Category Archives: Auditions

Auditions Announced for BONNIE & CLYDE at Springboro Community Theatre

Jan. 5-6 at 7pm
Potential Callbacks January 7th, 7 P.M.

  • Please note that actors auditioning need only attend one day of auditions, not both.

Performance Dates: March 6th, 7th, 8th, 13th, 14th, and 15th, 2026

Audition Requirements:

  • Please prepare no more than 32 bars that best showcase your vocal abilities and bring sheet music in the correct key. An accompanist will be provided. If you prefer to sing to a backing track, you may do so; however, the track must not exceed 1 minute in length. Bluetooth speakers will be available for you to pair your device with if needed. No acapella auditions will be accepted.
  • Please bring a change of clothes and proper footwear for a dance/movement call.
  • Dance/movement call will occur once vocal auditions have concluded.
  • There may be cold readings from the script as well.
  • You will also be asked to provide any and all rehearsal conflicts from January 5th – March 15th. No conflicts will be accepted for the duration of tech week and performances.

About the Show: BONNIE & CLYDE is a thrilling musical that tells the electrifying true story of America’s most infamous outlaw couple. Set against the backdrop of the Great Depression, the show follows Bonnie Parker and Clyde Barrow as they chase their dreams of fame, freedom, and a life bigger than the one they were born into. With a sweeping score that blends blues, gospel, and rockabilly, this fast-paced, emotionally charged musical explores love, legacy, and the high cost of notoriety.

Join us as Springboro Community Theatre brings this bold, iconic story to life.

Available Roles – Adult & Youth:

Clyde Barrow
A charming small-town boy who craves notoriety. Bonnie’s reckless, bold, daring lover.
Gender: male
Age: 18 to 25
Vocal range top: C5
Vocal range bottom: A2

Bonnie Parker
A beautiful girl torn between love and fame. Clyde’s ambitious, stubborn lover.
Gender: female
Age: 18 to 25
Vocal range top: F5
Vocal range bottom: G3

Marvin “Buck” Barrow
Clyde’s brother and an outlaw troubled by his wife’s distaste for his lifestyle. Adventurous and loyal.
Gender: male
Age: 25 to 35
Vocal range top: G4
Vocal range bottom: B2

Blanche Barrow
A religious woman who disapproves of the criminal lifestyle. Honorable and righteous. Married to Buck Barrow.
Gender: female
Age: 25 to 35
Vocal range top: Eb5
Vocal range bottom: G3

Young Clyde
Gender: male
Age: Current 4th – 8th grader
Vocal range top: A5
Vocal range bottom: B3

Young Bonnie
Gender: female
Age: Current 4th – 8th grader
Vocal range top: C5
Vocal range bottom: C#4

Cumie Barrow
A kind woman among those suffering in the Depression. Loyal and selfless. Mother to Clyde and Buck.
Gender: female
Age: 40 to 55

Sheriff Schmid
A determined lawman committed to stopping Bonnie and Clyde’s growing crime spree. Stern, seasoned, and steadfast in his pursuit of justice.
Gender: male
Age: 40 to 60

Ted Hinton
A police officer struggling to separate his feelings from his duties. Kind and honest. Madly in love with Bonnie.
Gender: male
Age: 18 to 25
Vocal range top: A4
Vocal range bottom: C3

Emma Parker
Bonnie’s widowed mother. Fragile, caring, sensitive.
Gender: female
Age: 40 to 55

Preacher
The town’s evangelist. Loud, passionate, boisterous.
Gender: male
Age: 45 to 65
Vocal range top: C5
Vocal range bottom: A2

Henry Barrow
A hard-working man, struggling to survive. Humble and quiet. Father of Clyde and Buck.
Gender: male
Age: 45 to 55

Governor Miriam Ferguson
An enforcer of the law and Governor of Texas. Tough and harsh.
Gender: female
Age: 40 to 60

Captain Frank Hamer
A retired Texas Ranger who joins the hunt for Bonnie and Clyde. Recruited by Governor Ferguson.
Gender: male
Age: 45 to 65

Bob Alcorn
The best sharpshooter in Texas. Recruited by Frank Hamer, he helps hunt down Bonnie and Clyde.
Gender: male
Age: 30 to 45

Ensemble (5-10 ensemble members)
All genders and gender expressions – 18-60+

No roles for this production have been pre-cast.
For video submissions & further questions, please contact the director, Kaleigh-Brooke Scheiding: k.brooke19@gmail.com.

