Monthly Archives: May 2018

CFF18: ALL WE HAVE BORNE

CFF18_All We Have Borne logoALL WE HAVE BORNE
Part of the Cincinnati Fringe Festival ’18
MOTR Pub
Over-the-Rhine

Written and performed by Victoria Hawley

A young woman finds herself trapped in a dark room. Another woman calls this darkness home. An unpredictable man threatens to end them both if they don’t escape.

  • Wed, May 30 at 6:30pm
  • Thu, May 31 at 7pm
  • Fri, June 1 at 7:45pm
  • Sun, June 3 at 4pm & 8:30pm
  • Mon, June 4 at 7pm
  • Fri, June 8 at 6:30pm
  • Sat, June 9 at 7pm

Official page | Press release | Facebook page | Facebook event | Official website

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Gideon Productions Presents World Premiere of MUSICAL CHAIRS at the Cincinnati Fringe Festival

 

 

CFF18_Musical Chairs logoWRITTEN BY MAC ROGERS
DIRECTED BY JORDANA WILLIAMS 

JUNE 3rd – JUNE 9th @ MEMORIAL HALL STUDIO

Gideon Productions, the company behind the Cincy Fringe hits God Of Obsidian (winner of last year’s Linda Bowen Full Frontal Pick) and Ligature Marks (a CityBeat Critic’s Pick), will present the World Premiere of playwright Mac Rogers’ (The Honeycomb Trilogy; the global hit podcasts The Message and Steal The Stars) poly-amorous drama MUSICAL CHAIRS, running from June 3rd to June 9th at the Memo Studio at Memorial Hall as part of the Cincinnati Fringe Festival. The production will be directed by Jordana Williams (Steal the Stars; The Honeycomb Trilogy) and will feature Rebecca Comtois (Viral; Steal the Stars), Mac Rogers (NYIT Outstanding Lead Actor Nominee for The Adventures of Nervous-Boy with Nosedive Productions), and Kristen Vaughan (Frankenstein Upstairs, The Honeycomb Trilogy, NYIT Outstanding Lead Actress Winner for Benefactors).

A three-person relationship wouldn’t be most people’s cup of tea, but for Jess, Owen, and Ruth, it seems to work. So they decide to make it official: Ruth moves in. They figure out how to make it legal. It’s only then that the three spouses learn that marriage – especially in a scarily changing world – isn’t any easier with three.

Musical Chairs will run June 3 at 4pm, June 4 at 7:45pm, June 6 at 8:30pm, June 8 at 6:30pm and June 9 at 8:30pm, as part of the Cincinnati Fringe Festival at the Memorial Hall Studio (1225 Elm Street, Cincinnati, OH, 45202). Tickets ($15) may be purchased online at www.cincyfringe.com. The show will run 60 minutes with no intermission.

MAC ROGERS (Playwright and Owen) is an award-winning playwright and audio dramatist. His sci-fi thriller podcasts The Message, Steal the Stars, and LifeAfter were downloaded over 7 million times.  His plays include The Honeycomb Trilogy (New York Times and Backstage Critic’s Picks and winner of the NYIT Award for Best Premiere Production), Viral (winner of Outstanding Play at FringeNYC 2009), and Universal Robots (nominated for four New York Innovative Theatre awards). Mac’s plays have earned acclaim from The New York Times, The Guardian, Time Out New York, The New York Post, and many others. 

JORDANA WILLIAMS (Director) directed Mac Rogers’ hit audio drama Steal the Stars, as well as many of his plays, including God of Obsidian (Full Frontal Pick), Ligature Marks (CityBeat Critic’s Pick), The Honeycomb Trilogy (NY Times and Time Out NY Critics’ Picks), Universal Robots and Viral. Other favorite directing work includes Kill Shakespeare at NY Comic Con and The Particulars with The Bridge Theater Company, FringeNYC.

REBECCA COMTOIS (Jess) previously appeared at the Cincy Fringe in God of Obsidian (Full Frontal Pick) and Ligature Marks (CityBeat Critic’s Pick). She also work with Mac Rogers and Jordana Williams on the hit podcast Steal The Stars as well as on the plays Viral (Winner of FringeNYC’s Outstanding Production of a Play) and The Honeycomb Trilogy (NY Times and Time Out NY Critics’ Picks).  Other notable roles include Jenny in James Comtios’ Infectious Opportunity (Nosedive Productions) and Mag in Taylor Mac’s The Hot Month with Carol Kane (Boomerang’s Legacy Reading Series).

