Monthly Archives: September 2015

Auditions Announced for NIGHT WATCH at Fairfield Footlighters

fflNIGHT WATCH
Directed by Kevin Noll
Monday and Tuesday, Sept 28 & 29 at 6:30
Auditions will be held in the Classroom on the 2nd floor of the Arts Center

AUDITION REQUIREMENTS:

  •   Cold readings from the script.
  •   Bring your calendar to auditions and be prepared to list all conflicts.
  •   All roles are available. Color-blind casting, although Helga the cook is German.

IMPORTANT DATES:

  • Performances:
    November 13-14 & 20-21 at 8PM, November 15 & 22 at 2PM

About the Play
Unable to sleep, Elaine Wheeler paces the living room of her Manhattan townhouse, troubled by unsettling memories and vague fears. Her husband tries to comfort her, but when he steps away for a moment Elaine screams as she sees (or believes she sees) the body of a dead man in the window across the way. The police are called, but find nothing except an empty chair. Elaine’s terror grows as shortly thereafter, she sees still another body—this time a woman’s—but by now the police are skeptical and pay no heed to her frantic pleas. Her husband, claiming that Elaine may be on the verge of a breakdown, calls in a lady psychiatrist, who agrees with his suggestion that Elaine should commit herself to a sanitarium for treatment. From this point on, the plot moves quickly and grippingly as those involved—Elaine’s old friend and house guest Blanche; the inquisitive and rather sinister man who lives next door; and the nosy German maid Helga—all contribute to the deepening suspense and mystery of the play as it draws towards its riveting and chilling climax.

Role Breakdowns

  •  John Wheeler – (30s)  Elaine’s husband, a Wall Street trader and real estate investor, very well off.
  •  Elaine Wheeler – (30s) Attractive, an avid art collector. Suffering from insomnia. Recently recovered from a nervous breakdown.
  •  Helga – (30s – 50s) Wheeler’s German cook. Fond of Elaine, tolerates John. (Note: A German accent needed for performance)
  •  Officer Vanelli – (20s) A young beat-cop who used to work as a guard at an art museum. A little cocky.
  •  Curtis Appleby – (40s-60s) The Wheelers’ neighbor. Eccentric to flamboyant busybody, publishes a neighborhood paper.
  •  Blanche Cooke – (30s) Elaine’s best friend, living with the Wheelers.
  •  Lieutenant Walker – (40s-60s) A no-nonsense homicide detective. Has pretty much seen it all, and more than he would like.
  •  Dr. Tracy Lake – (40s-50s)  A psychiatrist brought in to treat Elaine. Matter-of-fact, but sympathetic to her patients.
  •  Sam Hoke (40s-60s) Owner of a delicatessen near the Wheelers residence. Gruff, a bit shabby in appearance. (Note: only appears at the end of Act I)

Note: Color-blind casting

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TAYLOR 2 Brings Legendary Dance to NKU This October

NKU_Taylor2 logoHIGHLAND HEIGHTS, KY – Northern Kentucky University / School of the Arts / Program of Theatre and Dance presents a one-night-only performance by TAYLOR 2.

Repertory:
Junction
(pause)
Roses Duet
The Uncommitted
Company B

Northern Kentucky University
Fine Arts Center / Corbett Theatre
Friday, October 9, at 8:00PM

Tickets: $10 (General); $8 (Students)

TAYLOR 2 will present a program comprising a unique window into Paul Taylor’s extensive repertoire — now numbering 142 dances! Paul Taylor is one of this country’s legendary choreographers and a pioneer of modern dance culture. His choreography is known for its physicality and grace, as well as its cultural relevance. In selecting repertoire for TAYLOR 2 (established in 1993), he chooses dances that span the broad spectrum of his work. Several of the dances performed by TAYLOR 2 have been re-worked from the Paul Taylor Dance Company’s version to enable the smaller ensemble of dancers to perform them. Critics and audiences cheer as TAYLOR 2 introduces the athleticism, humor, and range of emotions found in Mr. Taylor’s work to audiences around the world. Taylor 2 has had engagements in over 400 cities, 46 states, and as far as Africa and Asia.

