Monthly Archives: August 2019

Auditions Announced for TO KILL A MOCKINGBIRD at Dayton Playhouse

DPH_logoAudition: September 16 & 17, 2019 at 7pm

Auditioners are encouraged to arrive at the Dayton Playhouse in advance of the auditions to fill out the Audition Form. Theatre resumes are encouraged, but not required; auditioners need to be prepared to list all conflicts between the audition date and the final performance of the production.

Dayton Playhouse – 1301 E Siebenthaler Ave, Dayton, Ohio 45414

Performances: November 1 – 17. 2019

Directed by Tim Rezash

The Dayton Playhouse is excited to announce auditions for an upcoming production of Aaron Sorkin’s TO KILL A MOCKINGBIRD. PLEASE NOTE: This is the 2018 version (currently running on Broadway), and is a re-imagining of the original Harper Lee novel. Though based on the same source material as the earlier version of the play, this version is very different in tone and setting. It is, in fact, a memory play, and occurs in the minds of Scout, Jem, and Dill about 20 years after the Tom Robinson trial. These three characters serve as both the narrators and actors, moving in and out of the action as it unfolds, and performing either as adults or children, as needed. As such, there are no child performers in this production. In addition, most roles are slightly (if not largely) different from those in the original production, including some roles that are either expanded or condensed, and no role is the same when it comes to overall character and/or dialogue.

ALL ROLES ARE AVAILABLE
The character breakouts for this production are below (including some potential multiple casting situations under consideration):

  • Scout—30+ female, an attorney, who also plays herself as a child
  • Jem—30+ male, her brother, who also plays himself as a child
  • Dill—30+, male, their friend, who also plays himself as a child
  • Tom Robinson—18+ male, African American, the accused
  • Bailiff/Prison Guard—21+ male
  • Horace Gilmer—“young man,” prosecuting attorney
  • Heck Tate—40+ male, sheriff
  • Mayella Ewell—19 female, Tom’s accuser
  • Bob Ewell—35+ male, Mayella’s father
  • Calpurnia—40+ female, African American, housekeeper for the Finch family
  • Atticus Finch—45+ male, defense attorney, Scot and Jem’s father
  • Judge Taylor—50+ male, trial judge
  • Mr. Cunningham—male, townsperson and client of Atticus
  • Miss Stephanie—female, town gossip/Mrs. DuBose—elderly neighbor/Dill’s Mother—30+ female
  • Link Deas—middle aged male, townsperson/Mob Member #1
  • Dr. Reynolds—male, town physician/Mob Member #2
  • Boo Radley—30’s male/Mob Member #3

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Cast Announced for THE MARQUIS CROSSING LADIES SOCIETY’S FIRST ATTEMPT AT MURDER at Rivertown Players Inc.

RP_logoCongratulations to the cast of THE MARQUIS CROSSING LADIES SOCIETY’S FIRST ATTEMPT AT MURDER!

Role: Actor

  • Emma Thorton: Lynn Minges
  • Audrey Kesselring: Lori Pence
  • Midge Dodge: Marcia Grant
  • Beryl Overton: Janis Schoo
  • Opaline Jones: Tina Jensen
  • Joan Parnell: Kayci Schmidt
  • Mad Jack Parker: Ryan Britton
  • Terry Hopkins: Hunter Bruening
  • Officer Kerns: Christine Osborn

Performances run Oct. 25-26 at Hillforest Mansion Museum.

For more information visit www.rivertownplayers.com

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NKU SOTA Offering Theatre Performances to High School

NKU_SOTA logoHIGHLAND HEIGHTS, KY – Northern Kentucky University’s School of the Arts Theatre + Dance Program is offering school-day performances of their 2019-2020 mainstage season to high schools in the tri-state area. Tickets are $10.00. Reservations are first-come, first-served. Seating is limited! Below is a list of performances with reservation deadlines for the 2019-2020 season.