KRISTEN VAUGHAN (Ruth) is a three-time NYIT Awards nominee for Lead Actress, winning for Jane in Benefactors (Retro Productions).  Among Kristen’s other roles; Amelia Cooke in The Honeycomb Trilogy and Victoria Frankenstein in Frankenstein Upstairs (Gideon Productions), and Blanche DuBois in A Streetcar Named Desire (Bleecker Company).  www.kristenvaughan.com

Critical acclaim for Gideon Productions:

“Television is where you find complicated storytelling. Film is the home of epic sci-fi trilogies. Giant aliens are expensive. Mac Rogers’s “Honeycomb Trilogy,” a titanic story about humanity in crisis wedged into a small theater in Queens, laid waste to these truisms, and provided giddy, cerebral fun along the way.” The New York Times 

“Mac Rogers—genre playwright extraordinaire—can rant like Sorkin, plot like Mamet, banter like Whedon and sting like a bee.”  Time Out New York

“This is full-on, unapologetic science fiction with a galactic-scale backdrop involving interstellar trips and an insectoid race.” New York Post

“One of the most intelligent and complex theatrical events of the year.” Flavorpill

GIDEON PRODUCTIONS crafts gripping plays that explore what’s strange about being human and what’s human about being strange, using familiar genres and cultural touchstones as a springboard to something wholly unexpected.

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www.gideonth.com

www.cincyfringe.com

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Casts Announced for FutureFest 2018 Productions at Dayton Playhouse

DPH_logoSynopses and casts are presented below for the six Finalist plays for FutureFest 2018; the plays are listed in performance order. FutureFest will be presented at the Dayton Playhouse the weekend of July 20-22, 2018. Click here for FutureFest 2018 ticket information.

WHAT ARE WORDS WORTH TO A LONG FELLOW?
Friday, July 20, 2018 at 8:00 PM
Directed by Debra Kent
A young man intent on living a dissolute, artistic life as a poet becomes infatuated with a new love.  But he soon encounters two life-changing dilemmas.  Economic necessity, along with the insistence of his older sister, may compel him to forsake his poetic life and accept a mundane, regular job.  And secondly, when confronted with the choice, he has to decide if he’s willing to sacrifice love in exchange for artistic success.  Poetry, love, and self-interest intersect in challenging ways to form the ever-shifting current of the young man’s life.

Norris – Jared Mola
Debbie – Kayla Graham
Phyllis – Wendi Michael
Jack – Scott Madden

FETTERED
Saturday, July 21, 2018 at 10:00 AM
Directed by Annie Pesch
In Maryland, in 1620, a white woman could marry an African slave – but only if she was willing to become enslaved herself, and to see her children and their offspring born into slavery. So when a poor Irish immigrant girl meets an African slave who has been trained by his master to run a large plantation, and they start to think of spending the rest of their lives together, choices have to be made. FETTERED asks: what is the price of love?  And how long will it take before we acknowledge the humanity of everyone in our country?

Town Crier (and others) – Richard Young
Lord Baltimore – Michael Plaugher
Nell – Karley Holdeman
Major Boarman – Ray Geiger
Charles – Thomas Troutman
Mrs. Boarman – Jennifer Lockwood

LATE IN THE GAME
Saturday, July 21, 2018 at 3:00 PM
Directed by Shawn Hooks
LATE IN THE GAME
 is a play that looks at the experience of aging from the perspective of Baby Boomers.  How does the generation that opposed the Vietnam War and marched for civil and women’s rights, settle into their new role as senior citizens?  The short answer is, not very gracefully.  This is a story of life, death, love, aging, and that most frightening of all experiences: change.

Margaret – Fran Pesch
Iris – Becky Howard
Callie/Assistant – Kenzie Hall
Donald – Jim Lockwood
James/John Miller – Mark Sharp
Gina Mae – Pamela Byrd
Narration – Brian Sharp

LAST RITES-DETROIT, 1967
Saturday, July 21, 2018 at 8:00 PM
Directed by Kip Moore
On the second day of the riots in Detroit in July of 1967, three people take refuge from the chaos on the streets in a gas station/convenience store on 12th St. in the epicenter of the riot.  While the riots mount, we learn what has brought these people to be in this place at this time, and we watch as all three people must come to grips with their losses as a result of the violence and fires outside, while dealing with each other and their racial and generational differences. Their differing experiences and points of view clash even while they are giving each other comfort, until they reach a point where the violence outside spills over to their refuge. The play examines the roots of what is happening on the streets through the lives and eyes of these three disparate people and raises many questions about how much or how little has changed in the 50 years since the riots.

