Category Archives: Press Releases

A DELICATE SHIP World Premiere at PIP March 22-April 20

A DELICATE SHIP RECEIVES ITS WORLD PREMIERE AT CINCINNATI PLAYHOUSE IN THE PARK, MARCH 22 – APRIL 20

PIP_A Delicate Ship(CINCINNATI) – The Cincinnati Playhouse in the Park launches the third world premiere of its 2013-14 season, Anna Ziegler’s humorous and heartbreaking memory play, A DELICATE SHIP, March 22 through April 20 in the Thompson Shelterhouse Theatre.

On Christmas Eve, Sarah and Sam are wrapped up in their still-new love when a knock on the door shatters their relationship fog. The arrival of Nate, Sarah’s friend and former neighbor from childhood, embodies the third point of a complicated love triangle. The emotional tides then turn in unexpected ways that permanently change the lives of all three of them.

“It’s an adult play for thoughtful and adventurous audiences,” says Playhouse Artistic Director Blake Robison. “Many of our patrons look to the Shelterhouse for just this sort of serious work. Anna is one of a group of young, female playwrights who are taking the American theatre by storm. She brings her own delicate and unique perspective to character, story and relationships on stage.”

Anna Ziegler’s A DELICATE SHIP is the ninth mainstage world premiere by a female playwright that the Playhouse has produced in the 21st century.

“It’s important to support women artists — to tell their stories and to hear their voices on stage,” says Robison. “Historically, theatre has championed plays by male writers. I’m very proud that the Playhouse has produced works by many of today’s most exciting female playwrights, from Anna to Deborah Zoe Laufer, Carson Kreitzer, Melanie Marnich, Theresa Rebeck and others.”

Ziegler’s plays include Photograph 51, Dov and Ali, Another Way Home, The Minotaur, BFF, Novel, Evening All Afternoon and Life Science. Photograph 51, which explored real-life physicist Rosalind Franklin’s contributions to the discovery of the DNA double helix, won the 2008 STAGE International Competition for the best script about science and technology. Ziegler also has been honored with the Edgerton New American Play Award, for Another Way Home, and the Douglas T. Ward Playwriting Prize, which was awarded by New York University’s Tisch School of the Arts, from which she earned an MFA.

“One of the things that drew me to A DELICATE SHIP is the way Anna plays with time,” says Playhouse Associate Artist Michael Evan Haney, who is directing the play. “One of the themes she explores is how the past, present and future are all happening within us at the same time. The play is realistic with surreal overtones.”

“I find this form really freeing,” Ziegler says of the memory play structure of A DELICATE SHIP. “It allows me to tell a story that’s happening in real time without being limited by what dialogue and information would be naturally spoken and revealed during the specific window of the story. I can reach back into the past, or steal from the future, to give the present day more dimension and meaning. It’s a bit more like a novel in that sense, which, in turn, is more similar to the way we actually live — we never truly exist, frozen, in a particular time; every experience harkens back to something else, or makes us hope for, or fear, something in the future.”

Making their Playhouse debuts in A DELICATE SHIP are Janie Brookshire as Sarah and Karl Miller as Nate. Ben Diskant, who portrays Sam, was seen as Frank Jr. in the Playhouse’s 2012 production of Merrily We Roll Along. The creative team includes Narelle Sissons as the set designer, Gordon DeVinney as the costume designer, Kirk Bookman as the lighting designer and Fabian Obispo as the sound designer/composer. Becky Merold is the stage manager.

A DELICATE SHIP is sponsored by Bartlett & Co. The artist sponsor is Gallagher SKS, and additional support is provided by The Harold and Mimi Steinberg Charitable Trust. The production honors the support of Leon Meyer. Prices range from $30 to $80, depending on performance date and seat location. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. Teen and student tickets are $25 each. Previews are at 8 p.m. Saturday, March 22; 7 p.m. Sunday, March 23; 7:30 p.m. Tuesday, March 25; and 7:30 p.m. Wednesday, March 26. The official opening night is Thursday, March 27, at 8 p.m.

Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

Special performances include free Meet the Artists programs that allow audiences to interact with cast members and others associated with the production after the show. Meet the Artists performances are at 2 p.m. Sunday, March 30; 2 p.m. Sunday, April 6; 7:30 p.m. Wednesday, April 9; and 8 p.m. Thursday, April 17. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to A DELICATE SHIP are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2013-14 Thompson Shelterhouse Theatre Series is presented by the Heidelberg Distributing Company, and Humana is the Thompson Shelterhouse season design sponsor. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported, in part, by the generosity of the tens of thousands of individuals and businesses that give to ArtsWave.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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THE IRISH CURSE at Clifton Performance Theatre

CP_Irish Curse logoWhat better way to get ready for the “wearing of the green” than a little “Irish Curse.” This wickedly delightful and heart wrenching play by Martin Cassella opens at the end of February. What “The Irish Curse” is – and how it manifests itself – is the raw centerpiece of this wicked, rollicking and very funny new play. From its blistering language to its brutally honest look at sex and body image, THE IRISH CURSE is a revealing portrait of how men, and society, define masculinity. In doing so, it dares to pose the fundamental question that has been on the minds of men since the beginning of time: “Do I measure up to the next guy?”

Size matters to this small group of Irish-American men who meet every Wednesday night, in a Catholic church basement, at a self-help group for men with small penises. This allegedly Irish trait is the focus of their weekly whining and bitching as they feel this “shortcoming” has ruined their lives.

One evening, when a twenty-something blue-collar guy joins the group, he challenges everything the other men thought about “the Irish curse” …tackling their obsession with body image and unmasking the comical and truthful questions of identity, masculinity, sex, relationships, and social status that define their lives.

The show features actor Kevin Crowley, Michael Bath, Buz Davis, Carter Bratton and Pete Wood.

Tickets can be purchased at http://www.brownpapertickets.com/event/568366 or at the door.

THE IRISH CURSE Show times

  • Feb 28th 8pm
    Opening night party “Sizing up the issue gala”
  • Sat March 1st 8pm
  • Sunday March 2nd 7pm
  • Thursday March 6th 8pm
  • Friday March 7th 8pm
  • Sat March 8th 8pm
  • Sunday March 9th 2pm
  • Monday March 10th 8pm
  • Thursday March 13th 8pm
  • Friday March 14th 8pm
  • Sat March 15th 8pm

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ETC Reaches New Heights With Regional Premiere of THE MOUNTAINTOP, March 19-April 6

ENSEMBLE THEATRE CINCINNATI’S 2013-2014 REACHES NEW HEIGHTS WITH REGIONAL PREMIERE OF KATORI HALL’S THE MOUNTAINTOP, MARCH 19-APRIL 6, 2014

ETC_The Mountaintop(Cincinnati, OH) Ensemble Theatre Cincinnati continues its 2013-2014 season with THE MOUNTAINTOP, by rising American talent Katori Hall, which depicts a powerful and provocative reimagining of a pivotal night in Dr. Martin Luther King, Jr.’s life—his last. Written by a then-30-year-old Hall, The Mountaintop won Britain’s prestigious Laurence Olivier Award in 2010, a first for any black female playwright. Directed by D. Lynn Meyers, THE MOUNTAINTOP plays March 19 to April 6, 2014.

Ensemble Theatre Cincinnati is pleased to welcome back Gavin Lawrence as he takes on the iconic figure of Dr. Martin Luther King, Jr. Mr. Lawrence won over Cincinnati audiences and critics alike with his powerful portrayal of Supreme Court Justice Thurgood Marshall in the sold-out run of Thurgood back in 2010. Joining him in this two-person regional premiere is Torie Wiggins, who wowed audiences in last season’s production of Black Pearl Sings!, as well as this past holiday as Princess Aouda in Around the World in 80 Days.

Memphis. The Lorraine Motel. April 4, 1968. A time and place burned into the American psyche. But what about April 3? How did Dr. Martin Luther King Jr., spend his last night on Earth? On the eve of his assassination, Dr. Martin Luther King, Jr., returns after delivering the speech of a lifetime – when an unexpected visit from an enigmatic and feisty, young maid pushes him to confront his life and the plight and future of his people. A breakout hit in London and on Broadway, The Mountaintop’s humorous, magical storytelling fictionalizes the final hours of Dr. King’s life and unveils the humanity and vulnerability of America’s larger-than-life Civil Rights icon.

