Monthly Archives: February 2015

TWILIGHT: LOS ANGELES, 1992 Review (GYTN)

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Torie Wiggins. Photo by Daniel R Winters Photography.

Torie Wiggins. Photo by Daniel R Winters Photography.

TWILIGHT: LOS ANGELES, 1992 presented by Diogenes Theatre Company through Feb. 8. Click here for more information on the production. I attended the opening night performance. GYTN = Get You Tickets Now.

The streak of beautifully-performed one-person plays continues with Torie Wiggins in TWILIGHT: LOS ANGELES, 1992.

The book of the show is deeply personal and riveting. Instead of having the events of 1992 analyzed by media and political talking heads (like recent, similar events), the words come verbatim from interviews with those directly affected by the Rodney King verdict and the subsequent rioting. Heartfelt and brutally honest, at times, their words are also amazingly profound.

Torie Wiggins. Photo by Daniel R Winters Photography.

Torie Wiggins. Photo by Daniel R Winters Photography.

Performed in the Aronoff’s black box, the Fifth-Third Bank Theater, the show is simply staged and starkly lit. Actress Torie Wiggins is barefoot and costumed in black. An added costume piece or the addition of a hand-held prop are all that is used to transform her into nearly four dozen, ethically-diverse individuals.

Torie’s vocal and physical range is impressive. There is an attention to detail in her performances that I really enjoy and admire. Some of the longer vignettes allowed her to totally disappear into a role for the audience. Even with such serious subject matter, Wiggins and director Brian Isaac Phillips find the humor, strength of character and hopefulness in the interviews to maintain an emotional balance. Her turn as the Haitian shooting victim and the Korean store-owner were personal favorites.

Torie Wiggins. Photo by Daniel R Winters Photography.

Torie Wiggins. Photo by Daniel R Winters Photography.

On entering the space and seeing the set on the floor, without any levels, I had an initial concern about sight lines. However, the show is smartly blocked with minimal movement, but it never felt static. Yes, the audience may have to shift in their seats with the character changes to get a clear line of site, but it never devolved into the need for an ongoing bob and weave to see the performance.

Torie Wiggins. Photo by Daniel R Winters Photography.

Torie Wiggins. Photo by Daniel R Winters Photography.

Doug Borntrager succeeds with the demanding sound and video elements of the show. Projected placards are used to introduce the characters prior to each scene and are narrated by, I believe, by Phillips. Just a thought, but it night have been interesting to have a second female narrator, so that each placard were read by the appropriate sex, but I quibble. The video also includes actual footage from some of the discussed events. It’s a bit surreal to see a truck driver being attacked by rioters, knowing that similar incidents happened, literally, blocks away from where you are sitting, during the Cincinnati riot in 2001. Solid work by the rest of the technical team, stage manager Justin McCombs, lighting designer Daniel R. Winters, costumer Amanda McGee and props mistress, Ally Landen.

In their press information, the Diogenes Theatre Company asks, “How much have things changed since then? Or not?” For me, this play definitely answered that question.

If you are a fan of Torie Wiggins work, you definitely do not want to miss this excellent production. Based on the size of the opening night audience, I suggest you purchase your tickets sooner, rather than later.

My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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2015-2016 Season Announced for the Sunset Players

SSP_logoThe Sunset Players are excited to announce their 2015-2016 season. We have everything from outlaws to angels, fairy tales to family, and end it with a rocking time to close it out.

We will open our season with the Cincinnati premier of BONNIE AND CLYDE, the Musical.
Show dates are October 2-17

Our children’s show will be DOROTHY MEETS ALICE.
Show dates are December 4-13

Our winter show will be the family comedy ALIVE AND KICKING.
Show dates are February 19- March 6th

Our spring show will be DUCK HUNTER SHOOTS ANGEL.
Show dates are May 6-21

And the final show of the season for our out of the box show will be the regional community theater
premier of Green Days’ AMERICAN IDIOT.
Show dates are July 8-23

Come out and join us for another exciting season of great theater!

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Two Men Needed for THE CAVALCADERS at IATC

IATC_logoTHE CAVALCADERS by Billy Roche

Set in a Wexford Cobblers shop where four shoemakers transform themselves nightly into the Cavalcaders, a singing quartet that prides itself on harmony (barbershop style), comic patter, and romance. THE CAVALCADERS is a wonderful memory play that explores the complexity of human relationship with love, music, and a beautiful Musical score.

