Yearly Archives: 2013

Free Reading of New Play CINCINNATI KING at PIP on Aug. 31

PLAYHOUSE TO HOST FREE READING OF NEW PLAY
ABOUT CINCINNATI’S KING RECORDS 

PIP_Cincinnati King

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(CINCINNATI) – The Cincinnati Playhouse in the Park will host a free reading of a new play about Cincinnati music pioneer Syd Nathan and King Records. CINCINNATI KING, a “theatrical album” of stories about the history of Cincinnati music, racial equality and the legendary rhythm and blues label, will be presented in the Playhouse’s Thompson Shelterhouse on Saturday, Aug. 31, at 7:00 p.m.

Playhouse Artistic Director Blake Robison commissioned KJ Sanchez, one of the theatre’s new associate artists, to create the play. Sanchez is the founder and CEO of American Records, a company devoted to making theatre that chronicles our time. The CINCINNATI KING project was designed to collect and share stories that preserve a unique part of Cincinnati’s history, foster understanding and ignite dialogue.

What began as an investigation specifically into the history of King Records quickly took on broader meaning thanks to Nathan’s unique contributions to the music industry and to Cincinnati at large. Nathan founded King Records in 1943 as a country label. Among those who made “hillbilly music” for him were The Delmore Brothers, Cowboy Copas and Moon Mullican. King’s sister labels, Queen and Federal, became immensely successful for fulfilling the needs of a different audience and supporting the growing popularity of African-American rhythm and blues artists. Iconic singer James Brown started his career at King Records.

King Records became one of the most successful independent labels of the 1940s and 1950s. Nathan revolutionized the industry by keeping the entire production process in house, recording, mastering, printing, pressing and shipping all of the albums King produced. At the same time, he employed both blacks and whites, who worked side by side, inside and outside of the studio. King Records was one of the first integrated industries in Cincinnati.

Working with a group of Playhouse board and staff members, drama students from the University of Cincinnati College-Conservatory of Music and community volunteers, Sanchez compiled the play from transcripts of interviews with nearly 50 people from across the Tristate. Additional material was drawn from recordings Nathan himself made, as well as newspaper clippings and books written about King Records.

“What surprised me was how large Syd’s — and King’s — impact was,” Sanchez says. “In a very short time span, basically 25 years, Syd went from nothing to the sixth largest record company in the country, with offices all across the world and hundreds (maybe even thousands) of artists and millions of records sold.

“Then only a few years after Syd’s death, what we knew of as King Records was no more,” Sanchez says. “The name still exists, but now it’s a catalogue. For Syd to have done all that in such a short time — wow, what a life!”

The CINCINNATI KING reading is free and open to the public. However, space is limited, and reservations are required. Two free tickets are permitted per person. To make a reservation, contact the Playhouse Box Office Monday through Friday from 10 a.m. to 5 p.m. at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208). Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2013-14 season is presented by The Otto M. Budig Family Foundation and Heidelberg Distributing Co. The season sponsor of new work is the Lois and Richard Rosenthal Foundation.

The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

The Playhouse is supported, in part, by the generosity of the tens of thousands of individuals and businesses that give to ArtsWave. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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BECKY’S NEW CAR Runs Sept. 12-29

HRTC_Beckys New CarBECKY’S NEW CAR
Presented by Human Race Theatre Company
Sept. 12-29
Dayton

Directed by Marya Spring Cordes

Becky Foster is stuck in neutral—middle aged, in middle management and a middling marriage—until an honest misunderstanding with a wealthy widower offers her the chance at an exciting double life…and she takes it. Now she’s frantically juggling to keep her two worlds apart before everything threatens to come crashing down on her. It’s enough to drive Becky off a cliff, and she’s taking the audience along for the ride!

  • In preview, Thu, Sept. 12 at 8pm
  • Fri-Sat, Sept. 13-14 at 8pm
  • Sun, Sept. 15 at 2pm & 7pm
  • Tue, Sept. 17 at 7pm
  • Wed-Sat, Sept. 18-21 at 8pm
  • Sun, Sept. 22 at 2pm
  • Tue, Sept. 24 at 7pm
  • Wed-Sat, Sept. 25-28 at 8pm
  • Sun, Sept. 29 at 2pm

Official page |

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HWP Announces Auditions for A KLINGON CHRISTMAS CAROL

20130608-223912.jpgBa’Qa’! This is a translation of the Dickens classic holiday tale. Scrooge has no courage, nor honor. The ghosts are coming to help him fix that. Because Klingons are what they are, expect stage combat, singing, and a lot of guttural sounds. Entering its 4th year in Chicago, this show has garnered national and international press attention. And now this one of a kind production is coming to the Cincinnati area!

