Category Archives: Auditions

Auditions Announced for TWO ON THE AISLE, THREE IN A VAN at Oxford Area Community Theatre

OXACT_logoNov. 22 at 5pm
Nov. 28 at 5pm

Oxford Community Arts Center
10 South College Ave.
Oxford, OH 45056

Roles available for 3 men 20+ and 1 woman 30+

Performance dates: Feb. 17-26

Directed by Kayleigh Swatzell

For more information contact the director at kaswatzell@outlook.com.

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Auditions Announced for STEPPING OUT at The Drama Workshop

TDW_VERTThe Drama Workshop will hold auditions for Stepping Out, a play with dancing, on Sunday, December 4 at 7:00 p.m. and Monday, December 5 at 7:00 p.m. Invitation-only call backs will be held on Tuesday, December 6 at 7:00 p.m. All auditions will be held at the Glenmore Playhouse, 3712 Glenmore Avenue, 45211.   The theater will open at 6:30 p.m. each evening.

Stepping Out is a comedy by Richard Harris. The play centers around the instructor and members of a weekly tap-dancing class. As the class prepares for an upcoming performance, we learn about their lives outside of the dance studio as well.   Liza Minnelli starred in a 1991 film based on the play.

Dianna Davis will direct the play with choreography by Genevieve Perrino and Jerry Weisenhahn.

Performance dates: May 12-28.

There are roles for eight women and one man who play the instructor and members of the tap class and one woman who plays the piano for the class.

Those auditioning do not need to be proficient in tap, but a background in tap dancing would be helpful. For anyone with little or no tap/movement experience, we are simply looking for a willingness and commitment to learn during rehearsals.  Most of the choreography is very basic during the scenes taking place during class. But the play does end with the cast performing a polished finale tap dance.

Auditions will consist of readings from the script, a brief tap dance audition, and a jazz dance audition for those auditioning for the role of Mavis.  Auditionees should bring tap shoes and dance wear if they have them. A resume and photo would also be helpful.

Covid policy: The Drama Workshop requires all staff and performers to be vaccinated.   Please bring your vaccination card to the audition.

CHARACTERS IN THE PLAY
*Ages are approximate “playing ages”.

  • Mavis: the tap-dancing instructor; Mavis is an ex-pro dancer, 30 – 50 years old. Mavis is considerate, organized and always in charge of the group. Mavis must be a proficient tap and jazz dancer.
  • Lynne: an eager to please student nurse, 20 – 25 years old.
  • Dorothy: anxious, birdlike, between 25 – 45 years old; has a habit of repeating other people’s last words.
  • Maxine: a confident Jewish business woman who wears big diamond rings, 30 – 40 years old.
  • Andy (woman):  timid, bullied by her husband, 25 – 40 years old.
  • Geoffrey: a shy, quiet, bumbling widower who has a crush on Andy, 30 – 50 years old. The ability to play the piano is a plus.
  • Sylvia: bubbly, flirty, chews gum all of the time, 25 – 40 years old.
  • Rose: a larger-than-life Trinidadian who wears an obvious wig, a crucifix around her neck and lots of finger rings, 30 – 50 years old.
  • Vera: a neat, proper, British, well-meaning snob with expensive tastes in clothes who doesn’t quite get it right. Vera does have immaculate hair & make-up. She is aspiring middle-class, 35 – 50 years old.
  • Mrs. Fraser: the pianist; intolerant, sarcastic, grumpy. Mrs. Fraser believes she is doing everyone a favor by being there. 50+ years old. The ability to play the piano is a plus.

Casting note This play is very story and character driven, therefore we are looking for those who can embody their roles, define their own interpretation and bring their character to life. We ask that preparation involves making some decisions about the character and how it could be performed, but also being open to change and direction. For anyone with little or no tap or movement experience, we are simply looking for a willingness to learn. The audition will involve a movement audition to gauge how the performer approaches and enjoys dancing rather than how well it is performed.

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Auditions Announced for STEEPLE PEOPLE and LITTLE WOMEN at La Comedia Dinner Theatre

LAC_logoLa Comedia Dinner Theatre in Springboro, Ohio, will be holding an open call audition for their upcoming productions of STEEPLE PEOPLE and LITTLE WOMEN, The Musical at 10:00 AM Saturday November 19, 2022 at 765 W. Central Ave., Springboro, Ohio.

Seeking Adult Men & Women (18+) who are excellent Singers and Actors for the following roles:

STEEPLE PEOPLE
Rehearsals begin January 2, 2023 (9 AM-5 PM Mon-Sat)
Performances January 19 – February 12, 2023, Thurs-Sun matinees and evenings.

  • Jaxson: 20’s – Tenor 1 for The Steeple People. Doesn’t understand humor or sarcasm, naive and dry. Says things in a deadpanned manner. Must sing harmonies confidently.
  • Bo: 20’s – Tenor 2 for The Steeple People. Talks slow and with the thickest accent. Country boy type. Accident prone and clumsy. Must sing harmonies confidently.
  • Clayton: mid 40’s-50’s – Baritone for The Steeple People. Charismatic and positive. The voice of reason in the group. Must sing harmonies confidently.
  • Ira: 50-60’s – Bass for The Steeple People. Grouchy, clashes personally with other in the group. Must sing harmonies confidently.

Be prepared to sing 16 bars of a song of a gospel song appropriate to the show.

LITTLE WOMEN, THE MUSICAL
Rehearsals begin January 30, 2023 (9 AM-5 PM Mon-Sat)
Performances February 16 – March 26, 2023, Thurs-Sun matinees and evenings.