“This isn’t the ‘I Have a Dream’ King. This is a more radical King. This is King, the man; not the myth,” explains playwright Katori Hall. “I want people to see that this extraordinary man—who is actually quite ordinary—achieved something so great that he actually created a fundamental shift in how we, as a people, interact with each other.’”

About the Cast
Gavin Lawrence
returns to Ensemble Theatre Cincinnati to star as Martin Luther King, Jr. Mr. Lawrence was last seen on ETC’s stage in the regional premiere of Thurgood. His recent credits include the Steppenwolf production of The Gospel of Franklin in the title role, the role of Langston Hughes in Are You Now… at the Guthrie, and in both roles of Theseus and Titania in A Midsummer Night’s Dream at Ten Thousand Things Theatre. His regional credits include The Goodman, Arena Stage, Centerstage, Alabama Shakespeare Festival, Denver Center Theatre Company, Actors Theatre of Louisville, Mixed Blood, Children’s Theatre Company of Minneapolis, First Stage, Milwaukee Rep., Cincinnati Playhouse in the Park, Kansas City Rep., and City Theatre, to name a few. He appeared off­Broadway in Pure Confidence, and was recently named Best Actor by the Minneapolis City Pages BEST OF THE TWIN CITIES 2013. His award­winning play, Cut Flowers was recently presented at Karamu House in Cleveland to rave reviews. Other plays produced include Salt Fish And Bakes (Best New Script Minneapolis Star Tribune), Bye, Bye Margarita, Lilies In The Valley, The Sound Of The Rain, B Is For Bully, Once Upon a Summertime, and N 2 The Mirror. He is the recipient of the Lorraine Hansberry Award for Best Writing Of A Play and the Distinguished Alumnus Award from Howard University.

Torie Wiggins (Camae) returns to Ensemble Theatre, having most recently appeared in Around the World in 80 Days, Black Pearl Sings!, and Alice in Wonderland. She co-adapted and performed her one-woman show, Your Negro Tour Guide at Ensemble Theatre of Cincinnati, as well as other venues in Cincinnati and across the country. She has appeared on All My Children, the feature film Love Me Through It and her voice can be heard on numerous national television and radio commercials Her Know Theatre of Cincinnati credits include Abraham Lincoln’s Big Gay Dance Party, Collapse, Afghan Women Writer’s Project, and Bloody Bloody Andrew Jackson. She was recently seen in The Crucible and To Kill A Mockingbird at Cincinnati Shakespeare Company.

About the Playwright
Katori Hall is a playwright and performer hailing from Memphis, Tennessee. Her award-winning play Hoodoo Love premiered at the Cherry Lane Theatre in 2007. It was developed under Lynn Nottage as part of the theatre’s 2006 Mentor Project. Hoodoo Love received three AUDELCO nominations (Best Actress, Best Supporting Actress, August Wilson Playwright Award). Her other plays include: Remembrance, Hurt Village, Saturday Night/Sunday Morning, The Mountaintop, On The Chitlin’ Circuit, and Freedom Train (KCACTF ten-minute play national finalist). Her work has been developed and presented at the following venues: the American Repertory Theatre, Kennedy Center, Cherry Lane Theatre, Classical Theatre of Harlem, Schomburg Center, BRICLab, Women’s Project, World Financial Center, Lark Play Development Center, New Professional Theatre, The O’Neill, the Juilliard School, Stanford University, and Columbia University. She is the recipient of numerous awards, including the Lecompte du Nouy Prize, North Manhattan Arts Alliance Fellowship, New York State Council on the Arts Commission Grant, New Professional Theatre’s Writers’ Festival award, Fellowship of Southern Writers Bryan Family Award in Drama, New York Foundation of the Arts Fellowship in Playwriting and Screenwriting, Royal Court Theatre Residency, and the Lorraine Hansberry Playwriting Award. She has also been a Kennedy Center Playwriting Fellow. As an actor, her credits include Law & Order: SVU, The President’s Puppets (The Public), Growing Up A Slave (American Place Theatre), Incidents In The Life of A Slave Girl (American Place Theatre), the world premiere of Amerika (Theatre de la Jeune Lune/American Repertory Theatre), Spring Awakening (Moscow Art Theatre School), Ain’t Supposed to Die A Natural Death (Classical Theatre of Harlem), Schooled (WOW Café Theatre), and Black Girl (Sande Shurin Theatre). As a journalist, her work has been published in The Boston Globe, Essence, Newsweek, and The Commercial Appeal. She graduated from Columbia University in 2003 with a major in African-American Studies and Creative Writing. She was awarded top departmental honors from the university’s Institute for Research in African-American Studies (IRAAS). In 2005, she graduated from the American Repertory Theatre Institute for Advanced Theatre Training at Harvard University, receiving a Master of Fine Arts in Acting. She is now a student in the Juilliard School’s Lila Acheson Wallace American Playwrights Program. She is a proud member of the Women’s Project Playwrights’ Lab, the Lark Playwrights’ Workshop, and the Dramatists Guild.

