Category Archives: Press Releases

Celebrate the Fourth of July in December With The Footlighters Inc.’s Production of Meredith Willson’s THE MUSIC MAN

FLI_The Music ManNEWPORT, KY — There’s trouble in River City when a silver-tongued salesman comes to town and gets his heart stolen by the town librarian as The Footlighters, Inc., presents the second show of its 60th anniversary season, Meredith Willson’s The Music Man.

The Music Man follows fast-talking traveling salesman Harold Hill as he cons the people of River City, Iowa, into buying instruments and uniforms for a boys’ band that he vows to organize—despite the fact that he doesn’t know a trombone from a treble clef. Will his plan to skip town with the cash be foiled when he falls for Marian, the town’s librarian? By turns wicked, funny, warm, romantic, and touching, and with its nostalgic score of rousing marches, barbershop quartets, and sentimental ballads, The Music Man is family entertainment at its best.

Not only is The Music Man family friendly, Footlighters’ production is definitely a “family affair” with a cast full of family members sharing the stage with one another. Tabitha Blanton takesthe stage for the first time with her husband, Evan Blanton, in her Footlighters debut. Board president Jen Day gets to act alongside daughter Hannah Richardson and great nieces Ava and Cora Hall, while her sister Greta Manolis helps backstage with costumes. Husband and wife Matt and Julia Hasl Miller return to the Footlighters’ stage for the first time since 1997’s Pirates of Penzance, and lastly, although he’s not onstage, Douglas Berlon gets to direct wife Debbi Berlon in what is undoubtedly a role reversal of their home life!

Performances:

  • Thursday – Saturday, November 30 – December 2 at 7:30 p.m.
  • Sunday, December 3 at 2:00 p.m.
  • Thursday – Saturday, December 7 – 9 at 7:30 p.m.
  • Sunday, December 10 at 2:00 p.m.
  • Thursday – Saturday, December 14 – 16 at 7:30 p.m.
  • Sunday, December 17 at 2:00 p.m.

Tickets: $25 each and available online at footlighters.org/tickets or by contacting the box office via text at (859) 652-3849 or FootlightersTickets@gmail.com.

The Footlighters, Inc., has been producing quality community theater shows in Greater Cincinnati for 60 years. The group was established in 1963 by a small group of community theater volunteers who wanted to bring theater opportunities to the west side of Cincinnati.

In 1987, the group bought the Salem United Methodist Church in Newport and transformed it into The Stained Glass Theatre. The theater is on the National Register of Historic Places and is designated a Kentucky landmark. In September of 2021, Footlighters completed the third and final phase of their accessibility project by adding ADA-compliant seating in their theater to complement the ADA ramp and elevator installed in 2017 and 2018, allowing access for all patrons with limited mobility.

For more information, please visit footlighters.org or like The Footlighters, Inc., on Facebook.

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THE BOOK OF MORMON Tickets On Sale Now

BIC_Book of Mormon “THE BEST MUSICAL OF THIS CENTURY.
Heaven on Broadway! A celebration of the privilege
of living inside that improbable paradise called a musical comedy.”
Ben Brantley, THE NEW YORK TIMES

BACK BY POPULAR DEMAND

PERFORMANCES BEGIN FEBRUARY 20
AT THE ARONOFF CENTER

ON SALE NOW

CINCINNATI – Back by popular demand, THE BOOK OF MORMON returns to Cincinnati as part of the Fifth Third Bank Broadway in Cincinnati 23/24 series for a limited engagement February 20 – 25 at the Aronoff Center. Single tickets are on sale now. Tickets are be available at the Aronoff Center box office (650 Walnut Street, Cincinnati, OH 45202), by visiting  CincinnatiArts.org, or by calling  513.621.ARTS. Group orders of 10+ or more may be placed by calling  Peggy Hughes at 513-369-4363.

