Category Archives: Press Releases

Know Theatre Welcomes dog & pony dc to Reimagine Our Community as BEERTOWN

KNOW THEATRE WELCOMES dog & pony dc TO REIMAGINE OUR COMMUNITY AS
BEERTOWN
directed by Rachel Grossman

“Creating a community and revising its history nightly”

KTC_Beertown logoKnow Theatre of Cincinnati is proud to invite some old friends back into our Theatrical Playground: Washington, DC ensemble dog & pony dc, who will bring their critically acclaimed production BEERTOWN to the Know MainStage starting Wednesday, March 2 at 8 PM.

Cincinnati is the latest stop of Beertown Takes America, a national touring project where dog & pony dc artists collaborate with local artists and the greater communities of cities across the country to craft new and locally-relevant versions of the company’s signature show BEERTOWN.

dog & pony dc’s ensemble-devised BEERTOWN is an interactive exploration of history, civic ritual, identity, community, and memory incorporating live music, dance, group song…and it all starts with a  dessert potluck.

BEERTOWN welcomes audiences into the 20th Quinquennial Beertown Time Capsule Day celebration, where every five years the imagined American town unearths its beloved Time Capsule and ritualistically reviews its contents. But celebrating the past is not enough for this community. On Time Capsule Day, Beertonians not only remember their history, but also revise it by voting new items into the capsule. Which tells the story of our town better: A campaign button or a family bible? A license plate or a movie projector? Visit a place where remembering is a communal act, and everyone’s opinion is heard and counted: BEERTOWN.

Fans of the Cincinnati Fringe Festival know dog & pony dc as the creative minds behind past Cincy Fringe shows include 2015’s Squares, and 2013’s A Killing Game.  Producing Artistic Director Andrew Hungerford felt the time was right to bring them back to Cincinnati, because “Community, of artists, of audience, as well as the physical place in which we live and work, has been vital to the Know ever since the early days of our Tribe. And dog & pony dc’s commitment to those same elements of community made them a natural fit for a collaboration. For this particular project, it’s a special kind of new work that excites us: there’s nothing newer than a show that is created in partnership with the audience each night.

Beyond the theatrical feat of it all, the subject matter of BEERTOWN, and the conversations it will engender are vitally important to a changing neighborhood like Over-the-Rhine. The show asks us to look at those around us, look at our history, and ask ourselves what really matters. Plus, who would turn down a dessert potluck?”

dog & pony dc ringleader Rachel Grossman jumped at the chance to bring Beertown Takes America to Cincinnati. “I’ve been wanting to do BEERTOWN in Cincinnati at the Know since first coming here in 2013. dog & pony dc immediately felt a kinship with the Know’s core drive to produce new theatre that exploits the ‘liveness’ of the artform. This is intrinsically embedded in our guiding principle of ‘audience integration.’

The actors who typically work at the Know are also ‘unique’ due to the theatre’s strong relationship with Cincinnati’s improv community and their Serials program. Instead of facing an acting pool of improvisers who need to learn script-acting, or traditional actors who need to learn improv, we’re surrounded at the Know by extremely talented performers who can do both and walk a fine line dog & pony shows require. In addition, coming to Cincinnati at this moment in time allows dog & pony dc to play with the underlying narrative of the imagined place “Beertown,” previously one of a shrinking and struggling town. The growth and development in Cincinnati–particularly Over-The-Rhine–in the last 10+ years is quite the opposite.”

Cincinnati’s homegrown version of BEERTOWN is populated by an ensemble of beloved local artists hailing from an eclectic collection of arts groups around town. Joining us from our own in-house improv troupe, OTRimprov, are Andrew Ian Adams, Michael Hall, and Eileen Earnest. Mindy Heithaus returns to the Know Theatre stage, fresh from a hit run at the Covedale in Chapter Two this January. MadCap Puppet Theatre’s Sean Mette joins her, having most recently delighted audiences as the Cowardly Lion in the Carnegie’s The Wizard of Oz. Daryl Harris joins us from the faculty of Northern Kentucky University’s School for the Performing Arts,  and Aiden Sims makes her Know MainStage debut, having most recently thrilled fans at Incline Theatre’s RENT last fall. Rounding out the ensemble is dog & pony dc’s own Wyckham Avery.

