Monthly Archives: September 2020

2021 Summer Festival Announced by Cincinnati Opera

co_logoCINCINNATI OPERA ANNOUNCES 2021 SUMMER FESTIVAL
JUNE 13–JULY 25, 2021 

The company plans its return to live performance with two world-premiere productions, three all-time favorite operas, and a free season-kickoff concert in Washington Park

Cincinnati, OH (September 17, 2020)—Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, today announced details of the company’s 2021 Summer Festival, which is currently scheduled to open June 13 and continue through July 25. The season marks a return to the stage following the cancellation of the company’s 100th Anniversary Season in summer 2020 due to the COVID-19 pandemic.

Plans for the 2021 Summer Festival include three operas that were originally scheduled to be presented in 2020—the world premieres of Castor and Patience and Fierce, as well as The Barber of Seville—plus the return of two all-time favorite operas, Carmen and Tosca. Performances are currently slated to take place at Music Hall and the School for Creative and Performing Arts (SCPA), and to feature the Cincinnati Symphony Orchestra (CSO).

Opera in the Park, the company’s season-opening celebration concert in Washington Park, will also return, including performances by stars from Cincinnati Opera’s 2021 season, the Cincinnati Opera Chorus, and the CSO.

“We realize that planning to produce a full opera season in these uncertain times can seem audacious,” said Mirageas. “But as long as there is a chance that conditions will allow us to inspire our community through live opera performances again, that will be our goal. We look to the future with optimism and embrace the same bold vision we have always had. That said, our plans are necessarily contingent on conditions that will allow us to ensure a safe experience for all. If we conclude we cannot, we’ll be prepared to adjust our programming and will communicate broadly with our patrons about their options.”

Mirageas continued, “For our return to the stage, we’re looking forward to presenting some of the most beloved titles in the operatic repertoire—BarberCarmen, and Tosca—as well as the much-anticipated world premieres of Castor and Patience and Fierce. We commissioned these two new operas as part of our ongoing vision to celebrate diverse stories and creators, and we can’t wait to share them with the world.”

Several events that were originally scheduled to take place during the summer of 2020, including The Ball of the CenturyOpera for AllIn Harmony Community ChorusMorris and Friends, and Opera Goes to Church/Opera Goes to Temple, are currently being rescheduled for summer 2021. Details will be announced at a later date.

For ticket information and program updates, visit cincinnatiopera.org.

Cincinnati Opera
2021 SUMMER FESTIVAL

Opera in the Park
Sunday, June 13, 2021 | 7:30 p.m.
Washington Park

Cincinnati Opera celebrates the opening of the 2021 season with Opera in the Park, a free, family-friendly outdoor concert in Washington Park. Opera in the Park will showcase favorite selections from opera and musical theater performed by stars from the 2021 season, the Cincinnati Opera Chorus, and the Cincinnati Symphony Orchestra.

The Barber of Seville
Music by Gioachino Rossini
Libretto by Cesare Sterbini
Sung in Italian with projected translation

Wednesday, June 16, 2021 | 7:30 p.m.
Friday, June 18, 2021 | 8:00 p.m.
Music Hall’s Springer Auditorium

The curtain will rise at Music Hall with Rossini’s delightful rom-com, The Barber of Seville. Based on the play of the same name by Pierre Augustin Caron de Beaumarchais, the opera introduces us to Figaro, the titular barber bursting with bravado. He’s enlisted by the lovelorn Count Almaviva to help win the heart of the clever and comely Rosina. With whimsy, wit, and plenty of woo, The Barber of Seville reminds us that, as Beaumarchais once said, “Where love is concerned, too much is not even enough.”

The production hails originally from the Glimmerglass Festival and features scenic design by John Conklin, costume design by Lynly A. Saunders, and lighting design by Robert Wierzel. Wig and make-up design is by James Geier. Said BroadwayWorld.com, “This innovative interpretation of a traditional opera shines with contemporary sparkle.”

