Category Archives: Press Releases

Classic Showbiz Musical GYPSY Performed by Anderson High School

AT_Gypsy promo

The iconic photo of “Rose Louise and her Hollywood Blondes” recreated by actors from Anderson High School’s GYPSY. Jordan Slemons, Katelyn Peters, Audrey Button, Megan Goodlett, Gretchen Baxte as the Blonde and Natalie Nuzzo as Louise. Photo by Jennifer Alessandrini/Violet Bowe Photography.

Gypsy Rose Lee was one of the most celebrate stage performers of the 1930s and 1940s, and later this month Anderson High School will present the acclaimed Broadway Musical based on her life story: “Gypsy, A Musical Fable.” Performances are April 29 and 30 at 7 pm and May 1 at 2:00 pm, and ticket information can be found at AndersonTheatre.com.

“Audiences can look forward to a lot of great songs, some really cool tap dance, and some amazing singing,” says Senior Isaac Delev, who is one of the show’s Assistant Stage Managers.

Audrey Platt, the show’s Co-Director, agrees. “What is remarkable, though, is that this is a true life story,” she says. “It gives an amazing snapshot of 1920s theatre, and also reveals the very personal story of Louise, the girl who became Gypsy Rose Lee, and her family. The relationship between Mother and daughters is powerful and truly authentic.”

“Louise is such an incredible character,” says Freshman Alexis Zoglio, who plays Baby Louise at the beginning of the show. “We get to watch her grow as a performer and as a person, and understand what leads her to make her huge transformation at the end of the show.”

The head of the family, and the most powerful character in the musical, is Mama Rose, who struggles to win fame for her two daughters, Louise and June, during the final days of vaudeville. Mama Rose has been called the world’s worst stage mom, but Ms. Platt believes she really is a sympathetic character.

“Rose embodies the strength of American optimism and the drive for success that is the quintessential American Dream,” says Ms. Platt. “She never gives up, she believes she can do anything…her tragic flaw is simply that she cannot really focus beyond her own self-interest.”

“Gypsy” explores the life of a historical show-business family, and the cast features a modern one as well. “The fact that six children from the same extended family get to perform together in one show is exciting,” says Jenny Goodlett, whose three children, two nephews, and niece play some of the young children who perform with Louise and June during the show. “Being in the ‘business’ pretty much all my life, I can tell you there are stage moms like Mama Rose,” she says, “But to us it is not about the fame, it is about the experience and the process and the joy it brings to the kids to share their hard work and talent.”

“The thing that makes ‘Gyspy’ special is the light that is shined on imperfection,” says Junior Kristin Amrine, who plays Miss Cratchitt. “Our leading woman in this show, Rose, is far from successful. We see her pain, her dreams, and her attempts at reaching greatness. It is even more miraculous that this is a real story.”

Senior Sally Modzelewski plays Rose, and could not be more thrilled to be a part of this production. “This is absolutely my favorite show ever,” she says. “Rose is one of the most complex roles in all musical theatre history, and the story of ‘Gypsy’ is a story of real people, who experience very real happiness and heartbreak. Everyone in the audience will be able to relate to something, whether it be Rose’s persistence, June’s need for freedom, Louise’s innocence, or Herbie’s love. Filled with comedy, drama, love, and loss, ‘Gypsy’ is a show you won’t want to miss!”

 

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Walnut Hills High School’s Theatre Department Presents Anton Chekhov’s THE CHERRY ORCHARD 

“The Cherry Orchard finds all of its characters in a time of momentous change in between two events of historical significance.” -Michael Sherman, Director

“‘The Cherry Orchard’ has so many great roles that it could easily become anyone’s play…” -Andrew Alexander, Theatre Producer

“Underneath the dillydallying in the final scene — the hunt for lost galoshes, the worry over train times — are the terror and giddy excitement that accompany change and the knowledge of how powerless we are to prevent it.” -The New York Times

WHHS_logoTHE CHERRY ORCHARD is Chekhov’s last full length play. It is an intimate look at an impoverished landowning family who is unable to face the fact that their estate is about to be auctioned off. Lopakhin, a local merchant, presents numerous options to save it, including cutting down their prized cherry orchard. But the family is stricken with denial. THE CHERRY ORCHARD charts the precipitous descent of a wealthy family and in the process creates a bold meditation on social change and materialism.

The show will run for three evenings:

  • April 14th 7:00pm
  • April 15th 7:00pm
  • April 16th 7:00pm

Run time 2 hours and 15 minutes (including intermission).

Tickets $10
Tickets can be purchased at the door or on-line (includes a service fee) http://www.walnuthillseagles.com/fine-arts/theatre/box-office.aspx
Just click Theatre Box Office (On-line tickets cannot be purchase the “Day Of” the show.)

WHHS Black Box Theatre
3250 Victory Parkway
Cincinnati, OH 45207

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NKU Offers an INTO THE WOODS That Promises to Surprise

NKU_Into the Woods logoHIGHLAND HEIGHTS, KY – Northern Kentucky University | School of the Arts | Program of Theatre and Dance presents INTO THE WOODS April 21 – May 1, 2016. Performances will take place in the Corbett Theatre in the Fine Arts Center.

