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Auditions Announced for JESUS CHRIST SUPERSTAR at Dayton Playhouse

Actors of all races and/or ethnic backgrounds are encouraged to audition for all parts.

Unless otherwise noted, all auditions take place at the Dayton Playhouse, located inside Wegerzyn Gardens MetroPark at 1301 East Siebenthaler Avenue, Dayton, OH 45414. All auditions begin at 7:00 PM. Auditioners are encouraged to arrive 10-20 minutes early for auditions to complete the audition form. Please be prepared to list all conflicts between the date of the Audition through the final performance of the production. Theatre resumes are welcome, but not required.

JESUS CHRIST SUPERSTAR Auditions – November 10 and 11

Directed by Shanna Camacho | Music by Andrew Lloyd Webber | Lyrics by Tim Rice

We’re casting a high-energy, contemporary production of Jesus Christ Superstar — and all roles are open to performers of any gender. This is a gritty, emotionally driven take on the iconic rock opera, with a focus on raw storytelling, electric vocals, and a diverse ensemble.

AUDITION DATES:

  • November 10, 2025, 7 pm
  • November 11, 2025, 7 pm
    Callbacks (if needed): November 12, 2025

Location: Dayton Playhouse

WHO WE’RE LOOKING FOR:

We welcome performers of all backgrounds, identities, and experience levels. Casting will not be bound by traditional gender expectations — we’re looking for bold choices, strong voices, and unique points of view.

  • Strong rock/pop vocal ability is a must.

  • Movement/dance experience is a plus.

FEATURED ROLES INCLUDE:

  • Jesus – Charismatic, spiritual, and torn between mission and mortality
  • Judas – Intense, conflicted, and deeply emotional
  • Mary Magdalene – Grounded, caring, and powerfully empathetic
  • Pilate – Cool and composed, with an edge
  • Herod – Showy, sharp, and a scene-stealer
  • ENSEMBLE will play followers, priests, and citizens — all must be strong singers with presence and energy.

WHAT TO PREPARE:

  • 32 bars of a rock, pop, or musical theatre song (not from JCS, please)
  • Bring sheet music in your key; accompanist provided
  • Dress to move — a short movement call may follow

REHEARSALS BEGIN: November 17, 2025

PERFORMANCE DATES: January 16, 17, 18, 23, 24, 25, 30, 31, and February 1

We aim to create a collaborative, welcoming environment where artists feel free to take risks and be themselves. Whether you’re a seasoned performer or stepping into the spotlight for the first time, we want to see you.

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Submission Guidelines for FutureFest 2026 at Dayton Playhouse

The Dayton Playhouse invites playwrights of all races and ethnicities, all gender identities, all physical abilities, and all ages to submit scripts for consideration as a Finalist for FutureFest 2026.

Festival dates: July 17 – 19, 2026. The Dayton Playhouse will hold the 2026 festival in person.

The submission deadline for FutureFest 2026 is October 31, 2025.

FEES

Please note our submission fee structure has changed, slightly, for 2026.

The “earlybird” fee for FutureFest 2026 script submissions is still $20 per script.  This fee will be reduced 50% for members of the Dramatists Guild to $10.  Earlybird fees will be in effect through October 14, 2025.

Script submissions between October 15 and October 31, 2025 will have a fee of $30 ($15 for Dramatist Guild members) per script.

Online payments are available by following this link to our online payment system.

Payment by check or money order, if preferred, should be made payable to “The Dayton Playhouse” and mailed to FutureFest 2026 ℅ Dayton Playhouse, P.O. Box 3017, Dayton, OH 45401-3017.

ELIGIBILITY

Your entry must be an original work written for THE STAGE and intended for an English-speaking audience*. No musicals or plays for children will be accepted. Plays must be full length with a run time of at least 75 minutes. The script must not have been published, or produced where admission was charged, prior to FutureFest 2026. Staged readings/workshop productions are not necessarily disqualifying factors. Playwrights may submit no more than two scripts for consideration for FutureFest 2026.

* Scripts may include phrases/sentences from other languages, even characters speaking in other languages, but the primary language of the script must be English.

DEADLINES

Submissions will be accepted August 4 through October 31, 2025 (electronic submission). The Dayton Playhouse will limit the total number of submitted eligible scripts to 325. Dayton Playhouse reserves the right to close submissions prior to October 31, 2025 should the submission limit be reached.

SCRIPTS

Electronic submissions of scripts are required. Scripts in PDF format are preferred. Word or Google Doc formats are acceptable.

Submit an anonymized copy (no name/contact info) of your script, in standard play format with pages numbered (page numbering is REQUIRED). After the title page, also include:

  • a brief synopsis (maximum 500 characters)

  • character breakdown

  • setting

  • scene breakdown, if applicable

The script submission form (the link is below) must be filled out for each script submission. If applicable, the form also provides the opportunity to submit an image of your Dramatists Guild membership card.