Know’s design team is hard at work transforming the Know Underground and MainStage into Beertown’s Town Hall. Audiences will enter the space and immediately be a part of the Beertown world.

Critics from across the nation hail BEERTOWN as an innovative and joyful theatrical experience. The Washington Post praises Beertown’s “sly intelligence,” while the Village Voice lauds the “finely grained, tongue-in-cheek” sensibility of its “quirky civics lesson.” And Omaha’s World-Herald asserts that “You’re going to want to visit Beertown. I did, and I didn’t want to leave.”

Join us for the 20th quinquennial Time Capsule Day celebration starting March 2 at 8:00 PM, where you decide what’s most important to your community. All performances of Beertown open with a dessert potluck; audience are encouraged to bring a dessert to share.

Cast

  • Andrew Ian Adams as Rep. Lawrence Pickel-Cooper
  • Wyckham Avery as Mayor Meghan Soch
  • Eileen Earnest as Joann Ryals
  • Mike Hall as Edwin McFarlan
  • Daryl Harris as Arthur Whitting
  • Mindy Heithaus as Karine Oppenheim
  • Sean Mette as David J. Guy
  • Aiden Sims as Michael “MJ” Soch, Jr.

Production Team

  • Director — Rachel Grossman
  • Stage Manager — Kristen Ruthemeyer Hammer
  • Scenic Design — Sarah Beth Hall
  • Lighting Design — Daniel R. Winters
  • Costume Design — Noelle Wedig
  • Sound Design — Douglas Borntrager
  • Technical Director — Nick Koehlke

Calendar Listing

  • Production:   BEERTOWN by dog & pony dc
  • When:          March 2 – 19
    Wednesdays – Saturdays @ 8PM, Sundays @ 3PM
  • Where:         Know Theatre of Cincinnati, 1120 Jackson Street, Cincinnati, OH 45202. In historic Over-the-Rhine.
  • Tickets:   $20 in advance; $10 Rush tickets at the door 10 minutes prior to curtain (when available, cash only)FREE performances on select Wednesdays, as part of Know Theatre’s Welcome Experiment. (Subject to availability; reserved Welcome Experiment tickets must be claimed 15 minutes before the performance or be subject to redistribution.)

    6 Ticket Flex-Passes are available for $100 and can be used in any combination of patrons and shows for all MainStage and SecondStage programming at Know Theatre.

ABOUT dog & pony dc
dog & pony dc (dpdc) is an ensemble of artists who devise performances that incorporate new ways for audiences to experience theatre. We create (“devise”) new plays as a collective (“ensemble”).

dpdc shows playfully extend the elastic relationship between artist and audience while asking big, sometimes strenuous, questions about the world in which we live.

Since 2008, dpdc has devised ten shows that span a wide stylistic range: from PUNCH!, an ultra-violent live-action version of the Punch and Judy puppet show, to TOAST, the convening of a 200 year old secret society of inventors trying to save the world through technology (starting with the electric toaster).

We currently work in two languages, English and American Sign Language.

BEERTOWN was the first ensemble-devised show to receive a Helen Hayes Award nomination for Outstanding New Play (2011) and made top 10 shops list in DC (Washington Post, 2012) and Omaha (World-Herald, 2015). A KILLING GAME won “Dr. Robert J. Thierauf Producers’ Pick of the Fringe Award” at Cincinnati Fringe Festival (2013) and Best Production 2013 (DC Metro Theatre Arts). In 2015, we were 1 of 15 recipients of DC Commission on the Arts & Humanities Innovate DC grants.  www.dogandponydc.com 

ABOUT Know Theatre of Cincinnati
Know Theatre is Cincinnati’s Theatrical Playground.

