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Auditions Announced for A CHARLIE BROWN CHRISTMAS and JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT at Sinclair Theatre

SCCT_logo2Mon, Oct. 21 beginning at 6:30pm

Black Box Theatre
Fourth Floor
Building 2
Dayton Campus

Callbacks on Tue, Oct. 22 beginning at 6pm

Actors must reserve an audition time online at: https://bit.ly/2mHE81T.

Actors should bring a headshot and resume, sheet music (marked appropriately for accompanist) and any calendar conflicts which occur during the rehearsal period.

Please prepare 32 bars/1-minute of a musical theatre selection appropriate for the Pop/Rock nature of JOSEPH.  Do NOT sing from the score. Do NOT sing pop/rock songs not from the musical theatre canon. Accompanist will be provided. No A Capella singing or backing tracks will be permitted.

AND

A memorized, 1-minute comedic monologue

Open Auditions means you do NOT have to be a Sinclair student or Theatre Major.  All actors, who are prepared as above and can commit to a rigorous rehearsal schedule, are welcome to audition. 

Children’s Chorus Auditions for JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT are Jan. 4 at 1pm for ages 8-11.

For further information please contact director at: kimberly.borst@sinclair.edu.

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Applications Are Live for the 2020 Cincinnati Fringe Festival

CFF_Orange logo text onlyCome get Kinda WEIRD with us!

Cincinnati, OH — Know Theatre of Cincinnati invites artists of all kinds and sorts, from those hugging the banks of the Ohio River to those based overseas, to apply for the 17th Annual Cincinnati Fringe Festival (May 29 – June 13, 2020). A 14-day theatre and arts extravaganza, Cincy Fringe (as it’s succinctly known) features an abundance of opportunities for independent artists in the worlds of theatre, visual art, music, film, dance, and everything between to present their work to paying audiences. And if you’re Kinda WEIRD, well, don’t worry…so are we!

Fringe programming features numerous categories and therefore numerous applications. For more info on applying, including this year’s Frequently Asked Question document, and to view the applications, artists can head over to https://www.cincyfringe.com/apply. Some applications feature a fee ($15-60), but some are free to submit. All applications for the 2020 Cincinnati Fringe Festival are due by 11:59PM EST on Sunday, December 8th, 2019.

If artists have any questions, they can always drop a line to Cincy Fringe Producer Chris Wesselman at cincyfringe@knowtheatre.com.

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Shakespeare’s Bloodiest Play, TITUS ANDRONICUS Spills onto the Stage at Cincy Shakes this Halloween Season

CSC_Titus Andronicus 6 promo

Miranda McGee as Tamora and Darnell Pierre Benjamin as Aaron. Photo by Mikki Schaffner Photography.

It’s the Bard’s most gruesome and shocking play set in a fantastical Steampunk world, on stage October 11-November 2, 2019 

Cincinnati, October 1, 2019 – Cincinnati Shakespeare Company continues its 2019-2020 Season of the Woman at The Otto M. Budig Theater with William Shakespeare’s Titus Andronicus. The production is once again directed by Jeremy Dubin, who directed our 2012 production, and features a 15 person cast with CSC returning favorites Jim Hopkins as Titus Andronicus, Miranda McGee, reprising her role as Tamora, Queen of the Goths, and Darnell Pierre Benjamin, reprising his role as Aaron the Moor.

This Halloween season, murder, mayhem, and mutilation abound, as Shakespeare’s bloodiest play descends on the CSC stage. Roman general Titus Andronicus returns victorious from 10 years of war, his archnemesis Tamora Queen of the Goths in tow and in chains. But when Rome’s rash and impetuous new Emperor decides not only to free her, but to marry her and make her his queen, she embarks upon a remorseless course of revenge. As she and Titus engage in an escalating cycle of violence and vengeance, the body count rises and Rome threatens to fall.