“Taylor 2 is a kind of a miracle… All of the dancers are considerable talents [who] unite fearlessness with skill.” — Gia Kourlas, New York Times

ARTIST BIOGRAPHIES

One of the seminal artists of the 20th and 21st Centuries, Paul Taylor continues to shape the homegrown American art of modern dance that he has helped define since he became a professional dancer and pioneering choreographer in 1954. After 60 years as Artistic Director of the Paul Taylor Dance Company, he blazed a new trail in 2014 by establishing an institutional home for the art form: Paul Taylor’s American Modern Dance. Mr. Taylor will curate and present great modern dances of the past and present alongside his own works at Lincoln Center and other preeminent venues throughout the world, nurturing a new generation of choreographers so that modern dance flourishes long into the future. Mr. Taylor first gained notoriety as a dance maker in 1957 with Seven New Dances and has since received nearly every important honor given to artists in the United States. In 1992 he was a recipient of the Kennedy Center Honors and received an Emmy Award for Speaking in Tongues, produced by WNET/New York the previous year. He was awarded the National Medal of Arts by President Clinton in 1993. In 1995 he received the Algur H. Meadows Award for Excellence in the Arts and was named one of 50 prominent Americans honored in recognition of their outstanding achievement by the Library of Congress’s Office of Scholarly Programs. He is the recipient of three Guggenheim Fellowships and honorary Doctor of Fine Arts degrees from California Institute of the Arts, Connecticut College, Duke University, The Juilliard School, Skidmore College, the State University of New York at Purchase, Syracuse University, and Adelphi University. Awards for lifetime achievement include a MacArthur Foundation Fellowship and the Samuel H. Scripps American Dance Festival Award. Other awards include the New York State Governor’s Arts Award and the New York City Mayor’s Award of Honor for Art and Culture. In 1989 Mr. Taylor was elected one of ten honorary members of the American Academy and Institute of Arts and Letters. Having been elected to knighthood by the French government as Chevalier de l’Ordre des Arts et des Lettres in 1969 and elevated to Officier in 1984 and Commandeur in 1990, Mr. Taylor was awarded France’s highest honor, the Légion d’Honneur, in 2000 for exceptional contributions to French culture. Today Mr. Taylor’s dances are performed by the Paul Taylor Dance Company, the six-member Paul Taylor 2 Dance Company (begun in 1993), and companies throughout the world including the Royal Danish Ballet, Rambert Dance Company, American Ballet Theatre, San Francisco Ballet, Miami City Ballet, and Alvin Ailey American Dance Theater.

Ruth Andrien became Rehearsal Director of Paul Taylor 2 Dance Company in 2010. She danced with the Paul Taylor Dance Company from 1974 to1983, originating roles in such works as Esplanade, Runes, Airs, Images and Le Sacre du Printemps (The Rehearsal). She has restaged Mr. Taylor’s work for professional companies and universities around the world. Ms. Andrien has been on the faculty of the University of the Arts in Philadelphia, Swarthmore College, Harvard University, MIT, Southern Methodist University, The School at Jacobs Pillow, New York State Summer School of the Arts, The Taylor School and the American Dance Festival, where she directed the Paul Taylor Project for the past three years. She has worked closely with The American Dance Legacy Institute at Brown University, which focuses on preservation and access to American dance heritage. She served as master teacher for the National Foundation for Advancement of the Arts in Miami and for the U.S. State Department’s cultural exchange program in Tunisia. She was the recipient of Towson University’s Rosenberg Award for Distinguished Artists in 2002 and the Balasaraswati/ Beinecke Endowed Chair for Distinguished Teaching in 2009 with Carolyn Adams and Sharon Kinney. Ms. Andrien received her MFA in Dance at Hollins University in 2007.

