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Auditions Announced for LITTLE SHOP OF HORRORS at Mount Notre Dame

MNDT_logo2The MNDT Spring Show is open to MND Students and male High School students throughout the tri state area.

If you are currently enrolled in High School then you are eligible to audition for this production.

AUDITIONS

  • Monday February 25th, 3:30pm to 5:30pm
  • Tuesday February 26th, 3:30pm to 5:30pm

If callbacks are necessary, they will be held after auditions on Wednesday February 27th.

Auditions are held at MND:  711 E. Columbia Ave. Reading, OH 45215

To Sign Up for Auditions please click the link and sign up for a specific day:

https://www.signupgenius.com/go/60b054da8a829a6f49-mndt1

For more information concerning auditions please email the Artistic Director, Kyle Imbronyev at kimbronyev@mndhs.org

PREPARE
Please prepare a 60 second Comedic Monologue and 32 bars of a comedic Musical Theatre piece. We are accepting selections from the show.

You must supply the sheet music for your audition. An accompanist will be provided. No tracks or acapella singing will be accepted.

Rehearsals are Tuesday and Thursday 3:30pm to 6:30pm, and Saturday 3:30pm to 5:30pm. We ask that all conflicts are presented at the auditions.

Performances are May 3rd – 5th and May 9th – 11th.

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Auditions Announced for WE ARE MONSTERS at Camp Carnegie

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It’s that time of year again, The Carnegie invites any student between the ages of 7 and 18 who has ever attended Camp Carnegie or Artstop to take their skills to the next level and audition for WE ARE MONSTERS.

WE ARE MONSTERS is a hilarious musical that follows human kids into a monster cabaret filled with quirky characters. The adventurous humans uncover vegetarian vampires and rock ‘n roll werewolves, gradually realizing there may be more to these monsters than meets the eye! Most importantly, these monsters and kids discover the importance of friendship and celebrating the attributes that make each of us different and unique.

Auditions will be held by appointment on February 25 and 27 in Eva G. Farris Education Center at The Carnegie. There are five audition spots in each half-hour time slot:

February 25, 2019 | 4:30-5 p.m., 5-5:30 p.m., 5:30-6 p.m., 6-6:30 p.m.
February 27, 2019 | 4:30-5 p.m., 5-5:30 p.m., 5:30-6 p.m., 6-6:30 p.m.

The Carnegie will also be looking for older students interested in filling the roles of stage manager, dance captain, and stage crew.

What to prepare:

  • A prepared, memorized song (no more than 60 seconds memorized)
    • Feel free to sing one of the following songs from WE ARE MONSTERS
      • Be in Touch
      • Howl at the Moon
      • We Love Lettuce
        • Email Alissa Paasch if you would like the lyrics and music to one of the songs above
    • If you are taking private lessons and can bring pre-recorded music, you may bring something prepared in your lessons
  • Performers may also be asked to:
    • Improvise a short scene
    • Demonstrate their movement in a brief dance combo
    • Read a short snippet from the script

What we are looking for:

  • Courage to perform in front of an audience
  • The ability to memorize and prepare for a performance
  • Volume, clarity, and commitment
  • Personality and attitude in delivering character

Please keep the following in mind:

  • Students who are cast will need to pay a $50 fee and have a signed permission form to participate
  • Your child may not be cast or might be offered a smaller role if they have too many conflicts

Rehearsals will be held on Mondays and Wednesdays from 4:30-6:30 p.m. March 11 – May 22, 2019. Students will not need to attend all rehearsals. Once we receive student conflicts, we will create a detailed rehearsal schedule.

Tech week will be 4-7 p.m. from May 28 – May 31, 2019. All students must attend. 

Performances will be June 1 and 2 at 2 p.m. All students must attend.

We are aware of the fact that many of the students have not auditioned before. We will be patient and gentle.

For more information, or to schedule a time slot for auditions, please contact me at apaasch@thecarnegie.com. Be sure to leave the name and age of the participant, first and second choice for audition time, and a phone number and email address.

For more information on WE ARE MONSTERS, script samples, and song snippets, please visit http://www.bbbpress.com/musicals/we-are-monsters.

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The KSO Drives its Chevy to the Levy with its own Recipe for AMERICAN PIE

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The Kentucky Symphony Orchestra’s 2018-19 passport to musical adventure returns stateside sporting new and classic musical fashions. “American composers continue to add bold flavor and architecture to symphonic music via technology and vivid soundscapes, while offering new forms and fireworks for both soloists and the orchestra,” commented KSO Music Director James Cassidy.

Composer & DJ Mason Bates was recently named the most performed composer of his generation, and 2018 composer of the year by Musical America. Bates’ orchestral works are noted for their unique integration of electronic sounds. The KSO opens its program with his “Mothership,” a 10’ piece in which soloists temporarily dock into the orchestra, and feed into the energy of modern techno dance rhythms, driven by a laptop computer and monitors on stage. The work was premiered in 2011 by the Youtube Symphony Orchestra from Sydney, Australia to a world-wide, live internet audience of 2 million viewers. The work will receive its Tristate premiere with the KSO.

Ferde Grofé’s depiction of Grand Canyon was inspired by his jeep trip to the Canyon in 1916. Years later, after scoring Gershwin’s Rhapsody in Blue for full orchestra, Grofé returned to his musical sketches/recollections of his Grand Canyon trip and finished his five-movement work in 1931. This American warhorse sonically envisions the Canyon’s —“Sunrise,” “Painted Dessert,” burros “On the Trail,” “Sunset” and a “Cloudburst.” With curator Stephen Lias’ projected images and video, the KSO will celebrate the Grand Canyon’s National Park’s 100th anniversary, with a performance of Grofe’s celebrated work.

