Monthly Archives: October 2025

Mutual Dance Theatre and Arts Centers Receives $30,000 Grant

Mutual Dance Theatre and Arts Centers Receives $30,000 Grant from H.B., E.W. & F.R. Luther Charitable Foundation

CINCINNATI, OH — Mutual Dance Theatre and Arts Centers (MDTAC) has received a $30,000 grant from H.B., E.W. & F.R. Luther Charitable Foundation, Fifth Third Bank, N.A., Trustee. The grant will support MDTAC’s 2025-2026 season, Embrace: A Season of Connection. The H.B, E.W., & F.R. Luther Charitable Foundation supports arts and educational organizations, as well as environmental and historical preservation efforts in the Cincinnati area. The grant will significantly help MDTAC sustain nationally recognized performances and education programs. MDTAC continues to seek funds in order to fully meet our goals of ensuring quality, efficacy, and equity in pay scales. 

“This grant comes at a critical time for our organization and the Cincinnati community,” said Jeanne Mam-Luft, Artistic and Executive Director of Mutual Dance Theatre and Arts Centers. “The Luther Charitable Foundation’s investment ensures we can continue to bring extraordinary dance experiences to Cincinnati, commission new works, and make the art form accessible to people of all backgrounds. It is more than funding: It’s a reflection of the importance of modern dance to our city’s cultural life.”

Mutual Dance Theatre and Arts Centers — formerly known as Contemporary Dance Theater and MamLuft&Co. Dance — is Cincinnati’s second-largest dance organization. It is distinguished both by its virtuosic resident company and being the region’s only presenter of Modern and Contemporary Dance companies.

The $30,000 award supports Mutual’s mission-driven strategic goals to:

  • Create access to Modern Dance for diverse audiences, including 1,000 individuals from low-income families who would otherwise face barriers to cultural experiences.
  • Contribute to the vibrancy of Cincinnati by cultivating a thriving Modern Dance presence and connecting local audiences to artists from more than 25 U.S. cities.
  • Support personal and professional development through meaningful opportunities for both dancers and non-dancers to engage in art-making.

Mutual’s 2024–25 season, Embrace: A Season of Connection, will feature four professional productions, commissions for six new works developed locally, and two nationally celebrated guest companies appearing in Cincinnati for the first time. The organization’s programming brings together residents from across 90% of Cincinnati’s zip codes and beyond, deepening public understanding of the art form and fostering connections.

For more information about Mutual Dance Theatre and Arts Centers, visit mutualdance.org

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About Mutual Dance Theatre and Arts Centers

Mutual Dance Theatre is the city’s longest-running and most consistent Modern Dance organization, both as a presenter and a resident company. MDT was formerly known as Contemporary Dance Theater (est. 1972 by Jefferson James) and MamLuft&Co. Dance (est. 2007 by Jeanne Mam-Luft) until their merger in 2021. Both organizations began as performing troupes, but in the early ‘90s, CDT dissolved its company and subsequently focused on presenting guest artists. The two organizations joined to create the aptly-named Mutual Dance Theatre and Arts Centers, taking enumeration from its elder half and thus celebrating its 54th season in 25-26. Mutual has honored and combined the priorities of both founding organizations: investing in a virtuosic local company with the aim of becoming a significant presence both locally and nationally, as well as the continued presentation of Modern and Contemporary Dance from across the States (and sometimes, beyond). Mutual also reaches thousands of children each year through education and its academy, as well as charity-supported outreach. Learn more at mutualdance.org.

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trueTATTOO On Oct. 23

trueTATTOO
trueTHEATRE
Oct. 23
Memorial Hall [Over-the-Rhine]

For every tattoo, there’s a story. Join us to kick off Season 16 with 5 of the millions that are out there!

This show will be ASL interpreted thanks to Cincinnati State and their ASL Interpreter Training Program.

  • Thu, Oct. 23 at 7:30pm

Official page | Facebook event |

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Stage Managers Sought for 2026 NEW WORKS FESTIVAL at Cincinnati Lab Theatre

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Casting Call for BRIDGE CITY at American Legacy Theatre

BRIDGE CITY: CASTING CALL

MISSION
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society.

PROJECT
Bridge City is an original full-length musical focused around community, family, loyalty to self, and normalizing the Black experience in pursuit of joy, dreams and aspirations. Developed with ALT since July 2024, this piece is written and composed by Kennen Butler who is an NYC-based theatre artist that is non-binary and Black.

After two public-facing workshops performed for the community to receive direct feedback in shaping the continued development of the piece, Bridge City is now being produced as a full-scale world-premiere production.

TIMELINE
Video Auditions: NOW. Submit by November 3rd, 2025 for first consideration. Auditions accepted after as well.

  • Rehearsals will be five days per week from March 9th- April 9th, including weekends. March 23-27 will be off for Spring Break.
  • Performances will be April 10-12, 17-19, 24-26. (Friday and Saturday evenings, Sunday matinees).

EXPECTATIONS
The Actor will structure, manage and execute the steps required to implement a high quality acting process that serves the integrity of the musical, bonds the other artists, aligns artistic vision, and heightens audience engagement with the piece. Attendance at all called rehearsals and performances is a given. Mastery of content required.

COMPENSATION
Performers will be paid a rate of $125/week.

For inquiries, referrals, and consideration contact Matthew David Gellin, Executive Artistic Director, at info@americanlegacytheatre.org.

