Monthly Archives: February 2025

Cast Announced for NIGHT WATCH at Brookville Community Theatre

BVCT_logoCongratulations to the cast of NIGHT WATCH by Lucille Fletcher and directed by Saul Caplan.

The show runs April 3-13. Tickets go on sale Monday March 24th at 8am!

  • Elaine Wheeler: Anne VanDercook
  • John Wheeler: Mark Van Luvender
  • Blanche: Patti-Dale Wood
  • Curtis Appleby: Ryan Hester
  • Helga: Sara Bortz
  • Lt. Walker: Nick Beard
  • Sgt. Vanelli: Heather Williams
  • Dr. Tracey Lake: Diane Strohm
  • Sam Hoke: John Wysong

For more information visit www.thebct.org.

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Casting Call for ‘Red’ in LATE, A COWBOY SONG at Ghostlight Stage Company

Company: The Ghostlight Stage Company – Cincinnati, Ohio

Performance Venue: Falcon Theatre in Newport, KY

Rehearsal Venue: First Financial Bank in Covington, KY

Contract: Nonunion

SEEKING: Actor to perform the role of RED in The Ghostlight’s production of Late, A Cowboy Song by Sarah Ruhl

Pay Rate: $15/hour (estimated $1,335 for all hours needed with rehearsals, performances and costume fittings)

Production: Late, A Cowboy Song by Sarah Ruhl

Director: Aiden Dalton

About the Event:  The Ghostlight Stage Company looks forward to producing our first ever event in Northern Kentucky with our production of Late, A Cowboy Song by Sarah Ruhl! The Saturday evening performance will be followed by an after-show party, co-hosted by TreeHouse Cincinnati, PFLAG, and Queer Kentucky (more details to come soon). Synopsis of the show: Mary, always late and always married, meets a lady cowboy named Red who teaches her how to ride a horse. Red exudes a taste of freedom that Mary didn’t even know she lacked, and is suddenly desperate to find. Late, a Cowboy Song, is the story of one woman’s education and her search to find true love outside the box.

This is an extension from our original casting call for this production, as we are still interested in seeing more actors for the role of RED. Those who we are interested in seeing more from will be invited to attend our in-person callback on Feb. 24, 2025 at Cincinnati Playhouse in the Park from 6pm-10pm. If you are unable to attend that callback date, a tape may still be accepted.

What to Prepare:

  1. Please create a selftape submission, performing pages 52-54 in the role of RED. (Please see this link for a copy of the script Late, A Cowboy Song by Sarah Ruhl.pdf)
  2. Please prepare the song “Jolene,” by Dolly Parton. Sing and accompany yourself on guitar from the beginning of the song through the end of the second chorus.

Deadline for Submission: Videos will be accepted on a rolling basis until February 22, 2025 at 11:59pm EST. Callback requests will be sent out as videos are received, with all emails sent out by February 23 EOD.

Submission Instructions: To submit, please fill out this google form: https://docs.google.com/forms/d/e/1FAIpQLSccooIglP-SefE_OWr6W1DBGKJK0ljMAkwGx8hYUcbxicuBaw/viewform?usp=sharing

A place to include a link to your video audition will be on the form, along with a spot to list your known conflicts and upload your headshot and resume. Very limited conflicts will be accepted and will affect casting choices.

The Ghostlight Stage Company is not able to provide housing or travel compensation to any cast or creative team member at this time. Please do not apply if you will require this. 

Production Schedule

First Rehearsal: April 30, 2025

Preview Performance: May 22, 2025

Opening: May 23, 2025

Closing: May 25, 2025

All actors will be expected to come to the first rehearsal as off book as possible. You will be given a copy of the script at least 2 months in advance. Rehearsals on week days will take place primarily in the evening hours from 6pm-10pm. Rehearsals on weekends will be approximately 11am-5pm. Tech week from May 18-21 may have some day time rehearsals, as needed (pending actor availability).