Director Jeremy Dubin says about Titus, “There’s something about it that sets it apart from even the bloodiest of Shakespeare’s other works. In part it is the excessiveness, the relentless, the outrageous over-the-top inventiveness of its brutality. But perhaps even more, it is the surprising and subversive black humor with which that brutality is underpinned. Something about it feels, in the most wicked and wonderful way, a little disreputable- and consequently a little dangerous. It is an outlier, a black sheep…No, it is not always elegant, arguably not always tasteful (pun slightly intended), but for all that, indeed because of that, it is no less insightful, no less heart-rending, and most of all no less truthful. It pushes past the bounds of propriety to get to something true.”

The creative team transforming The Otto M. Budig Theater stage into a whimsical and Steampunk industrial world is made up of Justen N. Locke (Scenic Designer), Douglas J. Borntrager (Sound Designer), Rainy Edwards (Costume Designer), and Gina Cerimele-Mechley (Fight Director). They are joined by Lighting Designer, Alice Trent, and Video Designer, Ryan Lewis.

Titus Andronicus runs October 11-November 2, 2019 with performances on Thursdays, Fridays, and Saturdays at 7:30 PM and Sundays at 2:00 PM, as well as Saturday, November 2nd at 2:00 PM.  Preview performances are Wednesday, October 9th and Thursday, October 10th at 7:30 PM and tickets are $45.  Advance sale single ticket prices start at $28.  Day-of Student Rush tickets are $14 and may be purchased thirty minutes before a show with a valid student ID if available. This production is a part of this season’s subscription package. Visa, Discover, MasterCard, and American Express are accepted. Ticketing fees apply.  To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or go online at www.cincyshakes.com.

Content Advisory: This production contains scenes of violence and sexual situations.

Cincinnati Shakespeare Company is located at The Otto M. Budig Theater at 1195 Elm Street in OTR, adjacent to Washington Park.  There are many parking spaces available on the street and in nearby lots and garages- for more information visit http://www.otrchamber.com/pages/WheretoPark.

CSC also offers Valet Parking for every performance! Make reservations for $20 in advance when purchasing tickets or visit www.cincyshakes.com/parking. Purchasing in advance guarantees a spot.  Valet is available right at the corner of 12th and Elm Street in front of the theater and begins approx. 1.5 hours before a performance. Cars can be picked up for up to one hour following a performance. (After one hour, you will need to arrange pick up with the valet service directly.) The valet will have your name on the list after you purchase- it’s that easy!

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About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in OTR. CSC’s repertoire is made up of the works of William Shakespeare, literary adaptations, and contemporary classics.  CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theatre Association.  Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach over 50,000 young people and underserved community members each season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions.  In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About The 2019-2020 Season of the Woman:
From June of 1919 to August of 1920, these United States passed and ratified the 19th Amendment to the Constitution, granting women the right to vote. In commemoration of this centennial, Cincinnati Shakespeare Company will shine the spotlight on the Women of Cincinnati Shakespeare Company in our “Season of the Woman”, both onstage and off, and join organizations across the city in an ArtsWave led initiative called “Power of Her” to celebrate the 100th anniversary of Women’s Suffrage!

This season is also funded by ArtsWave.  Cincinnati Shakespeare Company receives operating support from The Carol Ann and Ralph V. Haile, JR./U.S. Bank Foundation, The Ohio Arts Council, and The Shubert Foundation.  The season’s marketing design sponsor is Grey Midwest. The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at www.cincyshakes.com.

About POWER OF HER:
POWER OF HER is a collaboration of organizations across the Greater Cincinnati region, united to activate and amplify women’s voices in the arts. Led by ArtsWave, and inspired by the women’s suffrage movement, the initiative salutes the women who came before us, and honors female leadership and woman-centric works of all kinds.

At its core, POWER OF HER underscores creativity as a vehicle for inclusion and equality by celebrating the female voice — and the many ways it champions a more diverse and vibrant world.  Learn more at https://www.artswave.org/discover/power-of-her

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Cincinnati Opera Announces Chorus Auditions for 2020 Summer Festival

co_logoCINCINNATI—Auditions for Cincinnati Opera’s 2020 Summer Festival Chorus will be held at the Corbett Opera Center at Music Hall, 1243 Elm Street, Cincinnati, Ohio, on October 25, 26, and 27, 2019.