The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience.

Since 1997, Know Theatre has sought to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.

Know Theatre’s work is made possible by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans.

Know is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

Leave a comment

Filed under Press Releases

Shaw’s SAINT JOAN Opens Thursday Telling of Rise and Fall of History’s Heroic Female

Diogenes Theatre Company presents SAINT JOAN opening February 18th at the Aronoff Center

DTC_Saint Joan promo2

Sara Clark as Saint Joan.

CINCINNATI – February 12, 2016 – Diogenes Theatre will open George Bernard Shaw’s SAINT JOAN in the Aronoff Center’s Fifth Third Theatre on February 18th for the second play of their season.  Lindsey Augusta Mercer directs Sara Clark in the title role, in a thrilling staging with 360º audience seating!

SAINT JOAN, a masterpiece by George Bernard Shaw, is the story of the rise and fall of one of history’s most fascinating characters.  Joan is a young country girl who claims to hear voices from God that tell her to raise a siege at Orleans.  She claims that she has divine direction to chase the English out of France.  As she continues to claim victory after victory and her voice becomes more powerful, the church turns on her, setting up one of the most dramatic trials of all time.  The battle Joan will wage to hold on to her voice and her principles will be more daunting than any foe faced on the battlefield.  Saint Joan, originally staged in 1923-4, became Shaw’s most popular play almost immediately. Director Lindsey Augusta Mercer says, “Perhaps the most potent and timeless theme in Saint Joan is this idea of a “Will to Power.” At the time the play was written, the world was recovering from the horrors of WWI which undoubtedly influenced Shaw as he explored the political power dynamics surrounding Joan’s time.”  This piece was sure to resonate globally during Shaw’s time and continues to be just a powerful today.

Mercer, who has assistant directed many productions with the Cincinnati Shakespeare Company says of staging the play in the round: “Theatre in the round is such an exciting challenge as a director. It may appear at first to be the most theatrical or dramatic stage format, but when it comes to the storytelling, it is the most realistic.  It is the perfect correlation to our human perspectives in life; we’re all technically in the same theatre, immersed in the same narrative, but each audience member experiences a different truth depending on where they sit.”

The play will feature Sara Clark as Joan.  The large cast of characters that surround Joan will be portrayed by only six other actors.  The ensemble includes: Billy Chace, Geoffrey Barnes, Patrick Phillips, Rory Sheridan, Nicole Jeannine Smith and Jared Earland.  Speaking of her cast, Mercer states, “This ensemble has embraced the challenge and of this play with so much modesty, imagination, and passion, and I could not imagine a better tribute to Joan, or to Shaw.”  The production team features costume design by Amanda McGee, set design by Sarah Beth Hall, sound design by Doug Borntrager, and lighting design by Alan Kleesattel.  The production is stage managed by Justin McCombs.  Brian Isaac Phillips serves as a special consultant for the production.

Performances will be on February 18, 19, 20 and March 2, 3, 4, and 5  at 7:30pm and February 21 and March 5 at 2:00pm.  All performances will take place at the Aronoff Center for the Arts’ Fifth Third Theatre.

Diogenes Theatre Company is a small professional theatre performing the best of comedy and drama in intimate studio settings .

For more information visit – www.diogenestheatrecompany.com/.

Tickets can also be purchased at www.cincinnatiarts.org/

Up next for Diogenes Theatre Company will be Samuel Beckett’s “Happy Days” directed by Michael Evan Haney and featuring Amy Warner, running from May 12-21 at the Aronoff Center’s Fifth Third Theatre.

Leave a comment

Filed under Press Releases

Celtic Woman Celebrates #1 World Music Album, Destiny | Tour plays Aronoff Center on March 24, 2016

CAA_Celtic Women Destiny promoCELTIC WOMAN CELEBRATES #1 WORLD MUSIC ALBUM, DESTINY
Ninth Album #1 Debut on Billboard’s World Albums Chart

Thursday, March 24, 2016 – 7:00 PM
Aronoff Center – Procter & Gamble Hall

New York, NY. February 1, 2016 – Irish music sensation CELTIC WOMAN celebrates the release of its newest album, DESTINY, which debuted #1 on Billboard’s World Music Chart in January. The release marks their 9th record to debut at the #1 spot in their decade-long career and continues to hold the #1 slot for a 2nd straight week.