Production team includes Brian c. Mehring (Resident Scenic & Lighting Designer), Aaron Clements (Technical Operations Director), Matthew Hollstegge (Production Coordinator & Master Electrician), Shannon Rae Lutz (Properties Master & Design Assistant), Michael Lenaghan (Properties Master), Matthew Tibbs (Sound Designer), and Chad Phillips (Costume Designer). Production Stage Manager is Brandon T. Holmes.

Ticket Prices
Tickets are $39 for Tuesday, Wednesday, and Thursday performances.
Tickets are $43 for Friday, Saturday, and Sunday performances.

Half-price rush tickets and $15 student rush tickets are available starting two hours prior to show time.
Tickets and seating subject to availability.

Other Single Ticket Discounts
Military/Educator, Public Radio Perks Card, ArtsWave FunCard, AAA, Senior and Enjoy the Arts discounts available; tickets and seating are subject to availability. ETC accepts all major credit cards and Downtown Cincinnati gift cards. A full list of available discounts and performance calendar is available at www.ensemblecincinnati.org.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign. 

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts. 

2013-2014 Season Presenting Sponsor is the Otto M. Budig Family Foundation. Additional support provided by Garfield Suites Hotel, The Greater Cincinnati Foundation, the Shubert Foundation, and National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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The Drama Workshop Presents TWELVE ANGRY MEN

From left to right: Jim Meridieth (Juror 6), Glenn Schaich (Juror 7), Joe Ward (Juror 11), David Dreith (Juror 12), Joe Kozak (Juror 5), Chris Bishop (Foreman), Bill Keeton (Juror 8), David Levy (Juror 3), Doug Tumeo (Juror 2), Jack Williams (Juror 9), Ron Samad (Juror 10). Not pictured: Dick Bell (Juror 4), Ray Persing (Guard). Diana Daniels image.

From left to right: Jim Meridieth (Juror 6), Glenn Schaich (Juror 7), Joe Ward (Juror 11), David Dreith (Juror 12), Joe Kozak (Juror 5), Chris Bishop (Foreman), Bill Keeton (Juror 8), David Levy (Juror 3), Doug Tumeo (Juror 2), Jack Williams (Juror 9), Ron Samad (Juror 10). Not pictured: Dick Bell (Juror 4), Ray Persing (Guard). Diana Daniels image.

(Cheviot, Ohio) The Drama Workshop, the award-winning community theater based at Cheviot’s Glenmore Playhouse, is excited to present the highly acclaimed courtroom drama, TWELVE ANGRY MEN, by Reginald Rose. The production is headed up by Don Volpenhein, and is produced by Betsy Obermeyer.

Before such programs as “CSI” and “Law and Order” became popular, TWELVE ANGRY MEN took us inside the courtroom. Originally aired as a live broadcast in 1954, TWELVE ANGRY MEN was quickly adapted to feature film in 1957, starring Henry Fonda, Jack Warden and Lee J. Cobb. The play and film have been restaged a number of times over the intervening 60 years, including a 1997 TV movie starring George C. Scott.

