Category Archives: Press Releases

LOW DOWN DIRTY BLUES Brings the Party of the Season to Playhouse in the Park, Nov. 7-Dec. 20, 2015

LOW DOWN DIRTY BLUES BRINGS THE PARTY OF THE SEASON TO CINCINNATI PLAYHOUSE IN THE PARK’S THOMPSON SHELTERHOUSE, NOV. 7 – DEC. 20, 2015

PIP_Low Down Dirty Blues promo(CINCINNATI) – The club may be closing for the night, but that’s just when the party heats up in Randal Myler and Dan Wheetman’s LOW DOWN DIRTY BLUES, which sashays into the Cincinnati Playhouse in the Park’s Thompson Shelterhouse Theatre for the holidays, Nov. 7 through Dec. 20. A celebratory tribute to America’s great blues tradition, the show is a sizzling musical revue that features nearly two dozen songs pulled from the greatest hits of Muddy Waters, Howlin’ Wolf, Big Mama Thornton and more.

The LOW DOWN DIRTY BLUES cast features Felicia P. Fields, who was nominated for a Tony Award for her role as Sofia in the original Broadway production of The Color Purple; Chic Street Man, a performer who composed the music for and starred in the off-Broadway hit Spunk; Caron “Sugaray” Rayford, who was nominated for two 2015 Blues Music Awards; and keyboardist Fred Kaplan, who played with such blues greats as Big Mama Thornton and Big Joe Turner during his tenure with the legendary Hollywood Fats Band.

Myler and Wheetman share a 30-year working history, and they’ve struck box office gold — together and separately — at the Playhouse in the past, with shows including Hank Williams: Lost Highway and Love, Janis. LOW DOWN DIRTY BLUES is their latest collaboration, and it has already earned raves in Chicago and Milwaukee.

“The setting is a nameless South Side Chicago blues club,” said Myler, who’ll direct the production for the Playhouse. “It’s Saturday night, into Sunday morning. The linking dialogue is from actual blues artists that we interviewed, but it’s the music that drives the piece.”

In the show, a group of veteran musicians assembles for an after-hours jam session to swap stories and share their favorite tunes. Their hot rhythms and non-stop riffs celebrate the bawdier side of the blues.

“This show sort of came out of a show we had written called It Ain’t Nothin’ But the Blues,” said Wheetman, who also serves as the show’s music director. “The idea was to look at a very particular kind of blues — low down dirty blues. The early women’s blues music, especially, was very double entendre. That is how we started. As with anything it morphed into what it is today, which is a little broader.”

The double entendre in many of the show’s songs — including “Don’t Jump My Pony,” “My Stove’s in Good Condition” and “If I Can’t Sell It” — brings both humor and sensuality to the production. The stories that are interspersed between the songs add emotional resonance.

“It is a spicier kind of blues,” Wheetman said. “This was specifically about a kind of blues that has two sides to it. On one hand, it is a more intimate look, it is a smaller group and a smaller palate … This is not so much a historic thing; it is a story about the people, these people in this club and their stories, which includes the music but it is more of a personal talk about what brought them to where they are.”

The LOW DOWN DIRTY BLUES creative team, in addition to Myler and Wheetman, includes set designer Vicki Smith, costume designer Gordon DeVinney, lighting designer Don Darnutzer and sound designer Jeremy J. Lee. Jenifer Morrow is the production stage manager.

LOW DOWN DIRTY BLUES is sponsored by Margaret and Albert Vontz III and Moe and Jack Rouse. The cast sponsor is Bartlett & Co., and the design sponsor is the Geiler Co.

Ticket prices for LOW DOWN DIRTY BLUES start at $35. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. The show is appropriate for adult and older teenage audiences.

Returning this season is the popular Sunday College Night, with tickets to all 7 p.m. Sunday performances (not including A Christmas Carol) priced at just $10 with a valid student ID. Student tickets are just $15 on the day of the show for all other performances.

Discounted ticket prices for teens and students are available in advance for all productions for $30 and $45, depending on seat location.

The Playhouse’s new Tasting Series continues with a Soul Food Juke Joint beginning at 6:30 p.m. before each Friday night performance of LOW DOWN DIRTY BLUES. Inspired by the after-hours nightclub setting of the show, this catered event will feature live music by local blues artists and a soul food dinner served at 6:45 p.m. in the Playhouse’s Room with a View. The cost is $22 per person; for reservations, call the Box Office at 513-421-3888.