Please note that entries that do not comply with our guidelines will be disqualified. Scripts must be submitted electronically via the Submission Form or via email as an alternative method. Script evaluations will not be provided.

CONSENT

Playwright gives the Dayton Playhouse permission to print scripts for reading/production purposes.

Should your script be selected and produced as one of the five Finalists, you must be available to attend, in person, the weekend festival (July 17-19, 2026) in Dayton, Ohio and participate in all events. Finalists must acknowledge “FutureFest 2026 at the Dayton Playhouse” as well as the Festival cast when the script is published. The winning playwright grants the Dayton Playhouse permission to produce the winning play as part of its 2027-2028 mainstage season, at DPI’s discretion.

SELECTION PROCESS

Each entry is guaranteed a minimum of three reads. The First Play Reading Committee, following many months of reading, discussion and voting, narrows down the entries to 15 – 25, which are then read by the entire committee before they select the 12 semi-finalists. The Second Reading Committee selects the five finalists. During FutureFest weekend, the plays will each have a staged reading and be publicly adjudicated by a panel of theatre professionals (nationally-based and regional).  Following the final production of the weekend, the adjudicators vote and select the winning script.

FINALISTS

Finalists will be posted on the Dayton Playhouse website (www.daytonplayhouse.com) in May 2026.

AWARDS

A $500 honorarium will be awarded to the winning playwright; all Finalists will each receive a $100 honorarium. The Dayton Playhouse provides the five Finalists travel (within the continental U.S.) to Dayton and lodging for FutureFest weekend.

The Dayton Playhouse reserves the right to produce a full production of the winning script for a future mainstage season, for an additional payment of $500 to the winning playwright.  In that event, the show will have 6 performances over a two week period. Exact production dates would be “to be determined” but will fall between March 2027 and May 2028. The winning playwright will have the opportunity to update the script based on feedback from the FutureFest weekend and participate in the production process.

SUBMISSION PROCESS

All submitting playwrights must complete the submission form for each submitted script. Please click this link to access the Script Submission Form:

FutureFest 2026 Script Submission Form

Payment instructions are included in the form, including a link to the online payment system.

The form requires use of a Google account, and includes an option to upload script PDF documents. If you do not have or do not wish to use a Google account, as an alternative, you may e-mail the script to futurefest@daytonplayhouse.com. Please include in the body of the email your:

  • Name

  • Full mailing address

  • Email address

  • Website (optional)

  • Play title

  • Play synopsis (500 characters maximum)

  • Attach anonymized play in PDF format

  • Attach Proof of Dramatists Guild membership, if applicable

DEMOGRAPHIC SURVEY

The Dayton Playhouse invites playwrights of all races and ethnicities, all gender identities, all physical abilities, and all ages to submit scripts for consideration as a Finalist for FutureFest 2026. The Dayton Playhouse seeks to learn if the diversity of our submitting playwrights aligns with the diversity of our FutureFest Finalists.

To do this, we ask the help of our submitting playwrights. At the end of the Script Submission Form is a link to an OPTIONAL anonymous Demographic Survey. Please consider completing this survey so we can better understand the level and types of diversity of our submitting playwrights. (Survey Link for Playwrights submitting by email.)

QUESTIONS

Contact Matt Lindsay, FutureFest 2026 Committee Co-Chair, at 937-424-8477, or email futurefest@daytonplayhouse.com.

Official page |

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Cincinnati Ballet Presents THE GREAT GATSBY Nov. 7-15 at the Aronoff Center

Ballet meets Broadway in this larger-than-life production 

Cincinnati, OH (October 8, 2025) – Cincinnati Ballet opens the North American premiere of Septime Webre’s The Great Gatsby at the Aronoff Center for the Arts with a live jazz band, tap dancer, singer, actor, dog, and, of course, Cincinnati Ballet dancers! Join us for eight performances from November 7 – 15. It’s The Great Gatsby like you’ve never seen it before!

Internationally acclaimed choreographer and Hong Kong Ballet Artistic Director Septime Webre has created a full-length ballet, retelling the classic story of the 1925 novel by F. Scott Fitzgerald. “The Great Gatsby is an unforgettable invitation into the Roaring Twenties, filled with glittering parties, romance, and the irresistible energy of live jazz,” says The Katherine and Richard Rosenthal Cincinnati Ballet Artistic Director Cervilio Amador. “With dazzling choreography, spectacular projections, and a state-of-the-art LED wall, this production immerses audiences in a world that feels larger than life. At its heart, Gatsby’s story of hope, ambition, and longing will resonate long after the curtain falls.” To bring Webre’s grand production to North America, various ballet companies joined forces to share the ambitious costs of shipping and assembling the set from Hong Kong. Kansas City Ballet will perform The Great Gatsby following the November premiere in Cincinnati.