ROLES

  • Lynn: mid 50’s-60s early’s. Female. Alto. Black/African American. Host of our dinner. Plays various characters throughout the piece from Jerica’s grandmother Lynn, Jerica’s Mother LaShay, Senator Maxine Moore, Professor Smith.
  • Jerica Williams: Mid 20’s-mid 30’s. Female. Alto/mezzo-soprano. Black/African American. Distinctly her in all that she does. Adaptive.
  • Jerome “Bookie” Robinson: Mid 20’s-mid 30’s, Male. Baritone/Bari-tenor. Black/African-American. Jerica’s childhood friend. Loves a good joke and a laugh. Especially if he knows it will help.
  • Mindi Kaleko: Mid 20’s-mid 30’s. Female. Mezzo-soprano/soprano. Self described as the “yenta of marketing” at Seven Hills. Moves to the beat of her own drum.
  • Deja “D” Brown: Mid 20s-Early 30s. Female. Alto. Jerica’s Childhood friend. Protective. Introvert.
  • Valerie Hawks: Late 20’s-Early 40s. Female. Alto. White. Jerica’s boss at Seven Hills. Type A.
  • Michael: Works at 7 hills. Resident hater. Wanted to be PR but was passed over for Jerica.
  • Israel “Iggy” Contreras: Latinx. Industry contact and newsperson for Bridge City’s Channel 4. James’ partner. Queer.
  • Dad: Jerica’s Father
  • James Anderson: Aid to Senator Moore and Iggy’s partner. Queer.
  • CEO (Christopher Eric Osgard): White. CEO of Seven Hills Group
  • Remy: Non Binary. They are an HR person for Seven Hills Group.
  • Hutchins: Mid 20s-mid 40s. Female. Union leader for Esterline Manufacturing.
  • John: A Lead at Seven Hills
  • Scott: Employee at Seven Hills
  • The Roots: The entire cast (aside from Lynn). They are Lynn’s family and guests to the dinner. As the story is told, they split into our principals, supporting cast, and ensemble

SUBMISSION
Video Auditions: NOW. Submit by November 3rd, 2025 for first consideration. Auditions accepted after as well.

  • Rehearsals will be five days per week from March 9th- April 9th, including weekends. March 23-27 will be off for Spring Break.
  • Performances will be April 10-12, 17-19, 24-26. (Friday and Saturday evenings, Sunday matinees).

To submit a video audition:

  • Prepare 16-32 bars of a pop, R&B, soul, OR contemporary musical theatre song that shows range and expression. Show us a little bit of you!
  • Perform 10 to 20 seconds of a rap verse of your choosing OR TLC’s “Waterfalls” (video:
    3:50-4:11) in a way that showcases you the best. We are looking for rhythm, clarity, flow, and story. This part of the audition does not have to be off-book.

I seen a rainbow yesterday
But too many storms have come and joined
Leavin’ a trace of not one God-given ray
Is it because my life is ten shades of gray
I pray, all ten fade away, seldom praise Him for the sunny days (Minimum stop point)
And like His promise is true, only my faith can undo
The many chances I blew to bring my life to anew
Clear and blue and unconditional
Skies have dried the tears from my eyes, no more lonely cries

Send video, headshot, and resume to info@americanlegacytheatre.org with the subject line of “Bridge City – (Character(s) Auditioning For) – (Last Name).

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The SUPER PICKLE: A Hilarious Musical Parody | Fri, Feb. 27, 2026 | Aronoff Center

The SUPER PICKLE: A Hilarious Musical Parody

Cincinnati’s Own Valerie Witherspoon Debuts Hilarious New Comedy Musical at the Aronoff Center

[Cincinnati, OH] – A homegrown laugh-fest is coming to downtown Cincinnati. The Super Pickle: A Hilarious Musical Parody, created by Cincinnati native Valerie Witherspoon, will debut at the Aronoff Center’s Jarson-Kaplan Theater on Friday, February 27, 2026 at 7:30 PM. The show is presented by Entertainment Events, Inc.

Tickets are on sale now at www.CincinnatiArts.org, (513) 621-2787 [ARTS], and the Aronoff Center Ticket Office. For Group Sales (10 or more), call (513) 977-4155. Ticket prices include all applicable fees and taxes and are subject to change.

Billed as “a hilarious musical parody with a bite,” The Super Pickle is the latest comedy from the creative team behind audience-favorite parodies including Cuff Me: The 50 Shades Musical Parody and Sex n’ the City: A (Super Unauthorized) Musical Parody. This brand-new show combines over-the-top musical numbers, outrageous characters, and a playful nod to the nation’s pickleball craze — all with that signature satirical edge audiences love.

Part musical parody, part pop-culture roast, The Super Pickle is a fast-paced comedy that serves up a ridiculous take on the pickleball phenomenon sweeping the nation. Set on the courts where seasoned veterans face off against eager newcomers, this uproarious show spoofs everything from sports rivalries to over-the-top superhero tropes. With pop-hit parodies reminiscent of “Weird Al” Yankovic, outrageous original songs, and side-splitting humor, it satirizes the pickleball craze while playfully poking fun at tennis traditionalists. From competitive showdowns to lively social games, The Super Pickle is a rollicking good time for theatre lovers, comedy fans, and anyone who’s ever swung a paddle.

Valerie Witherspoon’s return to Cincinnati marks a full-circle moment. After making waves with parodies and original works staged across the U.S., this new production will premiere at the Aronoff — giving Cincinnati audiences the first chance to see what’s sure to be the next comedy cult hit. “There’s nothing better than bringing a brand-new show home,” says Witherspoon, who grew up in Cincinnati before launching a career in comedy theater. “The Super Pickle is outrageous, a little absurd, and totally ridiculous — which feels very Cincinnati to me. I can’t wait for audiences here to see it first.” 

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