Yearly Archives: 2012

Playhouse Musical Improv Classes

Whether you are polishing your performance skills or exploring something new, you will have a great time in a fun, fast-paced, and encouraging environment. Matthew Loren Cohen was hired in 2009 by Chicago’s famed Second City to music direct a revue aboard Norwegian Cruise Lines’ Gem. Since that time, he has worked steadily for the Second City, including music directing and writing music for Second City revues at such regional theaters as Arizona Theatre Company, Baltimore’s Centerstage, Actors Theatre of Louisville and Cincinnati Playhouse in the Park.

Basics of Musical Improvisation, June 2 and June 9, 9:30 AM – 12 PM, with Matthew Loren Cohen. For registration information, visit http://ticketing.cincyplay.com/auxiliary/auxlisting.aspx.

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First Staged Production of THE WHISTLER to Premiere at New Cincinnati Theater Space

First production at new multi-purpose theater space in the heart of downtown Cincinnati premieres May 24, 2012 

CINCINNATI –Producers Tim Waldrip, Carol Brammer and Paul Baerman are proud to present THE WHISTLER, written by Mr. Baerman, directed by Mr. Waldrip, and starring Actors Equity Association member Michael G. Bath. The cast also includes Carol Brammer, Tony Davis, Carter Bratton, Gerri Sutyak, and Michael Wolfe. Performances begin May 24, 2012 at the new Speakeasy Theatre, 815 Race St.

THE WHISTLER takes place in 1965 in an unnamed Southern city where the neighbors enjoy running pickaninnies off the road. With the Andy Griffith Show in its fifth season, professional whistler Henry has a steady royalty income though he hasn’t worked in years. His wife wants to move to New York to further her career as a page-turner; his 14-year old son wants to undermine the military-industrial complex, and for his parents to stop quarreling. Enter an edgy washed-up trumpet player who is drawn by Henry’s talent but reluctant to show himself; he’s been burned by white men too many times before. But he may be the one person whose heart is as pure and terrible as Henry’s own.

Making its premiere in Cincinnati, which was chosen because of the city’s complex racial history – making it a particularly appropriate setting for a play set amid the tensions of the Civil Rights movement – THE WHISTLER will be staged at the brand new Speakeasy Theatre. Located in the heart of downtown Cincinnati, near the Cincinnati Shakespeare Company and just across from The Phoenix, the Speakeasy Theatre is an exciting new multi-purpose venue that will not only be used for theater performances but also rehearsals, art showings, and music performances.

Performances are May 24-June 10 at 8 P.M. Tickets are $15 and are available at http://www.brownpapertickets.com/event/247074.

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Music Hall Loses Roger Adams, Technical Director

Roger Adams,
Music Hall Technical Director
January 1, 1944 – May 14, 2012
Music Hall loses beloved friend, advocate, and craftsman

The Cincinnati Arts Association, the Music Hall resident arts organizations, and friends and family of Music Hall mourn the loss of Roger Adams, Music Hall’s beloved Technical Director since 1994. Roger died at his home on Monday, May 14.

Born on New Year’s Day in 1944, the youngest of five children, Roger was the son of a stone mason, who apprenticed to learn his father’s trade. In January of 1960, he began working with Cincinnati’s stagehand Union (IATSE Local 5), a decision that would lead to a life-long career in the entertainment industry. An active member of Local 5, Roger served as an officer and executive board member, and under his stewardship the Union established its health and welfare fund.

His years as a journeyman included work at most of the city’s concert venues (including the since demolished Albee and Palace Theaters) and the now legendary Cincinnati Opera performances that were held at the Cincinnati Zoo Pavilion, where he fondly recalled the often chaotic mix of classical music and wild animals. He spent several years at Cincinnati’s Playhouse in the Park as a carpenter, but Music Hall was the place he most enjoyed working, and where he perfected his skills under then Technical Director Roy Hopper. From set and scenery construction to countless creative projects for Music Hall’s resident companies, Roger was a talented carpenter with a reputation for being able to fix any problem, often under time constraints that seemed insurmountable. Behind the scenes, Roger was the real “star of the show,” coordinating load-ins, stage setups, crews and load-outs for virtually every show – from Opera, Symphony, May Festival, and Ballet productions to Bruce Springsteen, Prince, the White Stripes, and Garrison Keillor, to name just a few.