This year also marks the 100th anniversary of the classic F. Scott Fitzgerald novel, The Great Gatsby, that inspired Webre’s full-length ballet version. Cincinnati Ballet will celebrate this anniversary in style, bringing along local singer Mandy Gaines, local actor and narrator Wesley Carman, two tap dancers, and live jazz band, Billy Novick’s Blue Syncopators from Boston, to join company dancers on stage.  The production will also feature an original score by Billy Novick and costumes by Tim Yip, most known for his work on the 2000 martial arts film Crouching Tiger, Hidden Dragon, for which he won an Academy Award for Best Art Direction.

Tickets for The Great Gatsby are on sale now, starting at $39. For more information, visit cballet.org or call our Box Office at 513-621-5282.

PERFORMANCE DATES AND INFORMATION

WHO: Cincinnati Ballet
Choreography: Septime Webre 

WHAT: THE GREAT GATSBY 

WHEN:

  • Friday, Nov. 7 at 7:30pm
  • Saturday, Nov. 8 at 2:00pm
  • Saturday, Nov. 8 at 7:30pm
  • Sunday, Nov. 9 at 1:00pm
  • Thursday, Nov. 13 at 7:30pm
  • Friday, Nov. 14 at 7:30pm
  • Saturday, Nov. 15 at 2:00pm
  • Saturday, Nov. 15 at 7:30pm 

WHERE: Aronoff Center for the Arts
650 Walnut Street – Cincinnati, Ohio

TICKETS: Call 513.621.5282 or visit cballet.org

Cincinnati Ballet 2024-2025 Season Sponsors:
Margaret and Michael Valentine, ArtsWave, Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council and The Austin E. Knowlton Foundation.

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Cincinnati Ballet is a creative force within the larger dance community, commissioning world-premiere works and exploring unique collaborations. With a mission to enrich, expand, and excel in the art of dance through performance, a high-caliber academy, and impactful education and community engagement in local to global communities, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, provides extensive education and community engagement programs, and offers top-level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

 

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Cast Announced for RABBIT HOLE at Mariemont Players, Inc.

Mariemont Players and director Mary Stone are thrilled to announce the cast of the upcoming production of RABBIT HOLE by David Lindsay-Abaire:

  • Raia Hirsch as Becca
  • Jamie Sivrais as Howie
  • Anna Hazard as Izzy
  • Nathan Chesney as Jason
  • Rose Vanden Eynden as Nat

Rabbit Hole is directed by Mary Stone, produced by Dee Anne Bryll and Kelly Holtgrefe, and stage managed by Wendy Williams.

This Pulitzer Prize-winning drama follows Becca and Howie, a married couple navigating the aftermath of an unthinkable loss. As they face their grief, confront family tensions, and search for solace, the play tenderly explores the resilience of the human spirit.

Poignant, heartfelt, and profoundly moving, Rabbit Hole is a powerful testament to love, loss, and the enduring strength of connection.

Don’t miss this unforgettable journey of healing — tickets available now at https://www.mariemontplayers.com/rabbithole

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90.9 WGUC to Broadcast Select Cincinnati Opera 2025 Summer Festival Productions on Sunday Evenings in November

CINCINNATI (Oct. 10, 2025)—Revisit the magic of Cincinnati Opera’s 2025 Summer Festival this November, when 90.9 WGUC, media partner for Cincinnati Opera’s 2025 season, brings select performances to the airwaves on Sunday evenings. Each broadcast will begin at 8 p.m. ET and can be heard locally on air at 90.9 FM and online at wguc.org.

Cincinnati Opera’s 2025 Summer Festival took place June 12–July 27, 2025, at Cincinnati’s historic Music Hall. The productions to be broadcast include Rigoletto, Tosca, and two of Cincinnati Opera’s 2025 Studio Sessions—”Soul and Sound: Dueling Pianos and Artistic Tributes to the Harlem Renaissance” and “Anthony Clark Evans in Recital.” For additional details, please visit wguc.org.


