Monthly Archives: November 2014

SOLDIER’S CHRISTMAS to Premiere at Northern Kentucky University, Dec. 12-21

New Play Commemorates 100th Anniversary of World War I Christmas Truce

Carter Bratton, Blair Godshall & Patrick McWilliams.

Carter Bratton, Blair Godshall & Patrick McWilliams.

HIGHLAND HEIGHTS, KY – On Christmas Eve, 1914, two soldiers – one British, the other German – meet by chance as they gather straw to keep warm in their respective trenches along the Western Front. They eye each other with trepidation, but realize their common enemy is the cold.

Thus begins SOLDIER’S CHRISTMAS, a new play that commemorates one of the most extraordinary events of World War I, in which soldiers on opposing sides laid down their weapons and celebrated the holiday with each other, exchanging gifts and singing carols. The play, by award-winning playwright Phil Paradis, will premiere December 12-21 at Northern Kentucky University.

“I heard about the Christmas Truce from one of my uncles, when I was a boy,” said Paradis, who began researching the subject more than 10 years ago. “It was an incredible story that stayed with me. These soldiers were sworn enemies, but they stopped killing each other long enough to celebrate Christmas.”

Though inspired by true events, SOLDIER’S CHRISTMAS is a fictionalized account of the Christmas Truce. The characters are composites of soldiers’ loved ones and the thousands of troops who took part in the celebration along the Western Front.

SOLDIER’S CHRISTMAS was a finalist in the Kentucky Theatre Association Roots of the Bluegrass New Play Contest. He received a 2014 Kentucky New Play Series Award for his play SUNNY SIDE and his play FOOTPRINTS OF THE POLAR BEAR took top honors in New Edgecliff Theatre’s Cincinnati Director’s Competition. Of the dozens of plays he’s written, Paradis considers SOLDIER’S CHRISTMAS his most important work.

“In the midst of war, it gradually dawned on British and German soldiers that their similarities were greater than their differences,” he said. “I think that’s what resonates here and why this is such an unforgettable story. ”

A production of Actors & Playwrights Collaborative with New Edgecliff Theatre, SOLDIER’S CHRISTMAS is  written by Philip Paradis and directed by Robert Allen. The cast includes Carter Bratton, Jared Earland, Aaron Epstein, Michael Gettinger, Alexa Glaser, Blair Godshall, Robert Macke, Patrick McWilliams, Jeff Miller, Emily Mohler, Torie Pate, and Quinn Stiefbold. Tickets are $22 for adults, $20 for seniors and $18 for students. For more information, visit www.Cincyticket.com or call 1-888-428-7311. More information about the play is available at www.soldierschristmas.net.

SYNOPSIS
Inspired by the historical Christmas Truce, SOLDIER’S CHRISTMAS is an epic tale of war and peace set in Belgium in late December of 1914, dramatizing the Great War’s effects on front‐line soldiers as well as on their families at home. This play with song presents the personal stories of disenchanted, battle‐ weary British and German soldiers who throw down their rifles, leave the mud of the trenches, and join hands in one of history’s most astonishing Christmas celebrations.

THE FIELD COMMANDER
SOLDIER’S CHRISTMAS is directed by Robert Allen, an award‐winning actor and director of numerous plays, stage readings, radio recreations, industrial films, and commercials. A teacher at Northern Kentucky University and the Preparatory Department at the University of Cincinnati College‐Conservatory of Music, Allen feels that SOLDIER’S CHRISTMAS imparts a vital message that has not lost  significance over the past century.

“This piece tells a story of universal significance,” says Allen. “It’s a timely parable of war and peace dramatizing the choices we all face. SOLDIER’S shows the impact of World War I on the lives of front‐line soldiers and their families on the home‐front. With plenty of heart, humor, and gravitas, it’s a wonderful alternative holiday play for modern audiences‐‐a new Christmas classic.”

FROM THE BATTLEFIELD TO THE BOARDS
Playwright Philip Paradis has taken his time perfecting the script of SOLDIER’S CHRISTMAS, researching and cultivating it over nine years with readings at Cincinnati Playwrights Initiative, the Clifton Performance Theatre and most recently at Ensemble Theatre Cincinnati (2014). The play was selected a finalist in the Kentucky Theatre Association Roots of the Bluegrass New Play Contest, one of the latest in a series of writing accolades for Fort Thomas resident Paradis. His play SUNNY SIDE was selected for the Kentucky New Play Series and was staged at the 2014 Kentucky State Fair. Paradis also received an Audience Choice Award for his writing from Point Loma Actors Studio in San Diego, and the premiere of his play FOOTPRINTS OF THE POLAR BEAR took top honors in New Edgecliff Theatre’s Cincinnati  Director’s Competition.

A full bio of Paradis follows this release.

