Category Archives: Auditions

Auditions Announced for DASHING THROUGH THE SNOW at Village Players

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It’s four days before Christmas in the tiny town of Tinsel, Texas, and a colorful parade of eccentric guests arrive at the Snowflake Inn and deck the halls with holiday hilarity. You’ll swear this family-friendly Jones/Hope/Wooten Christmas comedy is more fun than a joyride in a one-horse open sleigh!

Directed by Dan Maloney

Audition Dates:

  • Sunday, July 11 at 2pm
  • Monday, July 12 at 7pm

Location: 8 N. Fort Thomas Avenue, Fort Thomas, KY

Performance Dates: December 3-5 & 9-11, 2021

DASHING THROUGH THE SNOW features four short stories about Christmas. Rehearsal commitment for each story will be similar to a one-act play. Rehearsals will be scheduled around cast conflicts. Cast members must be available for Tech Week starting Sunday, November 28th and for all performances. Physical performers encouraged. Director is seeking a large and diverse cast.

Characters
Special note about casting: Ages listed are suggested. Characters may be played by older or younger performers for comedic effect. Physical performers encouraged. Director is seeking a large and diverse cast.

  • Trina Walcott – Innkeeper; bright and bubbly; only character in every scene
  • Mr. Boykin – Offstage voice; downbeat and petulant guest; never seen
  • Lou Ida – Offstage voice; surly housekeeper; never seen
  • Cuddles – 40s – 50s; matronly; dresses like Mrs. Santa Claus
  • Binky – 40s – 50s; spry and energetic; dresses like one of Santa’s elves
  • Hoyt Ledford – 40s – 50s; an anxious man with an agenda
  • Donna Jo Austin – Late 40s; brash and spunky
  • Aunt Ennis Puckett – 80s; curmudgeonly and sharp-tongued
  • Aunt Della Crowder – 80s; feisty and sweet faced
  • Ainsley Danforth – 50s – 60s; a pompous, overly dramatic actor; wears a hooded cape
  • Lenora Benedict – 50s – 60s; a self-involved prima donna; also wears a hooded cape
  • Paulette Coogan – 40s; blunt, humorless stage/road manager; wears a small boy’s period outfit
  • Twink Futrelle – 50s; determined and practical
  • Honey Raye Futrelle – 50s; sexy and vivacious
  • Raynerd Chisum – 40s; uncomplicated and childlike
  • Frankie Futrelle – 50; sensible and down to earth
  • Rhonda Lynn Lampley – 50s; spunky and saucy; has a case of the gout

About the Auditions
Auditions will consist of cold readings from the script. Please bring known conflicts. Head shots and resumes are appreciated but not required.

For more information or to see a copy of the script, contact director Dan Maloney at maloneykd@gmail.com.

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Video Auditions Announced for CABARET and BACK TO THE 80S at Dare 2 Defy Productions

D2D_logoDare 2 Defy Productions is currently accepting video submissions for CABARET and BACK TO THE 80s!

Please send 1-2 songs in the style of the show to auditions@dare2defy.org along with your headshot and resume. Once we have received your video audition, we will send callback materials. Please upload all videos to YouTube or Vimeo or send via large file transfer service (Dropbox, etc).

All roles are paid, non-union contracts.

If you do not wish to send a video but want to be considered, please email auditions@dare2defy.org and we will schedule you an audition time on the callback dates below. If you cannot attend callbacks, please let us know and we will conduct them over video or set up another time.

CABARET – CALLBACKS ON MONDAY, JULY 12 AT 6PM
BACK TO THE 80S – CALLBACKS ON FRIDAY, JULY 16 AT 6PM


CABARET
Presented by The Rubi Girls and Square One Salon
Music by John Kander, Lyrics by Fred Ebb
Book by Joe Masteroff
Based on the play by John Van Druten and Stories by Christopher Isherwood
Directed by Philip Drennen

Rehearsals begin Sept 7
Presented Oct 14-16 at the PNC Arts Annex

Daring, provocative and exuberantly entertaining, Cabaret explores the dark and heady life of Bohemian Berlin as Germany slowly yields to the emerging Third Reich.