STILL SEEKING:

Red: She/They. 20s-30s. Any race or ethnicity. Quiet, tender, spends a lot of their time alone; “she’s no cowgirl, she’s a cowboy.” Some singing and basic guitar-playing is required for the actor playing this role.

Please note: An Intimacy Director will be provided to ensure the safety and security of all actors.

To read the full script: https://drive.google.com/file/d/122O8aF-s5cZuxzTZM6zTQQZK8VvmYerc/view?usp=sharing

If you have any questions please contact The Ghostlight’s Theatrical Director, Aiden Dalton (He/They): aiden@theghostlightstageco.com

The Ghostlight Stage Company is an equal opportunity employer. It is our policy to provide equal opportunity without regard to the basis of race, color, religion, sex or national origin, and we require affirmative action to ensure equality of opportunity in all aspects of employment. All employees and volunteers (whatever their gender, race, ethnicity, national origin, age, identity, sexual orientation, education, ability, religion, socioeconomic status, physical appearance, or attributes) should always feel valued and respected.

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Cincinnati Opera Receives Anonymous Gift in Support of Opera Fusion: New Works, Extending the Program by Three Years

The gift enables the continuation of the company’s acclaimed partnership with the University of Cincinnati College-Conservatory of Music that nurtures the development of new American operas

The next workshop to be featured as part of Opera Fusion: New Works is THE POST OFFICE by Laura Kaminsky and Elaine Sexton, with a free, public performance of excerpts on March 22, 2025

CINCINNATI (February 12, 2025)—Cincinnati Opera is delighted to announce a generous donation in support of Opera Fusion: New Works (OF:NW), its joint creative venture with the University of Cincinnati College-Conservatory of Music (CCM). The company has received an anonymous gift that will extend OF:NW by three years.

Cincinnati Opera and CCM launched Opera Fusion: New Works in 2011 to foster the development of new American operas, receiving significant support from the Mellon Foundation. Jointly led by Robin Guarino, professor of opera at CCM, and Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, the nationally unique initiative offers composers and librettists the opportunity to A moment from the Opera Fusion: New Works workshop for Lalovavi by Kevin Day and Tifara Brown. Photo by Philip Groshong, May 2024.
workshop their operas-in-progress, utilizing the facilities, personnel, and talent of both Cincinnati Opera and CCM.

To date, the program has hosted 34 workshops or orchestral readings for 28 operas, including several works which have since received multiple productions throughout the U.S.: Fellow Travelers by Gregory Spears and Greg Pierce, Eurydice by Matthew Aucoin and Sarah Ruhl, and Champion by Terence Blanchard and Michael Cristofer. Two OF:NW projects received their New York City premieres earlier this month to enthusiastic audience and critical acclaim: Blind Injustice by Scott Davenport Richards and David Cote, and Morgiane by Edmond Dédé.

Funding from the Mellon Foundation, which has supported OF:NW since its inception, is due to end in 2025. The newly announced gift will enable the program to continue through 2028 and host workshops for six additional operas.

Said Evans Mirageas, “Opera Fusion: New Works has been transformative for Cincinnati Opera, CCM, and opera in America. This generous gift will allow this unique creative collaboration to continue to thrive, giving composers and librettists valuable resources to shape their stories and ensuring the vibrancy of the art form for decades to come.”

“CCM is proud to continue our partnership with Cincinnati Opera, and we are grateful for the wonderful gift that makes this possible,” said Peter Jutras, the Thomas James Kelly Professor of Music and Dean at CCM. “Opera Fusion: New Works is an initiative that exemplifies the spirit of our university’s ‘Next Lives Here’ strategic direction, connecting our students with the artists who are shaping the future of their industry and adding to the opera repertoire with impactful stories that resonate with contemporary audiences.”

To learn more about Opera Fusion: New Works, visit ofnw.org.