Previews for LOW DOWN DIRTY BLUES are at 8 p.m. Saturday, Nov. 7; 7 p.m. Sunday, Nov. 8; 7:30 p.m. Tuesday, Nov. 10; and 7:30 p.m. Wednesday, Nov. 11. The official opening night is Thursday, Nov. 12, at 7:30 p.m.

Performances take place at 7:30 p.m. Tuesdays, Wednesdays and Thursdays, 8 p.m. Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

Free Meet the Artists programs that allow audiences to interact with the cast and others associated with the production will be held after the following performances: 2 p.m. Sunday, Nov. 15; 2 p.m. Sunday, Nov. 22; 7:30 p.m. Wednesday, Nov. 25; and 7:30 p.m. Thursday, Dec. 10.

The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to LOW DOWN DIRTY BLUES are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2015-16 Thompson Shelterhouse Theatre Series is presented by the Heidelberg Distributing Company, and the Thompson Shelterhouse season design sponsor is the Allan Berliant and Jennie Rosenthal Berliant Family Fund. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported by the generosity of the community contributors to the ArtsWave campaign.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation.

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Miami University Theatre Presents IN THE NEXT ROOM, OR THE VIBRATOR PLAY

Theresa Liebhart as Mrs. Daldry & Jessica Filkill as Mrs. Givings. Photo by

Theresa Liebhart as Mrs. Daldry & Jessica Filkill as Mrs. Givings. Photo by Colin Shimrock.

Miami University Department of Theatre presents the Pulitzer Prize nominated play IN THE NEXT ROOM, OR THE VIBRATOR PLAY at 7:30 p.m. October 21-24 and at 2:00 p.m. October 25, in Gates-Abegglen Theatre, Center for Performing Arts.

The play, written by Sarah Ruhl, is a stimulating and witty, yet touching and tender story set during an age of technical innovation at the turn of the 19th century. The dawn of electricity allows a doctor to use electrical vibrator on his female patients to treat hysteria. However, when the doctor’s wife becomes curious about what is going on in the next room, boundaries become blurred and passion is unleashed. With the awakening of their senses, Sarah Ruhl’s characters imagine new relationships and shatter the constraints of social convention.

Director Ann Elizabeth Armstrong notes that the play explores “how sexuality intersects with our larger passions for life and how it connects us to deep and mature relationships.” Playwright Sarah Ruhl was shocked when she discovered that doctors used vibrators medically to treat the women with hysteria in the 19th century after coming across the book “The Technology of Orgasm” by Rachel P. Maines. Ruhl explores our distance from these historical events but she also portrays a familiar world where technology creates anxiety even as it opens up new exciting possibilities.

This production includes material of an adult nature and may contain brief nudity. Audience members under the age of 18 will not be admitted without parental consent. Potential audience members who are concerned about whether it is appropriate for them should contact the Department of Theatre at 513-529-3053 for additional information.

Tickets are $8 for students/youth, $9 for seniors and $12 for adults, available at the Miami H.O.M.E. Box Office, located in the lower level of the Shriver Center, (513) 529-3200 or online at MiamiOH.edu/BoxOffice.

Join us for these special events leading up to Opening Night!

Pouring Tea “In the Next Room”
Friday, October 16, 4:30–6pm, Patterson Place

Come join the cast of Miami University’s production of “In the Next Room, or The Vibrator Play” for afternoon tea and crumpets. Located in Patterson Place on Western Campus, we will be sitting in an original building from the Women’s college, Western College. Immerse yourself in the history of Victorian ideals, creativity and innovation, women’s history, and cultural practice. This event is co-sponsored by Humanities Center, Women’s Center and the Western College Alumnae Association.

With Moderators:

  • Dr. Helen Scheumaker, History/Global and Intercultural Studies
  • Alyssa Straight, PhD Candidate, English
  • Dr. Jacqueline Daugherty, Individualized Studies/Western Program
  • Hannah Regan, Undergraduate in Anthropology
  • Alexandra Fair, Undergraduate in Social Studies Education and History

Dramaturges:

  • Meryl Jeurgens, Undergraduate in Creative Writing and Theatre
  • Sloan Kyler, Undergraduate in Theatre
  • Logan Uhtenwoldt, Master’s Student in Theatre Studies
  • Dr. Katelyn Wood, Theatre

Actors:

  • Myka Lipsomb
  • Jessica Filkill
  • Adam Joesten

“Intimate Technologies” A Panel Discussion
Thursday, October 22, 5–6:15pm, Studio 88, Center for Performing Arts

In line with Miami University’s 2015-2016 theme, “Creativity and Innovation,” our panel of historians and gender and sexuality scholars will discuss how shifts in technological advances have changed our relationships to culture, space, time, relationships, and sexuality. Following this interactive discussion, join us for the Miami University Department of Theatre’s production of In The Next Room (or The Vibrator Play).