Carmen
Music by Georges Bizet
Libretto by Henri Meilhac and Ludovic Halévy
Sung in French with projected translation

Thursday, July 1, 2021 | 7:30 p.m.
Thursday, July 8, 2021 | 7:30 p.m.
Saturday, July 10, 2021 | 7:30 p.m.
Sunday, July 11, 2021 | 3:00 p.m.
Music Hall’s Springer Auditorium

The season continues with the most popular opera of all time, Georges Bizet’s Carmen. Opera’s quintessential femme fatale, Carmen shows us she’s that and so much more—a fearless, flirtatious force of nature who refuses to answer to anyone but herself. Her confidence attracts the attention of Don José, whose passion turns to obsession, then spirals into madness. When José threatens Carmen with death should she refuse him, she chooses freedom over all. Featuring some of opera’s best-known melodies, from the sultry “Habanera” to the rousing “Toreador Song,” Carmen is an ageless ode to one woman’s fierce independence.

The new-to-Cincinnati production is designed by R. Keith Brumley for Lyric Opera of Kansas City, with lighting design by Thomas C. Hase and wig and make-up design by James Geier.

World Premiere!
Castor and Patience
Music by Gregory Spears
Libretto by Tracy K. Smith
Sung in English with projections

Friday, July 9, 2021 | 7:30 p.m.
Tuesday, July 13, 2021 | 7:30 p.m.
Thursday July 15, 2021 | 7:30 p.m.
Saturday, July 17, 2021 | 7:30 p.m.
Sunday, July 18, 2021 | 3:00 p.m.
SCPA’s Corbett Theater

Cincinnati Opera proudly presents the world premiere of Castor and Patience. With music by Gregory Spears, composer of the company’s acclaimed 2016 commission Fellow Travelers, and an original libretto by Pulitzer Prize-winner and former U.S. poet laureate Tracy K. Smith, the story is centered on two cousins from an African American family who find themselves at odds over the fate of a historic parcel of land they have inherited in the American South. Deeply relevant to ongoing calls for racial justice, Castor and Patience probes historical and continuing obstacles to Black land ownership in the United States.

Kazem Abdullah conducts, and Kevin Newbury (Fellow Travelers) directs. The design team features Vita Tzykun (scenic design), Jessica Jahn (costume design), Rachel Eliza Griffiths (image design), S. Katy Tucker (projection design), Thomas C. Hase (lighting design), and James Geier (wig and make-up design). 

World Premiere!
Fierce
Music by William Menefield
Libretto by Sheila Williams
Sung in English with projections

Wednesday, July 14, 2021 | 7:30 p.m.
Friday, July 16, 2021 | 7:30 p.m.
Sunday, July 18, 2021 | 7:30 p.m.
Wednesday, July 21, 2021 | 7:30 p.m.
Friday, July 23, 2021 | 7:30 p.m.
SCPA’s Mayerson Theater

A collaboration with WordPlay Cincy, The Music Resource Center—Cincinnati (MRC), and i.imagine, Fierce receives its highly-anticipated world premiere during Cincinnati Opera’s 2021 season. The opera focuses on four teenage girls who face struggles with school, family, and friendship, and follows their journeys toward finding empowerment. Interviews with WordPlay and MRC participants inspired the opera’s libretto by novelist Sheila Williams, and the score is by composer and Cincinnati native William Menefield. Teenage girls participating in i.imagine’s photography-based educational programs will partner with Cincinnati Opera on promoting the production to their peers.

Lynn Meyers, producing artistic director of Ensemble Theatre Cincinnati, makes her Cincinnati Opera debut asFierce’s stage director and dramaturg. Production design is by Samantha Reno, with lighting design by Thomas C. Hase and wig and make-up design by James Geier. 

Tosca
Music by Giacomo Puccini
Libretto by Giuseppe Giacosa and Luigi Illica
Sung in Italian with projected translation

Thursday, July 22, 2021 | 7:30 p.m.
Saturday, July 24, 2021 | 7:30 p.m.
Sunday, July 25, 2021 | 3:00 p.m.
Music Hall’s Springer Auditorium

The 2021 Summer Festival culminates with Giacomo Puccini’s glorious Tosca. In the city of Rome during a time of political turmoil, the tempestuous opera diva Floria Tosca is madly in love with the painter Cavaradossi. When Tosca’s lover becomes entangled in a crime and is condemned to death, the lecherous police chief Scarpia insists only one thing can save him: Tosca herself. Tosca is a passionate melodrama suffused with political intrigue—a rollercoaster ride of love, lust, and tragedy told through unforgettable music.

