Monthly Archives: January 2015

FOUND A PEANUT Runs Feb. 25-March 1

MU_Found a Peanut logo2FOUND A PEANUT
Presented by Miami University
Feb. 25-March 1
Oxford

Directed by Joshua Horowitz
Assistant directed by Theresa Liebhart

Cast: Caleb Schirmer as Jeffrey Smolowitz, Richard Dent as Mike Rosen, Jordan Gravely as Melody Rosen, Kaela Smith as Joanie Bernstein, Aidan McBreen as Little Earl, Jeremiah Plessinger as Scott, JP Horton as Ernie & Jacob Groth as Shane

This coming of age comedy-drama depicts the backyard world of childhood, with its bullies and victims, leaders and outsiders, brats and tattle-tales, friendships and sibling interchanges, and of course, the games. As the children play, we watch as they suffer the indignities of name-calling, learning responsibility, and trying to fit in.

  • Wed-Fri, Feb. 25-27 at 7:30pm
  • Sat. Feb. 28 at 2pm & 7:30pm
  • Sun, March 1 at 2pm

Official page |

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THE HANDMAID’S TALE Review (GYTN)

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

THE HANDMAID’S TALE presented by Know Theatre of Cincinnati through Feb. 21. Click here for more information on the production. I attended the opening night performance. GYTN = Get You Tickets Now.

The story, based on Margaret Atwood’s award-winning dystopian novel of the same name, is engrossing and sadly, still timely. Joe Stollenwerk’s adaptation of the novel is focused, well-balanced and smartly-written. It packs quite an emotional punch, in part, due to how subtly the story pulls you in.

Under the strong direction of Brian Isaac Phillips, Corrine Mohlenhoff’s performance as Offred is totally engaging and showcases her versatility. The character is starkly honest, strong yet vulnerable, and easily relate-able. Offred’s hopes and fears become the audience’s hopes and fears for her, as they hang on every word.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

Noelle Wedig’s costume design is near perfect, a great blend of puritan and militaristic influences. Andrew Hungerford’s simple, yet well-thought set design, under the scenic charge of Sarah Beth Hall, invokes a sense of lost grandeur, not due to the passing of time, but the indifference of an occupying force. His lighting design imparts both location and emotion, from the stark fluorescents of the medical facility to the ominous and foreboding “wall.” Doug Borntrager’s sound design does much to add the atmosphere of the production, and for me, some of the more quiet sound effects had the biggest payoff. Rounding out the production team are technical director Nick Koehike and stage manager Kristen Ruthemeyer, who’s hard work are major contributors to the synergistic-quality of this production.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

This is moving and powerful theater. The audience’s opening night standing ovation is sure to be the first of many. It will sell out. And with Know’s lower-than-the-norm ticket price and Welcome Experiment Wednesdays, there is no excuse to miss it. You won’t be sorry.

My rating: 4.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Stage Notes for Jan. 23

Broadway star Leslie Uggams provided coaching and advice to Wright State students and sang several songs as a visiting artist of the Musical Theatre Initiative.

Broadway star Leslie Uggams provided coaching and advice to Wright State students and sang several songs as a visiting artist of the Musical Theatre Initiative.

A potpourri of arts news items from local and national sources.

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RING OF FIRE: THE MUSIC OF JOHNNY CASH Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Director/principal performer Jason Edwards. Photo by Sandy Underwood.

Director/principal performer Jason Edwards. Photo by Sandy Underwood.

RING OF FIRE: THE MUSIC OF JOHNNY CASH presented by Cincinnati Playhouse in the Park through Feb. 15. Click here for more information on the production. I attended the opening night performance.

Whenever I hear the name Johnny Cash, I almost immediately think of my Dad. He was a big fan of “The Man in Black” and I remember the multiple albums in his record collection. I also have vague recollections of Cash’s TV appearances which Dad was always sure to catch (which wasn’t hard considering there were only three TV channels back then).

Principal performers Derek Keeling (left to right), Trenna Barnes, Allison Briner, Jason Edwards and musician Brent Moyer. Photo by Sandy Underwood.

Principal performers Derek Keeling (left to right), Trenna Barnes, Allison Briner, Jason Edwards and musician Brent Moyer. Photo by Sandy Underwood.

This was my first time seeing RING OF FIRE. Perhaps, with the success of Playhouse’s other recent jukebox musical, I had my expectations set too high for this production.

Part of the problem is the show itself. It’s not really a theatrical piece or a concert. There isn’t enough information in the nearly non-existent book to qualify it as a biography. The cast consists of two male/female couples, (one older/one younger) all simply referred to as a “Principal” in the program. The Principals switch personas from scene to scene with little, if any exposition. This format can cause confusion as to who is who at any given moment, which was a complaint I heard echoed by audience members at intermission.