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Auditions Announced for 1776 at Warsaw Federal Incline Theatre

Open Audition dates/times:

  • Saturday, February 7, 2026 1:00pm to 4:00pm
  • Sunday, February 8, 2026 1:00pm to 4:00pm
    Callbacks: Saturday, February 14, 2026 1:00pm to 4:30pm

Audition Location:

The Warsaw Federal Incline Theater – 801 Matson Place, Cincinnati, OH 45204

LEARN MORE AT: www.cincinnatilandmarkproductions.com/Incline/Auditions.aspx


1776
May 27 – June 21, 2026

Book by Peter Stone
Music and Lyrics by Sherman Edwards
Based on a concept by Sherman Edwards

It’s the summer of 1776, and the nation is ready to declare independence… if only our founding fathers can agree to do it! 1776 follows John Adams of Massachusetts, Benjamin Franklin of Pennsylvania and Thomas Jefferson of Virginia as they attempt to convince the members of the Second Continental Congress to vote for Independence! With stirring songs like “Is Anybody There?”, “The Egg”, “He Plays the Violin”, “The Lees of Old Virginia” and more, 1776 reveals the failings and the ultimate nobility of our nation’s founders. Come celebrate the 250th anniversary of the Declaration of Independence with this classic show.

Production Team: Tim Perrino, Director; Michael Kennedy, Music Director; Jennifer Perrino, Choreographer; Shannon Eaton, Production Stage Manager

If you’d like the audition forms sent to you in advance, email Jennifer Perrino @ jenniferperrino@clpshows.org.

Important Audition Information!

  • You may be asked to read from the script.
  • Please prepare 16–32 bars of a song in the style of the show (classic musical theater or a contemporary excerpt in a traditional style).
  • Must be a minimum of 16 years of age to audition.
  • MUST HAVE A RESUME listing theatrical experience in order to audition
  • A headshot/picture is appreciated. Please bring a headshot and resume
  • We will accept video auditions as well. Please contact Jennifer Perrino at jenniferperrino@clpshows.org for submission info.
  • No more than 2 conflicts will be accepted during the rehearsal process.
  • All roles are paid positions. No Roles have been precast.Cast members do not have to be the actual ages of the characters in any of the productions – But must be able to look age appropriate and act accordingly.

Roles include:

John Adams (Massachusetts) – Age 41. High baritone or medium tenor, strong oratory skills, brilliant mind, bold and brash personality, slight Boston dialect. Not tall. The running joke throughout the show is that he is “obnoxious and disliked,” but actually he must have a magnetic quality that commands respect from his fellow members of congress. Harvard graduate, experienced lawyer.

Benjamin Franklin (Pennsylvania) – He is an energetic, older man, 70 years old, but often acts much younger. Baritone or low tenor. Franklin is pleasant, philosophical, boyish, often funny, but he does show his anger and seriousness in a couple scenes. Can be played by a rich bass voice or a slightly raspy baritone-tenor. Must have excellent acting skills – this man is a highly experienced statesman, diplomat, inventor, writer, humorist, and philosopher.

Thomas Jefferson (Virginia) – 33 years old. Medium tenor or high baritone. Jefferson is a man of few words, but when he speaks, he commands attention. Should be taller than average. Pensive, quiet, strong silent type. Sense of humor. Architect, writer, farmer, scientist, statesman, lawyer, violin player.

John Dickinson (Pennsylvania) – Age 44. Baritone, or strong mezzo. Dickinson is the primary adversary of the show, portrayed as opposing Independence. He has lots of dialogue, but only one major solo (Cool, Cool, Considerate Men). He represents the conservative side of Congress, the wealthy landowners who do not want to break from Great Britain.

