Category Archives: Press Releases

Cincy Fringe’s Finest Join Marino’s DESPERATELY SEEKING THE EXIT: Cincy Celebrity Reading Two-Night Special Event

CFF19_Desperately Seeking the Exit FINAL

Photo credit: David Rodgers.

CINCINNATI, OH –  In 2007, Peter Michael Marino wrote the musical version of the Madonna movie “Desperately Seeking Susan” featuring the hit songs of Blondie. 

The mega-musical opened on London’s West End – and closed a month later. WHOOPS!
“Desperately Seeking the Exit” is Pete’s critically acclaimed true story of the making and unmaking of his notorious flop that has played everywhere from the USA, to the UK, to Australia.
At this two-night-only Cincy Fringe Special Event, the show gets a new twist as Marino’s roller coaster tale is joined by performers from Cincy’s theater and Fringe scene.

Scheduled Celebs:
  • Thursday, June 6 – Burgess Byrd, Darnell Pierre Benjamin, Sara Mackie, Peter Michael Marino, Patrick E. Phillips, and Rory Sheridan
  • Friday, June 7 –  Les Kurkendaal-Barrett, Sarah Knittel, Erika Kate MacDonald, Robert Macke, Peter Michael Marino, and Paul Strickland

“A merciless sendup of the business of art.” – NYTimes

“Hilarious!” – TimeOut London

WHAT: DESPERATELY SEEKING THE EXIT: Cincy Celebrity Reading
WHEN: 8:30 p.m. Thursday, June 6 and Friday, June 7
WHERE: The Know Theatre of Cincinnati. 1120 Jackson Street, Cincinnati, OH 45202
HOW MUCH: $15
RUNNING TIME: 60 minutes
TICKETS: https://www.cincyfringe.com/the-lineup/special-events/
SHOW WEBSITE: www.seekingtheexit.com

“Brilliant! Hilarious!” – Three Weeks, Scotland

“A remarkably positive story.” – BroadwayBaby UK

“Tremendously engaging!” – BroadwayWorld UK

Peter Michael Marino (writer/performer) is a New York City-based producer, writer, performer and professor. He is the creator of SOLOCOM, which has launched over 600 world-premiere solo comedies at The People’s Improv Theater. Pete’s internationally acclaimed solo comedy “Desperately Seeking the Exit” chronicled the unmaking of his West End musical flop “Desperately Seeking Susan” and received 5-star reviews at the Edinburgh Fringe and Adelaide Fringe, and a London transfer. His 2017-2018 improvised solo comedy “Show Up” received rave reviews everywhere from NYC to Orlando, Cincy, and Edinburgh. More info at: www.petermmarino.com

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2019-2020 Season Announced by Loveland Stage Company

LSC_logoLoveland Stage Company has announced the 2019-2020 season which will be the community thespian group’s 40th consecutive season of quality live theater.

The summer youth production will be “Bugsy Malone Jr.” and will be directed by Pia Rader with Jill Gornet and Jonathan Eckman producing. This 1976 musical gangster comedy will be presented July 12-21 at the theatre at 111 SW. 2nd St  (Rt.48) in Loveland.

“Mamma Mia” will be the summer musical production scheduled for August 16-25.  Deirdre Dyson will direct this musical which is based on songs of the pop group ABBA.  Glenna Knapp will be technical director with Steve and Theresa Kovacs producing.

The 40th Anniversary celebration will feature “Cole, An Entertainment” scheduled for Nov. 1-17. The musical tells the story of the life and fabulous music of Cole Porter.  Gregory Carl Smith will direct, Chris Lee will be technical director and K. Buckler and Pat Furterer will be producers.

As part of Christmas In Loveland, the stage company will present a free family-friendly production entitled “An Olde Fashioned Christmas” on Dec. 14.  This will be directed by Pat Furterer and is always the group’s gift to the public!

“Gypsy” will be presented March 6-22, 2020.  This popular musical is loosely based on the  1957 memoirs of Gypsy Rose Lee, the famous striptease artist, and her mother, Rose. The show will be directed by Michael Kiser and produced by Tom Cavano, Becky Cole and Jill Gornet.

The last show of the season will be “The Musical Comedy Murders of 1940” which is a side splitting comedy and promises a good time for the entire audience!  This will be directed by Becky Cole and produced by Jill Gornet and is scheduled for May 15-24, 2020.

Season tickets will be available in June for $72.00 for the 4 shows.  Tickets for individual shows are $20.  Season tickets offer first choice in seating and performance date as well as reduced price per show.

For more information go to www.lovelandstagecompany.org or call the ticket line at 513.443.4572.

Don’t miss this great opportunity to see quality theater in a unique setting in beautiful downtown Loveland!