Cincinnati Opera’s “stunning” and “sumptuous” production (Cincinnati Enquirer), which received rave reviews at its unveiling in 2016, was designed by Robert Perdziola, who has previously designed for the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Santa Fe Opera, and Glimmerglass Opera. Lighting design is by Thomas C. Hase with wig and make-up design by James Geier. 

ABOUT CINCINNATI OPERA
Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists. 

Cincinnati Opera’s 2021 Summer Festival runs June 13 through July 25, featuring Opera in the Park (June 13), Gioachino Rossini’s The Barber of Seville (June 16 & 18), Georges Bizet’s Carmen (July 1, 8, 10 & 11m), the world premiere of Gregory Spears and Tracy K. Smith’s Castor and Patience (July 9, 13, 15, 17 & 18m), the world premiere of Fierce by William Menefield and Sheila Williams (July 14, 16, 18, 21 & 23), and Giacomo Puccini’s Tosca (July 22, 24 & 25m). 

The 2021 Summer Festival is made possible through support from ArtsWave, Ohio Arts Council, The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, the Harry T. Wilks Family Foundation, National Endowment for the Arts, OPERA America, and The P&G Fund of The Greater Cincinnati Foundation, along with many other generous individuals, corporations, and foundations. 

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. 

For more information, visit cincinnatiopera.org. 

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Live Performance Returns to Memorial Hall with Safe, Soul-Searching Theatrical Reading Series

memo_logoCINCINNATI, OH – Live performance returns to historic Memorial Hall as gifted theatre artists explore vital dialogues of our turbulent times in the Resilience Staged Reading Series. The series will play in repertory October 10 through November 21, 2020, and is comprised of four contemporary plays and adaptations. The first two pieces are being announced at this time:

THE STORY OF KING LEARRegional Premiere Adaptation
Adapted from Shakespeare by Daniel Elihu Kramer | Directed by Gabriella DiVincenzo
A ruler abdicates power, yet demands honor and privilege.
October 10, 17, 20, 23 & 31, 2020; all performances at 8:00pm

CRY IT OUTRegional Premiere Dramedy
By Molly Smith Metzler | Directed by Leslie Goddard
First-time mothers reckon with boundaries of class, economy, and the impossibility of “having it all.”
October 15, 22, 24, 29 & 30, 2020; all performances at 8:00pm

Two shows playing in November will be announced during the week of September 28.

The series takes place in Memorial Hall’s opulent Green Ballroom, which offers a safe setting for up to 24 guests at socially distant tables. Seating is available for socializing groups of two or four; single tickets are not available. Patrons may reserve tables by making a pay-what-you-can donation; the recommended donation is $20.00 per patron. All net proceeds of the intimate productions will directly benefit the theater artists on stage and behind the scenes. Seats may be reserved online at MemorialHallOTR.com, or by calling the Memorial Hall Box Office at 513.977.8838 (Tu – Fr, 12pm – 4pm).

Simple, Safe and Soul-Searching
The COVID-19 pandemic has rendered performing arts venues largely impotent in a time when the unique voice of the arts could further empathy and understanding in a deeply divided America. Recent regulations from the State of Ohio cap performing arts venues at 15% of their maximum capacity, or 300 guests, whichever is lower. The economics of presenting traditional performing arts in this environment are simply untenable. Yet the current moment demanded that something be done, according to Joshua Steele, Memorial Hall Manager.

“As the summer passed with still no end in sight for the pandemic, we saw a mostly empty calendar and nearly uniform unemployment among theatre professionals, yet a pressing need for the kinds of conversations the performing arts create,” says Steele. “As a presenter, Memorial Hall rarely has the opportunity to host acts that speak to the moment. The Resilience Staged Reading Series provides some modicum of support to our theatre community, and offers a forum for the today’s vital issues, all in a safe and lightly-attended environment.”