Casting Adults 18+ of all ethnicities and gender identities for all roles
**Please note that the roles of the Emcee and Fraulein Schneider have been cast

CASTING

  • SALLY BOWLES – A British Cabaret singer at the Kit Kat Klub
    Vocal Range – Low A to High C – Strong Belt A quirky character that comes across as flighty – yet at times struggles with knowing the darkness of the reality of her life as a cabaret performer. Comfortable with stage movement and light dance Age Range 20s to 30s. Speaks with a British Accent.
  • CLIFFORD BRADSHAW – An American novelist and English teacher traveling to Berlin
    Vocal Range – Low A to High E – Tenor Presented as a closeted gay man exploring his sexuality. Comfortable with stage movement and light dance Age range Late 20s to Mid 30s. Speaks with an American accent.
  • HERR SCHULTZ – One of Fraulein Schneider’s roomers and the proprietor of a Fruit Shop. Vocal Range – Low G to High F Age Range 40+ . Speaks with a German accent.
  • FRAULEIN KOST – Another of Fraulein Schneider’s roomers.
    Vocal Range – Low A flat to High F – Alto/Mezzo She earns money by offering favours to sailors. Age Range – 20s to 40s. Speaks with a German accent.
  • ERNST LUDWIG – A friendly and Likeable German Sings in the Chorus
    Vocal range – flexible Takes English lessons from Cliff and smuggles funds for the Nazi Party. Age Range – 25+. Speaks with a German accent.
  • KIT KAT GIRLS – Kit Kat Club Performers and Various Features
    Vocal Range – Strong Singers in all voice parts. The individuals will also be part of various scenes as performers and as club patrons. Features (“Two Ladies,” “Telephone Dance,” etc.) will be drawn from this group. Strong dance skills required. Age Range – 18+.
  • MALE ENSEMBLE – Kit Kat Klub Waiters and Patrons and Various Features
    Vocal Range – Strong Singers in all voice parts. Features (Bobby, Victor, “Tomorrow Belongs to Me,” etc.) will be drawn from this group. Strong dance skills required. Age Range – 18+.


BACK TO THE 80s
Written by Neil Gooding, Additional Material by Stuart Smith
Revised Orchestrations and Arrangements by Brett Foster
Original Musical Adaptation by Scott Copeman
Directed by Becki Norgaard

Rehearsals begin July 26
Presented September 3-4 at The Victoria Theater

From the era that brought the world the Rubik’s Cube, Max Headroom and the Teenage Mutant Ninja Turtles comes the “totally awesome” musical Back to the 80’s. In the style of movies such as Back to the Future, Ferris Bueller’s Day Off and The Karate Kid, Back to the 80’s is a nostalgic romp through the greatest hits of the decade.
Casting actors who are or can convincingly play high school students, all ethnicities and gender identities for all roles
**The roles of Michael and Mrs. Brannigan have been cast