INTO THE WOODS
By Stephen Sondheim and James Lapine
April 21 – May 1, 2016 | NKU Corbett Theatre

In this timeless musical, your favorite fairytales are flipped upside down and given a hefty dose of reality to boot. You might think you know the real stories of Little Red, Cinderella, Jack, and Rapunzel, but when a Baker and his wife learn of the curse placed upon their house by the witch next door, their quest to break the spell will cause fairytales to collide. As expected, wishes are granted and dreams come true, but in this modern classic, ‘happily ever after’ is not always what it seems: wishes have consequences, princes have flaws, and giants seek revenge.

We sat down with director and theatre faculty member Jamey Strawn to get the inside scoop on INTO THE WOODS. Read on to learn more about Strawn’s unique approach to the show.

How is your telling of the story unique? What led you to your approach to the show?

Jamey Strawn: INTO THE WOODS has been around for over 30 years. It seems everyone is familiar with it in some way or another, whether through viewing the production live or online, participating in a production, or viewing the movie. After much discussion with the design team, we decided to set the show in a Library. From the very first “Once Upon a Time,” the library will come to life with the stories interwoven. As the characters discover and attain their wants and needs, the library will begin to show the burden of consequence and ultimately become deconstructed when there is no more story left to follow. Setting the show in an alternate location provides us the freedom to explore relationships in a new way.

You certainly know your way around the works of Stephen Sondheim. Do you have an affinity for his work? What makes his musicals so enduring?

JS: There is no question that Sondheim is the greatest living musical theatre composer. I enjoy working on his shows because of the depth of meaning in the storytelling, along with the character development in both the text and the orchestration. I was fortunate to help develop a two-piano version of Sweeney Todd recently, and that really inspired me to think outside the box with INTO THE WOODS. I find that too often we look at a work and see what has been done in the past, rather than take the work at face value and try to tell the story as if it were new.

Is there anything that has surprised you in the process of directing INTO THE WOODS?

JS: Guest Artist, Charlie Klesa will play the Narrator as if he is the Baker’s son, reliving the stories his father told him. It has been a joy to incorporate the narrator’s point of view into the story and tinker with the possibilities that have surfaced.

What role does movement/choreography play in your production of INTO THE WOODS?

JS: In discussing the show with the choreographer, Tracey Bonner, I stressed that I wanted all movement to be character driven and individually motivated. There will be times when the company “dances,” but it will be a result of individual intention. It is my hope that dance elements will give the audience a deeper insight into  the character’s point of view in the same way that the orchestration supports a character’s mood or intention.

With the release of the film version of INTO THE WOODS and countless stage productions around the world, why should audiences come see this production?

JS: Our production of INTO THE WOODS will be unique. Arguably Sondheim’s most commercial work, it is both entertaining and intellectually stimulating. The concept of choice and consequence is universal and this show continues to stimulate conversation about society.  Audiences will notice a nod to the original work, be entranced by fairytale characters, and be intrigued by the ingenuity of this concept production. It is my hope that each audience member will identify with one of the characters, share in their story and root for their success.

For more information call the NKU School of the Arts Box Office at 859.572.5464 or visit theatre.nku.edu.

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Johnny Mathis: 60th Anniversary Concert Tour | Fri., October 14 | Aronoff Center

Aronoff Center – Procter & Gamble Hall
Friday, October 14, 2016 – 8:00 PM
Tickets on sale now! 

CAA_Jonny Mathis logoCINCINNATI, OH – “Chances Are” this extraordinary night will be one you will remember for a lifetime!  Make it “A Night to Remember” as JOHNNY MATHIS takes the Aronoff Center stage for one night only this fall on Friday, October 14 at 8:00 PM.

Tickets are on sale now at CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office. Ticket prices range between $52.50 – $132.50, plus applicable service fees (ticket prices/fees subject to change).

Prepare for over five decades of beautiful music to fill the room as Johnny’s brilliant favorites come alive, along with some new tunes that will get audiences’ feet tapping.  Enjoy an evening with one of the most famous recording artists of all time, who has sold 350 million records worldwide. Johnny’s “Greatest Hits” is one of the most popular albums of all time and spent an unprecedented 490 continuous weeks – almost ten years – on the Billboard Top Albums chart.

Celebrating his 60th year in the music industry, Johnny is Columbia Records longest-running artist. A sublime vocalist whose approach to pop music eclipses passing fads and trends, Mathis has performed songs in an incredible variety of styles and categories — from music composed for stage and film to golden era jazz standards, contemporary pop hits, and holiday music, all of which has assured his reputation as one of the most enduring vocalists in music history.

