Monthly Archives: April 2018

BAKERSFIELD MIST Runs May 11-27

DTG_Bakersfield Mist logoBAKERSFIELD MIST
Dayton Theatre Guild
May 11-27
[Dayton]

Directed by Doug Lloyd
Produced by Rick Flynn

Cast: Chuck Larkowski as Lionel Percy & Rachel Oprea as Maude Gutman

Maude Gutman, an unemployed bartender, lives in a trailer park and has purchased a painting for $3.00 at a thrift store that she believes to be an unknown painting by the great Jackson Pollock. She hires an art expert to verify the painting. Lionel Percy, a stuffy New York arts expert and a self-described connoisseur, goes to Bakersfield, California, to render his verdict as to whether Maude has a Pollock or a fake. This smash-hit comedy premiered in London in 2016 and has already had several productions across the United States.

  • Fri-Sat, May 11-12 at 8pm
  • Sun, May 13 at 3pm
  • Fri, May 18 at 8pm
  • Sat, May 19 at 5pm
  • Sun, May 20 at 3pm
  • Fri, May 25 at 8pm
  • Sat, May 26 at 5pm
  • Sun, May 27 at 3pm

Official page |

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ROCK OF AGES Runs May 11-20

PS_Rock of Ages logoROCK OF AGES
Playhouse South
May 11-20
[Kettering]

Directed by Aaron Eechaute-Lopez

Cast: Aaron Brewer as Drew, Kara Freeman as Sherrie, Nathan Pax as Lonny, Nick Bellmyer as Dennis, Tyler Wessel as Stacee Jaxx, Madison Galloway as Justice, Ted Eltzroth as Hertz, Stephen Gogol as Franz, Jordan Lopez as Regina, Kailey Yeakley as Waitress #1, Jon Evans as Joey Primo, Amanda Schrader as Mother, TBD as Father, Xander Hildebrandt as Mayor, Kat Blum as Constance & TBD as Ja’Keith
Venus Club Strippers: Amanda Spoon, Xander Hildebrandt & Kat Blum
Female Ensemble: Aeriel Aniballi, Jordan Vandersluis, Amanda Spoon, Kat Blum, Xander Hildebrandt & Amanda Schrader

It’s the tail end of the big, bad 1980s in Hollywood, and the party has been raging hard. Aqua Net, Lycra, lace and liquor flow freely at one of the Sunset Strips last legendary venues, a place where sex machine Stacee Jaxx takes the stage and scantily clad groupies line up to turn their fantasies into reality. Amidst the madness, aspiring rock star (and resident toilet cleaner) Drew longs to take the stage as the next big thing (and longs for small-town girl Sherri, fresh off the bus from Kansas with stars in her eyes). But the rock and roll fairy-tale is about to end when German developers sweep into town with plans to turn the fabled Strip into just another capitalist strip mall. Can Drew, Sherri, and the gang save the strip–and themselves–before it’s too late? Only the music of hit bands Styx, Journey, Bon Jovi, Whitesnake and more hold the answer.

  • Fri-Sat, May 11-12 at 8pm
  • Sun, May 13 at 2pm
  • Fri-Sat, May 18-19 at 8pm
  • Sun, May 20 at 2pm

Official page |

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Technical Director Sought by The Children’s Theatre of Cincinnati

TECHNICAL DIRECTOR (Full-Time)

TCTC_new logoOrganizational Overview:
TCT’s mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming.  We fulfill our mission through three primary programs:

  • TCT MainStage at the Taft Theatre – We welcome 107,000 children, teachers, and family members from across the Tri-State, to one of our four family-friendly and professional musical theatre productions at the historic Taft.
  • TCT On Tour – We see over 66,000 children and their families at one of our touring performances or during an arts-integration workshop or residency.
  • TCT Academy – Over 600 children will be provided fine arts instruction, including the group that participates in the four-week intensive summer NKU STAR Intensive where we offer professional musical theatre training to some of the region’s most talented youth.

Vision: To awaken a lifelong love of theater in children and the young at heart.

Core Beliefs:

  • We believe in the power of theater to enrich lives and create deeper understandings of people, cultures, and perspectives.
  • We believe that our audiences deserve high quality experiences that are rich with wonder, honesty, compassion, joy, and wisdom.
  • We believe that the arts and education are not mutually exclusive.
  • We believe that the art we create must respect the diversity of our community.
  • We believe in the power of integrated arts education to enrich our lives and our communities.

Position Overview:

The ideal Technical Director (TD) is a skilled theater professional that is highly knowledgeable in all aspects of scenic construction, is familiar with lighting, sound, and AV, and will effectively navigate the complexities of a multifaceted work environment with an ambitious production calendar.

The Technical Director is responsible for overseeing all technical/scenic operations of The Children’s Theatre of Cincinnati’s productions, including lighting, sound, props, set design and construction.