Edward Rutledge (South Carolina) – 26 years old. Strong Baritone (or if played by a woman, rich mezzo voice). Must be a commanding actor, with excellent oratory skills. He is the secondary antagonist role, next to Mr. Dickinson. Youngest member of congress. Speaks with an elegant, educated South Carolina accent. Has the most dramatic song in the show, the sarcastic and riveting “Molasses to Rum to Slaves” which showcases the hypocrisy of the North regarding slavery and the triangle trade. Statesman, lawyer. Large amounts of dialogue.

Abigail Adams – 32 years old. Soprano or Mezzo. Abigail’s tone is one of maturity, intellectual support, and strong encouragement to her husband John Adams. She is quieter and calmer than Martha Jefferson, and less flirtatious, but with a subtle sense of humor. She appears in three songs, all duets with John Adams. She cannot touch him, since they are communicating via letters, but she sits onstage with him, and converses with him naturally. In real life, Abigail’s letters are filled with highly intellectual discussions on government, politics, and the economics of running their farm, and they provide a valuable eyewitness account of the American Revolution.

Martha Jefferson – 27 years old. Mezzo or soprano. Martha is flirtatious, young, and attractive. She is well aware that she causes a stir among the men who are present (Adams and Franklin), but she is fiercely devoted to her husband Thomas Jefferson. She appears in only one extended scene, and sings “He Plays the Violin.” Her one scene often steals the show and can be very memorable. In real life, Martha died at the young age of 33, and at her request, Jefferson never re-married.

Richard Henry Lee (Virginia) – Age 45. Baritone (could possibly be played by a woman with a strong singing voice and excellent comic character but is usually played by a strong baritone). Although he appears in several scenes with the rest of Congress, his one solo song often steals the show, and is the song that won the original Broadway actor a Tony Award (he reprised the role in the movie). Speaks and sings with a noticeable country/southern twang. His song is a bragging song about all the famous Lees in his family tree.

Robert Livingston (New York) – Age 30, Tenor

Roger Sherman (Connecticut) – Age 55. Tenor

Samuel Chase (Maryland) – Age 35. Often portrayed by a slightly larger actor, Chase is shown in one scene eating a large meal during a break in Congress.

Charles Thomson (congressional clerk and secretary) – Age 47. He reads all the letters from General George Washington, introduces each item up for vote, gives minutes from previous sessions of congress, and has one short solo when he reads a final letter from General George Washington. Sound efficient in reading letters and in rattling off long lists of congressional duties and committees.

Andrew McNair (congressional custodian and bellringer) – Age unknown. Baritone, or low mezzo). In the show, he is portrayed as a quirky, exasperated middle-aged man who lights the fires and candles, opens and closes the windows, fills the ink wells, and keeps the continental congress meeting room clean, in addition to ringing the Liberty Bell. He is supervisor to the young boy known as the Leather Apron apprentice, who is learning McNair’s job. McNair’s additional job is to fetch mugs of rum, mostly for Stephen Hopkins of Rhode Island.

The Leather Apron (apprentice) – Age 16 or so. Tenor or high baritone. Young apprentice in training to learn MacNair’s custodial trade.

John Hancock (president of Congress, Massachusetts) – Age 40. Baritone

The Courier – Age 18 or so – High Baritone or low tenor. Mostly known for his clomping entrances several times during the show to deliver letters from General George Washington.

Dr. Josiah Bartlett (New Hampshire) – Age 47. I s present throughout show .

Stephen Hopkins (Rhode Island) – Age 70. Crusty old geezer who loves his rum. Supporter of Independence. Is a memorable character.

Lewis Morris (New York) – Age 50. Lead delegate of New York, who abstains from every vote.

Reverend John Witherspoon (New Jersey) – age 56. Lead delegate from New Jersey. Has moderate amount of dialogue. No major solos but sings in opening number.

James Wilson (Pennsylvania) – Age 34. Wilson is portrayed as a mere “sidekick” to his fellow delegate John Dickinson, and usually parrots whatever John Dickinson says. He holds a key role in the passage of Independence at the very end of the show.