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The Artists of Tomorrow Get Their Shot with the NEXTival

CAST_FringeNextival logoThree institutions team up to offer additional opportunities to high school students in conjunction with the Cincinnati Fringe Festival

Cincinnati, OH – Commonwealth Artists Student Theatre (CAST), The Carnegie, and Know Theatre of Cincinnati are thrilled to announce a collaboration with the annual Cincinnati Fringe Festival. The three institutions are teaming up to evolve Fringe Next’s mission of creatively empowering high school-aged artists with the creation of the NEXTival.

“Our mission with Fringe Next has always been to give these up-and-coming artists a taste of what it takes to produce your own work in the real world and help prepare them for whatever comes next,” says Fringe Producer Chris Wesselman. “It can be a daunting task to present at Fringe, so we’re excited to offer a unique opportunity for students to dip their toes in the water and present at the NEXTival.”

The NEXTival is an original works festival featuring innovative and new plays from high school students in the Greater Cincinnati area. Students involved in the productions come from Highlands, Taylor, Walnut Hills, Turpin and more.

“When I approached Chris with this idea, I thought he was going to think I was insane,” commented CAST Artistic Director Jason Burgess. “Know has so many things going on with the Cincy Fringe itself, their MainStage Series, One Minute Play Festival, Serials and so on. I didn’t want them to think that I was trying to put more on their plate. The idea is to actually take something off their plate. We want to help them with their educational outreach. We want to expand the scope and variety of Fringe Next and since our mission and focus is on high school students, we thought it was a perfect fit.”

In celebration of this collaboration, CAST will host the NEXTival on Friday, May 24 and Saturday, May 25 at the Lincoln Grant Scholar House in Covington, KY. The Lincoln Scholar House was originally built in the 1930’s and served as Covington’s public school for African American students from kindergarten through twelfth grade. It was desegregated in 1965 and continued to operate as an elementary school until 1976 under the name Twelfth District Elementary. Subsequently, the building served as a community center providing education, cultural experiences and fellowship for the people of the Eastside Neighborhood District. The building is on the National Register of Historic Places and has been designated as an African American Heritage Site by the Kentucky African American Heritage Commission. The auditorium is operated by The Carnegie.

“We’re so excited to support the NEXTival and bring life to the newly renovated Lincoln Grant Auditorium,” says Carnegie Theatre Director Maggie Perrino. “When The Carnegie agreed to operate the space, we saw it as a place for community groups, new works, and educational experiences- partnering with CAST perfectly fulfills this vision.”

The three plays featured at the NEXTival are:

3:36 am – Four teenagers find themselves in the middle of the street in the middle of the night. A boy seeks to land the girl of his dreams, a girl wants comfort, an idiot wants to cover up past wrongdoings, and a basket case wants to uncover a neighborhood mystery.

A Doll’s Life – Scarlett was a girl who loved to play with her dolls. However, her dolls tell a much deeper tale of her abusive family. Using her dolls to process the events in her life, both a child and teenage Scarlett attempt to navigate the dark thoughts inside her head.

Monsters Have Hearts – Featuring a dysfunctional family including: a loving mother, an alcoholic father, an imaginative daughter, and a gentle son; Monsters Have Hearts is about a mother recovering from an illness. The father wishing, she needed him again and he taking actions into his own hands.

Tickets are $10 per show. Tickets are GENERAL SEATING only.  Purchase tickets in advance at https://www.caststages.org/nextival or by calling (859) 957-1940. Tickets can also be purchased at the door thirty minutes prior to each show.

About CAST: Commonwealth Artists Student Theatre is a Northern Kentucky and Greater Cincinnati theatre collaborative, that through professional quality productions, arts instruction and developing community relationships, empowers students to achieve their artistic potential under the leadership of professionals. More information about CAST is available at www.caststages.org or by calling (859) 545-0770.

About Know Theatre of Cincinnati: Know Theatre of Cincinnati’s goal is to create an artistic playground where artists and audiences can come together to produce and experience work that could not be done anywhere else. More information about Know Theatre is available at www.knowtheatre.com or by calling (513) 300-5669. 

About The Carnegie: The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center.  More information about The Carnegie is available at www.thecarnegie.com or by calling (859) 491-2030.

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Student Written, Produced, and Performed Musical, OCTETS, Launches Ohio Tour

MISC_8ctets logoThe Octets Ohio Tour is a touring production of an original musical entirely self produced, performed, and directed by college-aged students. The original production of Octets was held at Miami University in 2018. This summer from May 30th through June 8th, the student-led company of Octets will be performing 8 times on stages in Cincinnati, Oxford, Dayton, Columbus, and Cleveland.