Moderator: Dr. Katelyn Wood, Theatre

With panelists:

  • Dr. José Amador, Latin American Caribbean Studies and Global and Intercultural Studies
  • Dr. Kimberly Hamlin, American Studies and Global and Intercultural Studies
  • Dr. Katie Johnson, English
  • Dr. Glenn Platt, Interactive Media Studies

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Cincinnati Ballet Presents The Anticipated Return of Val Caniparoli’s LADY OF CAMELLIAS

A touching tale of two hopeful lovers confronting the beauty and anguish of forbidden love

James Gilmer & Abigail Morwood. Photography: by Aaron M. Conwa.

James Gilmer & Abigail Morwood. Photography: by Aaron M. Conwa.

CINCINNATI, OH. LADY OF CAMELLIAS takes the stage October 23 and 24 at the Aronoff Center with choreography by Val Caniparoli. Performances are October 23 at 8 pm and October 24 at 2 and 8 pm. The moving music of Frédéric Chopin is performed by the Cincinnati Symphony Orchestra with Piano Soloist Michael Chertock, Baritone Vocal Soloist Thom Dreeze and Soprano Vocal Soloist Lisa Ericksen.

LADY OF CAMELLIAS is based on the 19th Century novel La Dame aux Camelias published in 1848 by Alexandre Dumas. His novel tells the tragic and compelling story of Marguerite, a famous courtesan, and Armand, a young countryman, as they become entangled in a forbidden affair, ultimately facing heartbreak and loss. The story has inspired more than 16 screen and stage adaptations including the film Camille, featuring an Oscar nominated performance by Greta Garbo, the popular opera La Traviata and most recently Baz Luhrmann’s 2001 film Moulin Rouge.

Val Caniparoli’s take on this poignant love story has endured and evolved over time. He created LADY OF CAMELLIAS in 1994 on Ballet Florida, as a co-commission with Ballet West. First performed by Cincinnati Ballet in 1998, it remains widely popular today among many esteemed ballet companies and requires a company’s full range of artistry. The choreography demands a physical technicality from the dancers including seven beautiful and challenging pas de deux, as well as a breadth of emotion in order to convey this compelling story on stage. “In the last several minutes of the ballet, there is not even a single dance movement” says Caniparoli. “It’s all expression, which I think can be even more powerful than an overhead lift or an exciting jump. You just cannot underestimate the power of expression in dance.”

Caniparoli may be familiar to Cincinnati audiences as the choreographer of Frisch’s Presents The Nutcracker from 2001-2011, as well as Caprice, Lambarena, The Bridge and Bow Out, among others. His versatility has made him one of the most sought after choreographers in the

U.S. and abroad. Caniparoli has contributed to the repertoires of more than 45 dance companies. He has been the recipient of ten grants for choreography from the National Endowment for the Arts, an artist fellowship from the California Arts Council, and two awards from the Choo-San Goh and H. Robert Magee Foundation.

Caniparoli is most closely associated with San Francisco Ballet, his artistic home for over forty years. In 1972, he received a Ford Foundation Scholarship to attend San Francisco Ballet School. He performed with San Francisco Opera Ballet before joining San Francisco Ballet in 1973. He began his career under the artistic directorship of Lew Christensen, and in the 1980s was appointed resident choreographer of San Francisco Ballet. He continues to choreograph for the company under Artistic Director Helgi Tomasson and performs with the company as a Principal Character Dancer.

MEET THE ARTISTS Cincinnati Ballet is pleased to offer Meet the Artists, a pre-performance discussion series where you will have the opportunity to meet select dancers, choreographers and members of the creative team who bring Lady of the Camellias to life. For admission, please present your ticket to the current production. Meet the Artists will be held at 7 pm on October 23.

PERFORMANCE DATES AND INFORMATION

  • WHO: Cincinnati Ballet, Choreography: Val Caniparoli
  • WHAT: LADY OF CAMELLIAS
  • WHEN:
    Friday, October 23 – 8:00 pm
    Saturday, October 24 – 2:00 pm
    Saturday, October 24 – 8:00 pm
  • WHERE: Procter & Gamble Hall
    Aronoff Center for the Arts, 650 Walnut Street, Cincinnati, Ohio 45202
  • HOW: Call 513.621.5282, visit cballet.org, or visit the Cincinnati Ballet Box Office at 1555 Central Parkway. Tickets start at $32.