THE BOOK OF MORMON features book, music and lyrics by Trey Parker, Robert Lopez and Matt Stone. The Broadway production is directed by Parker and two-time Tony Award winner Casey Nicholaw, and choreographed by Nicholaw. The tour is directed and choreographed by Jennifer Werner based on the original Broadway direction and choreography. Set design is by three-time Tony Award winner Scott Pask, costume design is by Tony Award winner Ann Roth, lighting design is by five-time Tony Award winner Brian MacDevitt, sound design is by two-time Tony Award winner Brian Ronan, and hair design is by Josh Marquette. Orchestrations are by Tony Award winner Larry Hochman and two-time Tony Award winner Stephen Oremus. Music supervision and vocal arrangements are by Stephen Oremus. Casting is by Carrie Gardner.

Since opening on March 24, 2011, THE BOOK OF MORMON has become one of the most successful shows in Broadway history, breaking the Eugene O’Neill Theatre house record more than 50 times. In addition to nine Tony Awards including Best Musical and the Grammy for Best Musical Theatre Album, THE BOOK OF MORMON won five Drama Desk Awards including Best Musical, the NY Drama Critics Circle Award for Best Musical, the Drama League Award for Best Musical and four Outer Critics Circle Awards including Best Musical.

The West End production opened in February 2013, winning four Olivier Awards including Best New Musical, and breaking the record for the highest single day of sales in West End history. The first-ever UK and European tour launched in Manchester in June 2019, winning ‘Best Theatre Show’ at the Manchester Evening News City Life Awards before touring throughout the UK and Europe.

THE BOOK OF MORMON has been performed on three continents and has won over 30 international awards. The musical has smashed long-standing box office records in New York, London, Melbourne, Sydney and in cities across the U.S. and the world.

The Original Broadway Cast Recording for THE BOOK OF MORMON, winner of the 2011 Grammy Award for Best Musical Theater Album, is available on Ghostlight Records.

NETWORKS PRESENTATIONS (Producer) is an industry-leading producer of touring theatrical productions, committed to delivering quality entertainment to audiences worldwide for more than 25 years. www.networkstours.com

THE BOOK OF MORMON will play the Aronoff Center from February 20 – 25, 2024: Tuesday – Thursdays at 7:30PM, Fridays at 8:00PM, Saturdays at 2:00PM and 8:00PM, Sundays at 1:00PM and 6:30PM. Tickets start at $43 and can be found online at CincinnatiArts.org, by phone at 513.621.ARTS or in person at the Aronoff Center Box Office downtown. For groups of 10 or more, contact the group sales department at 513.369.4363. Performance schedule, prices and cast are subject to change without notice. For more information, please visit BroadwayInCincinnati.com.

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STAY UP-TO-DATE WITH ALL THINGS BROADWAY IN CINCINNATI:
Instagram, Facebook, and TikTok: @BroadwayCincy

Fifth Third Bank Broadway in Cincinnati presented by TriHealth is committed to bringing the very best of Broadway to the Tri-State, presenting touring Broadway plays and musicals in Cincinnati since 1987. For over twenty years, Broadway in Cincinnati has presented all shows at the Aronoff Center. The Broadway in Cincinnati series brings more than 185,000 people downtown to the Aronoff Center each year and contributes an average of $30 million to the local economy each season. Broadway in Cincinnati is a member of the Greater Cincinnati Convention & Visitors Bureau, the Greater Cincinnati Chamber of Commerce and The Broadway League. Fifth Third Bank is the sponsor of the Cincinnati 23/24 Season, and the season is presented by TriHealth. 

Broadway Across America (BAA) is part of the John Gore Organization family of companies, which includes Broadway.com, The Broadway Channel, BroadwayBox.com, Group Sales Box Office and Broadway Brands.  Led by 20-time Tony-winning theater producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 48 markets with over 400,000 subscribers. Presentations include Disney’s The Lion King, Wicked, The Book of Mormon, and Hamilton. Current productions include &Juliet, Hadestown, Hamilton, Kimberly Akimbo, MJ: The Musical and Moulin Rouge! The Musical. 