Up Next for OF:NW: THE POST OFFICE
Cincinnati Opera and CCM are also pleased to share details of the next opera to be workshopped through OF:NW: The Post Office, with music by Laura Kaminsky and libretto by Elaine Sexton. A public performance of excerpts will take place Saturday, March 22, 2025, at 7:30 p.m. at Cincinnati Music Hall.

The work is set in a one-room post office, where three U.S. postal workers and a customer from disparate backgrounds take sides in a blistering conflict centered around same-sex marriage. The formerly collegial friendship between the postmaster, who is Black and straight, and his colleague, who is white and gay, turns foul when the latter happily
announces his upcoming wedding. Taking place in the present day, with increasing hostility, toxicity, and violence playing out in the news, everyday exchanges become fraught: civil rights, reproductive rights, and LGBTQIA rights are challenged and threatened, and the sanctity of the postal service itself is at risk.

Event Details

What:
Opera Fusion: New Works presents THE POST OFFICE

When and Where:
Saturday, March 22, 2025 | 7:30 p.m.
The Presidents’ Garret | Corbett Opera Center at Cincinnati Music Hall
1243 Elm Street, Cincinnati, OH 45202

Tickets:
Admission is free, though seating is limited and reservations are required. Reservations are available by calling 513-241-2742 or visiting cincinnatiopera.org.

About CCM
Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. CCM offers 10 degree types in nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs and workshops. CCM is the largest single source of performing arts presentations in the state of Ohio. Its annual calendar boasts nearly 1,000 events, ranging from solo recitals and large ensemble concerts to fully-staged acting, dance, opera and musical theatre performances.

Declared a top college vocal program by Backstage Magazine and described as “one of the continent’s major music schools,” by the Toronto Star, CCM’s Departments of Opera and Voice provide one of the most comprehensive training programs for opera singers, coaches, and directors in the United States. CCM offers an international faculty of dedicated educators who are also celebrated professionals in their own right, widely and currently active in their respective fields. Several national opera companies hold auditions at the conservatory, and CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. CCM graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, the Metropolitan Opera, Lyric Opera of
Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy), and more. CCM Voice and Opera program support is provided by the Mellon Foundation for Opera Fusion: New Works, The Louise Dieterle Nippert Musical Arts Fund, and the Patricia A. Corbett Estate. Additional support for CCM’s undergraduate opera productions is provided by Rafael and Kimberly de Acha. Guest directors for the 2024-25 season are supported by the Bacchus Legacy Foundation. To learn more, visit ccm.uc.edu.

About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. This project was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Cincinnati Opera also receives general season support from The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Opera Fusion: New Works receives support from the Mellon Foundation and a generous anonymous donor. Cincinnati Opera is a member of OPERA America. Learn more at cincinnatiopera.org.

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2025-2026 Season Announced by Stage Right Musical Theatre Company

SRMTC is thrilled to announce our ninth season.

Joseph and the Amazing Technicolor Dreamcoat
June 6-22

An Evening of Culture
July 11-20

The Best Christmas Pageant Ever
December 12-15

Roald Dahl’s Willy Wonka
January 30 – February 8

Season Tickets are on sale now at https://bit.ly/SubscribeSRMTC.

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THE CURE Runs March 14-23

THE CURE
Dayton Playhouse
March 14-23
[Dayton]

Directed by Sarah Caplan

Cast: Heather Martin as Joan, Jared Mola as Matt et al, Chelsea Jenkins as Nancy, Mikki McKenzie as Amanda, Andrea Wintrow as Annette & Audrey Albers as Dagney

Winner and Audience Favorite of FutureFest 2024.
When her twenty-four year old son wills himself to death and donates all his organs, Joan goes on a quest to understand why.  Along the way, she meets five of the organ recipients who all seem to remind her of different parts of her son’s personality, but it’s not until she meets her son’s heart that she finally realizes the truth.

  • Fri-Sat, March 14-15 at 8pm
  • Sun, March 16 at 2pm
  • Fri-Sat, March 21-22 at 8pm
  • Sun, March 23 at 2pm

Official page | Facebook events |

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