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LADY OF CAMELLIAS Sponsors: Score Sponsor: William S. Rowe Foundation; Scenic Design Sponsor: Richard Antoine & Dorothy O’Brien; Marguerite Sponsor: Mary Ann & John Boorn; Armand Sponsor: Loretta Motz Cook & David Cook

Cincinnati Ballet 2015-2016 Season Sponsors: The Otto M. Budig Family Foundation, ArtsWave, The Louise Dieterle Nippert Musical Arts Fund, Rhonda & Larry A. Sheakley Family Foundation, Rosemary & Mark Schlachter, Ohio Arts Council, PNC Bank, Frisch’s, Wellington Orthopaedic & Sports Medicine, Cincinnati Enquirer

About Cincinnati Ballet

Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary

works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to inspire hope and joy in our community and beyond through the power and passion of dance, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, extensive education outreach programs and offers top level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

CONNECT: READ / WATCH / LISTEN / LEARN / ENJOY at cballet.org

http://www.facebook.com/CincinnatiBallet

http://twitter.com/cincyballet

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Mariemont Players Announces CHRISTMAS BELLES

Peter Merten as Dub Dubberly, Lauren Woodiwess as Honey Raye Futrelle, Chris Bishop as Raymond Chisum & Patrick Kramer as Justin Waverly. Photo by Jim Talkington.

Peter Merten as Dub Dubberly, Lauren Woodiwess as Honey Raye Futrelle, Chris Bishop as Raymond Chisum & Patrick Kramer as Justin Waverly. Photo by Jim Talkington.

Mariemont Players presents CHRISTMAS BELLES, a comedy by Jamie Wooten, Jessie Jones and Nicholas Hope, at the Walton Creek Theater, 4101 Walton Creek Road (just East of Mariemont), November 6th through November 22nd, 2015.

It’s Christmas-time in Fayro, Texas, and the Futrelle sisters – Frankie, Twink and Honey Raye – are not exactly in a festive mood. Their church Christmas program is spinning hilariously out of control thanks to squabbling siblings, family secrets, a surly Santa, a vengeful sheep and a reluctant Elvis impersonator. This holiday journey through a misadventure-filled Christmas Eve is guaranteed to bring joy to your world!

Christmas Belles is directed by Merritt Beischel, produced by Dan Maloney, and features the talents of Ann Barfels as Geneva Musgrave, Lauren Woodiwiss as Honey Raye Futrelle, Mandy Goodwin as Gina Jo (G.J.) Dubberly, Geoff Amann as John Curtis Butner, Jennifer Richardson as Twik Futrelle, Peter Merten as Dub Dubberly, Peggy Allen as Frankie Futrelle Dubberly, Nancy Rzonca as Rhonda Lynn Lampley, Patrick Kramer as Justin Waverly, Chris Bishop as Raymond Chisum, and Barbara Karol as Patsy Price.

Performances will be:

  • 8 PM Friday, November 6th
  • 8 PM Saturday, November 7th
  • 2 PM Sunday, November 8th
  • 7:30 PM Thursday, November 12th
  • 8 PM Friday, November 13th
  • 8 PM Saturday, November 14th
  • 2 PM Sunday, November 15th
  • 7 PM Sunday, November 15th
  • 7:30 PM Thursday, November 19th
  • 8 PM Friday, November 20th
  • 3 PM Saturday, November 21st
  • 8 PM Saturday, November 21st
  • 2 PM Sunday, November 22nd

For more information or to order tickets for CHRISTMAS BELLES call Betsy at 513-684-1236 OR order online at www.mariemontplayers.com. All seats are reserved and cost $20 each.

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CCM’s 2015-2016 Studio Series Opens with Award-Winning Musical BIG RIVER: The Adventures of Huckleberry Finn, Oct. 8-10

Karl Amundson & Phillip Johnson in CCM's BIG RIVER presented by UC College-Conservatory of Music, Thursday-Saturday. Photo by Adam Zeek.

Karl Amundson & Phillip Johnson in CCM’s BIG RIVER presented by UC College-Conservatory of Music, Thursday-Saturday. Photo by Adam Zeek.

CCM opens its 2015-16 Studio Series with a new production of Roger Miller and William Hauptman’s BIG RIVER: The Adventures of Huckleberry Finn, playing Oct. 8 – 10, 2015, in CCM’s Cohen Family Studio Theater. Directed by Vince DeGeorge with musical direction by Steve Goers and choreography by Patti James, BIG RIVER: will keep audiences’ toes tapping for four performances.

