Category Archives: Auditions

Auditions Announced for HOME at Cincinnati Music Theatre

CMT_Studio Series logoSun-Mon, March 3-4 from 7-10pm

Clifton United Methodist Church
3416 Clifton Ave
Cincinnati, OH 45220

Conceived and written by Mark D. Motz
Directed by Michele Mascari

Audition requirements – A verse and a chorus of a song that reminds you of home, defines home, suggests home, wishes home were different, etc. Open to ballads and up tempo numbers from musical theater, film, pop music, old standards or anywhere else. Please do not sing “Home” from The Wiz. We’d like your song to show your vocal range, as well as showing and sharing the context, emotionality and character of your song. We appreciate physical control, nuance and authenticity to complement your vocal presentation. Piano accompaniment provided; no a capella or prerecorded music, please.

Performances run June 7-15.

Reserve your audition slot on SignUpGenius.

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Auditions Announced for VANYA AND SONIA AND MASHA AND SPIKE at Oxford Area Community Theatre

OXACT_logoAuditions for the OxACT spring production of VANYA AND SONIA AND MASHA AND SPIKE by Christopher Durang will take place at the Oxford Community Arts Center (10 S. College Avenue) on Monday, Feb 18 from 4:30-6:30pm, and Tuesday, Feb 19 from 6-8pm. You do NOT have to be at both auditions to be considered for a role.

The performance dates of the show are April 19, 20, 21, 26, 27, all at 7:30pm, and April 28 at 2:00.

This comedy, winner of the Tony Award for Best Play, features six characters, including

Vanya (male, 50s-60s; the elder brother). Wry, retiring, frustrated, resigned fellow. Vanya et al is an ensemble piece, but the closest to a lead role is Vanya, who acts as the peacemaker in the family and has the most stage time. He also has a pages-long eruption of a monologue at the conclusion of the play. He is gay, but not stereotypically so and lives with his adopted sister (‘together alone’) in the house of their childhood, having cared for their parents until they passed, supported financially by their sister Masha. He never had to work and was complicit in letting his life slip by without making much of it at all. Resigned to his life, more or less, at least compared to Sonia. Originally played by David Hyde Pierce.

Sonia (female, 50s; the adopted sister). Melancholic, capricious, definitely regretful, possibly desperate. A mirror image of Vanya except less resigned and more prone to manic outbursts and accusations for her state of being. She also maybe has/had a clearer image of what she wanted from life. Sonia and Masha have a raw, contentious hostility toward one another that comes out as the play progresses. May be the one worth the most sympathy.

Masha (female, 40s or 50s; the famous sister). Expansive, glamorous, haughty, frenetic. A successful and well-traveled actress, often married, Masha returns home to her siblings having found herself on the edge of “once beautiful.” Her self-deceptions are worn more on her sleeve than either of her siblings – see the flirtatious, empty-headed young companion she brings home with her. She returns to the homestead with intentions to sell it out from under her siblings, but really, she might not have had anywhere else to go. It was Durang’s friend Sigourney Weaver who originated the part.

Cassandra (female, flexible; soothsayer housekeeper). Obtrusive, kooky, dramatic. A true wildcard, gem of a comedic role, Cassandra is aptly and unambiguously named: she is a psychic prognosticator that no one believes but speaks the truth (mostly). She is also the housekeeper and somewhat of a caregiver to Sonia and Vanya. Her sudden, wild pronouncements for the future offer a lot to play around with for the adventuresome actress. I am truly open to most anything brought to the table for this character.

Spike (male, 20s or early 30s; Masha’s ‘companion’). Chiseled, flippant, devil-may- care boy toy. A preening millennial, Spike is a young actor who pays just enough attention to Masha to keep her satisfied. He does not seem to have any urgency for anything, despite the fact that he has little to show for his career thus far. But he’s got his looks, a captive audience, and believes the rest will be laid out all on a plate for him when the time comes. As fair warning, Spike does disrobe down to his underwear in the play, and maintains that status for several pages on stage. This actor needs to be confident in his body image.

Nina (female, 20s-30s; aspiring actress). Earnest, bouncy, a guileless admirer. An accidental arrival on the scene, Nina is the neighbor’s niece who has dreams of becoming an actress and has the (mis)fortune to stumble into her idol Masha. Her appearance though provokes lust in Spike and, unsurprisingly, envy in Masha.

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Auditions Announced for DRIVING MISS DAISY, THE ADDAMS FAMILY and ROCK OF AGES at Cincinnati Landmark Productions

CLPCincinnati Landmark Productions to hold auditions for two Marquee Season Shows at the Covedale Center and one District Series Shows at Warsaw Federal Incline Theater.

Open Audition dates/times for THE ADDAMS FAMILY and ROCK OF AGES:

  • Saturday, May 18th Noon to 4:30pm
  • Sunday, May 19th 6:30pm to 9:30pm

Callback:

  • Monday, May 20th (5:45pm to 7:45pm) for ROCK OF AGES
  • Monday, May 20th (8:00pm to 10:00pm) for THE ADDAMS FAMILY

Open Audition dates/times for DRIVING MISS DAISY (no callback)
Tuesday, May 21st 6pm to 9pm

Audition Location: The Warsaw Federal Incline Theatre
801 Matson Place, Cincinnati, OH 45204

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Please note: Everyone will not have to attend callbacks – you will be asked to attend (and expected to attend if asked). However, not being asked to callbacks doesn’t mean you won’t be cast.

If you’d like the audition forms sent to you in advance, email Jennifer Perrino at jenniferperrino@CLPShows.org

Important Audition Information!