In Octets , a bitter feud between longtime rivals sparks a turf war between two collegiate singing groups. A bromance tears apart, a quest for travel becomes hopeless, and a classic Romeo and Juliet love story goes awry. All the while, a singing competition is brewing, and everyone must decide whether they want to win or lose, but the answer isn’t as obvious as you might think.

Rehearsals for this touring production will take place from May 19th – May 29th at Walnut Hills High School in Cincinnati, OH. The rehearsal team includes director Austin Lamewona, assistant director Elena Früchtnicht, music director Maya Stockman, and company manager Holly West.

The first stop of The Octets Ohio Tour will feature three performances at Walnut Hills High School in Cincinnati, OH. Walnut Hills is widely regarded as the #1 public high school in Ohio and has outstanding music and theatre facilities. Many of the cast members and production team are Walnut Hills alum, including the writers of the show, Austin Lamewona and Nick Witzeman.

Cincinnati performances include:

Walnut Hills High School
3250 Victory Pkwy, Cincinnati, OH 45207

  • Thursday, May 30, 2019 7:30 PM
  • Friday, May 31, 2019 7:30 PM
  • Saturday, June 01, 2019 7:30 PM

Other performance locations and dates include:

Oxford — Oxford Community Arts Center
10 S College Ave, Oxford, OH 45056

  • Sunday, June 02, 2019 2:00 PM

Dayton — The Bassani Theater Off Third (Dayton Metro Library)
215 E Third St, Dayton, OH 45402

  • Monday, June 03, 2019 6:00 PM
  • Tuesday, June 04 6:00 PM

Columbus — Shedd Theater (Columbus Performing Arts Center)
549 Franklin Ave, Columbus, OH 43215

  • Thursday, June 06, 2019 7:30 PM

Cleveland — Near West Theatre
6702 Detroit Ave, Cleveland, OH 44102

  • Saturday, June 08, 2019 7:30 PM

Ticket are available at www.octetsmusical.com/the-octets-ohio-tour
More information about The Octets Ohio Tour is available at https://octetsmusical.com/

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2019 Cincy Fringe Festival Hosts MEATBALL SEANCE by John Michael

CFF19_Meatball Seance full

Photo by Paul Clark.

John Michael needs your help with cooking his mom’s meatball recipe onstage to summon her from the dead so she can meet his new boyfriend in this interactive comedy. The audience plays five different roles throughout the show and “the only way to avoid participating is to cross your arms. (Pro tip: do not cross your arms. You want to be a part of this).” –  Lynn Venhaus, St. Louis Limelight.

Performance Details:

  • Jun 1, 2019 at 07:45 pm (Sat)
  • Jun 5, 2019 at 09:00 pm (Wed)
  • Jun 6, 2019 at 07:45 pm (Thu)
  • Jun 7, 2019 at 06:30 pm (Fri)
  • Jun 9, 2019 at 07:45 pm (Sun)
  • Jun 12, 2019 at 09:00 pm (Wed)
  • Jun 13, 2019 at 07:45 pm (Thu)
  • Jun 14, 2019 at 08:30 pm (Fri)

Art Academy Room 361
1212 Jackson St, Cincinnati, OH 45202

Ticket are available online or by phone at 513.300.5669

Press Excerpts for MEATBALL SEANCE:

“If the mention of ‘audience participation’ makes you clench up, we’re here to tell you that John Michael’s Delightful Meatball Séance is going to change your whole theater-going world… silly, subversive and powerful.”-Jennifer Davis-Lamm, The Dallas Observer

“If a cooking segment from the Today show about his dead mother sounds morbid, John Michael sees it, rather, as intensely human…It’s not a dour show, though, but an affirming, interactive, community-building experience.” -Arnold Wayne Jones, The Dallas Voice

“John Michael’s Meatball Séance is pure comedy with a tender heart. He cleverly employs audience participation and real-life lessons while actually preparing his mother’s cherished meatball recipe… there’s something that’s simply likable and authentic in the story and performance. Perhaps it’s the universal nature of struggling to find one’s place, one’s community, one’s partner — it all rings true. John Michael is personable, genuine, and intelligent, even when he flashes his admittedly diva side.” – Tina Farmer, KDHX (St. Louis)

“Meatball Séance is a fast-paced, zany, hilarious and heartfelt look at grief, relationships and how we cope. – Anthony Morgano, Grab Magazine

“A whirlwind of happiness that must be seen.”-Plays with Wendy and John

“ Hilarious… beguiling… a goofy and heartfelt snapshot of bringing his mom back to life for those who never knew her.” Kerry Reid, Theatrejones