Safety is a Priority at Memorial Hall
As part of Memorial Hall’s commitment to the health and well-being of our staff, guests and the community, the venue will implement preventive measures consistent with the recommendations of the Centers for Disease Control and Prevention (CDC) and local health agencies. Special safety protocol for the Resilience Staged Reading Series include:

  • Masks are required upon entry and throughout patrons’ time in the venue.
  • Maximum seating of 24 guests in a 1,400 square foot room, which can normally accommodate more than 160 guests seated.
  • Socially distanced seating at tables. Patrons are seated 6’ apart, and 12’ from performers.
  • Socially distanced formation of lines at box office, bar and restrooms.
  • Reduced touch box office and concession interactions, including card-only transactions on site.
  • Plastic shielding at box office and concessions.
  • Ample hand sanitizer throughout venue.
  • Staff, actors and production team will conduct temperature checks at beginning of shifts.
  • Venue staff will wear masks at all times.
  • Hourly disinfecting of high touch surfaces and restrooms.
  • Full disinfection of facility following each performance, including use of electrostatic sprayers.
  • Outside air mix via Dedicated Outside Air System.
  • Digital playbills.
  • No cast larger than five actors.
  • All performances will be presented without intermission to minimize social contact.
    • In addition to pre-show bar service, Memorial Hall will emphasize use of its Noble app, which allows patrons to order drink service at their tables during the performances.

A complete list of COVID-19 protocol at Memorial Hall is available at MemorialHallOTR.com/COVID. Patrons with additional questions may contact the Memorial Hall Box Office at 513.977.8838 (Tu – Fr, 12pm – 4pm).

Productions and Performances
The Resilience Staged Reading Series will feature four contemporary plays and adaptions which each speak to the vital issues of today. Actors will perform at stools with their scripts, situated 12’ away from the nearest audience member and 6’ away from each other. All performances will feature video and/or sound design. The acoustically excellent Green Ballroom does not require amplification. Actors will not be masked when performing, though they may don masks when not actively involved in a scene.

THE STORY OF KING LEAR
University of Cincinnati College-Conservatory of Music (CCM) Drama and Cincinnati Artists’ Theatre co-founder Gabriella DiVincenzo explores the nature of authority and privilege in THE STORY OF KING LEAR, an adaptation of the Shakespearean drama featuring contemporary language and a small cast playing multiple roles. DiVincenzo’s was introduced to the piece by her former professor, Brant Russell, who is a colleague of adapter and Chester Theatre Company (Massachusetts) director Daniel Elihu Kramer. DiVincenzo was attracted to both the utility and timelessness of the re-told classic.

“The story of King Lear is a familiar one,” muses DiVincenzo. “It is about fathers and daughters. It’s about brothers fighting against brothers. It’s a story of war and emptiness—promises left unfulfilled and a kingdom divided in two halves. This play hits closer to home than any of us would have ever expected in the year 2020.”

THE STORY OF KING LEAR is a regional premiere. Anticipated duration is 50 minutes, and there will be no intermission.

CRY IT OUT
Jessie is a corporate lawyer in a Manhattan firm. Lina is a community-college dropout and born-and-bred Long Islander. They don’t seem to have anything in common, but marooned at home with infants, they strike up a fast friendship. In the yard between their houses—as far as their baby monitors will reach—they bond over sleep deprivation, unreliable childcare, and “having it all.” A candid comedy about who gets to make which hard choices in the tinderbox of parenthood and class in the United States.

Broadway veteran Leslie Goddard has been the go-to director for theatrical productions at Memorial Hall, where she has staged THE WHO’S TOMMY and RING OF FIRE over the past two years. At a time when society is grappling with issues around maternity leave, working from home, and pervasive loneliness and depression, Goddard found the 2017 piece fresh and poignant.

“I was drawn to CRY IT OUT because it unapologetically addresses the trials and tribulations that go along with new parenthood,” explains Goddard. “These new moms (and a new dad) navigate so many of the issues facing parents in today’s society – how, when, or IF a new mom should return to work, financial struggles that arise from adding a new baby to the family mix, breastfeeding, and so much more. It’s a hilariously, wild ride through the pain and pleasure of becoming a parent.”

Debuting at Louisville’s venerated Humana Festival of New Plays in 2017, CRY IT OUT will be a Greater Cincinnati premiere. Anticipated duration is 90 minutes, and there will be no intermission. CRY IT OUT IS Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, Illinois.

