Category Archives: Casting Call

Broadway Across America Now Accepting Applications for BAA•BTC Regional Apprenticeship

For College Students / Early Career Professionals

New York, NY – Applications are now being accepted for the fourth annual Broadway Across America (BAA) BTC Regional Apprenticeship program through October 18th.  This nationwide, educational paid apprenticeship takes place over 14 weeks in the spring of 2025 and is offered to applicants with a demonstrated passion to increase the involvement of those that have been historically underrepresented in American Theater. The program showcases the inner workings of the commercial theater business and Broadway touring.

This intensive educational program begins with 13 weeks of in-depth learning in one of the following Broadway Across America offices: New York City, Atlanta, Baltimore, Boston, Cincinnati, Fort Lauderdale, Houston, Louisville, Minneapolis, Ottawa, Salt Lake City, and Seattle, where Apprentices will learn about topics like Presenting, Ticketing, Marketing Strategy, Operations, and more. To close out the semester, the Apprentices will travel to New York City for a week of networking, on-the-job learning, and to see Broadway shows.

“Everyone at Broadway Across America and the John Gore Organization is very happy to be launching applications for the fourth year of this program,” said John Gore Organization President Lauren Reid. “We have seen many brilliant early career professionals enter our industry after completing the apprenticeship, and we can’t wait to welcome a new cohort of Apprentices to the program.  We are proud to partner with BTC to create more pathways for the future workforce of the theater community.”

“We’re excited to continue our partnership with Broadway Across America, offering opportunities that uplift underrepresented voices. Through our partnership with BAA, we’re building a more equitable industry,” said co-founders of BTC T. Oliver Reid and Warren Adams. “This program provides crucial, hands-on experience for those usually left out of the conversation and helps ensure that the future of American theater reflects the diversity of its artists and audiences.”

The BAA•BTC Regional Apprenticeship works to equip participants with the tools necessary to be successful in the industry. It also provides a foundation of mentors and colleagues to whom they can turn to for support as they pursue a career beyond the stage. Past alumni of the BAA•BTC Regional Apprenticeship program have gone on to work at Tony Awards Productions, Foresight Theatrical, Daryl Roth Productions, Disney Yellow Shoes, Broadway Across America, and more.

“The BAA/BTC Regional Apprenticeship gave me the opportunity to be an insider in an industry that, under ordinary circumstances, had been just out of reach” said, Trey Robinson, Communications Coordinator for Broadway Across America.  “This Apprenticeship has proven a pivotal moment in my professional journey, allowing me a front row seat to witness and learn about the intricacies, challenges, and innovations that shape the theater industry.”

Students pursuing degrees in fields like Arts Administration, Business Administration, Marketing, Public Relations/Communications, Theater Studies, Finance/Accounting, Human Resources, Pre-Law, Arts Ticketing/Sales/Operations, and other fields of study that relate to commercial theater presenting are welcome in the program. A variety of perspectives, backgrounds, abilities, and opinions are very much encouraged to apply.

Interested applicants can find the application form and more information at http://www.broadwayacrossamerica.com/apprenticeship

BTC
BTC was founded by T. Oliver Reid and Warren Adams during the Summer of 2019. They identified the disparity between the growing inclusivity onstage, versus the almost non-existence of diverse professionals off stage. They invited their colleague, Reggie Van Lee, to join them as Co-Founder in their march towards dismantling the systemically racist and biased ideology in the theatrical job space. BTC officially filed as a nonprofit 501(c)(3) in June of 2020. BTC provides emerging, mid-career, and career-changing diverse professionals opportunities to learn the theater-making process from leaders at the highest levels in executive, creative, producing, and administrative areas while developing a strong network for continued success and employment in the industry. For more information about BTC, visit their website www.BlackTheatreCoalition.org where eligible candidates can explore and apply for current and upcoming positions.

BROADWAY ACROSS AMERICA
Broadway Across America (BAA) is part of the John Gore Organization family of companies, which includes Broadway.com, The Broadway Channel, BroadwayBox.com, Group Sales Box Office, and Broadway Brands.  Led by 22-time Tony-winning theater producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 48 markets with over 450,000 subscribers. Presentations include Disney’s The Lion King, Wicked, The Book of Mormon, and Hamilton. Current productions include &Juliet, Hadestown, Hamilton, Hell’s Kitchen, MJ: The Musical, Moulin Rouge! The Musical, The Outsiders and Stereophonic. BroadwayAcrossAmerica.com

JOHN GORE ORGANIZATION
The John Gore Organization is the leading presenter, distributor, and marketer of Broadway theater worldwide. Under the leadership of 22-time Tony-winning theater producer and owner John Gore, its family of companies includes Broadway Across America, Broadway.com, The Broadway Channel, BroadwayBox.com, Group Sales Box Office and Broadway Brands. The company presents shows in 48 cities across North America as well as on Broadway, Off-Broadway, London’s West End, Japan, and China. It has won Tony Awards in every producing category as well as numerous other Drama League, Drama Desk, and Olivier Awards.  The John Gore Organization is committed to supporting theater access and education programs that introduce Broadway to the next generation of audiences and theater professionals. JohnGore.com.

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Submission Wanted for Playwrights Script Reading Season 2025 at Lumos Players

Lumos Players is excited to announce our second season of our Playwrights Script Reading Season 2025 Winter/Spring Edition.

CALLING ALL PLAYWRIGHTS! We understand writing a play be a journey. This is a great opportunity to have your plays read aloud and have a constructive group discussion to help further you in your playwrights process. All script reading sessions will be over ZOOM. We accept all kinds of play; 10min, 1 act, full plays, musicals, comedy’s, dramas, etc.