An avid gun collector and hunter, Roger also enjoyed participating in the popular “ghost tours” of Music Hall. Like the late Maestro Erich Kunzel, he firmly believed that Music Hall was haunted, based on his firsthand experiences while working in the theater. He was featured in several programs about Music Hall, and was generous in sharing his recollections about the theater’s history. Roger will be remembered as a dedicated employee, talented craftsman, and loyal friend by the building staff and resident companies he served so well during his tenure as Technical Director, and by countless other people he worked with over the years.

Roger is survived by his wife Diana Vandergriff Adams, son Roger G. Adams, brother Edward Adams, sister Florence Long, and numerous nieces and nephews.

The family requests that in lieu of flowers, memorial contributions be made to: Society for the Preservation of Music Hall, 1241 Elm Street, Cincinnati, OH 45202.

A memorial service is scheduled for Saturday May 19, 2012 at Music Hall Lobby from 2:00pm to 4:00pm.

Thoughts about Roger Adams from…

Cincinnati Arts Association
“We are shocked and deeply saddened by the loss of a wonderful and valued member of our staff and family. Roger will forever be a meaningful part of Music Hall’s history, and will be remembered for his more than forty years of committed service to this historic venue, nearly twenty years of which as its technical director. A great advocate for Music Hall and a terrific craftsman, Roger’s love for this wonderful facility and commitment to its world class performances are unsurpassed. Our thoughts and prayers of support go out to his family, friends and colleagues. He will be greatly missed.” – Steve Loftin, President and Executive Director, Cincinnati Arts Association

Cincinnati Ballet
“Roger was part of our Cincinnati Ballet family and his unexpected passing is extremely saddening. He was a staple at Music Hall for over fifty years and in his time there, he worked backstage on many of our productions. Roger is also the late husband of our Wardrobe Mistress, Diana Vandergriff Adams. We are keeping the entire Adams and Vandergriff families in our thoughts. He will be missed throughout our building and the entire Cincinnati arts community.” – Missie Santomo, Managing Director, Cincinnati Ballet

Cincinnati Opera
“On Monday, May 21, Roger Adams would have begun his 53rd season of working with Cincinnati Opera. If you paid attention, you could always learn something from him—how to tie a particular knot, or how to safely hang a 2-ton scenic piece, and a lot of really good stuff in between. Over the years, we faced tasks that seemed impossible, given the time and manpower available to make it happen. But Roger never faltered. He complained a little—well, a lot—but he kept at it until he got it working. That was his way.” – Glenn Plott, Director of Production, Cincinnati Opera

Cincinnati Symphony and Pops Orchestras
“This is a great loss to the arts community in Cincinnati. Roger touched many lives in his years of behind-the-scenes work at Music Hall. Our thoughts and prayers are with his family.” – Joe Hopper, Technical Director and Stage Manager, Cincinnati Symphony and Pops Orchestras

IATSE Local 5 – Cincinnati Stagehand Union
“Roger will be remembered with gratitude and affection by all his brothers and sisters in IATSE Local 5, as well as all who worked with him at Music Hall. Roger’s dedication and commitment to Music Hall, the arts community, and Local 5 will not be forgotten.” – Thomas L. Guidugli, Business Representative, Cincinnati Stage Employees

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New Edgecliff Theatre 2012-13 Season Auditions

DATE/TIME: Saturday May 26 1-4 p.m.

LOCATION: Dramakinetics of Cincinnati, 4222 Hamilton Ave, Cincinnati Ohio, 45223

Actors should provide a photo/resume and prepare 2 contrasting contemporary monologues totaling 2 minutes. Appointments not required.