Two Additional Plays to be Announced
The week of September 28, Memorial Hall will announce two additional productions, playing in repertory in November:

  • The world premiere reading of a new play by a lauded Cincinnati playwright. The piece follows a time travelling protagonist who encounters the dark corners of American history, featuring an exceptional cast of actors of color. Northern Kentucky University’s Daryl Harris directs.
  • Air Force veteran and theatre artist Phillip Webster directs the regional premiere reading of an award-winning play about a veteran returning from Afghanistan, who works to recuperate her injuries and save the domestic life she knew.

Reservations & Complete Schedule
The Resilience Staged Ready Series takes place in Memorial Hall’s opulent Green Ballroom, which offers a safe setting for up to 24 guests at socially distant tables. Seating is available for socializing groups of two or four; single tickets are not available. Patrons may reserve tables by making a pay-what-you-can donation; the recommended donation is $20.00 per patron.

Seats may be reserved online at MemorialHallOTR.com, or by calling the Memorial Hall Box Office at 513.977.8838 (Tu – Fr, 12pm – 4pm).

Artist Biographies

MEMO_Gabriella DiVeincenzo headshot

Gabriella DiVeincenzo.

GABRIELLA DIVINCENZO is a Boston native who earned a BFA in Acting from the University of Cincinnati, College Conservatory of Music (CCM). Gabriella has been working consistently as a director and producer in Cincinnati since moving to the Queen City in 2015. She is a Co-Founder, Resident Director and the Project Coordinator/Director of Artist Relations at the Cincinnati Artists’ Theatre (CAT). The Liberty Exhibition Hall is home to C.A.T. and where Gabriella has directed a number of her productions including TOO MUCH LIGHT MAKES THE BABY GO BLIND, MEN ON BOATS, LUNGS, and LEMONS LEMONS LEMONS LEMONS LEMONS. She has also worked at the Know Theatre as a director in the One Minute Play Festival, and Assistant Director to Brant Russell on the world premiere production of DARKEST NIGHT AT THE GNARLY STUMP. Gabriella has also directed THE FLICK by Annie Baker which was voted a 2020 Staff Pick in CityBeat at The Esquire Theatre. www.gabrielladivincenzo.com

MEMO_Leslie Goddard headshotLESLIE GODDARD (Director, CRY IT OUT) has been performing, directing, and choreographing for over 25 years. She was last seen on stage in SONDHEIM ON SONDHEIM at The Lex and as Bridgit in LIZZIE at The Human Race Theatre Company. Other credits include Brenda/ Penny u/s in HAIRSPRAY on Broadway, Francine et.al. in JERSEY BOYS (Las Vegas), and roles on many local stages including Gerogie Bukatinsky in THE FULL MONTY at HRTC, Missy in THE MARVELOUS WONDERETTES: CAPS AND GOWNS at Ensemble Theatre Cincinnati, Gemini in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM at Cincinnati Shakespeare Company, Roxie in CHICAGO at The Carnegie, and Deb in ORDINARY DAYS at Short North Stage. Among the numerous shows she has choreographed, Leslie had the great pleasure of staging and choreographing THE WHO’S TOMMY and RING OF FIRE at the newly renovated Memorial Hall in Cincinnati. Her most notable accomplishments to date are her two daughters, Jocelyn and Mika.

DARYL HARRIS (Director, Play To Be Announced) is a Full Professor in the Theatre and Dance Program in the School of the Arts (SOTA) at Northern Kentucky University. He is a 52-year veteran of traditional,
experimental, educational, and applied theatre. He has studied and worked throughout North America, Europe, Africa, Asia and Australia. In addition to teaching diverse interdisciplinary theatre courses, Daryl also acts in, directs and costume-designs theatrical productions. His primary passion: engaging scholars and communities transculturally and transnationally across disciplines.