Roche was a musician before turning to Theater.

PERFORMANCES: 19 May the opening of the Acting Irish International Theater Festival, (this year in Cincinnati at our Irish Center Theater.) Additional shows 24- 25- 26th of April 2015.

The Irish Heritage Center, 3905 Eastern Avenue, Cincinnati Ohio 45226.

THE CAVALCADERS by Billy Roche

Casting two Male Actors who can sing. A plus if one actor can play the piano.
Rory  stage age  20-40
Ted    stage age  20-40
Call for an appointment; 513-225-6915.

You will be asked to read from the script.
Prepare a 2-3 minute acapella song demonstrating vocal range.

“Billy Roche’s most accomplished work”  Irish Times        “A deeply touching and intelligent play”  Sunday Times London

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FIDDLER ON THE ROOF Opens in March at Loveland Stage Company

Susan McElroy Marcus as Golde & Dave Marcus as Tevye.

Susan McElroy Marcus as Golde & Dave Marcus as Tevye.

The Loveland Stage Company’s spring show, FIDDLER ON THE ROOF, opens on March 6, 2015 and continues for three weekends. The musical was based on Sholem Aleichem’s tales of Tevye and his Daughters. FIDDLER ON THE ROOF is the brainchild of Broadway legends Director Jerome Robbins, Producer Harold Prince, Songwriters Jerry Bock and Sheldon Harnick, and Bookwriter Joseph Stein. The musical won nine TONY awards when it debuted in 1964. Since then touring shows and community theaters have touched audiences worldwide with its music, humor, warmth and honest love.

Veteran Director Cathy Alter is leading the core of the production staff that brought the popular musical Oklahoma to Loveland. Award winning Music Director Jack Hasty is back and his attention to good vocalization with every note of the lyrics is evident when the energetic cast sings the many memorable musical tunes, such as “Tradition,” “Matchmaker, Matchmaker” and “Sunrise, Sunset”. Marjory Clegg is choreographing the leads in solo and couple dances, and the ensemble in the spectacular “Tradition” and the energetic Russian dance at the village inn.

The co-producers, Ann Barfels and Pat Furterer, are working again with a production crew that have won individual and group community theater awards. Their period costumes, rural looking sets and authentic appearing props enhanced with lighting and sound effects will surely be appreciated by the audience.

FIDDLER ON THE ROOF is the story of Tevye and his five daughters as he struggles to maintain his Jewish religious and cultural traditions, as outside influences encroach upon the family’s lives. He must cope both with the strong-willed actions of his three oldest daughters, who wish to marry for love and happiness – each one’s choice of a husband moves further away from the customs of his faith – and with the edict of the Tsar that evicts his family and neighbors from his village.

The musical opens with Tevye (played by ACT Orchid winner Dave Marcus) explaining the customs of the Jews in the Russian village of Anatevka, where their lives are as precarious as the perch of a fiddler on a roof. Back at Tevye’s home, the village matchmaker (played by Michelle Faulkner) arrives to tell Tevye’s wife, Golde, (played by Dave’s real wife, Susan McElroy Marcus) that Lazar Wolf (played by Richard Lee Waldeck), the wealthy butcher, wants to wed Tzeitel, the eldest daughter (played by Nisrene Langenbrunner). Everyone is excited about Yente’s visit, except Tzeitel because she wants to marry her childhood friend, Motel the tailor (played by Jonathan Goolsby). After hearing that Tzeitel is to marry a widower older than her father, Motel pays a visit and tells Tevye that he (Motel) is the perfect match for Tzeitel and promises that she will not starve as his wife. Tevye is outraged at this breach of tradition by making their own match but on the other hand is impressed at the tailor’s display of backbone and agrees to let them marry.

While Tevye is delivering milk he meets a young stranger, Perchik (played by John Sloan), and offers him food and a room in exchange for tutoring his two youngest daughters Shprintze (played by Anna Verderber ) and Bielke (played by Taylor Towles). After Perchik finishes his first lessons for the day, Tevye’s second daughter Hodel (played by Shannon Alter-Fredenburg), mocks Perchik’s Marxist interpretation of a Bible story. He, in turn, criticizes her for hanging on to the old traditions of Judaism, noting that the world is changing. To illustrate this, he dances with her, defying another tradition, the prohibition against opposite sexes dancing together. The two begin to fall in love.