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young man is guilty or innocent of murdering his father. Locked into the small, claustrophobic jury room on a stifling hot summer day until they come up with a unanimous decision, this compelling, provocative play examines the twelve men’s deep-seated personal prejudices, perceptual biases and weaknesses, personalities, cultural differences, ignorance and fears – all of which threaten to taint their decision-making abilities, cause them to ignore the real issues in the case, and potentially lead them to a miscarriage of justice. Persistently and persuasively, one solitary juror forces the other men to slowly reconsider and review the case against the endangered defendant. Heated discussions, the formation of alliances, the frequent re-evaluation and changing of opinions, votes and certainties, and the revelation of personal experiences, insults and outbursts fill the jury room throughout this gripping story.

Dick Bell plays Juror Number Four, and makes the trip to Cheviot from Fairfield to take his place in the jury room. “Occasionally we read or hear about a high profile court case and wonder how in the world the jury arrived at that verdict,” Dick observed. “Twelve Angry Men just might give us some insight into how the personalities and backgrounds of jurors along with their biases, hopes and fears come together to explain the deliberations and decisions that take place in the jury room. Ultimately it all leaves us asking how we would react if we were in their shoes.”

Director Don Volpenhein is at the head of his second show for The Drama Workshop, having previously directed “Lend Me a Tenor”. Volpenhein is known across Cincinnati as a very fine actor, having appeared in shows as varied as “Bus Stop”, “To Kill a Mockingbird”, and “The Grapes of Wrath”, but he is also an outstanding director. “We were very lucky to get Don to direct this show,” offered TDW president Ray Persing. “He is widely acknowledged as one of the best in town. I’ve really enjoyed watching him work with the actors, pulling nuance out of the material that nobody else had seen. This is going to be an outstanding show!”

Cheviot resident Jim Meridieth plays Juror Number Six. “I am very impressed with the talent that surrounds me in this production,” he said. “Although it has been years since I have been on stage, I cannot recall being part of a process where each practice improved from each session to the next. Everyone has been very friendly, supportive, talented and professional.”

Bill Keeton, appearing as Juror Number Eight, agrees. “Don’s direction is an inspiring mix of guidance and suggestion, and the overall chemistry is electric. It’s been a great experience.”

Show dates for TWELVE ANGRY MEN are March 7, 8, 14, 15, 21, and 22 at 8 pm. Matinee performances will be offered on March 9, 16, and 23 at 2 pm. Tickets may be purchased through the TDW ticket line at 598-8303, or online at www.thedramaworkshop.org. All seats are $15.00. Sellout houses are occurring frequently, so reservations are strongly encouraged.

The Drama Workshop performs at The Glenmore Playhouse, formerly the Glenmore Bowl, at the corner of Glenmore and Gamble in the heart of the Cheviot Business District. There are many options for dinner and drinks within a short walk from the Playhouse. TDW received a prestigious Rehabilitation Award from the Cincinnati Preservation Association last November for their efforts to save the building from demolition and repurpose it. The Glenmore Playhouse also recently installed new theatrical seating for the audience’s comfort.

THE DRAMA WORKSHOP was founded in 1954. TDW is a 501(c)3 non-profit organization dedicated to advancing education and promotion of the theatrical arts. Based at the newly renovated Glenmore Playhouse in Cheviot, The Drama Workshop is widely recognized as one of greater Cincinnati’s most accomplished community theater organizations, garnering dozens of awards annually from the Cincinnati Association of Community Theatres. TDW productions have been regularly selected to represent the Southwest Ohio region at the Ohio Community Theatre Association annual conference, and TDW was also honored to represent the state of Ohio at the American Association of Community Theatre conference in 2013. Prospective members, and individuals or businesses interested in becoming involved or in helping advance TDW’s mission are encouraged to contact the group through our website at www.thedramaworkshop.org, or by phone at 513-598-8303.

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‘Hear the People Sing’ in CCM’s Highly Anticipated Mainstage Production of LES MISÉRABLES

This epic theatrical spectacle makes its CCM debut Feb. 27 – March 9, 2014. Tickets are still available for select performances.

Seniors Blaine Krauss as Jean Valjean and Kimber Sprawl as Fantine in CCM’s Mainstage Series production of LES MISERABLES. Photo by Mark Lyons.