For more information call the NKU School of the Arts Box Office at 859.572.5464

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Actors Needed for Staged Reading at Cincinnati Playwrights Initiative

CPI_logoI am directing Cincinnati Playwrights Initiative’s next New Voices Staged Reading, KNIGHT ERRANT.  It will be performed one night only, October 13, 2015 at the Fifth Third Bank Theater at the Aronoff Center for the Arts.  This is quite a nice opportunity, especially for young actors.

I need two young males to play approximately sixteen years old and one adult women to play roughly 28-40 years old. KNIGHT ERRANT is a story which takes place entirely in the offices of two school counselors, so will require no blocking, only reading from the script.

The first young male is in every scene of the play.  The other young male is in one scene and will be understudy for the main role.  The female counselor role will be in two scenes.

The second young male and the female will only be needed for one rehearsal plus the table read and performance day, so if you are in another show at this time, we can work around it as long as you can be available on Oct. 13.

The lead male will be needed for three rehearsals and performance day.  Again, we can work around other schedules.

The reading will be on Tuesday October 13, 2015 at 7:30.  I would need you to be available starting at  4 PM that Tuesday.

I will be available to have a table read/auditions on September 29, 30 and October 1.

The other possible rehearsal dates would be between now and then, and since the play has the various characters mostly in separate scenes, it will be quite easy to accommodate everyone’s schedule in the event that we can’t always gather on the same day/night.

If you are interested in participating, please email me at prez@cincyplaywrights.org and I will send you a script.

Thanks!

Chris Lee,
President
Cincinnati Playwrights Initiative

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Open Casting Call for Movie A CHRISTMAS MELODY

MISC_D. Lynn Meyers Casting logoThank you for your interest in becoming an extra in the upcoming production, A CHRISTMAS MELODY.

Being an extra will be a tremendous amount of fun, as well as a very serious commitment. We are looking for individuals who if selected would be able to commit to a full day. Which could run up to 12 hours. Please see below:

OPEN CALL FOR EXTRAS: “A Christmas Melody,” directed by Mariah Carey and returning executive producer Brad Krevoy and Motion Picture Corporation of America.

**PLEASE NOTE: If you attended the previous Open Call for the film Marauders on September 14th & 15th you DO NOT need to attend this open call. Your information is already on file.

WHEN: Monday, September 28th, 5:00PM – 8:00PM

WHERE: Thomas Moore College
333 Thomas More Pkwy, Crestview Hills, KY 41017
(Steigerwald Hall inside the Student Center)

*This is an open call for extras of all ages. Families encouraged.

Facebook event |

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Directors Applications Being Accepted for 2016-2017 Season at CenterStage Players

CSPOH_logoCenterStage Players is now accepting applications for Directors for our 2016-2017 season.

Generally, CenterStage Players (OH) produce 3-5 shows a year, which have been performed at the North College Hill City Center in Cincinnati, OH. 

Interested applicants should send information to Trisha Cooper, Vice-President of Production before the deadline of November 15th, 2015. The CenterStage Board will schedule interviews with applicants in early January 2016. 

Please respond to this notice by e-mail to centerstageplayersinc@yahoo.com, or by snail mail:
Attn: Trisha Cooper
7255 Fallingwoods
West Chester, Ohio 45241

Please include the following information with your response. 

  1. Your theatrical resume and contact information.
  2. List any production or technical crew persons that work with you on a regular basis.
  3. List a play you would like to direct and please answer the following questions:
    • What technical issues does the show present, and how would you resolve them?
    • Are there any foreseen casting difficulties with the show? How would you over-come them?
    • What draws you, as a director, to want to work on this show?
  4. One copy of the script (s) so that the CenterStage Board can read through it before your interview. We prefer to received scripts electronically if possible. If this is not possible, please ensure the script is one easily available, e.g. at the public library.

Please note, multiple shows may be pitched.  However, individual director interviews will be limited to 30 minutes.

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