PHILLIP WEBSTER (Director, Play To Be Announced) is a musician, actor and all-around dilettante who’s been onstage and behind the scenes at the Horizon Theatre (Atlanta), the Georgia Shakespeare Festival, Prince George’s Co. Shakespeare in the Park, The Carnegie and New Stage Collective, among others. He is also veteran of the US Air Force and a graduate of the Defense Language Institute’s Arabic program. Phillip is the creator of two podcasts, a historical news program called Queen City Bulletin and the upcoming Froghammer Shakespeare Radio Hour, a behind the scenes look at Northern Kentucky’s longest-running and most bizarre classical theatre company.

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About Memorial Hall: Memorial Hall, managed and programmed by 3CDC, is conveniently located in the heart of the revitalized arts district of Over-the-Rhine. This exquisite venue overlooks Washington Park, and is adjacent to Music Hall in addition to being down the street from both the School for Creative and Performing Arts and the Cincinnati Shakespeare Company. Designed by Samuel Hannaford, the hall features marble staircases adorned with intricate wrought iron that lead to the 550-seat proscenium theater, dubbed the Annie W. and Elizabeth M. Anderson Theater. Exceptional acoustics, decorative murals and Tiffany chandeliers enhance this historic theater. Memorial Hall offers an elegant setting for performances and unique spaces for social and business events.

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BALLET IN THE PARK with Cincinnati Ballet on Sept. 25-27

CB_Ballet in the Park logoJoin the Cincinnati Ballet for a free (or pay what you wish), socially distanced production at the P&G Pavilion at Sawyer Point on Sept. 25-27.

This program will feature the return of our dancers with outdoor performances showcasing selections of favorite solos and pas de deux from our rich repertoire as well as contributions from members of the Cincinnati Symphony Orchestra and Cincinnati Opera.

Performances are:

  • Fri, Sept. 25 at 7:30pm
  • Sat, Sept. 26 at 2pm & 7:30pm
  • Sun, Sept. 27 at 1pm

Click here for more information or to reserve your spot.

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Updates to the 2020-2021 Theatre & Dance Season at NKU

NKU_SOTA logoWith challenges to produce live, in-person theatrical productions during this unprecedented time, NKU SOTA pivoted its programming to theatre and dance projects on film.

Select productions from the previously announced season lineup have been postponed to the 2021-2022 season, including Noises Off, Torch Song, Mamma Mia and the YES Festival of New Plays. Mamma Mia ticket holders may call the Box Office at (859) 572-5464 and leave a message or email boxoffice@nku.edu.

H.M.S. Pinafore
By W.S. Gilbert & Arthur Sullivan
Available on YouTube beginning Sept. 18, 2020

A replay of last season’s H.M.S. Pinafore production will be available to view for free on the NKU SOTA YouTube channel. The production is dedicated in loving memory to Ally Davis (Little Buttercup), who tragically passed away this past July. Patrons will have to option to donate to the Ally Davis Memorial GoFundMe fundraiser.

Emerging Choreographer’s Showcase 2020 – Dance on Film Festival
Available on YouTube beginning Nov. 23, 2020

Emerging Choreographer’s Showcase (ECS) is a student-produced and student-led showcase promoting artistic expression and personal growth. NKU Dance Alum Kat Wolf established this showcase back in 2014 and for its sixth season, ECS will be delving into dance on film. The program will be available the NKU SOTA YouTube channel.

SOTA Summit Series
This exciting new series of in-person and virtual round-table, town-hall-type sessions will be co-moderated by Daryl Harris and a guest professional in the arts.

  • Oct. 7. Experiencing Race in the Arts: Battles and Biases
  • Oct. 28. Arts in the Age of “Me Too”: Women in the Arts
  • Nov. 18: Equity and Allyship: LGBTQ+ in the Arts

Norse Artist Series
Ken Jones will host a panel of special guest alumni, sharing their experiences after graduation. These events are open to the public via Zoom. Only NKU students/faculty/staff can attend in-person. Recordings of these panels will be available to view on YouTube a couple days after they occur.