CASTING

  • COREY PALMER (SENIOR) – The narrator of the show. Corey Snr is pushing 30, living in the year 2000, and reminiscing about the 80s (his school days), and his love for Tiffany Houston.
  • COREY PALMER (JUNIOR) – He is 17 and in his Senior Year. A very likeable, very ordinary American teenager.
  • ALF BUELLER – One of Corey Junior’s two best friends. A likeable teenager, only just coming out of childhood.
  • KIRK KEATON – Corey’s other best friend. Corey, Alf and Kirk are very close, but they are rather naïve, particularly about women.
  • TIFFANY HOUSTON – One of the group of girls that “Just Wanna Have Fun”. A cute, bubbly teenage female from the 80s, innocent, naïve and doe-eyed about boys and love – aspiring to be Cyndi Lauper and Madonna rolled into one.
  • CYNDI GIBSON – One of Tiffany’s best friends. More street-smart than Tiffany, Cyndi knows that boyfriends are a passport to attention and presents.
  • MEL EASTON – Another one of the inner click of “The Cool Girls”. An all-singing, all-dancing party girl.
  • KIM EASTON – The twin sister of Mel – although for ease of casting, they will probably be fraternal, not identical.
  • BILLY ARNOLD – One of Michael Feldman’s posse. Another popular, good-looking, athletic guy. The kind of person that every 17 year old wants to be (particularly if they are not popular, good-looking or athletic!!)
  • LIONEL ASTLEY – Lionel is fairly similar to Billy. Not quite as cool as the others, but because he is in the group, the girls put up with him anyway.
  • HUEY JACKSON – The final guy to round out the group of Michael Feldman’s friends. Not much else to be said – big hair, wears clothes that were cool at the time, but now just look like fluorescent mismatches of colour.
  • FEARGAL McFERRIN – The school nerd.
  • EILEEN REAGAN – The new arrival, charming, full of life and vitality – and a dreamer who lovingly longs for the day when she has a boyfriend.
  • LAURA WILDE – One of the girls that adopts Eileen into their group when she arrives at the school.
  • DEBBIE FOX – Laura’s best friend. Both girls have trouble distinguishing between reality (i.e. that they have had no boyfriends) and fantasy (that they are married to Neil Patrick Harris).
  • MR STEVIE COCKER – The Deputy Principal and maths teacher at William Ocean High School. One of only two teachers who will appear in the show. Stevie sees a future together with Sheena, but has major problems when he discovers he is dating a former centrefold (even though she is now a respectable, conservative English teacher.)

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Auditions Announced for THE ODD COUPLE: FEMALE VERSION at Beechmont Players

BPI_logoBeechmont Players and director Arlene Balczo are proud to announce auditions for THE ODD COUPLE: FEMALE VERSION.

You know all about Felix and Oscar. Now get on board with Florence and Olive!

Auditions will be held on July 29th at 7pm and on July 31 at 2pm at Cherry Grove United Methodist Church, 1428 Eight Mile Road in Anderson Township. Enter Fellowship Hall from the south parking area. Please try to arrive at the beginning of auditions. If you will be later, contact producer Cathy Roesener at 513-231-8558

Be prepared to read from the script.

Roles:

  • Florence Unger: compulsive neat freak, recently separated from her husband. Stage age 35-50
  • Olive Madison: compulsive slob, also separated- Stage age 35-50
  • Sylvie: Friend of Olive and Florence- stage age 35-50
  • Mickey: Friend of Olive and Florence, a police officer- stage age 35-50
  • Renee: Friend of Olive and Florence- stage age 35-50
  • Vera: Friend of Olive and Florence- stage age 35-50
  • Manolo Costazuela- upstairs neighbor of Olive, brother to Jesus
  • Jesus Costazuela- upstairs neighbor of Olive, brother to Manolo

All ethnicities will be considered for all parts. There are no precast roles.

Performance dates are Feb. 4-12, 2022

PLEASE UNDERSTAND THAT BEECHMONT PLAYERS WANTS TO PROVIDE A SAFE AND HEALTHY ENVIRONMENT FOR ALL PARTICIPANTS IN OUR PRODUCTIONS. THEREFORE, WE REQUIRE THAT ALL CAST AND CREW BE FULLY VACCINATED AGAINST COVID-19 BY THE FIRST REHEARSAL.

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Auditions Announced for THE IMPORTANCE OF BEING EARNEST at Beechmont Players

BPI_logoWE’RE BACK!! It’s time for auditions for our fall show: THE IMPORTANCE OF BEING EARNEST!

A trivial comedy for serious people, by Oscar Wilde

Directed by Steve Phelan

This theater classic features some of the wittiest dialogue ever written (and a chance to brush up your British accent!). Two young gentlemen bend the truth in order to put some excitement into their lives. John has invented a brother, Earnest, whom he uses as an excuse to leave his dull country life behind to visit the girl he adores in London. Algernon takes the name Earnest to secretly visit John’s beautiful young ward in the country. Things go awry when they all end up together one fateful afternoon.