Caesar Rodney (Delaware) – Age 48. Caesar Rodney wears a type of chin strap or head scarf that apparently covers some sort of injury or malady. He is a supporter of Independence, but he has a dramatic collapse in the middle of the show and doesn’t reappear until the end after his long ride from Delaware.

Colonel Thomas McKean (Delaware) – Age 42. Thick Scottish accent. Argumentative and very loud. Usually portrayed as very tall. Some dialogue.

George Read (Delaware) – Age 43. – argues with members of his own delegation. Usually portrayed as a rather prissy “weasel” who always seconds the motions of the opposition (those against Independence).

Joseph Hewes (North Carolina) – Age 46. His main characteristic is that he is always deferring to Edward Rutledge of South Carolina and does not seem to have much independent thought for himself. He is against Independence.

Dr. Lymon Hall (Georgia) – Age 52. Physician and pastor.

The Painter – Age undetermined. Is seen in one part of the show painting a portrait of Benjamin Franklin. May be used in other parts of the show to help backstage and with scene changes.

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Auditions Announced for CHEAPER BY THE DOZEN at Beechmont Players Inc.

Beechmont Players is excited to announce auditions for CHEAPER BY THE DOZEN, directed by Arlene Balczo and produced by Mary Jo Bissmeyer. The show will run May 15–23, 2026 at The Anderson Center.

We are looking to cast 14–16 actors of a wide range of ages. Character descriptions are available at beechmontplayers.org/auditions.

Auditions:

  • January 5 & 6 from 6:30–8:30 PM (arrive anytime during the window — no sign-up necessary)

Auditions will be held at Cherry Grove United Methodist Church (1428 E Mile Road)

Callbacks (if needed): January 8

What to Prepare:
  • Actors will be asked to do cold readings from the script.
  • Anyone auditioning for Ernestine or Frank will also be asked to sing 8–16 measures of a ballad of your choice a cappella (you don’t need to be a strong singer—just able to carry a tune).

Questions?

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Auditions Announced for LITTLE SHOP OF HORRORS at Lumos Players

Lumos Players Presents: LITTLE SHOP OF HORRORS

Kick off our 10th Anniversary Season with this Broadway and Hollywood sci-fi smash! Follow meek floral assistant Seymour as he discovers the carnivorous plant Audrey II with a taste for BLOOD… and world domination!

Directed by Ashley Herbert
Assistant Directed by Tina Berhringer
Produced by Corey McOsker-Nieman
Music and Vocal Directed by Katie Personke
Choreographed by Christine Steele
Stage Managed by Nicole Haake

Opportunities for all genders, a small ensemble, puppeteers, and a HUMAN Audrey II (big personality, expressive performer, and possible drag opportunity).

Auditions:
Sunday, Jan 11, 2026 — 1pm–5pm
Callbacks: Monday, Jan 12, 2026 — 7pm–9pm

Vocal, script, and dance auditions. Script sides and dance video sent ahead to those who sign up!

SIGN UP: https://www.signupgenius.com/…/10C084CADAF22A0FAC70…

Production Dates: March 13, 14, 20 & 21, 2026 — 7:30pm

Rehearsals include: Sundays 1-5, Monday 7-10, and Thursday 7-10

Don’t miss your chance to be part of this monstrously fun show!

Don’t forget to get your tickets for our final 2025 show, A Sherlock Carol, opening Friday, Dec 12 at 7:30PM!

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Auditions Announced for FIREBRINGER at CenterStage Players

CenterStage Players announces auditions for FIREBRINGER, a StarKid Production. A musical comedy about a tribe of cave people discovering fire. We are looking for creative individuals to elevate this text in a way it hasn’t been before. We will also be incorporating a dance element into this show.

The show will be directed by Ellis Quinne and produced by Jane Culp.
Auditions will be held at the Arts Center at Dunham (1945 Dunham Way, Cincinnati, OH 45238) on the following dates:
  • Sunday, January 11 (1:00-5:00 pm)
  • Monday, January 12 (6:30-9:00 pm)

Call-backs, if needed will be Tuesday, January 13 (6:30-9:00 pm).