CINCINNATI REMEMBERS WORLD WAR I
Cincinnati Remembers World War I is a year‐long community arts celebration of the Great War’s centenary and sponsored by Cincinnati Opera. A part of the Imperial War Museum’s (U.K.) global series of events honoring the centenary of the First World War, the festival has included performances and exhibitions by the Cincinnati Opera, Cincinnati Symphony Orchestra, Cincinnati Museum Center and Playhouse in the Park, among many others. For more information about Cincinnati Remembers World War I, please visit www.cincinnatiopera.org/wwi.

TICKETING & VENUE

SOLDIER’S CHRISTMAS will include six performances:

  • Friday, December 12, 8pm
  • Saturday, December 13, 8pm
  • Sunday, December 14, 3pm
  • Friday, December 19, 8pm
  • Saturday, December 20, 8pm
  • Sunday, December 21, 3pm

All performances take place in the Corbett Theatre in the Fine Arts Building at Northern Kentucky University, Highland Heights, Kentucky.

Tickets are general admission:
$22 Adults  $20 Seniors  $18 Students
For Groups of Eight or More, call for discount details 513‐241‐5154.
Ticketing fees will apply.

ABOUT ACTORS & PLAYWRIGHTS COLLABORATIVE
Actors & Playwrights Collaborative is a group of local actors, directors, and playwrights dedicated to the development of new scripts and to the production of new stage works.  For more information, visit www.soldierschristmas.net.

ABOUT NEW EDGECLIFF THEATRE
The mission of New Edgecliff Theatre is to serve the Greater Cincinnati area by presenting in an intimate setting theatre pieces designed to engage the human and thoughtful in all of us. We focus on contemporary work by lesser‐known, new, or infrequently produced artists that deserve attention. Our vision is to establish a unique connection between performer and audience, where social and political questions are fearlessly posed. NET reaches out to a broad cross‐demographic audience with dynamic presentations. We stress intimate performing spaces and minimalist sets in our effort to provide the most immediate and unfettered artistic experience. For more information, visit www.newedgecliff.com

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PHILIP PARADIS (PLAYWRIGHT)
Philip Paradis (playwright) has enjoyed productions of fifteen of his one‐act plays in LA, San Diego, Cincinnati, Newport, KY and Newport, RI. His awards include a Kentucky New Play Series Award (2014) and a Point Loma Actors Theatre Audience Choice Award (2013). Phil’s FOOTPRINTS OF THE POLAR BEAR, directed by Arnie Shayne, won the 2008 Cincinnati Directors Competition. SOLDIER’S CHRISTMAS was a finalist in the Kentucky Theatre Association’s Roots of the Bluegrass New Play Competition in 2011. Mr. Paradis is a member of the Dramatists Guild of America. He is a former university professor who served for many years on the faculties of Northern Kentucky University, Western Carolina  University, Iowa State University, and Oklahoma State University. Mr. Paradis lives in Fort Thomas and has worked as a substitute teacher for several years in Northern Kentucky public schools. He is the author of three poetry collections: Tornado Alley, From Gobbler’s Knob, and Something of Ourselves. Over 150 of his poems have appeared in various magazines and quarterlies, including College English, Poetry, The American Scholar, and Kansas Quarterly.

A BRIEF HISTORY OF THE CHRISTMAS TRUCE
Prior to Christmas 1914, after five months of war, there were some peace initiatives. The Open Christmas Letter was a public plea for peace addressed “To the Women of Germany and Austria,” and signed by 101 British women suffragists.  Pope Benedict XV on December 7th asked the heads of state for an official truce, but his proposal was rebuffed.  Subsequently on Christmas Eve and Christmas Day, along the Western Front, a series of unofficial truces occurred in “no‐man’s‐land.” German and British  soldiers exchanged seasonal greetings and songs between their trenches. Many war‐weary soldiers from both sides ventured into no‐man’s‐land, where they exchanged tobacco, food and souvenirs. Several meetings involved joint burial ceremonies or carol‐singing. Some troops from both sides even played impromptu soccer matches.

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THE SNOW QUEEN Runs Dec. 5-13

TCT_The Snow QueenTHE SNOW QUEEN
Presented by The Children’s Theatre of Cincinnati
Dec. 5-13
Downtown

Book and Lyrics by Alyn Cardarelli
Music by Stephen Goers

Directed by Jay Goodlett

​Based on the Hans Christian Anderson’s “The Snow Queen,” a prince and princess find themselves torn apart by a powerful witch with the power to freeze hearts.  When the Snow Queen steals Prince Kai, Princess Gerda and her comrades must enter the unknown and battle winter forces to find him.

  • Fri, Dec. 5 at 7:30pm
  • Sat, Dec. 6 at 2pm* & 5pm
  • Sun, Dec. 7 at 2pm
  • Sat, Dec. 13 at 2pm & 5pm

Official page |

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ONCE Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Stuart Ward and Dani de Waal from the ONCE Tour Company © Joan Marcus

Stuart Ward and Dani de Waal from the ONCE Tour Company © Joan Marcus

ONCE presented by Broadway in Cincinnati through Nov. 23. Click here for more information on the production. I attended the opening night performance.