Celtic Woman will perform songs from DESTINY on its 85-city North American tour that stops at the Aronoff Center’s Procter & Gamble Hall for one night only on Thursday, March 24 at 7:00pm.  Tickets prices start at $48.25 (prices subject to change) and are on sale now at www.CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office.

Watch the Destiny trailer:

The heart of Ireland beats strongly throughout the ​tour featuring​ an entirely new production ​showcasing vocalists Mairéad Carlin, Susan McFadden and newest member Éabha McMahon along with Celtic violinist and founding member Máiréad Nesbitt, accompanied by a group of equally talented musicians and dancers.

DESTINY CD/DVD (Manhattan Records) is Celtic Woman’s 10th CD and first of all-new material since 2011’s Believe.  DESTINY features a fresh fusion of traditional Irish music and modern songcraft, including theWaterboys classic “The Whole of the Moon,” Ed Sheeran’s “I See Fire,” from The Hobbit film, ​Mutt Lange’s “Walk Beside Me” and the popular video game ​ theme, “Skyrim.”  ​As Ireland commemorates the events of 100 years ago that led to its nation’s independence, Celtic Woman offers a rousing version of  “Óró sé do bheatha ‘bhaile,” an anthem closely connected with the 1916 uprising. The all-female ensemble also delivers timeless traditional Irish songs such as  “Bean Pháidín” and “Siúil A Run” highlighting the beauty of Ireland’s heritage and its Gaelic language, plus audience favorites “Amazing Grace” and “You Raise Me Up.”

The companion DVD Destiny: Live in Concert was filmed in Dublin in the Round Room at the Mansion House, the historic home of the Lord Mayor of Dublin.  The concert has already begun airing on local public television stations as the latest in Celtic Woman’s lengthy series of successful PBS television concert specials.

The multi-platinum, all-female ensemble made its debut on PBS in 2005 and has achieved massive success encompassing 10 chart-topping albums, nine PBS specials, over eight million albums sold, and platinum sales in nine countries. Celtic Woman regularly performs to sellout audiences across six continents and 23 countries, with an especially devoted following in America.

www.CelticWoman.com
facebook.com/celticwoman
https://twitter.com/Celtic_Woman

Leave a comment

Filed under Events, Press Releases

ALIVE AND KICKING Warms Up Sunset Players’ Stage

SSP_Alive and Kicking promo

Linda Callahan as Gloria, Allen Lindsey as John, Christopher Ball as Johnny & Victoria Marie Garcia as Vivian.

CINCINNATI, OH – February 8, 2016 —The Sunset Players’ ALIVE AND KICKING brings a bit of warmth and laughs to the stage at the Arts Center at Dunham starting February 19 through March 5.

A play by Jules Tasca and produced by special arrangements with Dramatic Publishing, ALIVE AND KICKING begins when Gloria’s last child announces he got married. This news leads Gloria into panic. With a premonition that her life is over, she takes her easygoing husband John on a wild ride of emotions as she tries to adjust to life’s constant changes.

Directed by Amanda Borchers, the cast includes:

  • Linda Callahan as Gloria
  • Allen Lindsey as John
  • Christopher Ball as Johnny
  • Victoria Marie Garcia as Vivian

Show dates are February 19, 20, 26, 27, 28, March 3, 4 and 5. All shows begin at 8 p.m., with the Thursday evening at 7:30 p.m. and a Sunday matinee at 3 p.m. Cincinnati State’s Interpreter Training Program will provide sign language interpreting for the deaf community on Saturday, February 27. A cash bar will be available for performances, except the Sunday matinee.

