Monthly Archives: September 2016

Auditions Announced for INSPECTING CAROL at Mason Community Players

MCP_logoCome be a part of the hilarious and fun-filled INSPECTING CAROL.

Auditions will be held at Theatre 42, 2752 S US Route 42, just north of Mason, from 2:00 to 5:00 PM on Saturday, September 24 and 7:00 to 9:00 PM on Sunday, September 25. Performances will be December 9-11 and 16-18.

Cold readings from the script will be a part of the process.

Fill out your audition form before coming to the theatre and streamline the process for yourself and others. Visit masonplayers.org, choose “Audition for MCP’s December Show” on the main page to find the link to download and fill out an audition form, and bring it to auditions with you.

A Christmas Carol meets The Government Inspector meets Noises Off in this hilarious hit from Seattle.” That’s what publishing house Samuel French says about Inspecting Carol. A man who asks to audition at a small theatre is mistaken for an informer for the National Endowment for the Arts. Everyone caters to the bewildered wannabe actor and he is given a role in the current production, A Christmas Carol. Everything goes wrong and hilarity is piled upon hilarity. Perfect anytime, this delight is particularly appropriate at Christmas.

“I laughed till I cried…Sheer comic genius.” – Journal American

“Hundreds of jokes…about…anything that strikes the author’s sardonic fancy.” – Seattle Weekly

“A razzle dazzle of funny characters and ingenious jokes.” – Seattle Post-Intelligencer

“A Dickens of a giggle.” – Seattle Times

“A rollicking farce.” – Everett Herald

Characters include:

  • Zorah Bloch – founding director of The Soapbox Playhouse. Age 40-60. Extremely self-concerned.
  • Sidney Carlton – Age 50-70. A founding member of the company. Kind but somewhat addled
  • Dorothy Tree Hapgood – Sidney’s wife. Age 50-70. A founding member. English.
  • Larry Vauxhall – Age 40-60. Tough, intellectually vain child of the 1960s, still looking for a turn-on. A founding member.
  • Phil Hewlitt – Age 40-60. Obsessive. Usually plays the ineffectual character in any production. A founding member.
  • Walter E. Parsons – African-American. Age 25-55. Recently taken up acting again after a stint in the armed forces. Good-natured, excitable.
  • Luther Beatty – a large pre-teen/early teen who has been playing Tiny Tim too long. Extremely friendly.
  • Keven/Karen Emery – Age 25-55. Nervous. In the impossible position of managing director. Afraid of Zorah.
  • M.J. (Mary Jane) McMann – Age 35-60. A realist. She long ago realized that the Company hit bottom and looks on now as a bemused observer. Founding member.
  • Betty Andrews – Age 25-65. An inspector for the National Endowment for the Arts. A forbidding appearance with bright red hair. A small but crucial role.
  • Bart Frances – Age 20-40. Pleasant. Small role.
  • Wayne Wellacre – Age 25-45. In search of a new career in acting. Has no training and less talent. Affable and eager to please.

Questions? E-mail Director Susan Berger, susanberger@cinci.rr.comsusanberger@cinci.rr.com.

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Anthony Hamilton – What I’m Feeling Tour | Sat., Oct. 15 | Aronoff Center

caa_anthony-hamilton-promoGRAMMY AWARD-WINNING ARTIST ANTHONY HAMILTON
ANNOUNCES FALL 2016 TOUR DATES
WITH SPECIAL GUESTS LALAH HATHAWAY AND ERIC BENET

Saturday, October 15 – 8:00 PM
Aronoff Center – Procter & Gamble Hall 

TICKETS ON SALE FRIDAY, SEPTEMBER 9TH AT 10:00 AM

CINCINNATI, OH – Grammy Award-winning recording artist ANTHONY HAMILTON is excited to announce Fall 2016 tour dates with special guests LALAH HATHAWAY and ERIC BENET.  The tour plays Cincinnati’s Aronoff Center on Saturday, October 15 at 8:00 PM.

Tickets range between $49.50 – $89.50 and go on sale Friday, September 9th at www.CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office.  VIP and Platinum seating will also be available.

Kicking off October 6th at The Durham Performing Arts Center in Durham, NC, the four-week tour will hit major cities including Detroit; Washington, D.C.; New Orleans; Los Angeles; and more. Fans can expect to hear all of the artists’ hits, plus new music as each has released new albums this year. On March 25th, Hamilton released his fifth studio album, What I’m Feelin’, via RCA Records, which includes the hit single, “Amen.”

