed, the Marshall’s personality and temperament seem out of place in comparison to the other residents of this frontier town.

Ed Cohen is a great choice for the Narrator, but I do think that placing him seated at a table upstage right table is a weak choice to engage the audience. The line delivery was low, conversational, and partly addressed to his table mate. If you are the narrator and break the fourth wall, then be the narrator and break the fourth wall. Nathan Tubbs, Paul Kerford Wilson and Jay Dallas Benson nicely round out the ensemble.

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Erin Carr as Hallie Jackson & Allen R. Middleton as Bert Barricune.

Director Tara Williams has a good eye for motivated movement and setting stage pictures. I did feel that the space downstage right was underutilized with the show being center and stage left heavy. The biggest struggle with the show for me was the pacing. There seems to be this unwritten rule that people of the Old West talk…real…slow….and there were times when this was true in this production as well. Quicker line pickups would have also helped, as not every cue line needs a reaction. This is especially true in the final pages of Act II, which as written drags out the reveal that the audience has already figured out. As performed, it seems to run about ten minutes longer than it should.

The set works well for the most part and I really enjoy the look of the reclaimed wood. The rocking chair seems like an odd choice for a saloon and actors struggled to get around it. Another awkward moment was trying to get the casket off stage after the initial scene. Although I couldn’t see the exit downstage left, it was easy to hear the modern door hardware.

Overall, a solid Western with great characters and a romance or two that will only get stronger in its final two weeks.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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DRAGON PLAY Review

DRAGON PLAY presented by Know Theatre of Cincinnati through Feb. 18. Click here for more information on the production. I attended the opening night performance.

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Kearston Hawkins-Johnson as Dragon & Josh Reiter as Boy. Photo by Dan. R. Winters Photography.

For the first time this season, Know stumbles a bit with their current offering, DRAGON PLAY. But for me the problem lies in the script, not in the production quality itself.  When I personally struggle to understand the logic of the world the playwright has created, it pulls me out of the moment. Part of the disconnect may be the image the word “dragon” creates in my mind’s eye. This may have skewed my entire interpretation of the show. Even so, there were other inconsistencies within the story itself that I found distracting.

In the tale of Dragon Girl (Kearston Hawkins-Johnson) and Boy (Josh Reiter), the love affair never resolved itself for me. I very much enjoyed the physicality that Kearston brought to the role and found her mesmerizing to watch. For Reiter, I would like to have seen more maturity in his performance as his character aged. There were also times I felt he pushed the emotion a bit too hard so that it didn’t ring true. Also while I understood Boy’s motivation for agreeing to the “deal,” it wasn’t clear to me what Dragon Girl gained from the bargain.

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Claron Hayden as Dragon, Torie Wiggins as Woman & Paul Strickland as Man. Photo by Dan. R. Winters Photography.

The other storyline was smartly cast with Claron Hayden as Dragon, Paul Strickland as Man & Torie Wiggins as Woman. Claron has a great, exotic look for the Dragon and gives the role a laissez-faire, yet calculating feel. It was great to see Paul in a more dramatic role and he handled it well. Torie was solid as usual; however I just felt her role could have used a bit more meat. I would have liked to have seen a couple of instances where the bickering between Man and Woman dropped away so the audience could see that they did have a solid relationship even if they were going through a hard time. In hand with that, I understand why their child doesn’t appear on stage, but his presence wasn’t really felt, either. The sterile kitchen could have been dressed with his school books spread across the table, or his drawings and pictures on the fridge or even his action figures on the windowsill. I felt that his “presence” would have raised the stakes of her “should I stay or should I go” decision.

I really liked the set design by Andrew Hungerford, but for me there were two problems. For the kitchen set, I found the size of it confining. When all three actors were in the space, they didn’t seem to have enough room to easily move past each other, so those scenes felt visually static to me. For the outside play area, the clay/cave texture and burnt plastic looked great, but it seemed unnecessarily wide, impacting the intimacy of the show.

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Claron Hayden as Dragon & Torie Wiggins as Woman. Photo by Dan. R. Winters Photography.

Costume designer Noelle Johnson put together great looks for both dragons. Hungerford’s lighting design and the sound and projections of Doug Borntrager were great additions to the atmosphere of the show.

Overall, a solid production of an uneven script.

My rating: 4.0 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

 

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LITTLE SHOP OF HORRORS Review

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Gina Milo as Audrey, David Meyers as Mr. Mushnik & Nick Cearley as Seymour. Photo by Mikki Schaffner.

LITTLE SHOP OF HORRORS presented Cincinnati Playhouse in the Park through Feb. 19. Click here for more information on the production. I attended the opening night performance.

It was my love of the movie LITTLE SHOP OF HORRORS that led me to become involved in our local theater scene about 25 years ago. Without Seymour, Audrey, and the gang, you would not be reading this review. 🙂 This is the first regional production I have attended and I’m happy to say that the Playhouse’s production does the show, (as well as and my fond memories of it) justice.