Shows and Roles:

Talk Radio by Eric Bogosian
Directed by Buz Davis
Rehearsals: Aug 26-Sep 21/Performances: Sep 22-Oct 13

Sid Greenberg – host of finance radio show
Bernie – Sid’s producer operator
Spike – radio sound engineer
Dan Woodruff – late 30’s to late 40’s, Barry’s operator and best friend, the Ying to Barry’s Yang
Stu Noonan – 40’s to 50’s, radio station producer
Linda MacArthur – late 20’s to mid-30’s, attractive associate producer
Barry Champlain – late 30’s to late 40’s, a Jewish radio personality with a caustic sense of humor and a knack for cutting people down with his controversial political views
Kent – teenager, smart ass prankster
Dr. Susan Fleming – radio psychologist
Dr. Fleming’s Operator

The Santaland Diaries by David Sedaris, as adapted by Joe Mantello
and The Twelve Dates of Christmas by Ginna Hoben
Directed by Lewis Magruder
Rehearsals: Nov 4-30/Performances Dec 1-22

Crumpet – early 30’s
Mary – late 20’s to mid-30’s

Slow Descent from Heaven by Catie O’Keefe
Directed by Ed Cohen
Rehearsals: Jan 13- Feb 8/Performances Feb 9-Mar 2

Molly ages 26 to 43 years old – Strong willed, independent scientist
Sid ages 31 to 39 years old – Grounded, practical guy in love with Molly
Dietrich ages 30 to 44 years old – Ambitious Russian scientist, Molly’s former coworker and lover
Beth ages 59 to 66 years old – Midwestern mother wanting more for her son (Sid) in his relationship

Miss Witherspoon by Christopher Durang
Directed by Mark Seamon
Rehearsals: Mar 17-Apr12/Performances Apr13-May4

Veronica – A smart but worried woman, mid-forties to late fifties

Maryamma – A spirit guide in the netherworld, she may be any age. She is intelligent, and has a grace of movement and loveliness of spirit. She is also forceful when she needs to be. She wears a sari, and her ethnicity is Indian – that is from India.

Actress 1 – plays Mother 1 (thirties, a new mother somewhere in Connecticut, thrilled to have a new baby, sensible, nice) and Mother 2 (thirties, drug addict much of the time; cranky to have a baby; not trying to be mean, but not fighting it either)

Actress 2 – plays Teacher (any age, but best forty to fifty-five, African American, a bit over-worked, but a good teacher, intelligent, wants to help when she can) and Woman in a Hat (African American, a surprise visitor in the netherworld, proud of her appearance, wears an impressive “going-to-church” hat, sassy and pointed in her comments)

Actor – plays Father 1(thirties, also thrilled at have first baby, prosperous, sensible, nice), Father 2 (Hell’s Angel type, a drug addict, zones out a lot), Sleazy Man (British guy named Stanley, hangs out in the playground selling drugs to children), Dog Owner (nice guy, thirties, pretty average, loves his dog), Soothing Voice and Wise Man (another visitor in the netherworld, dressed in long white robes, he is articulate and a somewhat powerful wizard.)

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WHERE IS MY MIND?

WHERE IS MY MIND?
Presented as part of the Cincinnati Fringe Festival ’12
1317 Main
Over-the-Rhine 

Reviews: CityBeat |

Mesmerizing mind reading, crazy karaoke, vindictive ventriloquist figures, and even a soulful song are par for the course as Jackie Straight attempts to escape the one-man show in his mind. Has he merely gone mad, or is there something more? In the end, only his imagination…and yours…can set him free.

  • Thu, May 31 at 8:45pm
  • Sat, June 2 at 9pm
  • Tue, June 5 at 9pm
  • Thu, June 7 at 8:45pm
  • Sat, June 9 at 7:45pm

Official page with online ticketing |

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