“By the end of the play…meatballs has been dropped on the floor.. five audience members have been rewarded with on-the-house drinks in remuneration for gigolo/gigola services rendered, the rest of us have lifted up our voices in a call-and-response incantation, and the air is rich with the savory aroma of grilled beef and the gentle harmonies of vintage Fleetwood Mac… He sends us home elated and eager for a late-night snack.- Mary Barnidge, The Windy City Times”

“In his typical fashion, the quirky, energetic Dallas-native employs high-octane comedy and silliness in order to tackle the dark and sticky sides of topics like relationships, death and what happens after you’ve reached your emotional bottom.” -Chicago Pride

NOTES FROM MONOLOGIST: MEATBALL SEANCE attempts to de-stigmatize death. The concept came from frustration with people always saying “sorry” after finding out about my mother’s untimely passing. I wanted to talk about her but I felt guilty. I felt I was bringing down the mood of the room. It was sad and ironic because my mother would light up every room she’d enter. For the longest time, I just stopped talking about her altogether to avoid having to make any awkward apologies for death. Was it my fault that the universal truth is that we are all going to die? In a way, the stigma surrounding death caused a second death. The show is a vessel to talk about my mother with a smile– the smile she gave me. Summoning my mother back from the dead through making her meatballs onstage to meet my boyfriend is such a bizarre concept that strangers/new friends laugh when they hear about it instead of saying “sorry.” Strangers/new friends want to learn more about her… they want to meet her.

Frequently Asked Questions

  • Is John Michael actually going to cook meatballs onstage? Yes
  • Will there be a fire extinguisher? Yes
  • Will the Audience get to eat the meatballs? No, the meatballs are offering for his Spirit Mom. According to the FDA, it is illegal for John Michael to feed you his meatballs.
  • Is this real? Yes, John Michael is real. He is excited for you to meet his mom but needs your help in summoning her.
  • Is there audience participation? Yes, but there the audience demonstrates consent..

About the Monologist: John Michael is a solo-performer who developed his voice with the aid of mentor Matthew Tomlanovich. His participation plays include: Would You Like Guys With That? A McTolerant One-Man Show; The A-Gays: Stillwater, Oklahoma; John Michael and the Order of the Penix; Like Me; and Dementia Me. His 2019 plans include the development of It’s Not All About you John Michael and a tour of Meatball Séance to Orlando, Bergen (Norway), Winnipeg and Edinburgh Fringe Festival.

Press excerpts:

“John Michael’s vibrant one-man shows lit up the local theater scene, injecting his trademark silliness and effervescence into topics that are anything but.”- Jennifer Davis- Lamm, Dallas Observer

“Dementia Me makes a desperate case for joy in all things—as a palliative to intense suffering, as a meaningful distraction that can help if not heal sickness, and as good theater. John Michael heartens without making light of his subject matter. “- Max Maller, Chicago Reader

“Though still a young man, John Michael dredges up some tough love, excoriating self-revelation and finally some bittersweet knowledge to send this maiden voyage in Chicago aloft.”-Kerry Reid, Theatre Jones

“His shows specialize in that weird space where something strikes you as hilarious, but you’re not sure if it’s OK to laugh. John Michael assures you that it’s totally fine.” Jennifer Davis- Lamm, Dallas Observer

“Among the many signs that Dallas has finally become a city that not only supports a variety of theater but also fosters its development is that in the past two years we’ve been able to watch the growth of an exciting solo performer—and a queer performance artist to boot. There have been several solo artists in the past 20 years here, but none as prolific as John Michael Colgin. — Mark Lowry, TheaterJones.com.

“You wouldn’t think that a one-man show that so bluntly speaks on issues like HIV and death could be a laugh-riot, but Penix pulls it off. It’s brilliant.” — NOLA Defender

“Like a Peter Pan on a Bender, he comes on with the effusive, irresistible charm of a 5 year old, confiding secrets of the universe. You’re swept up in the cyclonic force of John Michael’s Psyche.” — Christopher Soden, The Dallas Examiner

“PENIX is pretty damn fearless. You will be agog at John Michael’s energy, his youthful talent. His bravery and his skill. This is a guy who’s going places.” — Arnold Wayne Jones, The Dallas Voice

“John Michael offers sparkly, crinkly, luscious live theater, whisking away his audience on a special carnival ride of the imagination.” — Alexandra Bonnifield, CriticalRant

“The 51-minute show floats like a spell. John Michael’s raucous, explicit, wildly imaginative is heightened by his witty delivery and engagement of individual audience members.” — Nancy Churnin, the Dallas Morning News

“His delivery is sharp, outrageous, and often (extremely) vulgar, leaving the audience to wonder if they are seeing someone merely pushing for shock value or actually witnessing cutting-edge comedic genius.” — The NOLA Defender

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