Performances will be held at the Art Academy of Cincinnati in Over-The-Rhine on December 11-15 and 18-22 of 2013. Rehearsals will begin October 14th and run until the show’s opening on weekday evenings with some weekend afternoons. The show is being produced by Hugo West Theatricals, and directed by Mike Hall with fight direction by Jonn Baca. There will be a stipend paid based off a percentage of the total profits earned from ticket sales.

Auditions are scheduled for August 31st from 12 PM to 6 PM, with a possible callback date of September 1st from 12 PM to 6 PM. Auditions will be held at The Carnegie in Covington, KY. The address is 1028 Scott Blvd, Covington, KY 41011.

Please dress for movement. (Klingon apparel is not necessary and strongly discouraged.) Audition will consist of readings from the script (in English), a quick fight sequence, and a language-lesson. Actors will audition in groups of 20 for a 75 minute time block. You will be required to stay the entire 75 minutes. Please also bring a headshot and resume.

To sign up for an audition slot, please email hallmiked@yahoo.com with the subject “Klingon Audition.” Walk ups may be considered but will be placed toward the end of the line.

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FIRST BAPTIST OF IVY GAP Runs Sept. 12-22

BVCT_logoFIRST BAPTIST OF IVY GAP
Presented by Brookville Community Theatre
Sept. 12-22
Brookville

Directed by Scott Coon

Cast: Anne Kirkland as Luby, Kendra Bell as Olene, Jessica Wells as Mae Ellen, Joyce Schick as Edith, Gracie Jimison as Sammy & Kathy DeVoark as Vera

During WWII, six women gather at the church to roll bandages and plan the church’s 75th anniversary. Overseeing things is Edith, the pastor’s wise-cracking wife who dispenses Red Cross smocks and witty repartee to Luby, whose son is fighting in the Pacific; Mae Ellen, the church’s rebellious organist who wants to quit but hasn’t the courage; Olene, who dreams of a career in Hollywood; Sammy, a shy newcomer with a secret; and Vera, an influential Baptist with a secret of her own. When Luby learns her son has been wounded, she confounds the others by blaming the vulnerable Sammy. Twenty-five years later, our “First Baptist Six” reunite. Back to reconcile with Luby – whose son died of his wounds – is Sammy, whose own son is now in Vietnam; and Olene, whose flashy show business career will set the town on its ear. There to welcome them are Vera, her secret still safe; Mae Ellen, still rebellious and still looking for an escape; and Edith, whose biggest challenge isn’t the church’s upcoming centennial but revelations that shake relationships formed over a quarter of a century. With humor and sadness, these six very different women find comfort, forgiveness and redemption in each other.

  • Thu-Sat, Sept. 12-14 at 8pm
  • Sun, Sept. 15 at 3pm
  • Thu-Sat, Sept. 19-21 at 8pm
  • Sun, Sept. 22 at 3pm

Official page |

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TOIL AND TROUBLE Review

Breona Conrad as Beth, Joshua Murphy as Matt & Chris Wesselman as Adam. Photo by Deogracias Lerma.

Chris Wesselman as Adam, Breona Conrad as Beth & Joshua Murphy as Matt. Photo by Deogracias Lerma.

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

TOIL AND TROUBLE presented by Know Theatre of Cincinnati through Aug. 24. You can read the show description here.

Know Theatre of Cincinnati brings another quirky gem to the stage with the MACBETH homage, TOIL AND TROUBLE. Non-Shakespeare fans can relax though. Aside from some parallel plot points, and several lines quoted directly from the bard’s work, this is a contemporary play.

Breona Conrad as Beth, Joshua Murphy as Matt & Chris Wesselman as Adam. Photo by Deogracias Lerma.

Breona Conrad as Beth, Joshua Murphy as Matt & Chris Wesselman as Adam. Photo by Deogracias Lerma.

Initially we meet roommates Matt (Joshua Murphy) and Adam (Chris Wesselman). Both are unemployed “victims” of the current economy. Adam, the idea man, has come up with a multi-million dollar scheme to “take over a small island nation off the coast of Chile populated by miniature vicuña.” Murphy and Wesselman have an easy chemistry on stage and both give solid performances.

Rounding out the cast is Breona Conrad as Beth. Conrad brings great energy and characterization to the role. Beth, who is obviously wearing the pants in this trio, quickly makes a grab for power using her wits and wiles against both Matt and Adam.

The script is fun, with some great world-commentary from Matt. Director Eric Vossmeier makes smart use of the stage, keeping the action moving without seeming hurried. Opening night the show seemed to dip in energy near the beginning of the second act, but managed to get back on track fairly quickly.

Overall a fun, quirky comedy – the perfect ending to a summer evening in Over-the-Rhine.

Click here for a complete list of show times for TOIL AND TROUBLE.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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