Auditions:
2:00 pm on Sunday, July 18 and 7:30 pm on Monday, July 19

Cherry Grove United Methodist Church
1428 Eight Mile Road
Cincinnati OH 45255

NOTE: For the safety of our patrons, cast, and crew, all participants in this show will be required to be vaccinated before the start of rehearsals.

Five Performances: November 5-13 at the Anderson Center Theater

Auditions will consist of cold readings from the script.

CHARACTERS: 5 men, 4 women.

  • John Worthing: The country lover. Late 20s to 30s.
  • Algernon Moncrieff: The city lover. Mid 20s to 30s.Reve
  • \rend Canon Chasuble: 50s +
  • Merriman: Butler; 20s +
  • Lane: Manservant; 20s +
  • Lady Bracknell: A dragon of a dowager. 50s+
  • Honorable Gwendolen Fairfax: The city love interest; Mid 20s to 30s.
  • Cecily Cardew: The 18 year old country ward
  • Miss Prism: Governess; A prim woman, 50s +

Questions?Actors: for questions and/or a copy of the script, email stevephelan7588@gmail.com

Techs: for questions and/or a copy of the script, email pkaesey@gmail.com

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Video Auditions Announced for Puppeteer for Web Series as NKU

NKU_SOTA logoNKU is casting a puppeteer for two puppet characters on a web series. Info is below.  If you have any questions they can be directed to Chris Strobel at chris.strobel@nku.edu

Puppeteer Auditions 

  • Project Name: HEAD GAMES
  • Type of Project: Paid
  • Roles: “Bellum” and “Shelly” – puppets
  • Production Dates: 3 days TBA in June and July 2021
  • Location: Northern Kentucky University
  • Distribution: Online streaming

Description: HEAD GAMES is a project created by Dr. Christopher Lawrence with NKU’s College of Health and Human Services that seeks to teach children about a variety of social and emotional issues and how to navigate them. The host (Dr. Lawrence, in a “Doc” character mode) is joined by two puppets, Shelly (a sea monster) and Bellum (a disembodied brain) as they explore different social, emotional, and psychological concepts in each video. 

Self-Audition Deadline: end of the day, June 14
Callbacks will be in person. 

Shelly: All impulse and energy, she is fun and expressive. A fully functional puppet, Shelly physically interacts with Doc and Bellum. 

Bellum: Contemplative and cerebral. The puppet itself doesn’t move, but the case has colors that change to indicate when Bellum is speaking. His case has a screen and physical interface that will connect us to other locations and illustrative animations. 

Audition video details:

  • Please concentrate on one character in your video and clearly indicate which character you are reading.
  • If auditioning for both characters please submit two separate videos.
  • Having someone read with you is welcome, but solo also works.
  • When auditioning for Shelly use your hand (or another full-arm puppet) to indicate how the performance would work.
  • Bellum is all voice work.
  • Please include a slate (name, location) at the start of your video.

Submit your video audition and information through this link:https://forms.gle/sQC2JEfC7MWEma1E6 


Audition Script: 

(Shelly hums as she draws, a pencil held in her mouth. Bellum works a crossword puzzle on his screen.) 

Bellum: A 16 letter word for giving human characteristics to nonhuman things?  

Shelly: I don’t know. Is that a real thing? 

Bellum: OK, how about a four letter word for artistic expression? 

Shelly: draw! 

Bellum: Yes! That fits. 

Doc: Hi, Shelly. Hi, Bellum.  

Shelly: Doc! 

Bellum: Doc. 

Doc: It is good to see you two. How are you two feeling today?  

Shelly: I’m good.  

Bellum: I am fine.

Doc: But how are you feeling? 

Shelly: I’m okay.  

Bellum: I am alright.  

Shelly: Umm, Doc. Are you feeling OK? You asked us that already.  

Doc: I know, Shelly. I repeated myself because I want to understand. “Good” and “fine” and “okay” and “alright” don’t really tell me much about how you really are. I emphasized “feeling” because I want to understand your current emotions.  

Shelly: Our…emotions? 