If interested in submitting a play for this edition please email lumosplayers@gmail.com with your script attached. Deadline for submissions is December 1, 2024. We will be announcing the 2025 Playwrights Script Reading Series on January 1, 2025.

All readings and discussions will take place the 2nd Wednesday of the month at 7:30pm and will be over ZOOM.
DATES FOR READINGS:

  • February 12, 2025 @ 7:30PM
  • March 12, 2025 @ 7:30PM
  • April 9, 2025 @ 7:30PM
  • May 14, 2025 @ 7:30PM

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Play Submissions Open for 2025 NEW WORKS FESTIVAL at Cincinnati Lab Theatre

Cincinnati LAB Theatre is now planning its twelfth producing season and accepting submissions to fill productions for its 2025 New Works Festival. Cincinnati LAB Theatre will be producing these scripts over two weekends in a rotating festival format summer of 2025.

To be considered for a play reading a playwright must submit an original, unpublished, fully realized script of at least 30 minutes in length. To be considered for a fully staged workshop production a playwright must submit an original, unpublished, fully realized script of at least 45min in length to no longer that 90 minutes in length that has previously had at least one verifiable staged reading. Only plays allowing for 6 actors or less will be accepted. Erotica and pornography will not be considered. Playwrights must be available in person and/or by video conference for the entirety of the rehearsal/workshop process. Only those playwrights willing to engage in a workshop process should submit. All playwrights must be present for at least one performance. Plays previously produced as play readings by Cincinnati LAB Theatre will be given special consideration for fully staged workshop productions. Once scripts are chosen playwrights will be paired with a director and cast to fulfill the rehearsal/workshop process. Directors and cast will be chosen by Cincinnati LAB Theatre.

Submissions for the summer festival productions will be accepted between August 28, 2024 and December 31, 2024. Submissions will be accepted by Jotform here: https://form.jotform.com/223286773604057

There is a $5 submission fee. This fee covers the cost to pay readers.

Please feel free to contact one of the artistic directors directly by emailing us at cincinnatilabtheatre@gmail.com if you have any questions for concerns.

We look forward to reading your pieces!

Sincerely,
Cincinnati LAB Theatre

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Call for Directors for 2025 Summer Musical at Bart’s Bards

Bart’s Bards—a theatrical ministry of St. Bartholomew Catholic Church—is holding an open Call for Directors for our Summer 2025 musical. Interested persons should contact Danielle Meineke (BartsBards@gmail.com) to schedule a 45-minute evening appointment time on Sunday, September 29, Monday, September 30, or Wednesday, October 2 at St. Bartholomew Church (9375 Winton Rd).

Performance Dates are as follows:

  • Thursday, June 5—Evening
  • Friday, June 6—Evening
  • Saturday, June 7—Matinee & Evening
  • Sunday, June 8—Matinee

The show will be performed on the Ray Sowell Commemorative Stage in the Fr. William F. Krumpe Activity Center in Springfield Township, OH (9375 Winton Rd, Cincinnati, OH 45231).

Potential directors may pitch up to two shows. We will hear your pitch(es), talk about our theater community, and hear from you about your practices and expectations as a director. Please also bring your theatrical resumé and contact information.

The show selected will: 1) be a large-cast musical production for members of all ages, including the potential for a large number of children; 2) have several lead-role opportunities for actors of all ages; and 3) be a family-friendly production that presents a message consistent with the values of the Catholic Church. To aid potential directors with show selection, below are some of our recent productions. We are open to hearing pitches of repeat shows or shows new to our theater.

  • Oklahoma! (2009)
  • Bye Bye Birdie (2010)
  • The Wizard of Oz (2000, 2011)
  • Joseph and the Amazing Technicolor Dreamcoat (2014)
  • The Adventures of Tom Sawyer (2015)
  • Disney’s The Little Mermaid (2016)
  • The Fiddler on the Roof (2017)
  • Seussical: The Musical (2018)
  • James and the Giant Peach (2019)
  • The Music Man (2003, 2022)
  • The Sound of Music (2023)
  • Horizons of Gold: An Original Musical (2024)

Questions can be directed to Danielle Meineke (BartsBards@gmail.com). Thanks for your interest!

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Acting, Stage Manager and Company Manager Roles Available at American Legacy Theatre

Company Manager ($1,000/wk)
Stage Manager ($800/wk)
Four Acting Positions ($600/wk)

ABOUT THE POSITION:

SEE ME. HEAR ME.: Cyber Bullying is an original one-act play focused around family miscommunication, youth trauma stemming from isolation and mixed media bullying, and career pathways in behavioral health all to reduce stigma around youth mental health services. Developed with ALT, in consultation with Ohio’s Dept of Mental Health and Addiction Services, this piece was written by Executive Artistic Director & CEO, Matthew David Gellin.

SEE ME. HEAR ME.: Cyber Bullying is to be performed in a state-wide non-union tour to Ohio high schools. This will be a 6-person company – 4 actors, 1 stage manager, 1 company manager, 2 vans.

** Rehearsals and performances will be predominantly during the day time Monday through Friday. Weekends and evenings may be used for alternative performance times. Performances will be up to 5 days a week.**

TIMELINE:

SUBMISSIONS: NOW. Submit by August 21, 2024 for first consideration.

Applications/auditions are still accepted afterwards if not filled.
Rehearsals begin: September 9, 2024; 9:00am
First Bookable Performance Date: September 23, 2024
Current Ending Contract Date: October 20, 2024

Up to 10 performances a week of this 45-minute piece.

FULL DETAILS HERE: https://www.artswave.org/discover/jobs

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