Author Archives: robbucher

MERCURY Runs April 19-May 11

KTC_MercuryMERCURY
Know Theatre of Cincinnati
April 19-May 11
[Over-the-Rhine]

Direction, scenic & lighting design by Andrew Hungerford

Cast: Andrew Ian Adams as Brian, James Creque as Nick, Eileen Earnest as Olive, Elizabeth Chinn Molloy as Heather, Robyn Novack as Pamela,
Patrick Earl Phillips as Sam & Tess Talbot as Alicia

Three stories cross outside of Portland, OR in a pitch black comedy with an illicit affair, a couple hanging on by a thread, bears at the window, the worst curiosity shop on the west coast, and an adorable missing dog named Mr. Bundles. No one’s happy, people stop being nice, and blood spills. This mash-up of myth, missing empathy, and “good neighbors” explores what happens when the mercury rises.

  • Fri-Sat, April 19-20 at 8pm
  • Sun, April 21 at 3pm
  • Wed-Sat, April 24-27 at 8pm
  • Sun, April 28 at 3pm
  • Wed-Sat, May 1-4 at 8pm
  • Sun, May 5 at 3pm
  • Wed-Sat, May 8-11 at 8pm

Official page |

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Actor Needed for FALLEN ANGELS at Commonwealth Theatre Company

CTC_logoThe NKU Commonwealth Theatre is looking for a male actor, 30s-40s, for their production of Noel Coward’s FALLEN ANGELS. A British accent is necessary.

Rehearsals start around May 12 and the show runs June 7-23, with Mondays and Tuesdays dark.

The position is paid. If interested, please contact Mike King at 859-572-5647 or mking@nku.edu.

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Walnut Hills High School Theatre Department Turns Tradition On Its Head With All-Female Production of Euripides’ MEDEA

WHHS_medea press-64“Now will men admire
our women’s ways, and give
us sway; no more will they
insult and slander us; honor
shall be our daily bread.”

Imagine a time you have loved, a time you have lost, a time you have triumphed…Join us this April for one of the most powerful, but lesser-known Greek tragedies.  Continuing where the myth of Jason and the Golden Fleece left off, Medea finds herself betrayed by her husband in a strange land.  Set on a dark path, will she be able to come back from the brink, or will madness and the need for revenge consume her and her children? Through an all-female cast and traditional Greek masks, this production explores themes of love, empowerment, and betrayal. The cast and crew strip away the hyper theatricality to present this classic in an intimate and minimalist manner, truly showcasing the beauty of the words and the prowess of the actresses. Highlighting the extraordinary in the ordinary, the unconventional within the conventional, this is an experience you do not want to miss.

Runs Saturday April 27th and Sunday April 28th at 2:00 pm and Saturday April 27th at 7:00 pm. Tickets are $12 for adults and $10 for students.

Show Synopsis:
In this production of the classic Greek tragedy, translated skillfully by poet Inés Azar, the story of Medea, princess of Colchis, a powerful sorceress is revealed. Medea, taken to Corinth by her former husband Jason after assisting him in the securing of the golden fleece, is forced to reckon with Jason’s betrayal, as he has left her to marry the daughter of Creon, Corinth’s king. Infuriated by Jason’s actions, Medea and her Familiar devise a plot to take revenge on those who have wronged her. Narrated by a chorus of Corinthian woman, this tale of a woman wronged unfolds as Medea encounters Jason and other mythical characters ultimately ending in the tragic outcomes of Medea’s plans. A subversion of the greek tradition of casting men in all roles, our production brings an all-female cast performing in traditional greek style, masks included, to the Rick Steiner black box.

Directed by Helen Raymond-Goers, Assistant Directed by Bettina Ernst.
Production Stage Manager: Matthew Eggers

Featuring: Charlie Patterson as Nurse/Guard, Cam Hogue as Tutor/Guard, Lily Canter as Child, Megan Graeler as Child, Grace Kelly Fulton as Medea, Kennedy Nadermann as Familiar, Talia Raider-Roth as Chorus Leader, Christina Picklo as Rational, Nina Roberto as Juror, Elle Bisheimer as Advisor, Caroline Yaeger as Zealot, Sarah Mansfield as Creon, Lily Adams as Jason, Perri Wedlock as Aegeus, Sophia Rooksberry as Messenger/Guard, and Mama Njie as Guard.

Tickets are $10 for students and staff and $12 for adults. Tickets may be purchased by visiting

https://sites.google.com/view/whhstheatredepartment/tickets

 

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Open Casting Call for Supernumerary Roles for Cincinnati Opera’s 2019 Summer Season

co_logo27 Roles To Be Filled. No Experience Necessary!

CINCINNATI—Cincinnati Opera will hold an open casting call for supernumerary roles in the company’s 2019 Summer Festival. An information and casting session is scheduled for Tuesday, April 2 at 5:30 p.m. in the Presidents’ Garret on the 4th floor of the Corbett Opera Center in Music Hall, 1243 Elm Street, Cincinnati, OH 45202.

Cincinnati Opera seeks applicants for the following roles:

The Marriage of Figaro
Commitment period: May 21–June 15
Performances: June 13 & 15
4 supers needed

  • 4 liveried servants: Playing an integral role throughout the opera, these supers will lift and move items, with a bit of acting. They will move furniture and walls for set changes. All four should present as male.