  • You may audition for more than one show.
  • For ROCK OF AGES prepare 16 to 32 bars of a rock song that best demonstrates your vocal ability. You will read from the script at callbacks. Must be a minimum of 16 years of age to audition for this show.
  • For THE ADDAMS FAMILY all please prepare 16 – 32 bars of a song that best demonstrates your vocal ability, musical theatre style. You will read from the script at callbacks. Must be a minimum of 16 years of age to audition for this show.
  • For ROCK OF AGES and THE ADDAMS FAMILY, you may be tested for dance ability.
  • For DRIVING MISS DAISY – will read from the script. Age Requirement: Mid 30s – 60s
  • Adults MUST HAVE A RESUME listing theatrical experience in order to audition.
  • A headshot/picture is appreciated. Please bring a headshot and resume for each show you are auditioning for, e.g. 2 shows =2 headshots and resumes; 3 shows =3 headshots etc.
  • No more than 2 conflicts will be accepted during the rehearsal process for each of these productions.
  • All roles are paid positions. No Roles have been precast.
  • Cast members do not have to be the actual ages of the characters in any of the productions – But must be able to look age appropriate and act accordingly.

Marquee Season Shows at Covedale Center for the Performing Arts:

DRIVING MISS DAISY By Alfred Uhry
September 5 – 29, 2019

The Deep South, 1948 – just prior to the civil rights movement… Having demolished another car, Daisy Werthan, a rich, sharp-tongued widow of seventy-two, is informed by her son that she must now rely on a chauffeur. The son hires a thoughtful black man, Hoke, whom Miss Daisy immediately regards with disdain. Over the next twenty-five years, the two grow close and more dependent on each other. Steadily the dignified Hoke breaks down the stern defenses of the old lady. She teaches him to read and write, and eventually invites him to join her at a banquet in honor of Martin Luther King, Jr. At the end, Hoke has a final visit with Miss Daisy, now in a nursing home, where it is movingly clear that they have both have more in common than they ever believed possible—and that the times would ever allow them to publicly admit. Winner of the 1988 Pulitzer Prize, this is a great American play with heart, humor and humanity. Greg Procaccino, Director; Angelica Ortiz, Stage Manager

THE ADDAMS FAMILY
Book: Marshall Brickman & Rick Elice; Music and Lyrics: Andrew Lippa
Oct. 17 – Nov. 10, 2019

It’s creepy and it’s kooky!! It’s a hilarious musical! It’s every father’s nightmare! Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. And worse, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia! Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s ‘normal’ boyfriend and his parents. All the lovable characters (and the musical theme) from the classic TV show are here, along with great songs like, ““When You’re an Addams”, “Where Did We Go Wrong?”, “Just Around the Corner”, “Live Before We Die” and “Tango de Amor”!
Bob Brunner, Director; Ron Attreau, Music Director; Jeni Schwiers, Choreographer; Jenny Lutes, Stage Manager

District Series Shows at The Warsaw Federal Incline Theater

ROCK OF AGES
Book by Chris D’Arienzo; Music arranged by Ethan Popp; Music orchestrated by Ethan Popp; Original arrangements by David Gibbs; Musical Director, Henry Aronson.
September 26 – October 13, 2019

It’s the end of the big, bad 80’s and the party has been raging hard. Aqua Net, Lycra, lace, and liquor flow freely at one of the Sunset Strip’s last venues – a place where sexy Stacee Jaxx reigns and scantily clad groupies line up to turn their fantasies into reality. Amidst the madness, aspiring rock star (and resident toilet cleaner) Drew longs to take the stage while he longs for small-town girl Sherri. But the decade’s rock and roll fairy-tale is about to end. Can Drew, Sherri, and the gang save the 80’s? With monster hits songs like, “Hit Me With Your Best Shot”, “Wanted Dead or Alive” and “Don’t Stop Believing”, ROCK of AGES lets the party go on forever! Nominated for five Tony Awards including Best Musical. Doug Berlon, Director; Greg Dastillung Music Director; Jules Shumate Choreographer; Steven Ducker, Stage Manager

For more information on auditions, contact us at (513) 241 – 6550. Check us out on the web @ www.CLPShows.org

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Auditions Announced for CRIMES OF THE HEART at Greater Hamilton Civic Theatre

GHCT_logoCRIMES OF THE HEART Auditions

Directed by Rhonda Lucas
Produced by Brett Sandlin

Show Dates: May 2 – May 5, 2019 at Parrish Auditorium on the Miami Hamilton Campus

Audition Dates: Sunday, February 24, 2019 – 7pm
Monday, February 25, 2019 – 7pm

Audition Location: The Creative Center at the Palace
215 S. Third Street
Hamilton, OH 45011

Synopsis: This play, by Beth Henley, relates the story of three Magrath sisters (Meg, Babe and Lenny) who reunite at Old Granddaddy’s home in Hazlehurst, Mississippi. The sisters were raised in a dysfunctional family with a penchant for ugly predicaments. Each has endured her share of hardship and misery. Past resentments bubble to the surface as the sisters are forced to deal with assorted relatives and past relationships while coping with Babe’s latest incident. Each sister is forced to face the consequences of the “crimes of the heart” she has committed.

Casting: 4 Women, 2 Men
All characters are age range (stage age) 25 to 35 years old

Preparation: Be prepared to read from the script

Questions: Contact Rhonda Lucas at 513-423-5017 or rlucas88@yahoo.com
Contact Brett Sandlin at 513-518-3705 or brettsandlin@cinci.rr.com

This production is sponsored by Mark & Theresa Durbin.

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Auditions Announced for FAHRENHEIT 451 at Xenia Area Community Theatre

xactRay Bradbury’s FAHRENHEIT 451

Mon & Tue, Jan. 28 & 29 at 7pm

XACT
45 E. Second St.
Xenia, OH

Auditions will be script readings.

Directed by Mike Taint

Performances run April 5-14

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