Musician Brent Moyer and principal performers Jason Edwards, Allison Briner, Trenna Barnes and Derek Keeling perform at the Grand Ole Opry. Photo by Sandy Underwood.

Musician Brent Moyer and principal performers Jason Edwards, Allison Briner, Trenna Barnes and Derek Keeling perform at the Grand Ole Opry. Photo by Sandy Underwood.

Of the four Principals, Trenna Barnes is a vocal stand-out. Her voice is beautiful, strong and the embodiment of a country singer to me. The remaining three performers, while talented vocalists, are singing country music, not country music singers.

The cast. Photo by Sandy Underwood.

The cast. Photo by Sandy Underwood.

For the set, designer John Iacovelli smartly creates a replica of the Cash cabin upstage. The floor and main playing area is a large circular platform with two outer rings. As blocked, the bulk of the show is performed to only two-thirds of the audience. Patrons sitting audience left-ish are seldom acknowledged by the performers. Even more confusing is the directors’ (Principal performer Jason Edwards and assistant director/choreographer Denise Patton) decision to block multiple times on the outer ring, audience right (in front of the actor exit), so nearly half of the audience are watching performers’ backs. As a whole, I found the blocking and choreography to be flat, uninspired and lacking in energy. The lighting design by Kenton Yeager is a bit too dim at times, and relies a bit too heavily on spotlights.

The cast listens as Allison Briner (center) sings “Angel Band.” Photo by Sandy Underwood.

The cast listens as Allison Briner (center) sings “Angel Band.” Photo by Sandy Underwood.

The musicians for this production are incredibly talented. The music, under the direction of Jeff Lisenby, is top-notch. As with the original production, the musicians are used to fill additional roles as needed, with mixed results. When performing, several of the musicians look uncomfortable out from behind their instruments. For the Act II opener, “I’ve Been Everywhere,” nearly a dozen performers are lined across the stage, each singing a couple of city names in turn. A cute gimmick, but the differences in volume and diction derails the number.

Overall RING OF FIRE is a perfectly fine production but nothing that excited me. Serious fans of Johnny Cash will find this production more enjoyable, but I’m not sure it will win-over any new fans for the Man in Black.

My rating: 3.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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DANCING FOR THE STARS 2015 | Sat., April 11, 2015 | Music Hall Ballroom

CAA_Dancing for the StarsCINCINNATI, OH – Who will be voted Cincinnati’s best celebrity dancer?  Which stars have the right moves to rule the dance floor?  Find out on Saturday, April 11, 2015 when the Cincinnati Arts Association (CAA) presents its ninth annual DANCING FOR THE STARS at the Music Hall Ballroom to benefit CAA’s Overture Awards – the nation’s largest locally-run high school arts scholarship competition – and arts education programs.

Inspired by the hit ABC-TV show Dancing with the Stars, DANCING FOR THE STARS will feature eight Cincinnati celebrities paired with some of the area’s finest professional dancers in a competition program, at which the audience will vote for their favorite celebrity dancer. The competitive dance for the evening will be Salsa, and each dance pair will have 90 seconds to woo the crowd and the judges.

In addition, DANCING FOR THE STARS will feature:

  • Silent auction
  • Showcase performance by a 2015 Overture Award finalist in dance
  • Dance music by guest DJ “Rockin’ Ron” Schumacher, WGRR-FM
  • Pre-event reception and wine tasting
  • Open dancing before and after the competition
  • Lite bites provided by some of Cincinnati’s finest restaurants and caterers
  • Cash bar

Last year’s event introduced the DANCING FOR THE STARS Fundraising Champion – the celebrity dancer who raises the most revenue toward the event’s fundraising goal through table/ticket sales and donations from fans, who can add a donation under their favorite celebrity’s name at the time of ticket purchase, or simply make a donation if they cannot attend the event.  These donations will help one of the fans’ favorite celebrities win the Dancing for the StarsFundraising Champion award, which will be announced the evening of the event.  These direct donations (outside of the event ticket price) are 100% tax deductible.

The event will benefit the stars of tomorrow – the talented high school artists who participate each year in CAA’s Overture Awards – as well as CAA’s diverse arts education programs. DANCING FOR THE STARS committee includes: Dr. Tracey Skale (chair, Dancing for the Stars 2011 winner), Phil Schworer, Christina Bolden, Terry Foster, Sue Gilkey,Jim Howland, Ginger Loftin, and Rosemary Schlachter.

