Monthly Archives: May 2022

2022-2023 Season Announced by Falcon Theatre

FT_logoFALCON THEATRE ANNOUNCES 2022 – 2023 SEASON

Plays Focused on Strength, Resilience and the Endurance of the Human Spirit

(Newport, KY) — Falcon Theatre Producing Artistic Director, Ted J. Weil, announced today the continuation of live, in-person performances when the Newport, Kentucky theatre company opens its 2022-23 Season, presenting a mix of contemporary works and regional U.S. premieres.

The U.S. regional premiere of The Half-Life of Marie Curie by Lauren Gunderson (Silent SkyThe Revolutionists) revels in the strength of female friendship between two fearless scientists during the heights and depths of their careers.

The Half-Life of Marie Curie tells the story of Marie Curie, who won the 1911 Nobel Prize in Chemistry for her discovery of the elements radium and polonium. Within a year of her scientific triumph, she was the object of ruthless gossip over an alleged affair with a married Frenchman, all but erasing her achievements from public memory. Weakened and demoralized by an unrelenting and unforgiving press, Marie joins her friend and colleague Hertha Ayrton, an electromechanical engineer and suffragette, to recover from the scandal at Hertha’s seaside retreat on the British coast, their journey to persevere and heal reveals the strength that can be found in others.

Following a celebrated revival on Broadway, Falcon presents the ground-breaking drama Betrayal by Harold Pinter (The Dumb Waiter, Moonlight). Betrayal is a presentation of human resilience as its three characters navigate the aftermath of their lives following the end of a tumultuous love triangle.

The play begins in the present, with the meeting of Emma and Jerry, whose adulterous affair of seven years has long since ended. Emma’s marriage to Robert, Jerry’s best friend, is now ending and she needs someone in whom to confide. Their reminiscences reveal that Robert knew of their affair all along and, to Jerry’s dismay, regarded it with total nonchalance. In a series of contiguous scenes, the play moves backward in time, from the end of the affair to its beginning, throwing into relief the little lies and oblique remarks that reveal more than direct statements or actions ever could.

Human strength takes center stage in Every Brilliant Thing by Duncan Macmillan and Jonny Donahoe, a heart-wrenching yet humorous play about depression and the lengths we will go to for those we love.

You’re six years old. Mum’s in the hospital and Dad says it’s because she’s “done something stupid”. She finds it hard to be happy. So, you start to make a list of everything that’s brilliant about the world – everything that makes life worth living. In this acclaimed show, a child attempts to cure their mother’s depression by creating a list of the best things in the world. The list grows as they progress from childhood (ice cream) and adolescence (Star Trek), to college (surprises) and marriage (falling in love). But, when life deals a bitter blow, the list proves to be helpful to them in ways that it could never be for their mother. 

The Lifespan of a Fact is based on the stirring true story of John d’Agata’s essay, “What Happens There,” about the Las Vegas suicide of teenager Levi Presley. Written by a trio of playwrights (Jeremy Kareken & David Murrell and Gordon Farrell), this contemporary drama is propelled by human resilience and determination for truth.

What starts professional, quickly becomes profane in this fast-paced play that hurtles through a few crucial days in the lives of a writer, fact-checker, and editor as opposing ideologies collide in a battle of highly intellectual combatants. The clock races as the three characters debate facts, artistic license, and the need to tell a good story as the decision looms whether to publish against an approaching Monday morning deadline that could make or break their struggling magazine – and their careers.

Flyin’ West by Pearl Cleage (Blues for an Alabama SkyA Song for Coretta) explores the strength and endurance of four African-American women who overcame tremendous odds to make a place for themselves in post-Civil War America.

Set in 1898, Flyin’ West is the story of pioneers of color who took advantage of The Homestead Act, leaving their homes and heading West to build new lives for themselves and their families in the all-black town of Nicodemus, Kansas. Throughout their journey, their sisterhood is challenged in unexpected ways as they face harsh conditions, racism, sexism, and domestic violence. Flyin’ West is a reflection upon how individuals, families, and communities survive together.

Ted J. Weil, Producing Artistic Director, says, “In this poignant time of reflection and rebirth, we wanted to present a variety of stories that highlight the strength, resilience and endurance of the human spirit. The plays we’ve chosen to present do that through many lenses, all with the goal of our audience finding themselves in each compelling story. We are very excited to present a powerful, thrilling and life-affirming season of theatre.”

The 2022 – 2023 Season dates, creative teams, and ticket purchasing information will be available online at falcontheater.net. 