Learn more about Alive and Kicking on YouTube at https://youtu.be/uc3p3uzgpWY.

Tickets are $14 general admission or $12 for seniors, students or groups of 10 or more and can be purchased online at the Sunset Players website (www.sunsetplayers.org) or at the door. Tickets can also be reserved by calling 513-588-4988.

The Arts Center at Dunham is located at 1945 Dunham Way, Cincinnati, OH 45238

Sunset Players, Inc. is a community theater group located on the west side of Cincinnati. Founded in 1979, the group performs at the Arts Center at Dunham and has produced more than 120 plays. Its mission is to bring a smile, and its plays include comedies, farces, dramatic comedies and musical comedies—as long as there is some “comedy” in the performance somewhere. For more information, visit our website at www.sunsetplayers.org or like us on Facebook.

Leave a comment

Filed under Press Releases

Cincinnati Playhouse in the Park Brings Harper Lee’s TO KILL A MOCKINGBIRD to Life March 5-April 3, 2016

PIP_To Kill A Mockingbird promo(CINCINNATI) – TO KILL A MOCKINGBIRD, one of the most popular and best-loved stories in American literature, returns to the Cincinnati Playhouse in the Park for the first time in more than 20 years in a thought-provoking and visually exciting new production. Christopher Sergel’s adaptation of Harper Lee’s coming-of-age story will be introduced to a new generation on the Playhouse’s Robert S. Marx Theatre stage from March 5 through April 3, 2016. The innovative production of the classic story, which is both timeless and timely, features the Playhouse debut of Obie Award-winning director and Associate Artist Eric Ting.

Set in Depression-era Alabama, TO KILL A MOCKINGBIRD follows the precocious tomboy Scout and her brother Jem during one life-changing summer. When their father, Atticus, a small-town lawyer, is called upon to defend a black man accused of a crime he didn’t commit, they discover the true meaning of courage. Winner of the Pulitzer Prize, TO KILL A MOCKINGBIRD is a tale of innocence lost and honor found.

“This production addresses the fundamental question of why do this play now?” says Playhouse Artistic Director Blake Robison. “It’s easy to draw parallels to Mockingbird in 2016. Here we are in the midst of racial strife in communities and on campuses across America. I’m excited that we’ll have the chance to explore what Mockingbird means to us today, in a supposedly ‘post-racial’ America that is proving to be anything but.”

Director Ting and his design team have opted for a storytelling approach that highlights this question. “This production of Mockingbird is not the film,” Robison says. “It is not a Hallmark Hall of Fame version. Nor will we try to recreate a fully realistic facsimile of a Southern town on stage. Theatre is, after all, a more creative and evocative art form.

“Eric is imagining that, as in Our Town, the story comes to life in a bare theatre. The show is filled with the same characters, events, themes and dialogue that make it a beloved classic. But, by placing the story in a theatre — our theatre, our own ‘our town’ — we highlight the simple reality that we view the story from our own contemporary vantage point. This will be a thoughtful and visually exciting approach, as our audiences have come to expect from the Playhouse.”

“It’s hard to imagine that a single person has escaped the story of Atticus Finch, his daughter Scout and the trial of Tom Robinson — it’s a story that’s become almost inseparable from the American identity, a story that confronts our great national tragedy with a dignity and idealism that is both inspiring and deeply complicated,” says Ting. “Harper Lee was writing just as the Civil Rights Movement was taking hold across the country — and I see embedded in her tale a genuine call to white allies to stand up for the rights of all people; it tapped into the zeitgeist of the early ’60s, and Atticus Finch became a symbol for moral integrity in a time of profound change.

“I think what’s most compelling about bringing this story to the stage today,” adds Ting, “is the opportunity to see it in light of recent events — at a moment that feels sadly not so dissimilar, to examine how far we’ve come and more importantly how far we have left to go.”