Bellum: Emotion: A seven letter word that describes our inner reactions to ourselves, to others, and to our experiences. 

Doc: That’s right, Bellum. Emotions are how we feel about things we do, how we feel about the things that happen to us, and how we feel about the people in our lives.  

Shelly: Wow. That’s a lot. That’s like…everything. 

Doc: It can be. Emotions are powerful parts of who we are. 

Doc: So how about we try again? How are you feeling today?  

Shelly: I’m not sure what to say. Or that I want to say. I don’t think Bellum does, either. 

Doc: My apologies. Would it help if I tell you a bit more about emotions?  

Shelly: Woo-hoo! New stuff! 

Bellum: Oh, yes. That would be helpful.  

Doc: Bellum, may we use your screen?  

Bellum: Yes. (Thank you for asking.)  

Doc: Let’s see what we can do… 

Doc: Poets and authors have lots and lots and lots and lots of words to describe the emotions we feel.  

SoundFX: words “typing” out onscreen. 

Shelly: Wow. That’s a looooooong list.  

Doc: Yes, it is.  

Bellum: Even I would have a hard time remembering all of those.  


Doc: Let’s start with “glad.” When you feel glad you’re… 

Shelly: Happppyyyyyy!!!! 

Doc: Happy is our body’s way of telling us what we like. When I come over and see the two of you, I feel happy on the inside, because I care about you both.  

Bellum: When I work on a puzzle, I am glad.  

Shelly: When I draw, I’m glad, too.  

Doc: Exactly. Now think about how you show people you’re happy. I may smile or laugh.  

Shelly: You were smiling when you came in today! 

Doc: That’s right. 

Bellum: My colors change.  

Shelly: Oh! I move around a lot.  

Doc: Good job!  

Shelly: I feel happy hearing that.  

Doc: You’ve gotten the hang of glad. How about sad?  

Shelly: When I feel sad, I feel small. Like I have no energy.  

Bellum: Me, too. It’s like my lights are low.  

Doc: Mm-hmm. Sadness can be our body’s way of telling us we need support. It can also be a sign that something didn’t work out how we hoped. For example, if I’m looking forward to visiting with you, and I’m not able to make it, I may feel sad.  

Bellum: Shelly, you just dropped your head. 

Shelly: I did?  

Bellum: Yes.  

Shelly: Hmm…I thought about Doc not being able to come over, and I felt sad.  

Doc: Missing people can lead us to feel sad inside, and – as Shelly was kind enough to show us – sometimes we do tend to droop a bit when we’re sad. Our chins drop. Our shoulders hunch. Our faces may look a little pouty. We may frown. 

Shelly: Oh, and we cry! 

Doc: Yes. Sometimes when we’re sad, we cry.  

Bellum: What about mad, Doc?  

Doc: Anger can be a response to something that doesn’t feel right. Mad is like a burst of energy our bodies send us to try and fight our way out of a situation.   

Shelly: When I’m drawing a picture, and I can’t get it to look the way I want, I feel mad.  

Doc: Yep. I used to feel that way when I couldn’t figure out my homework. We get frustrated that we can’t do what we want, and that can lead to anger.  

Shelly: Sometimes I’ll just tear up a picture that isn’t working right. 

Bellum: It’s hard to think when I feel that way.  

Doc: Very much so. It’s like someone turns up the sound on the radio or television so loud that I can’t hear anything else. It’s just me and my anger. On the outside, I may grimace or scowl. When I feel anger, I ball my fists.  

Shelly: Umm, I don’t have fists.  

Doc: In that case, maybe your heart starts to beat really fast, so you feel it in your chest.  

Bellum: I don’t have a chest.  

Doc: Okay, so how – or where – do you feel anger?  

Bellum: My brain hurts.  

Shelly: I grind my teeth. And talk without opening my mouth. 

Doc: See? Everyone can have a different way of expressing their emotions. Here’s another one…Surprise is often described as the fastest emotion.  

Bellum: Fastest?  