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ROAD LESS TRAVELED On June 7

CPI_logoROAD LESS TRAVELED
Cincinnati Playwrights Initiative
June 7
Aronoff Center Fifth-Third Bank Theatre [Downtown]

CPI New Voices Series presents a reading of ROADS LESS TRAVELED by local playwright Fred Rothzeid.

ROADS LESS TRAVELED
Four plays about love, longing, friendship and revenge

  • WAITING ROOM – He believes he’s waiting to die.  She believes he’s waiting to live.
  • LOVERS ARCH – There are said to be 50 ways to leave your lover.  Now there are 51.
  • CASSIE – What does the future hold?  Sometimes just the opposite of what you expect.
  • ONCE AND FOREVER – How long can love last?  Maybe longer than you think.

About the Author: Fred has been exploring life’s journey in poems, songs, liturgy and plays most of his adult life. ROADS LESS TRAVELED is Fred’s eighth staged play reading with CPI.  When not trying to figure out the universe Fred enjoys working out, gardening, traveling and especially his grandchildren.

  • Tue, June 7 at 7:30pm

Official page |

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Artistic Engagement Associate Sought by Cincinnati Playhouse in the Park

PIP_logoCincinnati Playhouse in the Park is an Equal Opportunity Employer (EEO) and is committed to fostering a culture of diversity and inclusion in all areas of its work, both on and offstage. Qualified individuals who bring diverse perspectives and life experiences to the workplace are especially encouraged to apply. 

Job Title:  Artistic Engagement Associate 

Position Overview
The Artistic Engagement Associate is responsible for managing designated artistic and community engagement programs, creating, and facilitating post-show discussions, partner coordination and associate producer responsibilities for Artistic Engagement programs. This position works closely with the Director of Artistic Engagement and cross-departmental Community Engagement team to develop season audience and civic engagement programming.

Reports to:  Director of Artistic Engagement

Starting Salary: $38,000 annually

Specific responsibilities include but are not limited to:

  • Serve as the Program Manager for the Outreach Tour program
  • Serve as Associate Producer for:
    • Outreach Tour
    • Off the Grid performances and events
    • Summer Performance Academies and camps
    • Community Events
  • Serve as the Program Manager for Community Programs:
  • Coordinate the logistics, communication and serve as onsite manager for Meet up Mondays and Artist in Residence Programs
  • Coordinate Community partnerships, post show discussions and lobby engagement for Main Stage season.
  • Coordinate community event booths and participation for local festival events
  • Act as the Education and Engagement Department liaison to Company Management, Stage Management and Production Departments
  • Coordinator for in-house Casting and Artist Development programs
  • Oversee department scheduling and internal communications
  • Support department programs and projects as assigned

Essential Skills and Attributes

  • Excellent public presentation and diplomacy with a variety of stakeholders
  • Excellent communication skills – written, oral, and visual.
  • Highly organized, flexible, collaborative, motivated, efficient, and a fast learner.
  • While exceptionally detail-oriented, can also focus on large concepts and strategic issues.
  • Able to navigate through diverse and sometimes competing priorities.
  • Strong organizational and leadership skills.
  • Must have a working knowledge of all aspects of the theatre – production and technical, as well as performance.
  • Ability to work productively and meet deadlines in an environment of change, creative process, and rigorous time management.

Preferred Skills and Qualifications:

  • A college degree with experience in producing and/or Community Engagement practices is preferred
  • Proficiency in all Microsoft Office, Qlab, Vimeo, Zoom, and Google applications
  • Bilingual is a plus 

Work Conditions:

  • Ability to work long hours and work with a flexible schedule.
  • Must be willing to travel and work at various sites.
  • Must be willing to work outdoors in all weather conditions while using the appropriate safety procedures.
  • Occasionally ascends/descends ladders and stairs.
  • Must be able to lift at least 25 lbs

The physical expectations described here are representative of those that must be met by an employee to successfully perform the essential functions of the job, with or without a reasonable accommodation.

While this description is intended to be an accurate reflection of the current position, it is not necessarily exhaustive of all responsibilities, duties, requirements, or expectations of this position. Cincinnati Playhouse in the Park reserves the right to revise or amend this description based on business needs or changes to the work environment.

Employment is contingent upon successful completion of a background check.

To Apply: Qualified candidates should submit a cover letter, resume, and references to Daunielle Rasmussen, Director of Audience Engagement, at Daunielle.Rasmussen@cincyplay.com and cc Amy Stier at amy.stier@cincyplay.com. Applications will be reviewed on a rolling basis and the position will be filled as soon as the successful candidate is identified. No phone calls, please.