Violinist Sandy Cameron joins the KSO after intermission for Samuel Barber’s Violin Concerto, with its two beautiful lyrical movements and quick athletic finale. Barber wrote the concerto in 1939 and revised it in 1948. Ms. Cameron has toured throughout the world and is noted for her work with former Oingo Boingo front man and award winning film score composer Danny Elfman. Beginning with Elfman’s Cirque du Soleil show “IRIS” and the 2017 world premiere of his violin concerto “Eleven Eleven” Ms. Cameron has appeared as featured soloist on PBS broadcasts from New York and Vienna of Elfman’s film music. Sandy will perform the extended czardas/cadenza from Elfman’s Suite from the film Edward Scissorhands with the KSO and NKU Women’s choir to close out the All-American evening.

Join the Music Director James Cassidy, violinist Sandy Cameron and The Kentucky Symphony Orchestra for a free-range, American music montage at 7:30 p.m., Saturday, February 16, 2019, at Greaves Concert Hall on the campus of NKU. Reserved seating tickets are $35, $27, $19 (children ages 6-18 are 50% off) and are available online at kyso.org, by phone—(859) 431-6216, or at the door.

About the KSO:
For 26 years the Kentucky Symphony Orchestra has taken the “phony” out of symphony by eliminating traditional barriers and presenting engaging, live, thematic concerts that enrich, educate and entertain the residents of Northern Kentucky and Greater Cincinnati. The KSO performs three series of concerts annually throughout Northern Kentucky.

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Auditions and Technical Interviews Announced for MR. BURNS and SPRING AWAKENING at Commonwealth Artists Student Theatre

  • CAST_logoSat, March 9 from 10am to 1pm (Technical Interviews)
  • Sat, March 9 from 2-5pm (Auditions)
  • Sat, March 16 from 10am to 2pm (Auditions)

All applicants and auditions are required to fill out paperwork prior to interviewing or auditioning. (Available here.)

SPRING AWAKENING runs July 19-28 at Highland High School
MR BURNS, a post-electric play runs July 5-14 at The Carnegie

Requirements for SPRING AWAKENING:

  • 32 measure excerpt from a Broadway show that showcases your vocal talents
    • An accompanist, iPod/phone connection, and CD player will be provided. If you intend on using the accompanist, please provide a clearly marked score that is hole punched and placed in a three-ring binder.  A cappella singing is strongly discouraged

  • A memorized 45 second to 1-minute monologue from a play

  • Review and learn the dance from the video (video available soon).

    • ***Please remember the dance audition is not a commentary on your dancing skills.  We are not just assessing your dance ability.  We are assessing your ability  of comprehension, your acting while dancing and, most of all, your willingness to have fun.​

      • There will be a voluntary dance workshop to brush​ up the video for anyone interested for 30 minutes prior  to auditions starting on the days of auditions

  • A synopsis can be found here

  • A character breakdown of the show can be found here.

Requirements for MR BURNS, a post-electric play:

  • 1 minute monologue from a play similar in style to the season selection

  • A synopsis can be found here

  • A character breakdown of the show can be found here.

For additional information or to schedule an appointment, visit www.caststages.org/auditions.

 

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Cincinnati Playhouse Travels 20,000 LEAGUES UNDER THE SEA March 15

PIP_20000 leagues promo

Photo by Tony Arrasmith/Arrasmith & Associates.

“Off the Grid” for One-Night-Only at Newport Aquarium 

For one night only, audiences can immerse themselves directly in the action of a theatrical adventure when Cincinnati Playhouse in the Park goes off the grid for 20,000 LEAGUES UNDER THE SEA at Newport Aquarium on Friday, March 15. Tickets are now available for three performances at 6:30, 9 and 10:15 p.m.

“Newport Aquarium will be transformed into the Nautilus, Captain Nemo’s scientific marvel of a submarine,” explains Daunielle Rasmussen, director of the production and director of education and community engagement for the Playhouse. “The performance will be a progressive play experience, meaning audience members will journey through the Nautilus as members of the Orka Fleet, tasked to apprehend the elusive war criminal known as Captain Nemo. In this immersive production of 20,000 LEAGUES UNDER THE SEA, audience members become part of the action and go on a journey that will lead them into uncharted waters.”

The performance, written by Ryan Underbakke and Nick Ryan and based on the book by Jules Verne, is part of the Playhouse’s Off the Grid series. Off the Grid brings interactive, creative experiences to the community, specifically aimed at young professionals. Off the Grid events all happen out in the community, away from the Playhouse’s Eden Park facility, and have included interactive movie events, live board games and themed pub crawls.

“20,000 LEAGUES UNDER THE SEA is our biggest Off the Grid event to date and the culmination of three years of experimentation into what sorts of interactive experiences resonate most,” Rasmussen says.

Tickets for the performance, recommended for audiences 10 years and older, are $30. Audience members will stand and move throughout the performance and no seating is available, but the interactive performance is wheelchair accessible. For an additional $20 per person, audiences ages 21 and up will gain access to a VIP Party (also at Newport Aquarium) from 8 p.m. to 11:30 p.m. with a live DJ playing music throughout the evening, as well as light-bite appetizers and a complimentary drink ticket.

Off the Grid is supported by the generosity of the thousands of young professional contributors to the ArtsWave Campaign.

The Playhouse is supported by the generosity of almost 40,000 contributors to the ArtsWave Community campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation.

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