When first published in 1960, TO KILL A MOCKINGBIRD was the rare novel that was an immediate sensation, spending a remarkable 80 weeks on the bestseller list. Since then, it has been translated into 40 different languages with more than 40 million books sold, making it one of the bestselling novels of the 20th century. The story gained even wider acclaim when Hollywood came calling quickly after the novel was published, and the 1962 film version is also considered a masterpiece. Subsequently, playwright Christopher Sergel scripted not one but two stage adaptations: It’s in his revised version, which is the one being produced at the Playhouse, that we see an adult Jean Louise looking back on her own childhood.

The cast of TO KILL A MOCKINGBIRD includes Randy Lee Bailey (Walter Cunningham), Brooke Chamberlin (Scout), Judith Lightfoot Clarke (Maudie Atkinson), Kevin Cristaldi (Bob Ewell), R. Ward Duffy (Heck Tate), Law Dunford (Townsperson), Kenneth Early (Reverend Sykes), John Feltch (Atticus), Annie Fitzpatrick (Stephanie Crawford), Dale Hodges (Jean Louise Finch), Jared Joplin (Mr. Gilmer), Gabriel Lawrence (Tom Robinson), Zoaunne LeRoy (Mrs. Dubose), Aidan McCracken (Jem), Barry Mulholland (Judge Taylor), Serena Ryen (Townsperson), Ty Joseph Shelton (Dill), Robert Carlton Stimmel (Townsperson), Seth Wallen (Nathan Radley/Arthur (Boo) Radley), Erin Ward (Townsperson), Torie Wiggins (Calpurnia), Magan Wiles (Mayella Ewell), Renika Williams (Helen Robinson) and Lilian Wouters (Townsperson).

In addition to Ting, the creative team features Laura Jellinek (set designer), Toni-Leslie James (costume designer), Mark Barton (lighting designer) and John Gromada (sound designer/composer). Jenifer Morrow is the production stage manager, and Suann Pollock and Brooke Redler are the second stage managers.

TO KILL A MOCKINGBIRD is sponsored by Leading Ladies. American Modern Insurance Group is the design sponsor; Huntington National Bank is the artist sponsor/Scout, the Morse and Betty Johnson Family is the artist sponsor/Atticus and Barbara and Bill Weyand are the artist sponsor/director Eric Ting.

Ticket prices for TO KILL A MOCKINGBIRD start at $35. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. The show is appropriate for adults and children ages 11 and up.

Continuing this season is the popular Sunday College Night, with tickets to all 7 p.m. Sunday performances priced at just $10 with a valid student ID. Student tickets are just $15 on the day of the show for all other performances.

Discounted ticket prices for children, teens and students are available in advance for all performances for $45 or $30, depending on seating section.

Previews for TO KILL A MOCKINGBIRD are at 8 p.m. Saturday, March 5; 2 p.m. Sunday, March 6; 7:30 p.m. Tuesday, March 8; and 7:30 p.m. Wednesday, March 9. The official opening night is Thursday, March 10, at 7:30 p.m.

Performances take place at 7:30 p.m. Tuesdays, Wednesdays and Thursdays, 8 p.m. Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

Free Meet the Artists programs that allow audiences to interact with the cast and others
associated with TO KILL A MOCKINGBIRD will be held after the following performances: 2 p.m. Sunday, March 13; 7:30 p.m. Wednesday, March 23; 7:30 p.m. Thursday, March 31; and 2 p.m. Sunday, April 3. Playhouse Perspectives talk-backs will be held following every other performance. Playhouse Perspectives is supported by a gift from Roderick and Barbara Barr.

TO KILL A MOCKINGBIRD will be audio described for those with visual impairments at 4 p.m. Saturday, March 26, and signed for persons with hearing impairments at 2 p.m. Sunday, April 3. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to TO KILL A MOCKINGBIRD are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit http://www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2015-16 Robert S. Marx Theatre season is presented by The Otto M. Budig Family Foundation, and Macy’s is the Robert S. Marx Theatre season design sponsor. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported by the generosity of the community contributors to the ArtsWave campaign.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation.

Leave a comment

Filed under Press Releases