The African Company Presents Richard III by Carlyle Brown
Tuesday, Oct. 1, 10:30 a.m.
Reservation deadline: Sept. 20, 2019
Corbett Theatre

Three Sisters by Anton Chekhov
Monday, Oct. 21, 10:30 a.m.
Tuesday, Oct. 22, 10:30 a.m.
Reservation deadline: Oct. 11, 2019
Stauss Theatre – limited seating

Disney’s Freaky Friday – A New Musical
Tuesday, Nov. 19, 10:30 a.m.
Reservation deadline: Nov. 8, 2019
Corbett Theatre

H.M.S. Pinafore by Gilbert & Sullivan
Wednesday, Feb. 26, 10:30 a.m.
Reservation deadline: Feb. 14, 2020
Corbett Theatre

Buried Child by Sam Shepard
Monday, March 30, 10:30 a.m.
Tuesday, March 31, 10:30 a.m.
Reservation deadline: March 20, 2020
Stauss Theatre – limited seating

Mamma Mia!
Tuesday, April 28, 10:30 a.m.
Reservation deadline: April 17, 2020
Corbett Theatre

If interested in attending one or more of these productions, please contact the SOTA Box Office Manager, Spenser Smith at (859) 572-5809 or smiths13@nku.edu. Detailed information about the plays/musicals is available at nku.edu/theatre.

For more information about NKU’s School of the Arts, please visit nku.edu/sota or follow on social media @NKUSOTA.

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Local Auditions for A CLASSIC CROSLEY CHRISTMAS Florida Production

MISC_Auditions2A CLASSIC CROSLEY CHRISTMAS: A Timeless Holiday

The magic of the season brings kindness and light to Bradenton and Sarasota, FL. For one enchanting evening, three generations of believers find their way to the Crosley Mansion. Join Gwendolyn and Powel Crosley for a riotous retelling of the Charles Dicken’s Classic A Christmas Carol, take a trip down memory lane with Classic Christmas songs from the 1950s, and hop aboard the Polar Express as Christopher and Agnes share this heartfelt story for the young and the young at heart. Do you still believe? Join us this season for A CLASSIC CROSLEY CHRISTMAS: A Timeless Holiday.

Performances:

  • December 11, 17-18 at 7:30pm
  • December 12-15, 19-22 at 2pm, 7:30pm

Contract Dates: Dec 2-Dec 23, 2019

Contract Details: Non-Union, paid positions. Housing in Sarasota, Florida is provided.     Artists have their own bedroom, shared living, kitchen, and bathroom spaces with towels, linens, and kitchenware provided. Travel to and from Sarasota is not reimbursed. Free parking available for those who drive.

Audition Dates:

  • Aug. 25 4pm-6pm & Sept. 8 4pm-6pm by appointment only. To schedule an audition, please email your headshot/resume and preferred audition day to enonpixie@yahoo.com with the Subject Line: Crosley Christmas Audition.

Seeking: Stage Manager, 3-4 artists who sing.
All genders and ethnicities are encouraged to apply. Specifically looking for dynamic storytellers. There is no fourth wall in these productions-it is an immersive experience shared with the audience.

What to Prepare:

  • Please bring a 2-3 minute story about your favorite Holiday memory. Also prepare one of the following Carols to be sung a cappella (if you play an instrument, please bring it to accompany yourself): Jingle Bells, Hark the Herald Angels Sing, A’Solin, Rockin’ Around the Christmas Tree.

Additional Sides and information will be provided at the audition.

Please direct any questions to Eileen Earnest at enonpixie@yahoo.com.

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Blast into Outer Space with THE ABSENTEE at Know

KTC_AbsenteePosterTHE ABSENTEE By Julia Doolittle
September 13th – October 5th
In space no one can hear you scream… except your A.I.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping ships around the galaxy. When a U.S. Space Force ship explodes near Beacon 44.AR.90, its Operator finds herself alone in deep space with only her ship’s A.I. for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

A semi-finalist for the Relentless award, and winner of the 2019-2020 Woodward/Newman Drama Award.

A deeply moving space tale about queer love, finding the hope to overcome grief, and intergalactic absentee voting, The Absentee by Julia Doolittle hits the MainStage starting September 13 at the Know.

Directed by guest director Kate Bergstrom , The Absentee challenges traditional notions of love, lays bare the effects of isolationism, and reminds us of the duty we owe one another.

The Operator, who can’t share her full name due to space force code, has fled earth, her girlfriend, and her troubles, in pursuit of a shut-off life in the stars. But she isn’t fully cut off ⁠— she prides herself on being able to know all of the regular ships and pilots who charter through her section.

When an explosion causes her sector to become an isolation zone, her only contact becomes her computer, Beacon ⁠— and a man who keeps calling her about absentee voting from space. Her desire to keep hiding from her past is strong, but when a disaster puts her whole station in jeopardy, she is forced to face her grief and civic duty head-on.