The Technical Director maintains technical spaces and equipment and develops and enforces practices that ensure safe, efficient, and effective operation of the scenic operations of The Showtime Stage, The Scene Shop(s) and the Taft Theatre. The role directly supports the success of the scenic operations for 4 MainStage productions and 4-5 touring productions per year.  The Technical Director reports to the Managing Director & CEO, and works alongside the Producing Artistic Director and in conjunction with the Production Stage Manager. The Technical Director assists in identifying and prioritizing needs and initiatives, finding creative solutions to achieve goals while conserving resources.   

Responsibilities:

  • Safeguard and schedule maintenance of all technical assets of Showtime Stage facilities, including lighting, sound and communications equipment.
  • Determine technical needs for MainStage, Showtime Stage and touring productions – technical specifications, schedules, budget and assisting in determining IASTE crew sizes. Order and obtain materials and manage scenic design budgets. Coordinate the stage and equipment logistics; including the loading and unloading of trucks with crew. Work with the carpenters and designers to determine build and maintenance schedules. Hire and supervise over-hire technicians.
  • Approve designs with regard to safety, compatibility, feasibility, budget, and scheduling considerations. Create technical drawings and plans, either by hand or by CAD, and oversee and build scenery. Coordinate transportation of scenery to and from the theaters, coordinate the load-ins/strike and storage all sets, props, TCT’s lighting and sound equipment after the end of the shows.
  • Advise the members of the production team on technical aspects of each theatrical project.
  • Supervise and assist in the technical aspects of all shows, establish technical schedules for all productions; attend technical rehearsals. Ensure safety.
  • Maintain technical spaces and equipment in the shops and theater spaces; monitor the condition of equipment and perform preventive maintenance; inspect equipment on a regular basis; develop a replacement and upgrade schedule for tools and equipment and arrange for the repair and replacement within budgetary constraints. Work with the Operations Manager to orient facility users to the safety, technical elements and other areas of the facility’s operations.  Create and maintain inventories of technical supplies and equipment. Oversee the process of checking scenic elements in and out for rentals.
  • Develop and enforce practices that ensure safe, efficient and effective operations of all theater facilities and the Scene Shop.
  • Make recommendations regarding capital purchases of technical equipment.

Current 2018-19 Season

*Build schedule may be amended by Technical Director upon hiring.

TCTC_Build Schedule

 

Knowledge/Skills:                                                                          

  • Bachelor’s Degree in Technical Direction with experience in a professional or educational environment. Candidates with an equivalent combination of education and career experience in the field, but without a formal degree, will also be considered. Touring experience as a Technical Director is preferred but not required.
  • Working knowledge of techniques, methods and procedures of theatre, dance, and music productions and presentations including stage, set, sound and lighting design and implementation; stage management; appropriate safety precautions and procedures, and ability to analyze and evaluate the need for technical support for various events and performances.
  • Working closely with an experienced, tight knit, passionate, and dedicated staff, including artists and I.A.T.S.E. union members.
  • Working knowledge of PC and Mac based productivity software, as well as functional familiarity with industry standard theatrical software, such as AUTOCAD or equivalent, and able to learn other software as needed.
  • Prior supervisory experience of a team in a dynamic environment and in management of direct reports.
  • Excellent problem solving and communication skills, both written and oral. Establish and maintain effective working relationships with various groups.
  • Ability to retain good humor and composure in stressful situations.
  • Valid Driver’s License required. Experience operating box trucks preferred.
  • Able to lift, push or pull objects up to 100 pounds using appropriate tools and/or a work partner. Must be able to stoop, stand, safely climb stairs and ladders, and be comfortable using Genie lifts to assist with reaching heights.
  • Able to maintain a flexible work schedule, which may include irregular and extended working hours. 

Compensation & Benefits:

  • Salary range: $40,000 – $60,000
  • Health, vision and dental benefits available, partially subsidized by employer contributions, after a waiting period
  • 403(b) retirement plan participation available, after a waiting period, with eligibility for an employer match after one year of credited service
  • Generous PTO based on years of service
  • Generous paid holiday schedule 

Please send resume and references to:  submissions@tctcincinnati.com as soon as possible.

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Dance Theatre of Harlem | May 11-12 | Aronoff Center

CAA_Dance Theatre of Harlem logo

CINCINNATI, OH – The Cincinnati Arts Association is proud to present New York City’s acclaimed Dance Theatre of Harlem for two performances only on Friday, May 11 and Saturday, May 12 at 8:00 PM at the Aronoff Center’s Procter & Gamble Hall. The show is part of Cincinnati Arts Association’s 2017-18 Presenting Season.

Tickets are on sale now at www.CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office. Group discount tickets for ten or more are available by calling (513) 977-4157.