Ron – Michael Schumacher
Esther – Joyce Barnes
Sydney – Naman Clark

OF MEN AND CARS
Sunday, July 22, 2018 at 10:00 AM
Directed by Dawn Roth Smith
Jim stole his father’s ’39 Ford when he was four and soon realized some of the greatest events and memories in his life would happen in cars.  From the Bronx to Beverly Hills and places in between, OF MEN AND CARS follows Jim’s life and his relationships with all sorts of people including his father.  If you want to have a meaningful conversation with a man, especially your father, it’s best to do it in a car.

Jim – Spencer Berta
Dad – Saul Caplan
Mom/Anna/NY Woman/Dorothy – Pam McGinnis
Frankie Two Fingers/Salesman/Warren/Shrink/Man – Chuck Larkowski
Girl Next Door/College Girl/LA Woman/Saleswoman – Heather Martin
Dominic/Man/Soldier/Jack – Brennan Paulin
Russo/Pot Head/Dumb Guy – Michael Boyd

QUEEN OF SAD MISCHANCE
Sunday, July 22, 2018 at 3:00 PM
Directed by Richard Lee Waldeck
A play about gender, race, academia, and belonging. Kym thinks she’s lucked into the perfect resume-builder for a biracial college senior determined to find a career in academia: helping renowned feminist scholar Beverly Norden finish her ground-breaking book on Shakespeare’s Queen Margaret before Alzheimer’s makes the task impossible. As the passing months make clear that Beverly’s failing memory is not the greatest obstacle to their work, Kym reassesses her connection with Beverly, Beverly’s son, and academia itself. What can the Margaret story tell her about her own path forward?

Beverly – Amy Taint
Kym – Carrin Ragland
Roy – Chad McMullen

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CFF18: SHE BURIED THE PISTOL

CFF18_SHE BURIED THE PISTOL II by Molly Hagan

Lydia Blaisdell. Photo by Molly Hagan.

CFF18: SHE BURIED THE PISTOL
Part of the Cincinnati Fringe Festival ’18
First Lutheran Chuch
Over-the-Rhine

Created and performed by Lydia Blaisdell
Directed by Hannah Wolf

In 1931, my great-grandmother, Cora, was declared insane and placed in an asylum against her will. She remained there for over 30 years. How do I honor her legacy? What histories do we inherit? SHE BURIED THE PISTOL offers an intimate exploration of madness, gender, and family history.

  • Sat, June 2 at 7:45pm
  • Sun, June 3 at 7pm
  • Tue, June 5 at 6:30pm
  • Thu, June 7 at 8:30pm
  • Fri, June 8 at 9pm
  • Sat, June 9 at 2:45pm & 6:30pm

Official page | Press release | Facebook page | Facebook event | Official website

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Auditions Announced for THE HUNCHBACK OF NOTRE DAME, SIDESHOW and ASSASSINS at Dare to Defy Productions

D2D_logoDare to Defy is excited to announce open auditions for THE HUNCHBACK OF NOTRE DAME, SIDESHOW and ASSASSINS. All roles are available and are paid non-union contract positions. Auditions will take place June 8, 9, and 10.

Auditions will be located in Studio A in the Loft at 126 N Main St Dayton, OH. All questions should be sent to ProductionSM@d2defy.com.

You can sign up for an audition slot here: https://www.signupgenius.com/go/20f0e4aaca72ca0fe3-auditions2

What to prepare?
Please prepare 32 bars of a song, and have a contrasting selection ready, if asked. Bring sheet music in the correct key- an accompanist will be provided. Also prepare a one minute monologue and have a contrasting selection ready, if asked.

What to bring?
Please bring a headshot and resume, stapled together. An audition form will be emailed to you a few days prior to auditions. Please fill this out and bring it with you as well.

Show Information:

THE HUNCHBACK OF NOTRE DAME
First rehearsal tentatively scheduled for July 30, 2018.  Performances are September 14 & 15, 2018 at the Victoria Theatre.

SIDESHOW
First rehearsal tentatively scheduled for October 1, 2018. Performances are November 9th-17th, 2018 at the Arts Annex.

ASSASSINS
First rehearsal tentatively scheduled for November 26th, 2018. Performances are January 18th-26th, 2019.

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