Shelly: Like me? (She runs) 

Doc: Not so much fast in the running, swimming, or flying sense, but more in the sense that it doesn’t last very long. Something happens, maybe we gasp, and in the second or two it takes us to figure out what’s going on, we feel surprised.   

Bellum: Then what? 

Doc: Well, then the surprise usually gives way to another feeling. It could be glad, or scared, or mad, or whatever.  

Shelly: Whatever’s not a feeling, Doc.  

Doc: You know what I meant. When we feel surprise, our mouths might drop. Our eyes could open really wide, and our eyebrows go up, like they’re shooting to the ceiling.  

Shelly: I’ve got this. Ready? 

(Shelly faces away) 

Doc & Bellum: Ready. 

(Shelly spins around) 

Shelly: Sur-PRISE!!! 

Doc: Nicely done.  


Doc: So now that we’ve run through all the emotions, let’s try again. Shelly, how are you feeling?  

Shelly: I…umm, I said “good” earlier. Does that mean I’m feeling happy? Happy is the good emotion, right?  

Doc: Actually, emotions aren’t “good” or “bad.” It’s more about whether they’re a match for the situation.

Bellum: A match?  

Doc: Yes. It is okay if we go back to the screen? 

Bellum: Go right ahead. 

Doc: Let’s say it’s time to leave for school.  

Doc (animated): I walk outside, and suddenly, a Tyrannosaurus Rex jumps out from behind a bush.  

Shelly: That’d have to be a really big bush.  

Doc: How do you think I’d feel in that split second?  

Shelly: Ooh, I know this! Surprise! 

Doc: Well done! I’d feel surprised. Surprise would be a good match for the situation.  

Bellum: But surprise doesn’t last long.  

Doc: No, it doesn’t. Let’s say that my body replaced surprised with happy. How might I show that emotion? 

Shelly: Maybe you’d smile.  

Doc: I could smile.  

Bellum: Maybe you’d clap your hands and jump up and down.  

Doc: I could clap my hands and jump up and down.  

Doc: And if I stood there smiling, clapping, and jumping up and down, what would happen to me? I’d become the T-Rex’s lunch.  

Shelly: Oh, no! 

Doc: So would happy be a good match?  

Bellum: Probably not.  

Doc: Now let’s say when my surprise goes away, I feel sad.  

Shelly: Oh. Because dinosaurs are extinct.  

Doc: That could be a reason. What signs might show I was sad?  

Bellum: Maybe you’d sit down and pout.  

Doc: I could sit down and pout.  

Shelly: You’d cry.  

Doc: If I sat down, pouted, and cried, what would happen to me?  

Shelly: Lunch time!!!!

Doc: Would sad be a good match?  

Shelly: No way! 

Bellum: Doc, could we please try contempt? 

Doc: Of course. I walk outside, the T-rex roars. 

Shelly: You shake your head at it, and say, “That’s not how you roar.” 

Animated Doc: “That’s not how you roar.” 

Shelly: Lunch! 

Doc: A good match? 

Bellum: Not even close.  

Doc: Now let’s say my surprise gives way to fear.  

Bellum: You might start to shake.  

Doc: Yep. My knees could start to shake, I’d look terrified… 

Doc: and then – super quickly – I’d run back in the house.  

Doc: I’d be safe… And the T-Rex would need to have pizza for lunch.  

(The T-Rex can’t reach the pizza with his little arms) 

Shelly: Ha! Look at him. I wonder if that’s why they went extinct… 

Bellum – they should have helped each other with their pizza instead of trying to eat each other. 

Doc: So which emotion provided the best match for that situation?  

Bellum & Shelly: Fear.  

Doc: You got it. When faced with a T-Rex on my way to school, fear would be a productive emotional match.  

Doc: So one more time: how are you feeling? 

Shelly: I feel happy.  

Bellum: Me, too.  

Doc: I’m very glad to hear it. Being able to recognize our emotions – and being willing to talk about them – can help others understand us. That understanding can help draw us closer.  

Shelly: But not closer to a T-Rex, right?  ‘cause that thing was scary.

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