If you are a fan of the movie but have never seen the stage version, you will experience a completely different ending sans “Mean Green Mother From Outer Space,” as well as several songs that were not included in the movie.

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Johari Nandi as Chiffon, Ebony Blake as Ronnette, Alexis Tidwell as Crystal & Nick Cearley as Seymour. Photo by Mikki Schaffner.

The cast is extremely talented and does a wonderful job of making the roles their own. Nick Cearley is endearing as hapless Seymour who flinches from every harsh word. Gina Milo is easy to love as Audrey and offers an emotionally touching “Somewhere That’s Green.” Jamison Stern is hilarious as Orin and brings a quirkiness to the dentist and his various other roles that is fun to watch. The Urchins (Johari Nandi as Chiffon, Alexis Tidwell as Crystal & Ebony Blake as Ronnette) nail the harmonies and dance moves that make the roles so much fun to watch. Rounding out the ensemble is Chaz Rose as the voice of Audrey II & Stephen Kriz Gardner as the puppeteer/manipulator. The two give the ever-growing plant great presence and personality, however it was noticeable several times that Audrey II wasn’t hitting all the syllables in the dialogue and lyrics.

Playhouse’s Marx Theatre can make the staging of a musical rather challenging. Michael Schweikardt’s set design is extremely successful in the space. There are many great touches throughout and I thought the shop’s renovation was one of the most dramatic I’ve ever seen. The various transformations and quick costume changes were handled excellently by the stage management team. The production also boasts one of the most successful executions of the final number.

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Jamison Stern as Orin & Nick Cearley as Seymour. Photo by Mikki Schaffner.

The musicians, conducted by Stephen Goers and located underneath the stage, rocked out the score. I found the music and vocal balance to be great and I was able to hear every line and lyric.

Opening night, the younger audience members around me seemed to enjoy the show -although the lines “tough titties” and “no shit, Sherlock” did elicit a bit of a shocked reaction from them.

Overall, LITTLE SHOP is a grade A, sci-Fi, B movie, musical comedy that is laugh out loud funny and a rocking good time.

My rating: 5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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DOUBT Review

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Mary Lou Rader as Sister James & MArtha Slater as Sister Aloysius Beauvier. Photo by Mikki Schaffner Photography.

DOUBT presented the Covedale Center for the Performing Arts through Feb. 12. Click here for more information on the production. I attended the opening Sunday matinee performance.

Given the setting for DOUBT, it seemed appropriate Sunday afternoon that the Covedale Center is down the street from the Catholic grade school I attended. The set, costumes, and tone of the performances rang true with my memories of the years I spent there.

Although set in 1964, the play was first produced in 2004, at which time the Catholic Church sexual abuse scandal was making headlines around the world. The play focuses on and explores themes such as faith, perception and personal truth that resonate strongly in today’s world.

Director Lindsey Augusta Mercer has assembled an extremely talented four-person cast to tackle this engrossing, Pulitzer Prize and Tony Award-winning play. Mercer’s steady hand creates real and sympathetic characters and allows the audience to draw their own conclusions as the story unfolds.

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Rory Sheridan as Father Brendan Flynn & Martha Slater as Sister Aloysius Beauvier. Photo by Mikki Schaffner Photography.

Rory Sheridan, as Father Brendan Flynn, is pitch-perfect as the new, more modern priest who believes that the congregation should be viewed as an extended family. His confrontations with Sister Aloysius had a great balance of patience and bite.

As school principal Sister Aloysius Beauvier, Martha Slater embodies an old-school nun who feels she needs to stay vigilant to the evils of the world, both big and small. As representatives of the faith, she feels it is more appropriate to be feared than loved. Has her outlook on life tainted her faith or are her concerns real?

Maggie Lou Rader nails the role of the young nun. Sister James is energetic, though a bit naive, and happy as a teacher. Seeing Sister James’ open heart as a liability, the elder nun soon has the 8th grade teacher questioning her perceptions of the world around her.

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Joy Rolland-Oba as Mrs. Muller & Martha Slater as Sister Aloysius Beauvier. Photo by Mikki Schaffner Photography.

Rounding out the cast is Joy Rolland-Oba who portrays Mrs. Muller, the mother of the boy caught in the middle of this he said/she said quarrel. Her circumstances leave the mother stuck with two equally unattractive choices and Rolland-Oba is equal parts concerned and conflicted.

The set consists of three double sided trucks smartly positioned as far downstage as possible. The lighting works well in tightly defining the play areas. I also found the music played between scenes was smartly chosen. The one small thing that briefly drew me out of the moment was when the stained glass window billowed due to a slamming door.

Simply, one of the best drama productions of the season and definitely worth a trip to the west side.

My rating: 5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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