CINCINNATI OPERA’S 2025 SUMMER FESTIVAL ON 90.9 WGUC
Broadcast Schedule:

Sunday, November 2 | 8 p.m. ET
RIGOLETTO

Originally performed June 12 and 14, 2025, at Cincinnati Music Hall
Music by Giuseppe Verdi; libretto by Francesco Maria Piave

John Fiore, conductor; Elio Bucky, stage director; Tomer Zvulun, original stage director

Featuring Michael Chioldi, Kathryn Lewek, Zach Borichevsky, Morris Robinson, Tesia Kwarteng, Donnie Ray Albert, Thomas Dreeze, Alexander Gushrowski, Kaylee Nichols, Heidi Middendorf, Vernon Hartman, Kaylyn Taylor Baldwin, Seoyong Lee; Cincinnati Opera Chorus; Cincinnati Symphony Orchestra

Description:
Rigoletto is a court jester with sharp wit and a merciless tongue. By cruelly mocking a grieving father, he sets in motion a tragic lesson in poetic justice. Featuring iconic arias like “Caro nome” and “La donna è mobile,” Verdi’s masterpiece sees Rigoletto become intimately familiar with the dangers of careless love, misguided vengeance, and the inescapable lesson that, under no circumstances, can you fool fate.


Sunday, November 9 | 8 p.m. ET
TOSCA

Originally performed June 26 and 28, 2025, at Cincinnati Music Hall
Music by Giacomo Puccini; libretto by Luigi Illica and Giuseppe Giacosa

Clelia Cafiero, conductor; Jose Maria Condemi, stage director

Featuring Karah Son, Matthew White, Anthony Clark Evans, Justin Hopkins, Sam Smith, Julius Ahn, Ryan Henry, Cole Stephenson; Cincinnati Opera Chorus; Cincinnati Boychoir; Cincinnati Symphony Orchestra

Description:
Floria Tosca suspects her lover of being unfaithful when really, he’s helping an escaped political prisoner and friend. This misunderstanding mutates into a series of escalating and irreversible misfortunes once Baron Scarpia, the chief of the secret police, enters the scene. Set in Rome during a time of national upheaval, as Napoleon’s army marches on Italy, Puccini’s epic opera stands as one of the most enduring and beloved of all time.


Sunday, November 16 | 8 p.m. ET
Studio Sessions—SOUL AND SOUND: Dueling Pianos and Artistic Tributes to the Harlem Renaissance

Originally performed June 17, 2025, at Cincinnati Music Hall

Featuring Tifara Brown (poet and curator), Justin Hopkins (bass-baritone), Kevin Day (pianist), Kevin Miller (pianist)

Description:
Experience a virtuosic evening spanning multiple genres and time periods. Poet and curator Tifara Brown, pianists Kevin Day and Kevin Miller, and bass-baritone Justin Hopkins present poetry, opera, jazz, and classical repertoire inspired by the artistry of the Harlem Renaissance.


Sunday, November 23 | 8 p.m. ET
Studio Sessions—ANTHONY CLARK EVANS in Recital

Originally performed July 10, 2025, at Cincinnati Music Hall

Featuring Anthony Clark Evans (baritone), James Maverick (piano)

Description:
Audiences will remember the “warm-toned, vivacious, and humane” (San Francisco Chronicle) baritone Anthony Clark Evans from recent Cincinnati Opera productions of Lucia di LammermoorLa Traviata, and Tosca. In this solo recital, Evans performs hand-picked selections with pianist James Maverick.


2025 Cincinnati Opera Broadcast Supporters 

Cincinnati Opera’s 2025 Summer Festival broadcasts on 90.9 WGUC are made possible through the generous cooperation of Local 1, the Cincinnati chapter of the American Federation of Musicians, and the American Guild of Musical Artists. Thanks go to the Louis and Louise Nippert Charitable Foundation; H.B., E.W., and F.R. Luther Charitable Foundation, Fifth Third Bank, Trustee; and The Willard and Jean Mulford Charitable Fund and The Victoria L. Memmel Charitable Fund of the Cambridge Charitable Foundation for their support of WGUC’s broadcasts of the Cincinnati Opera.

About Cincinnati Public Radio 

90.9 WGUC, Cincinnati’s classical public radio station, part of Cincinnati Public Radio, has been home to classical music and the arts in the Greater Cincinnati community for more than 60 years. Presenting the finest from the classical music canon 24 hours a day, 7 days a week, with special features like Classics for Kids and New at Noon, WGUC also records and broadcasts performances by the Cincinnati Opera, Cincinnati Symphony Orchestra, May Festival, and other local performing groups.

About Cincinnati Opera 

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Our programming is made possible in part by an investment of public funds from the Ohio Arts Council (OAC), a state agency that funds and supports quality arts experiences to strengthen Ohio communities culturally, educationally, and economically. Cincinnati Opera also receives support from The Louise Dieterle Nippert Musical Arts Fund, the Harry T. Wilks Family Foundation, and the H.B., E.W. & F.R. Luther Charitable Foundation, along with many other generous individuals, corporations, and foundations. Cincinnati Opera is a member of OPERA America. Learn more: cincinnatiopera.org.

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