The John Gore Organization is the leading presenter, distributor, and marketer of Broadway theater worldwide. Under the leadership of 20-time Tony-winning theater producer and owner John Gore, its family of companies includes Broadway Across America, Broadway.com, The Broadway Channel, BroadwayBox.com, Group Sales Box Office and Broadway Brands. The company presents shows in 48 cities across North America as well as on Broadway, Off-Broadway, London’s West End, Japan, and China. It has won Tony Awards in every producing category as well as numerous other Drama League, Drama Desk and Olivier Awards.  The John Gore Organization is committed to supporting theater access and education programs that introduce Broadway to the next generation of audiences and theater professionals.

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Ohio Animation Firms Support Youth Wellness with Mindful Music Daily Animation for Schools

Two Cincinnati Firms Help Cincinnati Non-Profit Create World-Class Animations for National Mindful Music Program for Student Wellbeing

MISC_Mindful Musical MomentsTwo Cincinnati animation firms, Pixel Fiction and Lightborne, joined forces to support Mindful Music Moments, Cincinnati non-profit The Well’s signature program that brings world-class music in combination with daily creative, calming prompts to schools and classrooms in Greater Cincinnati and far beyond.

The Well’s Director of Music and Arts Programs, Bryce Kessler says “We heard from a lot of our teachers that students need support in focusing their attention. As a small non-profit, we needed to find a dynamic, cost- and time-effective way to create daily video content in addition to daily audio content for all 300 schools and national partnerships we serve. Kessler continues, “we innovate and learn directly from our school partners and lean in to our 50+ schools in Cincinnati and Northern Kentucky to make sure we are always supporting the ever-changing environment.”

Kessler continues, “Pixel Fiction, with support from Kattspaw Audio, created our new mascot Mel O. Dee and Lightborne’s team created audio responsive designs that animate to the daily music selections. The result is delightful and compelling to students.”

Lightborne President Scott Durban explains “we harnessed the power of TouchDesigner—a commercial software frequently used to generate visuals for touring music artists—to craft bespoke audio reactive visuals that enhance and deepen the Mindful Music Moments program.”

“Bringing the mascot, Mel O. Dee, to life was made easier by starting with their fun logo design that had the character already built in. It informed much of what we needed to know about their personality,” explains Scott Thierauf, co-owner of Pixel Fiction. “Working closely with Stacy and Bryce, we created an energetic, childlike character that bounds around with seemingly endless energy, then slowly calms to ease the viewers into Mindful Music Moments. The goal was to show a fun, encapsulated version of what a child might experience at the beginning of their day.”

Myesha Jewell, Preschool and Kindergarten teacher at Parker Woods Montessori, a Cincinnati Public School, has experienced the audio version of Mindful Music over the last several years. She says that the new animated content allows us students to “listen to Mindful Music all throughout our school day. This year, I feel like the kids can see the visuals and calm their breathing to match the visuals.”

For more information about bringing Mindful Music to your school, preschool or organization, reach out to TheWell.World.

About The Well
The Well provides programs, practices and connection at the intersection of arts and wellness. Its programs include Mindful Music Moments, Mindful Poetry Moments, True Body Project and a new youth curriculum My True SELF. The Well is based in Camp Washington and is nourished by the non-profit A Mindful Moment.

About Lightborne
Lightborne Communications is a world-renowned video production studio creating visually stunning works for complex multi-disciplinary projects. Their work includes live stage performance content, broadcast TV commercials, web and social videos, retail environments, projection mapping, brand experiences, and beyond.

About Pixel Fiction
Pixel Fiction is a unique animation, edit and visual effects studio producing dazzling visuals that persuade, inform and entertain. Their specialties include creative editorial, high-end 3d animation, visual effects, motion graphics and concept design for broadcast TV, web videos, experiential & immersive design, music videos and more.