Seniors Blaine Krauss as Jean Valjean and Kimber Sprawl as Fantine in CCM’s Mainstage Series production of LES MISERABLES. Photo by Mark Lyons.

CINCINNATI, OH—The University of Cincinnati College-Conservatory of Music’s (CCM) Mainstage Series presents the CCM debut production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical LES MISÉRABLES. Based on the novel by Victor Hugo, this iconic show runs Feb. 27 – March 9 in CCM’s Patricia Corbett Theater.

Set in France in the early 19th-century, Les Misérables is the story of Jean Valjean and his quest for salvation after serving 19 years in jail for having stolen a loaf of bread for his starving sister’s child. Relentlessly tracked and hounded by police inspector Javert, Valjean and a slew of characters are swept into a student revolution, as a group of young idealists make their last stand at a street barricade.

LES MISÉRABLES was first presented at the Palais des Sports in Paris in 1980. Its English language adaptation opened at the Barbican Centre in London in 1985, overcoming bad notices through word of mouth and launching the beginning of what has turned out to be a global sensation. The Broadway production opened in 1987 and ran until 2003, closing after 6,680 performances. The show was nominated for 12 Tony Awards and won eight, including Best Musical and Best Original Score.

Aubrey Berg, CCM’s Patricia A. Corbett Distinguished Chair of Musical Theatre, directs this new production. He explains, “I have been waiting not-so-patiently to present LES MISÉRABLES with the students at CCM for over 20 years, since I first saw it at the Barbican Theatre in 1985. It is an ideal vehicle for our talented students and production staff. We are extremely excited to bring a local production of this master work to Cincinnati audiences.”

With a score by Schönberg that has risen to pop-culture status, LES MISÉRABLES presents an incredible learning opportunity to CCM students. “Needless to say,” continued Berg, “the musical theatre majors were thrilled at the prospect of working on these meaty parts.” In order to involve as many students as possible, the notable roles of Jean Valjean and Inspector Javert are double-cast. The cast for a particular performance will be displayed in the lobby prior to each show.

Now the world’s longest-running musical, seen by more than 65 million people in 42 countries, Les Misérables continues to change lives. CCM Musical Theatre senior and associate director Connor Deane explains, “The show challenged me to bring believability and theatricality to the stage… It taught me how to share my heart and be part of something bigger than myself, just as the student revolutionaries sacrifice themselves on the barricade, fighting for freedom and equality.”

Aubrey Berg directs, with musical direction by Stephen Goers, dance choreography by Diane Lala, scenic design by Mark Halpin, costume design by Dean Mogle, wig and make-up design by Kaitlyn A. Adams, lighting design by David LaRose, sound design by Jeremy J. Lee, movement choreography by Vince DeGeorge, fight choreography by k. Jenny Jones and stage management by Hannah Holthaus.

Performance Times

  • 8 p.m. Thursday, Feb. 27
  • 8 p.m. Friday, Feb. 28
  • 2 and 8 p.m. Saturday, March 1
  • 1 and 7 p.m. Sunday, March 2
  • 8 p.m. Tuesday, March 4
  • 8 p.m. Wednesday, March 5
  • 8 p.m. Thursday, March 6
  • 8 p.m. Friday, March 7
  • 2 and 8 p.m. Saturday, March 8
  • 1 p.m. Sunday, March 9 

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to LES MISÉRABLES are $31-$35 for adults, $20-$24 for non-UC students and $18-$22 for UC students.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/lesmiserables.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions. 

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation 

Community Partner: ArtsWave 

Mainstage Season Production Sponsor: Macy’s 

LES MISÉRABLES is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI, 421 West 54th Street, New York, NY 10019. Phone: 212-541-4684. Fax: 212-397-4684. www.MTIShows.com.

The University of Cincinnati College-Conservatory of Music (CCM) is recognized both nationally and internationally as one of the leading conservatories for the performing and electronic media arts, composition, scholarship and pedagogy.

All event dates and programs are subject to change. For a complete calendar of events or to view CCM’s 2013-2014 season brochure visit our website at ccm.uc.edu.

UC’s College-Conservatory of Music – Define Your Inspiration

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