Monthly Archives: September 2025

Auditions Announced for WITCHCRAFT at Cincinnati Music Theatre

Cy Coleman penned songs such as “Witchcraft” and “The Best Is Yet to Come” (signature tunes for Frank Sinatra and Tony Bennett, respectively) and wrote such musicals as Sweet Charity, I Love My Wife, On the Twentieth Century, and The Will Rogers Follies – yet a revue of his music has gone entirely unexplored until now.

WITCHCRAFT explores his music from his time as a hot jazz pianist and early television celebrity in the 1950s, and his life as one of Broadway’s preeminent composers.

Looking for 4 male presenting & 6 female presenting ACTORS WHO SING WELL

Choose a 45- 60 second jazz standard or musical theatre tune (prior to 1990 preferred) that highlights your best performance.

An accompanist will be provided.

  • October 12, 2025 from 2:00pm – 5:00pm
  • October 15, 2025 from 6:30pm – 9:00pm

www.signupgenius.com/go/10C0945A8AE22ABF5C52-58582441-cmtauditions

Mike Fielder, Director
Chelsea Harris, Vocal Director
Josh Toth, Music Director
Caitlyn Thiel, Producer

Performance dates: Jan. 23-31

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Video Auditions Announced for CLOS(IN)G at American Legacy Theatre

CLOS(IN)G: CASTING CALL

MISSION
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society.

PROJECT
Clos(in)g is a new play by Megan Benjamin Bennett, developed through ALT’s Playwrights for Change residency program. Set inside a soon-to-be-shuttered apartment building, the piece explores family, love, and the constant act of code-switching to survive. As neighbors face the loss of their homes, the story unpacks what it means to belong — and what’s at stake when communities are displaced. At its heart, Clos(in)g is about resilience, relationships, and the fight to hold on when the world tells you to let go.

TIMELINE
Video Auditions: NOW. Submit by September 29th, 2025 for first consideration. Auditions accepted after as well.
Rehearsals: November 2nd, 2025 – November 7th, 2025; 6:30pm – 10:00pm (2-3 hour rehearsals each day in this timeframe, exact time TBD)
Performances: November 8th and 9th, 1:00pm – 5:00pm
To submit a video audition:

  • Prepare no more than 2 of the attached sides provided in the Casting Call.

Send a video submission to colin.waters@americanlegacytheatre.org with the subject line of “CLOS(IN)G – (Character(s) Auditioning For) – (Last Name).”

EXPECTATIONS
The Actor will structure, manage and execute the steps required to implement a high quality acting process that serves the integrity of the musical, bonds the other artists, aligns artistic vision, and heightens audience engagement with the piece.

COMPENSATION
This contract provides a one-time stipend of $225.
Artists are able to earn additional compensation for key audience referrals.
For inquiries, referrals, and consideration contact Matthew David Gellin, Executive Artistic Director, at info@americanlegacytheatre.org.

ROLES

  • George- African American, Male, 68
  • Theresa- African American, Female, 42 (CAST)
  • Brent- African American, Male, 16
  • Carter – Any race, Male, 59
  • Brandy – Caucasian, Female, 39
  • Theodore – African American, Male 38
  • Lucas – Caucasian, Male, 57
  • Marina – Latina, Female, 45
  • Isabelle – Latina, Female 17 (CAST)

A Character Breakdown and audition sides can be found HERE. The Roles of Theresa and Isabelle have been CAST.

SUBMISSION

Video Auditions: NOW. Submit by September 26, 2025 for first consideration. Auditions accepted after as well.
Rehearsals: November 2nd, 2025 – November 7th, 2025; 6:30pm – 10:00pm
Performances: November 8th and 9th, 1:00pm – 5:00pm

To submit a video audition:

  • Prepare one of the attached sides provided in the Casting Call.

Send a video submission to colin.waters@americanlegacytheatre.org with the subject line of “CLOS(IN)G – (Character(s) Auditioning For) – (Last Name)

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Cast Announced for IT’S A WONDERFUL LIFE at Merit Theatre Company

Announcing the cast of IT’S A WONDERFUL LIFE, running November 20–22!

Tickets are already selling fast for this heartwarming play adaptation of the classic film. Get yours while you still can to see our wonderful cast bring the beloved story of George Bailey and Bedford Falls to life.  www.merittheatre.org

IT’S A WONDERFUL LIFE

Directed by Rachel Cobbs

  • GEORGE BAILEY—Ben Iocco
  • CLARENCE ODBODY—Hunter Muse
  • MR. GOWER—Dave Nell
  • YOUNG GEORGE—Isaac Adamson
  • HARRY BAILEY—Gregg Farrier
  • MOTHER BAILEY—Rhonda Hanneken
  • UNCLE BILLY—Matt Dentino
  • AUNT TILLY—Arlene Balczo
  • MARY HATCH—Kaitlyn Iocco
  • MRS. HATCH/MISS CARTER—Sandy Schlueter
  • HENRY F. POTTER —Jeff Carter
  • MR. POTTER’S SECRETARY—Noah Steffen
  • MR. POTTER’S GOON —Larry Fritz
  • PETE BAILEY—Emmett Heubach
  • JANIE BAILEY—Anna Manion
  • TOMMY BAILEY—Luke Buchanan
  • ZUZU BAILEY—Luana Muse
  • VIOLET PETERSON—Helen Mariah Murdoch
  • ERNIE—Beau Heubach
  • BERT—Phil Nelson
  • MRS. THOMPSON —Tiffany Adamson
  • MISS ANDREWS—Rebecca Wiesmann
  • MR. WELCH—Dan Schindler
  • NEWSPAPER BOY—Joseph Manion
  • SAM WAINWRIGHT—Levi Sherman
  • ENSEMBLE—Alex Fritz, Caleb Fritz, Evelyn Heubach, Clarissa Rhinehart, Kaitlyn Rhinehart

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NEXT TO NORMAL Review

By Katrina “Kat” Reynold

NEXT TO NORMAL presented by Ensemble Theatre Cincinnati through October 11th (extended). I attended the Opening Night performance. 