  • Jo March: 20-25. Alto with strong belt. Passionate, adventurous, and brave.
  • Amy March: 18-20. Mezzo-soprano. The youngest most energetic sister, has a pompous air about her.
  • Meg March: mid 20’s. Mezzo-soprano. The world weary, yet hopeful, oldest sister who yearns for a great life.
  • Beth March: 18-early 20’s. Mezzo-soprano. The second youngest sister. Peace maker, and an optimist who is always encouraging her sister to dream.
  • Marmee March: 40-55. Alto. The girl’s mother. She is the strong backbone of the family, who is courageous in spite of the difficult odds she faces.
  • Aunt March: 45-60. Alto. An over-bearing matron and the great aunt to the March sisters.
  • Laurie Lawrence: 18-25. Tenor. The bright-eyed boy next door with considerable charm.
  • Mr. Lawrence: 45-60. Tenor. Grandfather and the March’s next door neighbor. Stiff, stern, elderly man who shows his softer side with Beth.
  • Professor Baer: 35-45. Baritone. German professor who exemplifies proper manners.
  • Mr. John Brooke: 30-40. Baritone. Laurie’s tutor and a rather stiff man who shows very little emotion.

Be prepared to sing 16 bars of a song of a musical theatre song appropriate to the show.
Please provide a current headshot and resume.

Director/Choreographer is Chris Beiser.
Questions contact Kris Byerly at productionmanager@lacomedia.com
Non-Equity.

Facebook event |

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MEALS 4 MONOLOGUES Auditions on Dec. 5-6 at Ensemble Theatre Cincinnati

ETC_Meals for MonologuesMEALS 4 MONOLOGUES: Casting Society of America Member D. Lynn Meyers to Audition Actors to Encourage Support of Local Foodstore, December 5 & 6

(Cincinnati, OH) Dim the lights, raise the curtain! Ensemble Theatre Cincinnati hosts its 11th annual Meals 4 Monologues auditions. Actors from throughout the nation are invited to a general audition call to perform for D. Lynn Meyers, a member of the Casting Society of America (CSA) and are encouraged to make a donation to Cincinnati’s Freestore Foodbank.

The event, in an effort to support local food banks while auditioning local talent, will be held virtually via Zoom on Monday, December 5 and Tuesday, December 6 from 10:00 am to 5:00 pm. This is an open casting call to all Equity union and non-union actors for future theatre, film, TV, and/or commercial projects cast by D. Lynn Meyers, CSA. This call is for all interested without regard to previous experience and with a strong emphasis on diversity and inclusion.

Audition time slots are 3 minutes each and must be scheduled ONLINE at www.ensemblecincinnati.org/auditions. Sign-ups are now available and are and on a first-come, first-serve basis.

To audition:

  • Upload a current HEADSHOT and RÉSUMÉ (DO NOT email them) during sign-up
  • Prepare a short monologue and song (must be performed a cappella), or two prepared monologues
  • Make a suggested donation to the Cincinnati Freestore Foodbank:  https://bit.ly/Meals22.

The Freestore Foodbank is the largest emergency food and services provider to children and families in Greater Cincinnati, Northern Kentucky, and Southeast Indiana, distributing 33 million meals annually to low-income individuals and families. The Freestore Foodbank supports 511 community partner agencies serving 20 counties in Ohio, Kentucky, and Indiana. This includes food pantries, soup kitchens, shelters, community centers, program sites, senior centers, and daycare facilities. The Freestore Foodbank is a member of Feeding America.

The Casting Society of America (CSA) is the premier organization of theatrical Casting Directors in film, television, and theatre. Although it is not a union, the CSA is a united professional society that consistently sets the level of professionalism in casting upon which the entertainment industry relies. CSA’s more than 490 members are represented not only in the United States, but also in Europe, Canada, Australia, and South Africa. “I am very proud to be a member of the Casting Society of America,” says CSA member D. Lynn Meyers. “The idea of Meals 4 Monologues came from a desire to always see new talent and to aid the community. I am delighted at the opportunity to see new faces and to spread outreach beyond the Greater Cincinnati area through this event.”


Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich, and inspire our audiences.

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Auditions Announced for LOVE/SICK at Fairfield Footlighters

fflA darker cousin to Almost, Maine, John Cariani’s LOVE/SICK is a collection of nine slightly twisted and completely hilarious short plays. Set on a Friday night in an alternate suburban reality, this 80-minute romp explores the pain and the joy that comes with being in love. Full of imperfect lovers and dreamers, LOVE/SICK is an unromantic comedy for the romantic in everyone.

Directed by Chase Engel

Auditions will be held Tuesday, November 29th and Wednesday, November 30th from 6:00pm-9:00pm.

Fairfield Community Arts Center – 411 Wessel Dr.

  • Please come prepared to read for the script.
  • Headshots and résumés are welcome.
  • Be prepared to list conflicts from December 5th 2022 through February 26th 2023.

Show dates are Friday February 24th – Sunday February 26th 2023.
Rehearsal will be on Monday, Tuesday and Thursday’s 6:30-9:00pm.
*Due to the nature of the show full cast will not be called to every rehearsal but each cast member will be scheduled to rehearse at least once a week.

Character descriptions: 9M & 9W
16 years old and up.

John Cariani’s LOVE/SICK is a comedy collection of nine slightly twisted and completely hilarious short plays. Set on a Friday night in an alternate suburban reality, this relatable romp explores the pain and the joy that comes with being in love.

Each scene has its own arc and tells the story of a couple at a crossroads in their relationship. Since each relationship is more advanced than the previous relationship, a larger arc emerges and the individual plays work together to create a satisfying whole – one that chronicles the lifecycle of a typical relationship from meeting through divorce…and afterwards.

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