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TAKE THE STAGE Campaign to Benefit Cincinnati Arts Association’s Education Programs

CAA_Take the StageTAKE THE STAGE 

Own a Piece of History in Support of the
Cincinnati Arts Association’s Education Programs

[CINCINNATI, OH] The Cincinnati Arts Association (CAA) is pleased to announce its newest fundraising campaign, TAKE THE STAGE, which allows donors to own a piece of Aronoff Center history – a section of the Procter & Gamble Hall’s original stage floor, which was replaced this summer after nearly thirty years of use.

Since the opening of the Aronoff in 1995, this beloved stage has held hundreds upon hundreds of shows and stars from Hamilton, Disney’s The Lion King, and The Phantom of the Opera to Patti LaBelle, Carol Burnett, and Tony Bennett… and many, many more. The new stage floor includes more than 8,000 red oak floorboards and was installed over a ten-week period by the Cincinnati Floor Company, which also installed the original Procter & Gamble Hall flooring. The new stage floor has an estimated life of more than thirty years.

Friends and fans of the Cincinnati Arts Association are invited to support the NEXT STAGE of its ongoing history of presenting arts and entertainment experiences at the Aronoff Center and in the community. For a donation of $250, supporters will receive a beautifully framed, limited-edition shadowbox that includes an engraved piece of the original Procter & Gamble Hall stage and a stunning image of the theater, plus a numbered Certificate of Authenticity.

Most importantly, the funds raised through the TAKE THE STAGE campaign will help CAA sustain its Education & Community Engagement (ECE) programs that promote transformative, life-long participation in the arts while contributing to individual, organizational, and community success. With a mission to educate, inspire, and engage the Tri-state region, these accessible arts programs ignite the imaginations of all ages. CAA’s ECE department has served more than two million children and adults since the inception of these programs nearly three decades ago. 

To donate to the TAKE THE STAGE campaign and receive the limited-edition shadowbox, or for more information, visit CincinnatiArts.org/take-the-stage or contact Amanda Ross at (513) 977-4135 / aross@cincinnatiarts.org. 

The Cincinnati Arts Association is a 501[c] 3 nonprofit organization, and contributions to the Aronoff Center’s TAKE THE STAGE campaign are tax-deductible to the extent permitted by law. 

ABOUT THE CINCINNATI ARTS ASSOCIATION
Founded in 1992, the Cincinnati Arts Association (CAA) is a not-for-profit organization that oversees the programming and management of two of the Tri-state’s finest performing arts venues – the Aronoff Center for the Arts and Music Hall – and is dedicated to supporting performing and visual arts. Each year, CAA presents a diverse schedule of events; serves upwards of 700,000 people in its venues; features the work of talented local, regional, and national artists in the Weston Art Gallery (located in the Aronoff Center); and supports the work of more than one dozen resident companies.

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ON CUE Newsletter

ACT_logoON CUE

The electronic newsletter of the Association of Community Theatres of Greater Cincinnati
Conference Wrap Up  September 1-4, 2023

What a weekend. What a conference. The Southwest knows how to have a good time.

As co-chair of the conference, Peggy Kenney did an excellent job with keeping the whole thing in motion. Unfortunately, Robert Weidle, the other co-chair had some medical issues that took him away from his assistance, but he is on the mend and hopefully he will continue to get stronger.

As in the past, there was an activity scheduled for anyone to take part in. Each day, there was a different activity that allowed people to collect stars for prizes. On Friday, Saturday, and Sunday, there were hotel stays donated by various hotels in the area and each had an activity associated with it. All of the daily winners were still eligible to win the grand prize which was a 3-night stay in Gatlinburg, which was given by an anonymous donor. The winner of that stay was Ruth Crowley.