ANTHONY HAMILTON IN-CONCERT TOUR DATES

DATE               CITY                             VENUE

October 6        Durham, NC                Durham Performing Arts Center

October 7        Charleston, SC             N. Charleston Performing Arts Center

October 8        Washington, D.C.        Constitution Hall

October 9        Baltimore, MD            Modell Performing Arts Center At the Lyric

October 13      Louisville, KY               Palace Theatre

October 14      Detroit, MI                  Fox Theatre

October 15      Cincinnati, OH             Aronoff Center for the Arts

October 16      Augusta, GA                Bell Auditorium

October 20      Memphis, TN              Orpheum Theatre

October 21      Nashville, TN               Municipal Auditorium

October 22      Chattanooga, TN         Soldiers & Sailors Memorial Auditorium

October 23      New Orleans, LA         Lakefront Arena

October 27      Ft. Lauderdale, FL       Broward Center For the Performing Arts

October 28      Jacksonville, FL            Moran Theater

October 29      Columbia, SC               Township Auditorium

October 30      Richmond, VA             Altria Theater

About Anthony Hamilton
The Grammy-Award winning singer has collaborated with a bevy of artists including Nas, Rick Ross, Carlos Santana, Jill Scott, Tupac and Al Green to name a few. With a talent that is recognized by some of the most profound figures of our time, Hamilton has performed for President Obama at the Smithsonian Salutes Ray Charles: In Performance at the White House and on the daytime talkshow The Real, as well as appeared on the Nightly Show with Larry Wilmore.

Demonstrating his international reach, he recently took the stage in the UK and the Netherlands with a performance on BBC 1xtra Live Lounge that debuted on August 8th. In addition to his multiple chart-topping albums and singles, Hamilton earned a BET Award and has been praised by a plethora of outlets including The New York Times, USA Today, Rolling Stone, Entertainment Weekly, ESSENCE, Billboard, and more. Having covered Hamilton’s career throughout the years, NPR recently explored his North Carolina roots and will include him in the inaugural launch of their highly-anticipated docu-series Illuminated that aired in August.

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NKU Brings Great American Novel THE GRAPES OF WRATH to the Stage

NKU_The Grapes of Wrath logoHIGHLAND HEIGHTS, KY – Northern Kentucky University | School of the Arts | Program of Theatre and Dance presents THE GRAPES OF WRATH September 29 – October 9, 2016. Performances will take place in the Corbett Theatre in the Fine Arts Center.

THE GRAPES OF WRATH
By Frank Galati | From the novel by John Steinbeck
September 29 – October 9, 2016 | NKU Corbett Theatre

A powerful and deeply affecting stage version of one of the masterpieces of American literature, there’s a reason why THE GRAPES OF WRATH is a classic. Set against the backdrop of the Great Depression, the story’s themes—endurance, sacrifice, and family—are no less powerful today than they were 77 years ago, when John Steinbeck penned the Pulitzer Prize-winning novel. This Tony Award-winning stage adaptation follows the Joad family on their flight from the dust bowl of Oklahoma, culminating in a soaring and deeply moving affirmation of the indomitability of the human spirit.

We sat down with director and theatre faculty member Corrie Danieley to get the inside scoop on THE GRAPES OF WRATH. Read on to learn more about Danieley’s unique approach to the show.

How familiar were you with THE GRAPES OF WRATH before you started diving into the play?

Corrie Danieley: I had read the play a long while ago and have a love for Steinbeck. His language is devastatingly poetic and beautiful – I fell in love with how he captures the human spirit and our connection to the earth.

Are there any special challenges in bringing one of the “Great American Novels” to life?

CD: I guess it’s that most everyone has read or seen some version of it before and to live up to any expectation is a challenge. My approach is to experience this production as a new piece – to get out of the way of the language and let the story tell itself. It’s beautiful as it is – I don’t want to get in the way of it.

What inspirations did you share with your cast and creative team?

CD: Visual research a big piece of the process for me – and I have pictures hung up in my office so I can continue to let the atmosphere of the world continue to speak to me throughout the whole process. I’ve included some very iconic pictures from the Dust Bowl – lots of pictures of families struggling, tragic poverty, endless horizons, and a deep sense of longing – longing for what they had, what they want, and to feel whole again. I have lots of pictures on acts of nature, the prairie, mountains… the novel speaks so eloquently of nature and it’s echoed in the people as well.

What role does music play in this production?