The Cincinnati Opera Chorus is a paid, professional chorus under the jurisdiction of AGMA, the American Guild of Musical Artists. Residents from outside of the greater Cincinnati area are welcome and encouraged to audition. However, applicants should be aware that most chorus members tend to be cast locally. Rehearsals and performances for the 2020 Summer Festival will begin in mid-May 2020 and extend through early August 2020 (exact dates to be announced).

Audition Process
Audition requests are now received exclusively through an online application process. Applications must be submitted no later than October 21, 2019. Please email auditions@cincinnatiopera.org with any questions.

Individuals interested in auditioning are asked to follow these steps:

  1. Complete the online application at
    https://www.yaptracker.com/applications/cincinnati-opera-chorus-2020/. Applicants must have an account with YAP Tracker, an online auditions management tool, and may sign up for free at this link: https://www.yaptracker.com/register-applicant. Applicants are required to upload a resume (PDF only, please) detailing performance experience. A headshot or photo is appreciated, but not required.
  2. Singers will be notified by email if an audition has been granted. They will then have the option to schedule their own audition time via YAP Tracker.
  3. Auditions will be held at the Corbett Opera Center at Music Hall, 1243 Elm Street, Cincinnati, Ohio, 45202. Singers should prepare two (2) contrasting arias in the original languages. An accompanist will be provided.

Please note that there is a separate application and audition process for those interested in 2020 Young Artist positions. Visit cincinnatiopera.org/jobs for more information.

Cincinnati Opera is an equal opportunity employer and is strongly committed to creating a diverse and inclusive environment where a variety of backgrounds, cultures, orientations, ideas, and talents can flourish. 

2020 Summer Festival
Cincinnati Opera’s 2020 100th Anniversary Summer Festival takes place June 18 through August 1, 2020, and features Gioachino Rossini’s The Barber of Seville, the world premiere of William Menefield and Sheila Williams’s Fierce, Antonín Dvořák’s Rusalka, the world premiere of Gregory Spears and Tracy K. Smith’s Castor and Patience, and Giuseppe Verdi’s Aida. The 2020 season is made possible with support from ArtsWave, Ohio Arts Council, The Louise Dieterle Nippert Musical Arts Fund, and many generous individuals, corporations, and foundations.

For additional 2020 season and casting information, please visit cincinnatiopera.org. 

Founded in 1920 and the second oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative teams. 

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. 

cincinnatiopera.org

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Auditions Announced for ANNIE JR at Encore Performing Arts

EPA_logoOpen Auditions (Ages 6-14)
October 19th, 1pm-3pm

At Encore Performing Arts
3320 Tylersville Rd., Suite R
Fairfield Twp., OH 45011332

  • Please prepare a 30 second cut of a song that best shows your vocal range, personality, and acting skills.
  • Accompaniment not available. Please bring accompinantment (With NO words/voices in the background) on a phone or CD. Singing acapella is acceptable.
  • Auditioners will be asked to learn and perform a short dance combination.
  • Auditioners may be asked to do a cold reading from the script.

PERFORMANCE:
January 24th, 2020

CREATIVE TEAM:

  • Vocal and Administrative Director- Carolyn Sigg
  • Director- Alexandra Williams
  • Choreographer- Kristin McSwain

REHEARSALS:
Rehearsals will start the week of October 20th. They are tentatively scheduled for Tuesday and Thursday evenings, and Saturday mornings from 9-12am. Rehearsals will take place at Encore Performing Arts. Not all actors will be required to attend every rehearsal. A rehearsal schedule will be available at auditions.

QUESTIONS?
Email administrative director Carolyn Sigg at carolynsigg@gmail.com.

SYNOPSIS:
Based on the popular comic strip and adapted from the Tony Award-winning Best Musical, with a beloved book and score by Tony Award winners, Thomas Meehan, Charles Strouse and Martin Charnin, ANNIE JR. features everyone’s favorite little redhead in her very first adventure.

