Tag Archives: UC College-Conservatory of Music

Cincinnati Opera and CCM to Workshop LALOVAVI, the New Opera-in-Progress by Kevin Day and Tifara Brown, Featuring a Free Public Performance of Excerpts on May 13

The workshop precedes the world premiere of LALOVAVI at Cincinnati Opera in 2025, the first work in the company’s groundbreaking creative initiative, The Black Opera Project

LALOVAVI Creative TeamCO_The Black Opera Project


CINCINNATI (March 7, 2024)—Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) have announced the next opera to be workshopped through their joint program, Opera Fusion: New Works (OF:NW): Lalovavi, with music by Kevin Day, libretto by Tifara Brown, and stage direction and dramaturgy by Kimille Howard.

Commissioned by Cincinnati Opera and slated for a 2025 world premiere, Lalovavi is anticipated to be the first grand opera on an Afrofuturist theme. Set in the future, the opera follows the journey of Persephone, the youngest teenage daughter of the Primus of Atlas, formerly the city of Atlanta. Currency and status in Atlas are determined based on the presence of Syndicus, a rare gene that promotes vitality and longevity. When Persephone is found to possess this gene, she is betrayed by her family and must run for her life. She is thrust into an epic adventure, uncovering a hidden past that leads her to discover love’s true meaning and the power to determine her own destiny.

Lalovavi will be the first opera to be presented as part of The Black Opera Project, Cincinnati Opera’s groundbreaking, three-opera commissioning initiative that engages Black creators to develop new works celebrating Black stories. The first program of its kind, The Black Opera Project seeks to illuminate the resilient spirit and vibrant heritage of the Black American experience.

Opera Fusion: New Works (OF:NW) is co-directed by Robin Guarino, professor of opera at CCM, and Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, and provides composers and librettists the opportunity to collaborate with singers and creative personnel to refine their operas-in-progress. During the May workshop for Lalovavi, Day, Brown, and Howard will work alongside conductor Kevin Miller and a cast of singers to further develop the work.

A public performance of excerpts from Lalovavi will take place on Monday, May 13, 2024, at 7:30 p.m. (ET) at Cincinnati Music Hall’s Wilks Studio (1241 Elm Street, Cincinnati, OH 45202). Admission to the public performance is free, though seating is limited and reservations are required. Reservations are available by calling 513-241-2742 or visiting cincinnatiopera.org.

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About Opera Fusion: New Works
Funded through a generous gift from the Mellon Foundation, Opera Fusion: New Works (OF:NW) is a partnership between Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) dedicated to fostering the development of new American operas. This collaboration is jointly led by Robin Guarino, professor of opera at CCM, and Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera. OF:NW offers composers or composer/librettist teams the opportunity to workshop an opera during a residency in Cincinnati. Residencies utilize the facilities, personnel, and talent of both Cincinnati Opera and CCM. The workshops are cast with a combination of CCM students and professional artists, and each workshop concludes with a free public presentation of excerpts followed by an audience Q&A session. For more information, visit ofnw.org.

About CCM
Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs.

Declared a top college vocal program by Backstage Magazine and described as “one of the continent’s major music schools,” by the Toronto Star, CCM’s Departments of Opera and Voice provide one of the most comprehensive training programs for opera singers, coaches, and directors in the United States. CCM offers an international faculty of dedicated educators who are also celebrated professionals in their own right, widely and currently active in their respective fields. Several national opera companies hold auditions at the conservatory, and CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. CCM graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy), and more. CCM Voice and Opera program support is provided by the Mellon Foundation for Opera Fusion: New Works, The Louise Dieterle Nippert Musical Arts Fund, and the Patricia A. Corbett Estate. Additional support for CCM’s undergraduate opera productions is provided by Rafael and Kimberly de Acha. To learn more, visit ccm.uc.edu.

About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. This project was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Opera Fusion: New Works and The Black Opera Project receive generous funding from the Mellon Foundation. Lead funder for Lalovavi is the David C. Herriman Fund of Greater Cincinnati Foundation. Cincinnati Opera also receives general season support from The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a proud member of OPERA America. Learn more at cincinnatiopera.org.

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ONCE ON THIS ISLAND Runs March 28-30

CCM_Once on This IslandONCE ON THIS ISLAND
UC College-Conservatory of Music
March 28-30
Patricia Corbett Theatre [University Heights]

Directed by Torie Wiggins
Music directed by Casey Reed

Based on the 1985 novel My Love, My Love; or The Peasant Girl by Rosa Guy, a Caribbean-set retelling of Hans Christian Andersen’s fairy tale The Little Mermaid, this theatrical adaptation features music by CCM alumnus Stephen Flaherty (BM Composition, ’82). Ti Moune, a peasant girl, rescues Daniel, a wealthy boy from the other side of the island, and falls in love with him. Unbeknownst to Ti Moune, the pompous gods who preside over the island make a bet with one another over which is stronger, love or death, the stakes being Ti Moune’s life. This Tony Award-winning musical shares the epic story of a woman who travels far and wide to reunite with the man who has captured her heart.