Best-known for his supremely popular hits like ‘Chances Are’, ‘It’s Not For Me To Say’, and ‘Misty’, Mathis has recorded more than eighty albums, six Christmas albums, and has sold millions of records worldwide. During his extensive career he has had three songs inducted into the Grammy Hall of Fame, achieved fifty Hits on Billboard’s Adult Contemporary Chart, and ranks as the all-time #6 album artist in the history of Billboard’s pop album charts.  He has received five Grammy Nominations, and in 2003, he was given the Lifetime Achievement Award from the Academy of Recording Arts and Sciences.

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Theresa Rebeck’s BAD DATES Chronicles the Hilarious Pitfalls of Courtship at the Cincinnati Playhouse in the Park, April 30-June 12

PIP_Bad Dates logo(CINCINNATI) – The Internet may have altered the dating scene a lot since Haley Walker first graced a Playhouse stage in the 2005 production of BAD DATES, but one thing hasn’t changed: Dating can be torture, so you might as well laugh about it. One of the most popular shows in Playhouse history, Theresa Rebeck’s irresistible comedy returns April 30 through June 12 to the intimacy of the Thompson Shelterhouse Theatre to prove that a good date can be just as elusive as a bargain-priced pair of Chanel pumps.

Haley ditches her deadbeat husband in Texas and moves with her daughter Vera to New York City to start anew. Working as a waitress in a restaurant, she settles into an unassuming new life. That is, until the police arrest the restaurant’s owner (who’s also a Romanian mob boss) for money laundering, and Haley is put in charge. She discovers that she’s actually a restaurant savant, and within weeks she hires a new chef, changes the menu, updates the flatware and voilà! The restaurant gets reviewed in The New York Times. Suddenly business is booming.

So what’s a charming, savvy, resilient single mom to do after she finds success and a semblance of stability? Blind date? Matchmaker? Haley opts for all of the above, but soon discovers that she’ll have to kiss a lot of frogs in search of her prince. And that’s where we meet her: prepping for dates from the privacy of her bedroom — which she shares with a colossal, 600-pair shoe collection. She knows from the get-go that bad dates will be part of the equation, but she figures that at some point, statistically, there have to be at least a few good dates, right? Haley opens up to us as she recounts her various dating failures with every male archetype imaginable. It’s no surprise that she starts to question if the only man a woman can truly rely on is Jimmy Choo.

“Haley is going to tell you about her life, the dates she goes on, the place where she works and the people who work with her,” explains Associate Artist Michael Evan Haney. He directed the original Playhouse production of BAD DATES and is delighted to return for its 10th anniversary. “She will come to trust you with her most private thoughts. She can do this because she is safe in her own apartment and she has her own things around her. Because she can just be herself there — and with you — she will discover the courage to start connecting with the wonders, and the people, of New York.”

Haney also notes that Cincinnati-native Theresa Rebeck’s hilarious dialogue provides something for everyone. “We’ve all experienced bad dates before, so for males watching, it’s a great opportunity to find out what a bad date is like from the opposing point of view, to learn some of the pitfalls and the traps to avoid,” he says. “Male or female, audiences are going to find Haley such a vital, fun character. Her life might be — hopefully is — a little more dramatic than the average audience member’s, but she’s so interesting that it’s easy to get caught up in the way she confronts the challenges that Theresa has given her in the play.”

The one-woman show features Vivia Font as Haley in her Cincinnati Playhouse debut.  The creative team for BAD DATES, in addition to Haney, includes set designer Bill Clarke, costume designer Anne Kennedy, lighting designer Phil Monat and sound designer Megan B. Henninger. Andrea L. Shell is the stage manager.

BAD DATES is sponsored by Pure Romance.

Ticket prices for BAD DATES start at $35. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. The show is appropriate for adult and older teenage audiences.

Continuing this season is the popular Sunday College Night, with tickets to all 7 p.m. Sunday performances priced at just $10 with a valid student ID. Student tickets are just $15 on the day of the show for all other performances. Discounted ticket prices for teens and students are available in advance for $30.

The Playhouse’s Tasting Series will enhance the theatre experience with Martini Parties before Wednesday performances of BAD DATES. The Martini Parties will feature an exclusive selection of four martini options, along with food from Funky’s Catering, for $22 per person. Reservations may be made by calling the Box Office at 513-421-3888.

Previews for BAD DATES are at 8 p.m. Saturday, April 30; 7 p.m. Sunday, May 1; 7:30 p.m. Tuesday, May 3; and 7:30 p.m. Wednesday, May 4. The official opening night is Thursday, May 5, at 7:30 p.m.

Performances take place at 7:30 p.m. Tuesdays, Wednesdays and Thursdays, 8 p.m. Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

Free Meet the Artists programs that allow audiences to interact with the cast and others associated with the production will be held after the following performances: 2 p.m. Sunday, May 8; 2 p.m. Sunday, May 15; 7:30 p.m. Wednesday, May 18; and 7:30 p.m. Thursday, May 26.

The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to BAD DATES are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2015-16 Thompson Shelterhouse Theatre Series is presented by Heidelberg Distributing Company, and the Thompson Shelterhouse season design sponsor is the Allan Berliant and Jennie Rosenthal Berliant Family Fund. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported by the generosity of the community contributors to the ArtsWave campaign.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation.

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