  • Sept. 18. Kat Moser and Jacob Priddy: Kat – Off Broadway run in The Office: A Musical Parody and grad school. Jacob – professional Musical Director in and out of New York City.
  • Sept. 25. Roderick Justice: Producing Artistic Director of The Children’s Theatre of Cincinnati.
  • Oct. 2. Mikki Abraham: National tours of Beautiful: The Carole King Musical and Once on This Island.
  • Oct. 16. Will Brandstetter: Tour Manager for Mannheim Steamroller and Alton Brown: Eat Your Science tour.
  • Oct. 23. Aaron Lavigne: Broadway shows; national tour of Jesus Christ Superstar as Jesus.
  • Nov. 13. Angie Schworer: Broadway shows including The Producers, Catch Me If You Can, The Prom, Something’s Rotten, and more.

Upcoming Virtual Productions
For the remainder of the 2020-2021 season, NKU SOTA will produce a series of streaming productions. Details on these programs will be available at a later date.

  • “Falling and Loving” by Charles Mee (directed by Corrie Danieley)
  • “Gruesome Playground Injuries” by Rajiv Joseph (directed by Corrie Danieley)
  • “Elegies” by William Finn (directed by Kat Moser & Jacob Priddy)
  • “Edges” by Pasek & Paul (directed by Jamey Strawn)
  • “Fugitive Songs” by Miller & Tysen (directed by Jamey Strawn)
  • “Exploring the Summer of COVID-19” – First Year Show 2020 (directed by Charlie Roetting)

Season updates will be posted on the NKU Theatre + Dance website and on the NKU Theatre + Dance Facebook page.

About NKU School of the Arts: SOTA is the Creative Engine of NKU. The School of the Arts combines Dance, Music, Theatre, and Visual Arts to bring unparalleled artistic opportunities to current and future students. In a changing world, SOTA prepares students to be creative trailblazers in the Arts and their careers. Whether we are creating motion graphics, producing on the stage, or utilizing our dance classes to collaborate with therapeutic exercise in health sciences, we are on the cutting edge of transdisciplinary studies. SOTA offers 11 degrees with 30 specializations in addition to 7 minors to develop graduates that are personally engaged, innovative, and curious with advanced skillsets in collaboration and creative risk-taking. For more information, visit nku.edu/sota or follow on social media @NKUSOTA.

About NKU Founded in 1968, we are a growing metropolitan university of more than 15,000 students served by more than 2,000 faculty and staff on a thriving suburban campus near Cincinnati. Located in the quiet suburb of Highland Heights, Kentucky—just seven miles southeast of Cincinnati—we have become a leader in Greater Cincinnati and Kentucky by providing a private school education for a fraction of the cost. While we are one of the fastest growing universities in Kentucky, our professors still know our students’ names. For more information, visit nku.edu.

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30th Season Announced by Cincinnati Men’s Chorus

CMC_logoIt is the CMC’s 30th, XXX, Pearl Anniversary Season! So much of our lives, such as school, work, social and entertainment activities, have gone virtual due to the pandemic. The CMC will also be going virtual for at least the first half of our season. We’re eXcited to use the virtual platform to eXpand our membership and audience to those outside our area, while continuing our mission – “Through our music, we strive for eXcellence;… entertain our audiences; and work for justice, inclusion and harmony between the LGBTQ community and the community at large.”

We look forward to bringing you an eXceedingly eXhilarating eXperience, 30 years in the making. We hope you will join us virtually until such time as we can all be together in person to commemorate three decades of music by the Cincinnati Men’s Chorus.

–Michael Hoffman, President

Holiday Concert: “Hung with Care”
Capturing the eXuberance of the holidays. Featuring some of our favorite holiday songs from the past 30 seasons and of course, some of the CMC miX of naughty and nice that you’ve come to eXpect.

Cabaret: “Dear Johns”
They’re called eXes for a reason. This year’s cabaret “Dear Johns” highlights songs written or sung by people named John (think Legend, Elton, Lennon, Cougar Mellencamp, Olivia Newton) plus a maybe a few fun break-up songs (a little something for everyone).

Spring Concert: “String of Pearls”
The eXquisite pearl is the symbol of 30 years together. Our Spring concert, “String of Pearls” We open the Great American SongBook for an evening of standards.

Pride Concert: Big Gay Broadway
The eXtravaganza that is Broadway will be celebrated. Join us as we eXplore the many GLBT+ contributions to showtunes. GLBT+ composers, themes, and characters. All of your favorites plus a few rare ones. You’ll want to sing along….and we won’t stop you.

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