Category Archives: Reviews

NEWSIES Quick Review

NEWSIES presented by Warsaw Federal Incline Theatre through June 26. I attended the closing Wednesday performance.

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The cast of NEWSIES. Photo by Tammy Cassesa.

After hearing nothing but good things about this production, I was fortunate enough to be invited by a friend who had an extra ticket (Thanks, Karen!).

The strong ensemble is led by Peter Neureuther as Jack Kelly, Evan Blust as Crutchie (great job modifying your choreography), Andrew Burke as Davey Jacobs and Grace Marie Rusnica as Katherine Plummer. Neureuther and Rusnica share great chemistry as their attraction for each other builds over the course of the show. Vocally the performances are wonderful both in the solos and in the ensemble numbers.

Director Eric Byrd maintains great energy and pacing throughout, taking full advantage of his performance areas. The choreography is sharp and well-executed throughout although I did find a few of the re-used steps to be a bit repetitive.

Overall, a highly entertaining, high energy production perfect for the whole family.

My rating: 4.75 out of 5.

Click here for more information on the production.

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TINY BEAUTIFUL THINGS Quick Review

TINY BEAUTIFUL THINGS presented by Ensemble Theatre Cincinnati through June 25. I attended the opening night performance.

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Kearston Hawkins-Johnson* as Letter Writer #2, Taha Mandviwala* as Letter Writer #3, Michael G. Bath* as Letter Writer #1 & Kelly Mengelkoch* as Sugar. Photo. by Ryan Kurtz

Kelly Mengelkoch is excellent as “Sugar,” giving a layered and emotionally true performance as the online advice columnist. Providing her with great support as the various online “submitters” are Michael G. Bath, Kearston Hawkins-Johnson and Taha Mandviwala. As the requests for advice cover a variety of topics, I think each audience member will be impacted differently by these stories depending upon how they relate to their individual life experiences. Personally, I found the letter from a grieving father (Mr. Bath) to be especially well-performed and touching. This 80-minute intermission less performance reminds us to find and appreciate the tiny beautiful things in our lives.

My rating: 4.5 out of 5.

Click here for more information on the production.

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TO KILL A MOCKINGBIRD Quick Review

TO KILL A MOCKINGBIRD presented by Broadway in Cincinnati through June 12. I attended the opening night performance.

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Arianna Gayle Stucki as Mayella Ewell, Richard Thomas as Atticus Finch, Stephen Elrod as Bailiff, Richard Poe as Judge Taylor, Greg Wood as Mr. Roscoe and Joey Collins as Bob Ewell. Photo by Julieta Cervantes.

I cannot say enough good things about this production. Aaron Sorkin’s excellent adaption breathes new life and energy into this American classic. The amazing cast is led by pitch perfect Richard Thomas as Atticus Finch (sorry you will always be John Boy to me) and features Mary Badham (Scout from the motion picture that starred Gregory Peck). In this version, Jem and Dill serve as co-narrators to Scout. Coming in at three hours with intermission, the show never lost momentum and kept me engaged from start to finish. I have never seen an Aronoff audience react so strongly and positively to a play. If you are on the fence about seeing this one, I highly encourage you to go.

My rating: 5 out of 5.

Click here for more information on the production.

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SHOCK! The Spine-Tingling Tale of Miss Spidra Quick Review

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Tess Talbot as Joyce Billings | “Miss Spidra”. Photo by Dan R. Winters Photography.

SHOCK! The Spine-Tingling Tale of Miss Spidra presented by Know Theatre of Cincinnati through Oct. 24. I attended the opening night performance.

Know Theatre returns to in-person performances by celebrating a slice of Americana perfect for the Halloween season: the costumed hosts of locally-produced late night television B-horror movie shows.

The script by Joseph Zettelmaier is smart, laugh-out-loud funny and does a great job of capturing the time period. The scenes from the ’50s are intercut with video interview segments where an older “Miss Spidra” reminisces about her career as a horror host. Director Andrew Hungerford shows a deft hand in the tone and pacing of the production. A couple moments of blocking pulled me out of the moment, but this would be a very minor complaint.