With equal measures of pluck and positivity, little orphan Annie charms everyone’s hearts, despite a next-to-nothing start in 1930s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. Annie eventually foils Miss Hannigan’s evil machinations, finding a new home and family in billionaire Oliver Warbucks, his personal secretary, Grace Farrell, and a lovable mutt named Sandy.

CHARACTER BREAKDOWN:

  • Annie – Annie is a complex little girl. She is a tough, streetwise urchin who is nevertheless vulnerable when she thinks she might lose what has become most important to her: a newfound “family” who loves her. She has to be motherly in scene one, independent in scene two, overwhelmed in scenes four and five, needy in scene seven, and hopeful for the future in scenes ten and eleven. The actor who plays Annie must be strong vocally and musically. She must be capable of vocal projection without strain. She also needs a good understanding of subtext so she can act appropriately during the various scenes between Warbucks and Grace, and Miss Hannigan and Grace. Although she is at times aggressive or crafty, the audience should never doubt Annie is a friendly and caring child; she will go to any extent to gain the love of a family to which she can belong.
  • The Orphans – Molly, Tessie, July, Duffy, Kate and Pepper. These girls are gritty, neglected and vulnerable, yet basically honest and potentially lovable. The actors portraying them must be able to have mischievous fun with each other as well as “sibling-style” fights. Each student should be able to create and shape her own character. Children auditioning for these roles need to have vocal strength and be visually expressive.
  • Miss Hannigan – This woman is definitely a “has-been.” Her distaste for her job and the children that are part of it should be obvious in every line she speaks, every song she sings and every move she makes. She must have an excellent sense of comic timing.
  • Grace Farrell – Grace is mature, calm, cool and “together.” She is classy and businesslike when dealing with Miss Hannigan and Warbucks, yet maternal toward Annie. The student playing Grace can set herself apart from the other characters simply by the sophisticated way she walks. Grace is ready with an answer for just about anything. Each dramatic situation should seem to come “under control” the moment she glides into a scene.
  • Rooster – Rooster and Lily are quite the team — “team” being the operative word, as the characters play off each other constantly. You might consider casting students of contrasting heights. Rooster can even be shorter than Lily; after all, these two are not to be taken too seriously! Rooster is flashy and self-assured. His “moves” should be as smooth as a gambler’s, as should be the message he sells in “Easy Street.”
  • Lily – Rooster and Lily are quite the team — “team” being the operative word, as the characters play off each other constantly. You might consider casting students of contrasting heights. Rooster can even be shorter than Lily; after all, these two are not to be taken too seriously! Lily (airhead that she is) is always distracted, although she manages to pick up on any conversation involving money. She never acts as the leader, always bringing up the rear while tripping over her own feet (it is difficult to walk and check your makeup in a compact at the same time).
  • Warbucks – This may be the most challenging role for a student in this age group. He must appear middle-aged, self-assured and confident. At first awkwardly affectionate toward Annie, he soon finds himself completely charmed by her. He begins his transformation when he views “N.Y.C.” through Annie’s eyes and falls in love with the city again…and with her.
  • Sandy – In this production, Sandy is played by a human. Sandy is Annie’s canine friend and scrappy in her own right. This dog also has to sing.
  • Servants (Drake, Mrs. Greer and Mrs. Pugh) – From the moment these characters enter the acting area, their presence, posture and speech should suggest the most fastidious of domestic help. (Your actors will have fun perfecting the precision steps, nods and curtsies.) Their heads are always held high and they rarely show their emotions.
  • Additional Characters
    The most important qualities to look for in casting the remaining roles are vocal accuracy and the ability to develop a character. Each role is self-explanatory and usually identified by the character’s occupation. Help your students develop these characters in the context of the historical time period. Students that are more comfortable performing in groups (without solo singing) might be cast as servants, pedestrians, Bundles, the chauffeur, Louis Howe, the apple seller and the dogcatcher.

To reserve your audition slot, use our SignUpGenius event.

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