The attendance this year was not as high as it has usually been for our region, but considering the state of theatre these past few years, it wasn’t bad. There were 226 people who registered for the full package, 95 for Saturday, 44 for Sunday, and 18 musicians. Out of these, there were 152 first time attendees. Sharon Buchtman and Judy Berrens had plenty of activities for them to participate in with one person winning a basket of goodies. It is hoped that a lot of them will return next year, even if they are not in an excerpt.

Besides all of the excerpts, there were workshops scheduled on all aspects of theatre from acting, to technical elements, stage combat, and the administrative side of theatre. There were also workshops on how to write a play. One of the highlights of the weekend was a workshop by Richard Oberacker who not only gave a highlight of how a musical comes together but also a Musical Theatre Master Class. He worked with several individuals and offered in-depth advice and specific techniques on elevating the performance of a song into a unique expression of character. All who attended this workshop benefited from his expertise.

So, for those of you who don’t know, our region had 4 excerpts at the OCTA conference. In case you didn’t hear, here is the list of awards handed out to our groups. Congratulations to everyone on the awards.

 JOHN MICHAEL DURNIL MERIT IN ACTING AS GEORGE KINKY BOOTS
THE CAST MERIT IN ENSEMBLE KINKY BOOTS
THE ORCHESTRA EXCELLENCE IN MUSICAL ACCOMPANIMENT KINKY BOOTS
ROBERT BRESLIN OUTSTANDING IN MUSICAL THEATRE PERFORMANCE AS CHARLIE PRICE KINKY BOOTS
GARRETT KLAAS OUTSTANDING IN MUSICAL THEATRE PERFORMANCE AS LOLA/SIMON KINKY BOOTS
REBECCA WALL OUTSTANDING IN MUSICAL THEATRE PERFORMANCE AS LAUREN KINKY BOOTS
CHAD BRINKMAN OUTSTANDING IN DIRECTING A GENTLEMEN’S GUIDE TO LOVE AND MURDER
ALAN MASTERS OUTSTANDING IN MUSICAL DIRECTING A GENTLEMEN’S GUIDE TO LOVE AND MURDER
AMANDA MARASCH OUTSTANDING IN CHOREOGRAPHY A GENTLEMEN’S GUIDE TO LOVE AND MURDER
THE CAST OUTSTANDING IN ENSEMBLE A GENTLEMEN’S GUIDE TO LOVE AND MURDER
THE CAST OUTSTANDING IN VOCAL ENSEMBLE A GENTLEMEN’S GUIDE TO LOVE AND MURDER
WAYNE WRIGHT OUTSTANDING IN VARIETY PHYSICAL CHARACTERIZATION A GENTLEMEN’S GUIDE TO LOVE AND MURDER

THE GODS OF COMEDY

DOUG BERLON EXCELLENCE IN SOUND DESIGN
JENNIFER DAY OUTSTANDING IN DIRECTING
THE CAST OUTSTANDING IN ENSEMBLE

A VIEW FROM THE BRIDGE

ELLIS QUINNE MERIT IN ACTING AS RODOLPHO
BURT MCCOLLOM MERIT IN ACTING AS ALFIERI
BRIANA KENNEDY EXCELLENCE IN ACTING AS CATHERINE
TOM PETERS OUTSTANDING IN DIRECTION
JONN BACA OUTSTANDING IN FIGHT CHOREOGRAPHY
KEITH CASSIDY OUTSTANDING IN ACTING AS EDDIE CARBONE
MARY STONE OUTSTANDING IN ACTING AS BEATRICE CARBONE

Each year, OCTA inducts people or theatre groups into the Hall of Fame. These nominations are for a lifetime of commitment to promoting theatre. It is an honor to announce that Burt McCollom was chosen to be inducted into the OCTA Hall of Fame. Those of you who have had the pleasure of either having him for a teacher, a director, or a fellow actor on stage, know that he is most deserving of this honor. Congratulations Burt.