Tickets are currently on sale at the following levels (a portion of the ticket price is tax-deductible):

$100 – Patron (includes pre-event reception and two drink tickets)
$1,000 – Corporate Table (ten Patron level tickets and a half-page black-and-white program ad)
$1,500 – Celebrity Circle Table (premium “first-row” viewing of competition area, ten Patron level tickets, full-page black-and-white program ad, recognition on event signage)

RESERVATIONS AND INFORMATION:
(513) 977-4188
Aronoff Center Ticket Office
www.CincinnatiArts.org 

THE STARS:

  • Cristen Appleton (Northern Kentucky real estate agent; reality TV star)
  • Mary Bettman (owner, Chef’s Café – Sharonville)
  • Doug Bolton (managing principal, DTZ, formerly Cassidy Turley)
  • Johnny Chu (owner, AmerAsia Kungfood Restaurant)
  • George Foster (former member of the Cincinnati Reds’ ”Big Red Machine”; Cincinnati business owner)
  • Barbara Hauser (manager, Ohio Government & Community Relations, Procter & Gamble)
  • Diana Maria Lara (corporate director of media & public relations, UC Health)
  • Devinder Mangat, MD, FACS (founder, Mangat-Kuy-Holzapfel Plastic Surgery Centers)

THE PROS with Star pairing:

  • Leigh Bradshaw (Cincinnati Ballroom Company) – Doug Bolton
  • Bonita Brockert (independent dance instructor) – Devinder Mangat, MD, FACS
  • J. Patrick Clements (Step-n-Out Studio) – Cristen Appleton
  • Doreen Beatrice (Step-n-Out Studio)- Johnny Chu
  • Brian McNamee (Cincinnati Ballroom Company) – Barbara Hauser
  • Jeremy Mainous (Arthur Murray Dance Studio – Cincinnati) – Mary Bettman
  • Desiree Mainous (Arthur Murray Dance Studio – Cincinnati) – George Foster
  • Jozsef Parragh (independent dance instructor) – Diana Maria Lara

THE HOSTS:  Chris O’Brien & Janeen Coyle (“Married With Microphones,” 103.5 WGRR-FM)

THE JUDGES:

  • Douglas Beal (independent dance instructor)
  • Britney  Ruby-Miller (director of operations,  Jeff Ruby Culinary Entertainment;  Dancing for the Stars alum, 2014)
  • Third judge to be announced

PRESENTING SPONSOR:  UC Health

EVENT SPONSORS:  Alleen Company, Arthur Murray – Cincinnati, Bonita Brockert, Carey Digital, Cincinnati Ballroom Company, Heidelberg Distributing Company, Jozsef Parragh Pebble Creek Group, and Step-n-Out Studio.

Cincinnati Arts Association’s Arts Education Programs
CAA’s Education Department promotes life-long learning through its programs, which are diverse, multidisciplinary, and accessible to all ages and cultural groups. SchoolTime presents a series of programs that feature nationally-recognized artists at CAA’s two venues (the Aronoff Center and Music Hall), and Artists On Tour brings the finest local artists in the region to Tri-state schools for interactive arts experiences aligned with the curriculum.

The Overture Awards Scholarship Competition is the largest locally run arts scholarship competition in the country.  The program annually provides a $4,000 scholarship to six area high school students for education and training, with 18 finalists each winning a $1,000 scholarship. Each year, more than 450 students are nominated by their schools to compete in one of six artistic disciplines: Creative Writing, Dance, Instrumental Music, Theater, Visual Art or Vocal Music. There are three levels of competition: Regional, Semi-Finals, and Final.

The Overture Awards was developed to recognize, encourage, and reward excellence in the arts among Tri-state students in grades 9-12. It also provides students an opportunity to share their talents and interests among their peers in a supportive environment outside of their individual schools.  Now in its 19th year, The Overture Awards was launched in 1996 by the Cinergy Foundation and Leadership Cincinnati (a Greater Cincinnati Chamber of Commerce program).

Founded in 1992, the Cincinnati Arts Association (CAA) is a not-for-profit organization that oversees the programming and management of two of the Tri-state’s finest performing arts venues – the Aronoff Center for the Arts and Music Hall – and is dedicated to supporting performing and visual arts. Each year, CAA presents a diverse schedule of events; serves more than 600,000 people in its venues; features the work of talented local, regional, and national artists in the Weston Art Gallery (located in the Aronoff Center); and supports the work of more than one dozen resident companies, including Cincinnati Ballet, Cincinnati Opera, Cincinnati Symphony/Pops Orchestras, May Festival, and Fifth Third Bank Broadway in Cincinnati, presented by TriHealth. Since the inception of its acclaimed arts education programs in 1995, CAA has reached more than 1.3 million students.

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