Like all Studio Series productions, admission to BIG RIVER is free, but reservations are required. Tickets become available at the CCM Box Office at noon on Monday, Oct. 5.

Winner of three Tony awards, including Best Musical, BIG RIVER is an irrepressible adaptation of Mark Twain’s timeless tale. The show brings to life all of the characters from the original novel: Widow Douglas, the King and Duke, Pap Finn, Tom Sawyer and – of course – Huck and Jim.

Vince DeGeorge, newly appointed Assistant Professor and Joseph Weinberger Chair of Acting for the Lyric Stage at CCM, returns to the Cohen Family Studio Theater to direct BIG RIVER:. Formerly a Visiting Professor at CCM, his Studio Series productions of Blood Brothers and 110 in the Shade last season proved a smash with critics and audiences alike, so anticipation is high for his latest production in the Studio Theater. “I love to take things that are very large and distill them down to what is most elemental about them,” DeGeorge says of directing in CCM’s intimate black box performance space.

Last seen at CCM in an “expansive” 1994 Mainstage production, BIG RIVER will be very different this time around. “It’s an exciting challenge for me and it’s exciting for the students as well, because when you really distill things down, it allows the actors and the story to shine,” says DeGeorge of adapting a large musical for a small space. This applies to the music as well; the orchestrations are new for this production and will utilize a bluegrass quartet.

In addition to the cast and music, the technical elements will play a vital role in telling the story, “The show is very organic, very ‘of nature,’ and most of it takes place on the river. Lighting and sound are extremely important to place the audience in that world. Also, what’s brilliant about the set is that the designer kept stripping it down until we found a simple, clear language that supports the whole story,” DeGeorge explains.

A crucial piece of the story is the river itself. Over the last century, commentators have described the river in Twain’s novel as a powerful symbol of freedom and possibility for Huck and Jim. Accordingly, it is on the river where much of the musical’s action takes place. How will this iconic symbol be portrayed in such an intimate space? “Oh, I can’t give that away!” laughs DeGeorge.

DeGeorge’s production of BIG RIVER will enthrall audiences with its clarity and simplicity, and allow CCM’s “stars of tomorrow” to shine.

With free admission and limited seating, CCM’s Studio Series productions remain one of the hottest tickets in town. Learn more about how secure your tickets by visiting ccm.uc.edu/about/villagenews/did-you-know/how-to-studio-series.

Learn more about this year’s Studio Series lineup by visiting ccm.uc.edu/boxoffice/studio.

BIG RIVER Cast List

  • Karl Amundson as Huckleberry Finn
  • Phillip Johnson as Jim
  • Madeline Lynch as Widow Douglas/Ensemble
  • Hannah Kornfeld as Miss Watson/Sally Phelps
  • Jackson Mattek as Judge Thatcher/Counselor Robinson/Ensemble
  • Zach Erhardt as Tom Sawyer
  • Kyle Pollack as Ben Rodgers/Overseer/Hank/Sheriff Bell/Ensemble
  • EJ Dohring as Dick/Laf/Man in the Crowd/Ensemble
  • Tyler Sodoma as Jo Harper/Andy/Man in the Crowd/Ensemble
  • Derek Kastner as Simon/Man on a Skiff/Silas Phelps/Ensemble
  • Gabe Wrobel as Pap Finn/Harvey Wilkes
  • Shauna Topian as Strange Woman/Joanne Wilkes/Ensemble
  • Jenny Mollet as Female Slave/Alice
  • Ciara Harris as Slave/Alice’s Daughter
  • Eric Hernandez as Slave/Man on a Skiff
  • Tyler Johnson-Campion as Slave
  • Donelvan Thigpen as Slave
  • Nick Pelaccio as Man on a Skiff/Young Fool/Doctor/Ensemble
  • Kevin Chlapecka as The King
  • Adam Zeph as The Duke
  • Gina Santare as Mary Jane Wilkes
  • Emily Meredith as Susan Wilkes/Ensemble
  • Jordan Miller as Servant

Performance Times

  • 8 p.m. Thursday, Oct. 8
  • 8 p.m. Friday, Oct. 9
  • 2 and 8 p.m. Saturday, Oct. 10

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission to BIG RIVER: The Adventures of Huckleberry Finn is free, but reservations are required. Tickets become available at noon on Monday, Oct. 6. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visituc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

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