In celebration of its 40th Season (way to go, ETC!), Ensemble Theatre Cincinnati presents a re-mount of one of its most popular productions: NEXT TO NORMAL with music by Tom Kitt and book & lyrics by Brian Yorkey. The 2010 Pulitzer Prize winner for Drama is the story of a family and how they navigate everyday – and not-so-everyday – troubles. Director D. Lynn Meyers (along with Assistant Directors Emily England and Becca Schall) give us a rock opera about mental health and its casualties at its finest.

Ms. Meyers truly encompasses everything a director should be: her vision goes above and beyond what most of us civilians could comprehend. In a show of this magnitude, it is safe to say that the production elements themselves are also important characters. It should come as no surprise that ETC delivers on all fronts. (I’m waiting for my partner in crime to tire of the fact that I will not shut up about an ETC set every single time I enter their theatre.) Scenic Designer Brian c. Mehring clearly understood the assignment with his appropriately stark and sleek blueprint of a set. Its design is solid (thanks to Carpenters Jeremiah Plessinger and Nathan Neorr) and its aesthetics (thanks to Scenic Charge Artist Rae Mack Kuhn) complement the lighting effects (executed flawlessly by Light Board Operator Allyson van Haaren and Spot Light Operators Krishangi Allin and Maximus Winski).

The set (and cast!) of NEXT TO NORMAL. Photo by Ryan Kurtz.

Music Director Steve Goers wields his magic once more in this strong ensemble piece. Mr. Goers has an enviable musicality and has been able to produce a simply stunning cacophony of emotionally-driven voices. (Particular shout-out to a seamless harmonic symphony in Act II’s “Song of Forgetting”.) His keyboard is supported by the following adept musicians: Aaron Almashy on guitar, William Mullen on drums, and Matt Wiles on bass.

This cast of six performing artists is an embarrassment of riches for lucky audiences. At the helm is Jessica Hendy as Diana, a woman struggling with a bi-polar diagnosis and the challenges of life as a wife and mother. Ms. Hendy has a clear, effortless voice rife with a deep emotional understanding of the material she is performing. Taking on the role of Diana’s husband Dan is Charlie Clark. Mr. Clark tackles probably the toughest character arc in the show and does so with incredible instincts and flawless portrayal.

My personal pick for stand-out performance is Julianne Ferguson in the role of Natalie. This talented CCM student commands the stage as the overachieving daughter who is just trying to find her place in life. Ms. Ferguson’s vocal talent is beyond her years: excellent control and filled with thoughtfulness. This will no doubt be one of many professional appearances for this up-and-coming artist.

Julianne Ferguson as Natalie and Charlie Clark as Dan. Photo by Ryan Kurtz.

Rounding out the ensemble are Carter Minor with an endearing turn as Henry; Jameson Zoller whose performance as Gabe is energetic and emphatic; and Rory Sheridan coming in like a hurricane as both Dr. Madden and Dr. Fine (and he is fine). Cheers to a superb ensemble!

Everyone can find something or someone in this story with whom they can empathize. Whether you’ve seen it before or this would be your first time, NEXT TO NORMAL is absolutely one of those shows you should make a priority. You will cry your heart out and then you will thank the performers for making it happen.

Click here for more information about the production.

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Queen City Cup 2024 Sensation Holy Cannoli Presents Fun Filled: THE 24-HOUR COMEDY REVIVAL

{Cincinnati, OH} – Indie improv team Holy Cannoli will present Fun Filled: The 24-Hour Comedy Revival, taking place at the Hoffner Lodge on October 17-18, and featuring a full day of comedy performances, all to raise money for the Esperanza Latino Center.

Holy Cannoli is proud to bring this 24-hour event to the Hoffner Lodge for the first time. “Fun-Filled” is an elevated revisitation of the team’s 24-hour challenge they completed as part of winning the 2024 Queen City Cup with Improv Cincinnati. The 24-hour comedy event will feature nearly two-dozen acts, all including members of Holy Cannoli, including popular local comedy shows and performance groups such as Smoke and Queers, The Kevin Bauer Power Hour, ComedySportz, and more.

All proceeds for the event will go to The Esperanza Latino Center. The center provides bilingual services and programs for Spanish-speaking individuals in the Greater Cincinnati and Northern Kentucky Area, including assistance with federal program sign-up, connections with local resources, a monthly diaper program, and more. Holy Cannoli is incredibly proud to support this organization and the work they do for our community.

Tickets for the event are pay-what-you-can, with a suggested donation of $25 dollars. People can purchase tickets via the Eventbrite.

“Nothing heightens comedy quite like sleep deprivation,” says Nicole Donahue, Holy Cannoli founding member, “so come and join us for middle-of-the-night laughs for a good cause.”

Holy Cannoli is an independent improv team established in 2024. Members include Nicole Donahue, Mia Helbig, Paige Ingram, Danny Lancaster, Sophia Mathioudakis, Oneya Okuwobi, Martibel Payano, and Andrew Whelan. The team is coached by Caleb Robinson.

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