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Paul Riopelle as Ray Coslaw & Tess Talbot as Joyce Billings | “Miss Spidra”. Photo by Dan R. Winters Photography.

Paul Riopelle is pitch-perfect as Ray Coslaw, the beleaguered local TV executive working to mimic the late-night success of other cities that have hopped on the horror-host craze. Tess Talbot shines as Joyce Billings, aspiring actress (and Ray’s sister-in-law) who reluctantly signs on as the hostess, fighting to make her character more than another vamp of the night. The chemistry between these two actors is central to the success of the production.

Brianna Bernard rounds out the on-stage cast as Lucy Lupnicki, the young sidekick brought in to keep the show “fresh.” She handles the arc of the character very well as Lucy learns the ropes of the local TV industry. Talbot’s real-life mother, Terry Neumann, does a nice job as the older Joyce in the video segments. Also Daniel Winters has a fun video cameo as local politician Oglesby.

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Paul Riopelle as Ray Coslaw, Brianna Bernard as Lucy Lupnicki & Tess Talbot as Joyce Billings | “Miss Spidra”. Photo by Dan R. Winters Photography.

The technical aspects of the show worked well. The video was enjoyably produced and felt like a modern-day documentary thanks to director of photography Ryan Lewis. Resident costume designer Noelle-Wedig-Johnston did a great job of capturing the look of the ’50s and in the creation of Miss Spidra’s look. The set and props design by Kayla Williams define the two performances spaces well. I did feel the bookcases looked a bit unadorned for the TV set and I couldn’t find the gargoyles mentioned during the interview. Speaking of things mentioned in the script, it would have been fun to see the dry ice fog roll in for Miss Spidra’s debut. [Director Andrew Hungerford kindly informed me that, as with many things, there is currently a dry ice shortage, so kindly ignore my last sentence. –Rob] Again, I’m just being picky. 🙂

Overall a wonderful return to live performances and a very enjoyable, nostalgic look back to the early days of local television.

My rating: 4.5 out of 5.

Click here for more information on the production.

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DAISY Quick Review

DAISY presented by Falcon Theatre is available online through Nov. 7. 

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DAISY chronicles the beginnings of the fear-mongering advertising that has become such a staple of our political discourse.

From Wikipedia:

Daisy“, sometimes known as “Daisy Girl” or “Peace, Little Girl“, was a controversial political advertisement aired on television during the 1964 United States presidential election by incumbent president Lyndon B. Johnson’s campaign. Though only officially aired once by the campaign, it is considered to be an important factor in Johnson’s landslide victory over Barry Goldwater and an important turning point in political and advertising history. It remains one of the most controversial political advertisements ever made.

The script by Sean Devine is interesting and disturbing in equal measure and does debate the ethical ramifications of this new approached to political advertising. Multiple themes of today are echoed in the events of almost 65 years ago.

Director Tara Williams has assembled a solid ensemble to bring these characters to life. Jay Dallas Benson as Sid Myers and David Levy as Tony Schwartz did well in creating fully realized characters. There were several times however when the emotions of the scene and the interaction of the characters did not quite ring true for me. In part because the actors were not performing at the same energy level.

In the press release for Daisy, Williams describes the performance as a “television/theater hybrid” in the vein of CBS’ Playhouse 90 from 60 years ago and I think that concept worked well in the filming. Given the limitations imposed by the pandemic on both cast and crew, and the typical budget of a staged performance, Falcon has done a great job of finding locations, costumes and props to establish the time period and atmosphere of the piece (with much support from our local arts community).

Understanding that this is new territory, and as with anything new there is a bit of a learning curve, if your organization pursues another production in this format I would mention a few things: The staging did become a bit stagnant with actors sitting/standing in the same spot for extended periods of time. While the play area is confined, there are opportunities to stand, sit, lean forward, or shift body angle to give some energy to the scene. Normally on stage there is a concern with peripheral characters stealing focus in a scene but with filing and all the actors being in the shot, the characters need to be a bit more present and reactive in the scene.

Congratulations to everyone involved in bringing this timely play to life in these unprecedented time.

My rating: 4.25 out of 5.

Click here for more information on the production.

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