Romeo and Juliet
Commitment period: June 5–June 29
Performances: June 27 & 29
4 supers needed

  • 1 older monk
  • 1 Lady Capulet
  • 1 Lady Montague
  • 1 Lord Montague/older monk 

Ariadne auf Naxos
Commitment period: June 11–July 14
Performances: July 6, 11, 13 & 14
8 supers needed

  • 4 men to act as household staff
  • 2 men to portray party hosts
  • 2 women to portray party hostesses

Porgy and Bess
Commitment period: June 21–July 28
Performances: July 20, 25, 27 & 28
11 supers needed

  • 4 African American adults to play residents of Catfish Row (dance experience preferred)
  • 6 African American children ages 5-14 (3 boys & 3 girls), residents of Catfish Row
  • 1 Caucasian man to play a police officer

Supernumerary or “super” roles are non-singing, non-speaking roles, much like extras in film and television. Supers will share the stage with internationally renowned artists and work with celebrated directors and conductors. The Marriage of FigaroRomeo and Juliet, and Porgy and Bess will be presented in Springer Auditorium at Music Hall, with a capacity of about 2,300 people per performance. Ariadne auf Naxos will be presented in the Corbett Theater at The School for Creative and Performing Arts, with a 750-seat capacity. Supers are required to attend approximately 10-15 rehearsals. Daytime rehearsals may be scheduled. No experience is necessary and all super positions are filled on a voluntary basis.

Attending the casting call does not obligate a person to participate. Interested individuals can attend the casting call simply to learn more about supernumerary opportunities. For more information, please visitcincinnatiopera.org or email supers@cincinnatiopera.org. 

2019 Supernumerary Open Casting Call and Information Session
When: Tuesday, April 2 at 5:30 p.m.
Where: Presidents’ Garret, Corbett Opera Center, Music Hall, 1243 Elm Street, Cincinnati, OH 45202 

Founded in 1920, Cincinnati Opera presents a thrilling season of opera every June and July in multiple venues, including the recently renovated historic Music Hall. The company’s repertoire includes beloved classics and contemporary works brought to life by some of the world’s most dynamic performers and creative teams. 

Cincinnati Opera’s 2019 Summer Festival runs June 13 through July 28, featuring Wolfgang Amadeus Mozart’s

The Marriage of Figaro, Charles Gounod’s Romeo and Juliet, Richard Strauss’s Ariadne auf Naxos, the world premiere of Blind Injustice by Scott Davenport Richards and David Cote, and The Gershwins’ Porgy and Bess. Cincinnati Opera’s 2019 Season Presenting Sponsor is Huntington Bank. The 2019 season is also made possible with support from ArtsWave, Ohio Arts Council, Macy’s, The Louise Dieterle Nippert Musical Arts Fund, and many generous individuals, corporations, and foundations. 

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. 

cincinnatiopera.org

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Auditions Announced for CABARET at Beavercreek Community Theatre

bctCABARET | Directed by Kathy Mola

Auditions: Monday April 15 (7-9pm), Tuesday April 16 (7-9pm)

Beavercreek Community Theatre
3868 Dayton Xenia Rd, Beavercreek, Ohio 45432

Director, Kathy Mola, Music Director, Chuck Larkowski and Choreographer, Michael Shepherd are looking for the following cast for Cabaret:

  • Emcee – appearing late 20’s to late 30’s
  • Sally Bowles – appearing 30’s
  • Cliff Bradshaw – appearing mid 20’s to mid 30’s
  • Fraulein Schneider – appearing mid 50’s to mid 60’s
  • Herr Schultz – appearing mid 50’s to mid 60’s
  • Fraulein Kost – appearing 40’s
  • Herr Ernst Ludwig – 30’s to ???
  • In addition to the above named cast we are also looking for at least 6 women and 4 men who will play multiple roles throughout (KitKat performers and guests, townspeople etc.) Please be advised that these 10 cast members along with Sally and the Emcee may be asked to wear provocative and/or lewd costumes. Please be sure you are willing to do this BEFORE auditioning.
  • Please prepare a 1 minute Broadway style song.
  • You will also be taught and asked to perform a short dance number, so dress appropriately. If time allows there will be some cold readings from the script.
  • If necessary, Call Backs will be held on Wed. (17th) at 7:00 pm.
  • Please bring a resume and photo if you have one and be prepared to list ANY CONFLICTS (including weekends) between April 18th and the closing of the show on June 30th.
  • Performance dates: June 21-30.

In a Berlin nightclub, as the 1920’s draw to a close, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the CABARET. With the Emcee’s bawdy songs as wry commentary, CABARET explores the dark, heady, and tumultuous life of Berlin’s natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff, a young American writer newly arrived in Berlin, is immediately taken by English singer Sally Bowles. Meanwhile, Fräulein Schneider, proprietor of Cliff and Sally’s boardinghouse, tentatively begins a romance with Herr Schultz, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include “Willkommen,” “Cabaret,” “Don’t Tell Mama” and “Two Ladies.”

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