While returning from town, Tevye’s third daughter, the bookish Chava (played by Lizzie Roesner), is teased and intimidated by a few Russian youths, but one of them, Fyedka (played by Michael Gettinger) protects her, dismissing the others. He offers Chava the loan of a book, and a secret love begins with another breach of tradition.

Intertwined with the love stories of the daughters is the tender love story of Tevye and Golde, whose relationship and marriage was arranged by a matchmaker, a tradition. Their strong bond is evident in their dedication to the happiness of their daughters and each other. In a touching number, “Do You Love Me”, they confirm their respect and love for each other.

The love stories of the three daughters unfolds over several months during which they interact with their parents, Jewish neighbors and infiltrating Russian loyalists often bringing tears of laughter, joy and sadness to the eyes of the audience.

Cathy Alter has cast other veterans in several more leading roles and experienced dancers and singers in the ensemble. Visit our website www.lovelandstagecompany.com to view the names of the entire cast.

Fiddler on the Roof has the perfect mix of memorable songs, humor and love that audiences enjoy. Don’t miss it. Tickets are available at $18.00 each for evening performances at 7:30 pm on March 6, 7, 13, 14, 19, 20 and 21 or matinee performances at 3:00 pm on March 8 and 15. To order tickets please visit our website at www.lovelandstagecompany.org or call 513-443-4LSC (4572). All performances are held at the Loveland Stage Company Theatre, 111 Second Street, Loveland, Ohio 45140.

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SOUTH PACIFIC Runs March 5-May 3

LAC_South PacificSOUTH PACIFIC
Presented by La Comedia Dinner Theatre
March 5-May 3
Springboro

Set on a tropical island during World War II, SOUTH PACIFIC tells the sweeping romantic story of two couples and how their happiness is threatened by the realities of war and their own prejudices. Considered by many to be the finest musical ever written, the score’s songs include such classics as “Some Enchanted Evening,” “I’m Gonna Wash That Man Right Outa My Hair,” “Younger Than Springtime,” “Bali Ha’i,” “There Is Nothin’ Like A Dame,” “This Nearly Was Mine” and “A Wonderful Guy.” The original Broadway production won ten Tony Awards, including Best Musical and Best Score. The 2008 Broadway revival won seven Tonys including Best Musical Revival. Don’t miss this all time classic appearing on our stage for the first time since 1997.

  • Thu, March 5 at 10:30am & 5:30pm
  • Fri-Sat, March 6-7 at 5:30pm
  • Sun, March 8 at 10:30am & 5:30pm
  • Wed-Thu, March 11-12 at 10:30am & 5:30pm
  • Fri-Sat, March 13-14 at 5:30pm
  • Sun, March 15 at 10:30am & 5:30pm
  • Wed-Thu, March 18-19 at 10:30am & 5:30pm
  • Fri-Sat, March 20-21 at 5:30pm
  • Sun, March 22 at 10:30am & 5:30pm
  • Wed-Thu, March 25-26 at 10:30am & 5:30pm
  • Fri-Sat, March 27-28 at 5:30pm
  • Sun, March 29 at 10:30am & 5:30pm
  • Wed-Thu, April 1-2 at 10:30am & 5:30pm
  • Fri-Sat, April 3-4 at 5:30pm
  • Wed-Thu, April 8-9 at 10:30am & 5:30pm
  • Fri-Sat, April 10-11 at 5:30pm
  • Sun, April 12 at 10:30am & 5:30pm
  • Wed-Thu, April 15-16 at 10:30am & 5:30pm
  • Fri-Sat, April 17-18 at 5:30pm
  • Sun, April 19 at 10:30am & 5:30pm
  • Wed-Thu, April 22-23 at 10:30am & 5:30pm
  • Fri-Sat, April 24-25 at 5:30pm
  • Sun, April 26 at 10:30am & 5:30pm
  • Wed-Thu, April 29-30 at 10:30am & 5:30pm
  • Fri-Sat, May 1-2 at 5:30pm
  • Sun, May 3 at 10:30am & 5:30pm

Official page |

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