Our second MainStage show of the season is propelled by the creative force of two amazing women: Julia Doolittle (Playwright) and Kate Bergstrom (Director).

Julia Doolittle is an up-and-coming but already highly accomplished playwright. Take a look at just some of her accolades:

Julia’s work has been seen at South Coast Repertory, Portland Stage, Victory Gardens Theatre, the Sam French Off-Off Broadway Festival, The Tank, Tiny Rhino, Ensemble Studio Theatre, Urban Stages, and Rogue Machine Theatre. She is a recipient of the Elizabeth George Commission from South Coast Rep, a semi-finalist for the O’Neill Summer Conference, and a finalist for the 2017 Heideman Award at the Human Festival. This past winter her play, “Tell Them I’m Still Young,” was featured at the American Theater Group and starred Andre Braugher , of ,“Brookly Nine-Nine,” fame. She is a proud member of EST’s Youngblood Playwrights group.

Kate Bergstrom , based in both LA and New York, brings plenty of heavy-hitting experience to the team, as well:

Holding an MFA in Directing from Brown/Trinity Rep, Kate’s eclectic work has been seen in NYC + LA at Ars Nova, REDCAT, La Mama Umbria, UCLAlive!, Highways Performance Space, Granoff Center for the Arts, Rattlestick Theatre, Theatre at Monmouth, LACMA, LATC, Brown/Trinity Rep + She’s developed work everywhere from Curious Theatre Company (Denver) to Ojai Playwrights Conference. Central Coast BroadwayWorld.com’s 2016 Person to Watch + 2017 Best Director. Founding Artistic Director of On The Verge Summer Repertory Company in Santa Barbara & Explosions From the Other Canon @ Brown. She was most recently seen directing, “Enchanted April,” by Matthew Barber (July 17-August 16, Theatre at Monmouth).

In addition to this powerhouse playwright and director team, The Absentee features a stellar cast fit for the stars!

Starring as Operator, the ever amazing local favorite Jordan Trovillion blasts off, back onto the Know stage. Audiences who loved her action-packed turn as Denn in Susan Swayne and the Hunter in Neverwhere, her whimsical take on Ariadne in Heavier Than… and the laugh out loud Ken Ham’s Journey to the Center of the Earth will not want to miss this!

Hannah Jones and Amber Janice Balwin return to our orbit as Lieutenant Zala ( Jones ) and Beacon ( Baldwin ), after their appearance in this summer’s Cincinnati Fringe Festival Producers’ Pick of the Fringe winner Decent, a Murder Ballad.

THE ABSENTEE also welcomes back longtime friend Nathan Tubbs, taking to the stars as Glenn. Audiences will remember Nathan taking flight as Icarus in Heavier Than … , his bewildered take as Henchmen in Susan Swayne, or one of his many Serials! performances.

When you’re tempted to run away from a world that seems like it’s burning down, sometimes choosing hope is the hardest fight of all.

Buckle up and blast off to THE ABSENTEE, running September 13th – October 5th, only at Your Theatrical Playground.

Cast in Alphabetical Order

  • Jordan Trovillion – Operator
  • Amber Janice Baldwin – Beacon
  • Hannah Jones Diaz – Lieutenant Zala
  • Nathan Tubbs – Glenn

Production Team

  • Director: Kate Bergstrom
  • Scenic & Lighting Designer: Andrew Hungerford
  • Costume Designer: Noelle Wedig-Johnston
  • Sound Designer: Douglas Borntrager
  • Props Designer: Kayla Williams
  • Stage Manager: Meghan Winter
  • Technical Director: Jim Stark

Calendar Listing

THE ABSENTEE by Julia Doolittle
8pm Sept. 13th-15th, 18th-22nd, 25th-29th; Oct. 2nd-5th
3pm Sept. 15th, 22nd, 29th

Know Theatre of Cincinnati. 1120 Jackson Street, Cincinnati, OH 45202.
In historic Over-the-Rhine.

Tickets:

  • $25 regular price tickets
  • $35 “Living Wage” tickets, supporting working artists in Cincinnati
  • $15 Rush tickets at the door 10 minutes prior to curtain (when available)
  • FREE walk-up tickets are available on Wednesdays , as part of Know’s
    Welcome Experiment.Advance reservations to Welcome Experiment performances are $10.

Tickets can be purchased by visiting knowtheatre.com or calling 513.300.5669

Know Theatre is Cincinnati’s Theatrical Playground. The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans.

Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation , helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

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