If you cannot attend in person but would still like to submit don’t hesitate to send in a virtual audition to Director Ellis Quinne (Ellisquinne27@gmail.com) or Producer Jane Culp (janie.culp13@gmail.com).

Performances will be held at Lockland High School – April 17, 18, 19 and 23, 24, 25.

To secure an audition time, please sign up here:

https://www.signupgenius.com/…/20F0E45A9AC2FA3FC1…

Walk-ins will also be accepted – However, preference will be given to auditionees that register in advance.

Auditions will consist of : A Prepared comedic monologue that is around one minute long. Show us your comedic chops! We also ask that you bring a song in the style of the show (16-32 bars). There will be an accompanist at the audition. Please provide your own sheet music for your song. There will also be a dance call with our choreographer. A video will be posted to our website if you’d like to learn the dance in advance.

Cast of Characters:

No roles have been pre-cast. We are seeking to assemble a very diverse cast of individuals. Since this show takes place in a land before time every role will be cast everything blind. Any gender identity/race/age/ability can audition for any role. This story takes place before any social constructs exist yet. We are willing to adjust vocal ranges to accommodate the actors cast.

Jamila – Vocal Range: Mezzo-Soprano (F3-D5) Jamila The Peacemaker is the calm level headed leader of the tribe. Charismatic, Confident, protective, and motherly, but a little arrogant and stuck in past ways.

Zazzalil – Vocal Range: Mezzo-Soprano (G3-D5) The tribe’s scapegoat. Blamed very everything bad that happens. A Creative and innovative, but lazy inventor. Revolutionary thinker, but doesn’t always consider the consequences of their actions.

Molag – Vocal Range: Non Singing Role. Molag The War Master. The tribe’s former leader who has passed on the role to Jemilla, and is now walking the Earth while serving as our comic narrator. We still want this character to be comedic but also a villain in this story. A comparison that I often make is Frank from Shameless if you’ve ever seen that show.

Emberly- Mezzo-Soprano (G3-D5) Emberly takes their role as tribe taste-tester VERY seriously. Becoming the world’s first sort of chef. Analytical, cautious but curious to learn or experience new things. Her love story with Grunt serves as the B plot to this story.

Grunt – Vocal Range: High Baritone (C3-F4) An Outsider to the tribe.

Timid and sensitive, wants to feel included and tries hard to do so despite failures. They invent painting and shares this passion with Emberly.

Chorn – Vocal Range: Alto or high baritone (G3-E5) Sings in an “Enya type voice” at the end of the show. The odd one of the tribe. Their vocabulary is seemingly limited. They do attempt to communicate to the tribe despite this to a varying degree of success. In the end it is revealed that they are an ethereal alien that was sent down to monitor and aid the progression on human life.

Keeri – Vocal Range: Mezzo-soprano (A3-C5) The tribe’s head gatherer and Zazzalil’s supportive Best Friend. Not too bright, but kind and empathetic. Very bubbly. She invents dancing.

Schwoopsie – Vocal Range: Mezzo-Soprano (A3-D5) The tribe entertainer who invents the first joke and keeps her tribe in stitches. Turning their own name into their own catchphrase.

Ducker – High Baritone (A2-F4) The official religous leader and mouth piece of the all mighty duck the tribe worships. Uses position in the tribe for his own gain. Self-serving, opportunistic and privileged.

Tiblyn – Vocal Range: Mezzo-Soprano (B3-D5) Loyal and dedicated to the tribe and their task. Holding up the sky. Absolutely crushed to find out the sky is holding itself up just fine. A hopeless romantic. Innocent, yet determined.

Smelly-Balls – Vocal Range: High baritone (A2-F4) Fancies himself the protector of the tribe. Not so bright. When it comes to bravery, all bark and no bite. The first to step up to the plate despite rarely ever hitting the ball.

Ensemble – We are adding a small ensemble to our production. The ensemble will understudy some of the leads in addition to puppeting the animals and playing the neanderthals in act 2. They also will be in dances symbolizing forces of nature such as the storm or the fire. As well as Chorns tribe of Aliens at the end of the show.

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