There were several theatres who were recognized for technical awards. Footlighters Inc., Loveland Stage Company and Village Players of Fort Thomas all received awards for their newsletters and Footlighters, Inc. also received awards for their website. There were no submissions from our region for set design or costumes, so if your theatre wishes to be considered for any of these competitions, check the OCTA website for information on what the requirements are for entering. We have some great technical work on our shows, so all you technical people, look into entering for 2024.


Speaking of the 2024 conference, the theme was announced at the Monday brunch. The OCTA board are conference chairs and the theme is Thinking Outside the Box. Next year’s conference will be held at the Midland Theatre and Cherry Valley once again the hotel. Also at the 2024 conference, if you wish to be considered for the 2025 AACTfest, you MUST submit your theatre at this conference. Rules and regulations are/will be available on both the AACT and OCTA websites.


ACT held their first meeting September 26 at St Rita’s. Rivertown Players in Lawrenceburg, Indiana was voted in as the newest theatre member. Welcome and know that we are all happy to have you. ACT meets the 4th Tuesday of each month except for December, July and August. Urge your ACT rep/alt to attend and make your theatre voice heard.

The board approved the proposed budget presented by Jon Scheiding for the 2023-24 season. Jon is also working to get every board position a google email address and to move all to business to google workspace to provide continuity when new people assume the various positions.

The bylaws are still being updated by John Wesseling and Joy Sharp with a few submitted each meeting for approval by the member theatres. It is an ongoing process and John and Joy are doing a great job of updating them.

ACT 1st VP, Amanda Emmons Shumate is looking into moving the ACT-OCTAFest from Parrish Auditorium. At this time, the person we have dealt with is retiring at the end of the year and the college is not signing any contracts until after January 1st.  Amanda is looking for a new venue that won’t be as far away for some of our groups to travel. Also, if this change comes about, she is also looking at hotels that will be large enough to host our annual banquet. Even though the Embassy Suites has been a good hotel, ACT has pretty much outgrown the facility. Hopefully she will have answers by the October meeting.

2nd VP, Mark Culp reported on the number of shows that took place over the summer as well as those shows that are scheduled to open by the end of the year. He is placing responders with these shows and is always on the hunt for new people to train. If you or someone you know is interested in being a responder, submit your name. With the number of theatre and shows, this is a much-needed job. The bylaws state that each theatre must provide a responder candidate for each show they perform over the season.

Amy Waldfogle is working on the annual awards and stated that Fairfield Footlighters, MERIT Theatre, Beechmont Players, and Mason Community Players on deck for committee. She is also chairing the education committee and has added Doug Bruening and Denise Schneiders to that committee. The idea behind this is to pair someone who wants to learn a skill, e.g., lighting, with a person who has that skill set. This is a valuable tool for everyone to become more educated on the various skills.

Arlene Balzco who is working on the annual Scholarships has set the 1st Saturday in February as the date for the auditions with the 2nd Saturday as a snow date. More information will be coming. These scholarships are open to any student who is pursuing a college degree in theatre.

Mary Stone has been doing an excellent job at marketing ACT. If you have been seeing a Show of the Week on Facebook, this is due to her. She is also keeping the website current and full of information. Be sure and check all of these out.

ACT will be celebrating its 70th year in 2024-25.  When ACT celebrated 50 years, there was an updated history of ACT member groups. This is something that needs updating. So, please send a history of what has happened to your group in the past 20 years along with any pertinent information you want included. Send those histories to Linda Roll at llroll69@hotmail.com. This document will then be added to the website and kept with the history logs. There are also some missing years of history, so anything your group can add will be greatly appreciated. Just as an FYI, ACT was started in order to have a calendar so that there wouldn’t be more than one group presenting a show at any given time. Easy to do when there are only 13 groups doing one or two shows a season. Not so easy now with the number of theatres and shows that are being done.

Thank you for being a part of Greater Cincinnati Theatre.
Any errors, mistakes or omissions are not intentional.

Linda Roll, editor
llroll69@hotmail.com

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