CD: Music is throughout the play – it’s written in the script. We have a talented student band I have affectionately titled “Hobo Band”. They include a guitar, banjo, mandolin, fiddle, and harmonica. The Hobo Band will sometimes all play together, sometimes separately – but they’re all mobile instruments that many of the Dust Bowl families would have taken with them. Music styles include: hymns, Woody Guthrie, Carl Sandberg, square dance music, and waltz. The role for music is to help recreate mood, parallel the struggle and joys of the journey, and also reflect the historical time period.

What has been most surprising about directing this work at NKU?

CD: Most everyone I talk to about this show recognizes the title and they also get a smile across their face. Everyone seems to have a connection and affection for this story.

For more information call the NKU School of the Arts Box Office at 859.572.5464 or visit theatre.nku.edu

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Cast Announced for TOMFOOLERY at Tri-County Players

TCP_logoTri-County Players is pleased to announce the cast of their winter production, TOMFOOLERY.

  • Neil Geoppinger
  • Paul Gerwe
  • Elizabeth Hickerson
  • Dan Nieman
  • Holly Sauerbrunn

Show dates are: January 20, 21, 22, 26, 27 & 28

Directed by Judy Berrens
Music direction by Dennis Betz
Choreography by Garrett Wallace

For more information visit www.tricountyplayers.org.

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2016-2017 Season Announced by Oxford Area Community Theatre

OXACT_logoART
Directed by S. Michael McVey
Nov. 4-6

Described by Newsweek as sounding “like a marriage of Moliere and Woody Allen,” Art won the 1998 Tony Award for Best Play and the 1996 Olivier Award for Best Comedy. Navigating the complexities of aesthetics, maturity, and evolving friendships, Art concerns three long-time friends, Serge, Marc, and Yvan. Serge, indulging his penchant for modern art, buys a large, expensive, completely white painting. Marc is horrified, and their friendship is challenged as a result of their differing opinions about what constitutes “art.” Yvan, caught in the middle of the conflict, tries to please and mollify them both to preserve the friendship.

TALLEY’S FOLLY 
Directed by Virgil Seger
Feb. 18-26

Winner of the 1980 Pulitzer Prize for Drama and the New York Drama Critics’ Circle Award as best play of the season, Talley’s Folly is the story of one night in the lives of two unlikely sweethearts, Matt Friedman and Sally Talley. The play takes place in a dilapidated boathouse on the Talley farm in Missouri on the Fourth of July, 1944. Matt gradually awakens Sally to the possibilities of a life together until, in the final, touching moments of the play, it is clear that they are two kindred spirits who have truly found each other—two “lame ducks” who, in their union, will find a wholeness rare in human relationships.”It is perhaps the simplest, the most lyrical play Wilson has written—a funny, sweet, touching and marvelously written and contrived love poem for an apple and an orange.” —NY Post.

FOUR BY TWO (BY FOUR) – 4 plays, 2 authors, 4 directors
Directed by Rebecca Howard, Lisa Biales, Teresa Gordon & Jeff Douglass
April 22-30

Graceland takes place outside the front entrance of Graceland, at 5 a.m. three days before the estate is to be opened to the public. Two ardent Presley fans, middle-aged Bev and young Rootie, have arrived at the sacred gates, each desiring to be the first to enter the grounds, and each believing that she is the one most deserving of the honor. Wary at first, the two soon progress from dispute to shared confidences and a touching resolution. Asleep on the Wind serves as a “prequel” to Graceland, taking place 10 years earlier in Bayou Teche, Louisiana, where adolescent Rootie and her favorite brother, Beau, come to talk in private and to escape the harassment of her other brothers. This time Beau has a double purpose for their meeting: to persuade Rootie to try to stick it out at home and in school and to reach beyond him for companionship; and also to tell her that he has enlisted in the army and has requested service in Vietnam.

Birding with Aunt Nancy, winner of the Fitton Center New Play competition, finds two sisters, Ellie and Mim, as they have traveled to their favorite Aunt’s favorite bird watching spot to spread her ashes. With the assistance of their Aunt’s favorite bottle of Scotch, left to them in her will, they use humor to celebrate her life, mourn her death, and grapple with the legacy of painful family relationships. Strawberry Island provides us insight into the past that has brought these characters to where they are, finding the two sisters as children on vacation in Michigan, visiting their favorite aunt. Having rowed to the small, uninhabited island in Lake Huron where Nancy has built a bird blind to monitor the migrations of bald eagles, they encounter another pair of young siblings, locals who challenge the sisters to a competition—who can collect the most wild strawberries in 10 minutes. But the game reveals much more than simple competitiveness, as the sisters begin to confront the impending divorce of their parents and their growing understanding of their own feelings about generosity, loyalty, and fairness, with both humor and frustration.

For more information visit www.oxfordact.org.

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