It is easy to write about the technical aspects of the show. But it is when I try to go beyond that, and talk about my emotional response to the show that I start to have trouble. First of all, “emotional response” isn’t really accurate. The story, music and performances seems to open the door to your emotional-memory and allows you to re-experience your personal emotions that resonate in harmony with the action on stage.

ONCE Tour Company © Joan Marcus

ONCE Tour Company © Joan Marcus

The second song of the show, “Falling Slowly,” establishes the strong connection between the two leads, simply referred to as Guy and Girl. Through the music and the emotion, I became part of that initial connection and immediately became invested in their happiness and success.

When “Falling Slowly” is reprised as the show’s final number, it’s an amazing, heartfelt goodbye that is moving and satisfying.

The ensemble are extremely talented musicians, great entertainers and strong actors. Dani de Wall as Girl is mesmerizing to watch, and Stuart Ward is kind and charismatic as Guy. Their chemistry together is wonderful. Of the other characters in the show, Evan Harrington as Billy and Donna Garner as Baruska (Girl’s mother) were personal favorites.

ONCE Tour Company © Joan Marcus

ONCE Tour Company © Joan Marcus

ONCE is one of the most uniquely staged productions I have ever seen. The set is three walls, with a bar upstage and seating along the side walls for the ensemble, who also play all the music. It is Natasha Katz’s excellent lighting design that transforms the open space between the three walls into the various locations, at times giving an ethereal quality to a scene. The lighting also includes a few surprises you will just have to see for yourself. Director John Tiffany creates many, beautiful stage pictures and the choreographed movement by Steve Hoggett is visually captivating. Most of the scene changes are choreographed and many have their own musical accompaniment. Even the pacing has its own tempo that refuses to be rushed.

Stuart Ward and Dani de Waal from the ONCE Tour Company © Joan Marcus

Stuart Ward and Dani de Waal from the ONCE Tour Company © Joan Marcus

Unfortunately it’s the sound execution that kept the opening night performance from being a perfect experience. Individual mics, especially the leads, were too low. Between the accents and at times, the speed of delivery, it was difficult to understand some dialogue and even more lyrics. This was a complaint I overheard from many people during intermission.

ONCE is simply beautiful, and beautiful in its simplicity. I was enthralled and would gladly see this remarkable theatrical experience again.

My rating: 4.90 out of 5

Caveat: I have seen on social media that some people had a negative reaction to the show. The common complaint seems to the be that the stage adaptation doesn’t do justice to the movie. (That is not to say that everyone who saw the movie, didn’t enjoy the play.)  I have not seen the movie I truly enjoyed the production. Make of that what you will.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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UCT Seeks Music Director

Union Community Theatre seeks a music director for their upcoming production of I LOVE YOU, YOU’RE PERFECT, NOW CHANGE which runs March 19-22.

If you, or someone you know, is interested, please contact unionct@gmail.com. There is a small stipend that will be paid.

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SPEECH AND DEBATE Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Ryan Garrett, Katie Langham & Owen Alderson. Photo by Richard E. Hess.

Ryan Garrett, Katie Langham & Owen Alderson. Photo by Richard E. Hess.

SPEECH AND DEBATE presented by UC College-Conservatory of Music Drama on Nov. 6-8. Click here for more information on the production. I attended the Saturday matinee performance.

Talk about not being able to judge a book by its cover…or in this case a play by its show description and video trailer. To be truthful, my expectations were a little confused about SPEECH AND DEBATE. I wasn’t sure how those two things fit together. What I wasn’t expecting, was to walk out of the theater about 100 minutes later, having seen one of the best shows of the season.

The script is laugh-out-loud funny, surprising, touching and very well-written by Pulitzer-prize nominated playwright Stephen Karam. The show features excellent direction by Richard E. Hess, and is extremely well-cast with a committed and fearless leading trio.

Both Sarah Davenport as Teacher and Colleen Ladrick as Reporter gave strong, supporting performances and were able to “age-up” their characters into believable, young adults.

Owen Alderson as Solomon, Ryan Garrett as Howie and Katie Langham as Diwata all give outstanding performances. Their characterizations are fully-realized, honest and relate-able. Their interactions and relationships build naturally and together the three of them have a wonderful synergy on stage.

The character of Diwata is the linchpin of the show. She in a huge, loud personality and it is her actions that bring the three together and then cajoles/bullies/blackmails the other two, into joining her speech and debate team. Langham does amazing work, making Diwata a unique and memorable character whose bravado, humor and vulnerability doesn’t get lost in the exuberance of the character or upstage her fellow actors.

The simple set design (not credited in the program) with the three bedrooms upstage and several classroom desks downstage worked well. Assistant director Patrick Kevin was also responsible for designing the projections that injected some fun visuals into several scenes.

Overall, my biggest complaint is that the run was not longer, so more people could see this excellent production.

My rating: 4.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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