Monthly Archives: February 2017

Auditions Announced for THE EVER AFTER, A Musical at Rivertown Players

RP_logoIs Ever After really as happy as everyone expected? In this hilarious parody of daytime TV, a talk show host wonders if time truly heals all wounds. She invites Cinderella and her middle-aged ’beauty-impaired’ stepsisters to reconcile with each other after being estranged for 20 years. What about Snow White and the Evil Queen? This hysterical fractured fairy tale has it all: a trash-talking clairvoyant mirror, an unfortunate prince who is turning slowly back into a frog and even Jiminy Cricket — now an occupational therapist and author of the book “My Life as Your Conscience.”

The musical is punctuated by questions from obnoxious studio audience members and ridiculously funny infomercials for fairy tale related products. Get ready to perform some knee-slapping and hand-clapping with great foot-tapping songs like ’Beauty Impaired’ and ’Dainty Do-Gooder’!

Actors must be 7 to 18 years of age.

Friday, February 10, 6 pm—8 pm
Saturday, February 11, 10 am — Noon.
(you do not attend both auditions)

Possible Callbacks: Monday, February 13 at 6:30

Hamline United Methodist Church
102 W High St.
Lawrenceburg, IN

Please prepare a song to sing and be ready to do “cold reads” from the script.

Show Dates:
Saturday, May 13, 2 pm
Sunday, May 14, 2 pm
Greendale Middle School

Rehearsals
Rehearsals will be Mondays, Wednesdays, and Thursdays 6:30 pm—8:00 pm. The first rehearsal will be Thursday, February 16th. Rehearsals held at Hamline UMC.

CAST OF CHARACTERS

  • HOST -talk show host (“Monterey Jack Chesterfield Williamson” or “Sally Lizzie Jesse Donatello-Griffin”)

THE GUESTS

  • STEPSISTER 1 -Cinderella’s now middle-aged ugly stepsister
  • STEPSISTER 2 -Also still “beauty-impaired”
  • CINDERELLA -Traditional fairy-tale character, but not as young as she used to be
  • SNOW WHITE -Still wearing that same high collar
  • QUEEN -Snow White’s nemesis
  • MIRROR -Human face that protrudes from the queen’s large wall mirror
  • JIMINY CRICKET -Now an occupational therapist
  • EMMETT MANTELLA -Frog-er, man-with a problem

THE ADVERTISERS

  • PAT -Advertiser/ spokesperson for various products
  • BETH -another
  • SAM -another

STUDIO AUDIENCE MEMBERS

  • AIRHEAD -not too bright
  • LOUDMOUTH -Loud and obnoxious
  • OLD WEEPING LADY 1 -Elderly woman; finds everything touching
  • OLD WEEPING LADY 2 -another

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Auditions Announced for GODSPELL at Mariemont Players

MPI_logoMariemont Players announce auditions for their summer musical, GODSPELL.

Auditions will be held at The Walton Creek Theatre, 4101 Walton Creek Rd, Cincinnati, OH 45227 on Saturday, March 25 from 6:00 – 8:00 and on Sunday, March 26 from 3:00 to 5:00. The show will performed July 7 – 23, 2017.

GODSPELL is a soft rock musical adaptation of the Gospel of Matthew by Stephen Schwartz (Wicked) and John-Michael Tebelak. GODSPELL requires a diverse ensemble of 5 men and 5 women. All roles are featured. Each actor must bring his or her individual personality traits to the character. Ability to sing harmony “one on a part” and improvise are a must! Age ranges are preferably from late teens to late twenties (but not confined to that range). All ethnicities are encouraged to audition. All roles are open. The show is physically active, so the cast must have energy, vitality and freedom of movement. Special abilities (playing musical instruments, juggling, etc.) are encouraged. A current resume and headshot would be helpful, but it not required.

Please prepare an up tempo song (not from GODSPELL), no more than 32 bars, in the correct key for your voice and appropriate for the style of the show. An accompanist will be provided (no acappella singing). Please note: you may be asked to sing from the score at the audition. No prepared monologue is required.
Callbacks, if needed, will be at the director’s discretion.
Conflicts not listed at time of audition may not be honored.

The director is looking for talent that can be shaped. Experience helps, but is not required.
ROLE REQUIREMENTS:

  • Jesus – Male, high Tenor G#;
  • Judas/John the Baptist – Male, Baritone Eb.
  • “Day by Day” – Mezzo Soprano
  • “Learn Your Lessons Well” – Mezzo Soprano
  • “Bless the Lord” – Soprano, High A
  • “All Good Gifts” – Tenor, High A
  • “Light of the World” – Baritone, E
  • “Turn Back, O Man” – Alto, D below Middle C
  • “By My Side” – Alto
  • “We Beseech Thee” – Tenor, High D (falsetto)

For more information, please contact director Tom Peters at sloanpeters@hotmail.com

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2017-2018 Season Announced by Broadway in Cincinnati

BIC_logoThe line-up includes:

Season Extra
WICKED 
Sept. 13-Oct. 15, 2017

FINDING NEVERLAND
Nov. 7-19, 2017

A CHRISTMAS STORY The Musical 
Dec. 5-10, 2017

WAITRESS 
Jan. 9-21, 2018

SCHOOL OF ROCK 
Feb. 21-March 4, 2018

CHICAGO 
March 20-25, 2018

Rodgers and Hammerstein’s THE KING AND I
April 10-22, 2018

Disney’s ALADDIN
May 29-June 10, 2018

Season Extra
THE BOOK OF MORMON 
July 31-Aug. 5, 2018

HAMILTON will be part of the 2018-2019 Season

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THE MAN WHO SHOT LIBERTY VALANCE Review

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Craig Branch as Ronsome Foster, Derek Snow as Jim Mosten & Erin Carr as Hallie Jackson.

THE MAN WHO SHOT LIBERTY VALANCE presented by Falcon Theatre through Feb. 11. Click here for more information on the production. I attended the opening Saturday performance.

To the best of my recollection, THE MAN WHO SHOT LIBERTY VALANCE is only the second play I’ve attended that was set in the Old West. My dad was a huge John Wayne fan, but I don’t remember seeing the film as a kid, so I’ll leave it to someone else to tell you how it stacks up against the movie.

In this cast, Craig Branch does well as fish-out-of-water Ransome Foster, an Easterner passing through town on his way West who gets waylaid by the title character. As bar owner Hallie Jackson, Erin Carr is completely believable as a strong-willed woman with little experience in the ways of the heart.

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Craig Branch as Ransome Foster & Allen R. Middleton as Bert Barricune.

Allen R. Middleton is pitch perfect as Bert Barricune, the hard-nosed cowboy with a well-hidden heart of gold. Derek Snow’s Jim (Reverend) Mosten, is a kind, gentle soul who’s easily likeable and provides a great emotional impact to the play. The relationships between these four characters are well-defined and believable.

Eleventh hour addition to the cast, Paul Morris, is spot-on as the villain of the piece, Liberty Valance. His entrance near the end of Act I completely changes the mood of the show. As Marshal Johnson, I would have liked to have seen stronger character choices from actor Terry Gosdin. As portrayed, the Marshall’s personality and temperament seem out of place in comparison to the other residents of this frontier town.

Ed Cohen is a great choice for the Narrator, but I do think that placing him seated at a table upstage right table is a weak choice to engage the audience. The line delivery was low, conversational, and partly addressed to his table mate. If you are the narrator and break the fourth wall, then be the narrator and break the fourth wall. Nathan Tubbs, Paul Kerford Wilson and Jay Dallas Benson nicely round out the ensemble.

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Erin Carr as Hallie Jackson & Allen R. Middleton as Bert Barricune.

Director Tara Williams has a good eye for motivated movement and setting stage pictures. I did feel that the space downstage right was underutilized with the show being center and stage left heavy. The biggest struggle with the show for me was the pacing. There seems to be this unwritten rule that people of the Old West talk…real…slow….and there were times when this was true in this production as well. Quicker line pickups would have also helped, as not every cue line needs a reaction. This is especially true in the final pages of Act II, which as written drags out the reveal that the audience has already figured out. As performed, it seems to run about ten minutes longer than it should.

The set works well for the most part and I really enjoy the look of the reclaimed wood. The rocking chair seems like an odd choice for a saloon and actors struggled to get around it. Another awkward moment was trying to get the casket off stage after the initial scene. Although I couldn’t see the exit downstage left, it was easy to hear the modern door hardware.

Overall, a solid Western with great characters and a romance or two that will only get stronger in its final two weeks.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Auditions Announced for TONY N’ TINA’S WEDDING at Memorial Hall

memo_logoMemorial Hall is seeking actors and actresses for major roles in the upcoming Off-Broadway production of TONY N’ TINA’S WEDDING to play from March 23 – April 2, 2017.

TONY N’ TINA’S WEDDING is an interactive Off-Broadway show that spoofs an Italian-American wedding, complete with a pre-show cash bar, a ceremony and reception full of mishaps and mad-cap comedy, plus a buffet dinner with wedding cake, music and dancing.

Auditions are scheduled for Friday, February 24 (6pm – 10pm) and Saturday, February 25 (1pm – 5pm), at Memorial Hall, 1225 Elm Street in Over-the-Rhine. We are seeking men and women ages 18-70. Only actors with outgoing personalities need apply.

Improvisational skills are helpful. Auditions will be interviews; some actors will be asked to read from sides provided, and some actors will be asked to improvise. Please RSVP by Friday, February 17 to Jared Webster at jwebster@3cdc.org with name, email address, phone number, and availability for the audition times. No phone calls, please. Please bring a headshot and resume to the audition, as available.

Rehearsals will take place March 18 – 22. Actors must be available for rehearsals and all performances. There will be some pay involved, and cast members will work alongside professional actors from the New York production.

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