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Cincinnati Opera and CCM Announce Next Opera Fusion: New Works Workshop, ROBESON Opera

co_logoMusic by Scott Davenport Richards
Libretto by David Cote and Scott Davenport Richards
Dramaturgy and stage direction by Robin Guarino

Free public performance of excerpts at Music Hall on Saturday, May 14, at 3 p.m.

Cincinnati, Ohio—Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) are pleased to announce the next workshop in their groundbreaking joint program, Opera Fusion: New Works.

The featured opera currently has the working title of ROBESON Opera and includes music by Scott Davenport Richards and a libretto by Richards and David Cote, with CCM Professor Robin Guarino as dramaturg. Guarino will also serve as stage director. ROBESON Opera will receive a 10-day workshop culminating in a public performance of excerpts on Saturday, May 14, 2022, at 3 p.m. in Music Hall’s Wilks Studio.

ROBESON Opera is the next work from the creative team behind the critically acclaimed 2019 opera Blind Injustice. It is an epic and inspiring biographical examination of Black singer, actor, and activist Paul Robeson (1898–1976). A global superstar, Robeson leveraged his fame to fight on the frontlines for equality. His heroic and uncompromising efforts against fascism and racism worldwide led Robeson to be entangled in the tragic power struggle between the two superpowers of the twentieth century—the United States and the USSR—with his own life and career hanging in the balance. Inspired by historical events, ROBESON Opera also resonates with today’s ongoing fights for social justice.

Admission to the public presentation of excerpts on May 14 is free, and reservations are required. Reservations are available through the Cincinnati Opera Box Office by calling 513-241-2742 or visiting cincinnatiopera.org.

Opera Fusion: New Works presents
ROBESON Opera

Music by Scott Davenport Richards
Libretto by David Cote and Scott Davenport Richards
Dramaturgy and stage direction by Robin Guarino

Public performance of excerpts: Saturday, May 14, 3 p.m.
Location: Music Hall’s Wilks Studio, 1241 Elm Street, Cincinnati
Admission: Free; reservations are required. Reservations are available by calling 513-241-2742 or visiting cincinnatiopera.org.

About Opera Fusion: New Works
Funded through a generous gift from the Mellon Foundation, Opera Fusion: New Works (OF:NW) is a partnership between Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) dedicated to fostering the development of new American operas. This collaboration is jointly led by Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, and Robin Guarino, professor of opera at CCM. OF:NW offers composers or composer/librettist teams the opportunity to workshop an opera during a residency in Cincinnati. Residencies utilize the facilities, personnel, and talent of both Cincinnati Opera and CCM. The workshops are cast with a combination of CCM students and professional artists, and each workshop concludes with a free public presentation of excerpts followed by an audience Q&A session, all of which is streamed online. For more information, visit ofnw.org.

About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Season Presenting Sponsor of Cincinnati Opera’s 2022 Summer Festival is Huntington. Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Cincinnati Opera also receives generous season support from the Ohio Arts Council, The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a proud member of OPERA America.

To learn more, visit cincinnatiopera.org.

About CCM
Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs.

Declared a top college vocal program by Backstage Magazine and described as “one of the continent’s major music schools,” by the Toronto Star, CCM’s Departments of Opera and Voice provide one of the most comprehensive training programs for opera singers, coaches and directors in the United States. CCM offers an international faculty of dedicated educators who are also celebrated professionals in their own right, widely and currently active in their respective fields. Several national opera companies hold auditions at the conservatory, and CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. CCM graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, the Metropolitan Opera (New York), Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy) and more.

To learn more, visit ccm.uc.edu.

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Mason Players Present Spring Show

MCP_You Have the Right to Remain Dead logoIs there a theatre group in the area that does not have a show on the boards this coming weekend, May 6-8? If not, we know you just closed last weekend or you will be taking the stage next weekend. Break a leg to all!

Mason Community Players humbly adds their show to the list and asks you to consider coming to see us in our new venue, Mason Community Playhouse, 5529 Mason Road in Mason.

You Have the Right to Remain Dead opens this Friday, May 6th. Shows will be May 6, 7, 12, 13, and 14 at 8:00 pm and May 8 at 2:00 pm. The show will be live streamed on the 12th.

Tickets are $20 General and $15 Seniors/Students

They can be purchased online at masonplayers.org under the Tickets tab.

Directed by Tess Catlin and produced by Laureen Catlin, the cast includes Brandon Blair, Phil Catlin, Dana Davis, Abby Farmer, Melissia Gary, Anthony Lisa, Sonya Neff, Lora Pateras, Mike Pateras, and Erin Marie Schwartz. This is a zany and fun-filled show where even the audience members are suspects. Everyone gets to play detective, and the laughs just keep coming. Please plan to join MCP for all the fun.

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