Now a singular presence in the ballet world, the Dance Theatre of Harlem (DTH) presents a powerful vision for ballet in the 21st century. The sixteen-member, multi-ethnic company performs a forward-thinking repertoire that includes treasured classics, neoclassical works by George Balanchine and resident choreographer Robert Garland, as well as innovative contemporary works that use the language of ballet to celebrate African American culture. Through performances, community engagement, and arts education, the Company carries forward Dance Theatre of Harlem’s message of empowerment through the arts for all.

Forty-nine years ago, Arthur Mitchell and his mentor Karel Shook founded DTH as a beacon of hope for the youth in the underprivileged neighborhood where Mitchell grew up. An acclaimed principal dancer with George Balanchine’s New York City Ballet, Mitchell took the assassination of Dr. Martin Luther King, Jr. as a call to action. Drawing on his expertise and his prominence as the first African American to be a permanent member of a major U.S. ballet company, Mitchell’s ground-breaking idea was to transform the lives of young people in Harlem by providing training in classical ballet. In a few short years, his response to tragedy became a leading dance institution of unparalleled global acclaim.

Now, the organization’s three-part mission is served through the Dance Theatre of Harlem Company, which tours nationally and internationally with an eclectic ballet repertoire; the Dance Theatre of Harlem School, which trains more than five-hundred students per year in ballet and other dance disciplines during winter and summer sessions; and Dancing Through Barriers, an arts education and community engagement program that uses the arts to inspire and transform lives. Through these activities, DTH has reached millions and is dedicated to reaching new audiences with a powerful message of self-reliance, artistic relevance, and individual responsibility, all hallmarks of an organization that plays a key role in the national cultural dialogue.

As Dance Theatre of Harlem approaches its 50th anniversary, it remains committed to the excellence that has sustained the Company over the years.

For more information, visit www.dancetheatreofharlem.org.

CINCINNATI ARTS ASSOCIATION SPONSORS

SEASON SPONSORS:  AMERITAS (Founding Season Sponsor), FIFTH THIRD BANK (Lifetime Endowment Partner), FURNITURE FAIRLOCAL12 WKRC, The P&G FUND of The Greater Cincinnati Foundation

DANCE THEATRE OF HARLEM PRESENTING SPONSORS:  Macy’s, TriHealth, and Ultimate Air Shuttle

SEASON PRESENTING SPONSORS:  21C Museum Hotel, Cincinnati Herald, CityBeat, Heidelberg Distributing, Hilton Cincinnati Netherland Plaza, Pepsi, Prosource, Skyline Chili, Wells Fargo Insurance Services USA, Inc.

Founded in 1992, the Cincinnati Arts Association (CAA) is a not-for-profit organization that oversees the programming and management of the Tri-state’s finest performing arts venues – the Aronoff Center for the Arts and Music Hall – and is dedicated to supporting performing and visual arts. Each year, CAA presents a diverse schedule of events; serves upwards of 600,000 people in its venues; features the work of talented local, regional, and national artists in the Weston Art Gallery (located in the Aronoff Center); and supports the work of more than one dozen resident companies. Since the inception of its acclaimed arts education programs in 1995, CAA has reached more than 1.6 million students. For more information, visit www.CincinnatiArts.org.

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Auditions for Sketch Comedy Show at The Company

TCO_logoThe Company’s next sketch show will be May 12th, and will be directed by Company co-founder Brandon Dunphy! This will be a joint-show with our friends at the Improv Cincinnati. (Check ’em out here: https://www.facebook.com/improvcincinnati/) So now we just need some sketches, and some performers.

This Sunday, April 15th, we’ll be having a combination final pitch meeting and auditions to determine what scripts we’ll be doing, and the funny people who will be performing them. We’ll be gathering from 3:30-4:30pm, in the meeting room at St. Bernard Library (10 McClelland Ave, Cincinnati, OH 45217), and anyone who is interested is welcome!

AUDITIONS
Anyone interested in performing must come to these auditions. Actors will be asked to perform cold readings from selected sketches. Headshots/resumes are not necessary. There will be 6 total rehearsals before the final performance.  Exact Rehearsal dates will be determined based upon everyone’s availability.  We will have 3 rehearsals the week of April 17th through April 23rd.  Then 3 more the week before the show (May 6th through the 12th).  (There will be no rehearsals from April 25th through May 5th due to the director being unavailable.)

(NOTE: Questions on auditions, please email Brandon via brandond3@cinci.rr.com)

PITCH MEETING
All sketches that wish to be featured in the performance must be presented at this meeting. Sketches are not required to have been read/presented previously, and submissions are open to anyone. Each author must bring enough printed copies of their sketches to be table-read. (Please be sure to bring an extra copy for the reading of stage directions and notes.) Sketches will be voted on by those present at pitch meeting, and the results of this poll will be used as a starting point for the selection of sketches. However, final selection of sketches for the performance will be determined by the director and creative team for this performance.

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