  • Thu-Fri, March 28-29 at 8pm
  • Sat, March 30 at 2pm & 8pm

Official page | Facebook event |

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Cincinnati Opera and CCM to Workshop THE HIGHLANDS, a new Opera by Carlos Simon, Lynn Nottage, and Ruby Aiyo Gerber, through Opera Fusion: New Works Partnership

Commissioned by the Metropolitan Opera/Lincoln Center Theater New Works Program, The Highlands workshop culminates in a free, public presentation of excerpts on Saturday, March 23 at Music Hall’s Wilks Studio

CO_The Highlands

CINCINNATI (February 8, 2024)—Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) have announced the next workshop in their joint program, Opera Fusion: New Works.

In March 2024, the partners will host a workshop of Act I of the new two-act opera The Highlands, with music by GRAMMY-nominated composer Carlos Simon and a libretto by Pulitzer Prize-winning playwright Lynn Nottage and her daughter, poet and writer Ruby Aiyo Gerber. The Highlands is a commission of the Metropolitan Opera/Lincoln Center Theater New Works Program, a co-venture between the two institutions that aims to nurture, promote, and stage new opera and music theater works.

Opera Fusion: New Works (OF:NW) is co-directed by Robin Guarino, professor of opera at CCM, and Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, and provides composers and librettists the opportunity to collaborate with singers and creative personnel to refine their works-in-progress. During the March workshop, Simon, Nottage, and Gerber will work alongside conductor Donald Lee III, dramaturg Paul Cremo, and a cast of singers to take the opera to its next creative stage.

The OF:NW workshop for The Highlands will culminate in a public performance of excerpts on Saturday, March 23, 2024, at 2 p.m. at Cincinnati Music Hall’s Wilks Studio (1241 Elm Street, Cincinnati, OH 45202). The performance will be followed by a conversation about the opera with the creative team and cast moderated by Guarino and Mirageas. Admission to the performance and post-performance conversation is free, though seating is limited and reservations are required. Tickets become available on Thursday, February 8, 2024, and can be reserved at cincinnatiopera.org or by calling 513-241-2742.

About The Highlands
In the near future amid the flood-ravaged Louisiana territory known as The Highlands, the matriarch of the Lenox family informs her heirs of a deeply-held family secret—that they are the keepers of an ancient griot magic originating with their African ancestors. On the eve of Carnival, one of the Lenox siblings—Clarence, Darius, or their younger sister, Lucinda—will inherit this great gift, as well as the responsibilities that come with it. When the family’s secret is revealed, members of their community debate how it should be used and whom it should benefit. Amid arguments and struggles, the magic is eventually entrusted to the compassionate yet reluctant Lucinda, who must decide how best to wield its power.

Opera Fusion: New Works is generously funded by the Mellon Foundation.


About Opera Fusion: New Works
Funded through a generous gift from the Mellon Foundation, Opera Fusion: New Works (OF:NW) is a partnership between Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) dedicated to fostering the development of new American operas. This collaboration is jointly led by Robin Guarino, professor of opera at CCM, and Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera. OF:NW offers composers or composer/librettist teams the opportunity to workshop an opera during a residency in Cincinnati. Residencies utilize the facilities, personnel, and talent of both Cincinnati Opera and CCM. The workshops are cast with a combination of CCM students and professional artists, and each workshop concludes with a free public presentation of excerpts followed by an audience Q&A session. For more information, visit ofnw.org.

About CCM
Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs.

Declared a top college vocal program by Backstage Magazine and described as “one of the continent’s major music schools,” by the Toronto Star, CCM’s Departments of Opera and Voice provide one of the most comprehensive training programs for opera singers, coaches, and directors in the United States. CCM offers an international faculty of dedicated educators who are also celebrated professionals in their own right, widely and currently active in their respective fields. Several national opera companies hold auditions at the conservatory, and CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. CCM graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy), and more. To learn more, visit ccm.uc.edu.

About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. This project was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Cincinnati Opera also receives general season support from The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a proud member of OPERA America. Learn more at cincinnatiopera.org.

About The Metropolitan Opera /Lincoln Center Theater New Works Program
The Metropolitan Opera /Lincoln Center Theater New Works Program, founded in 2006, has provided developmental resources for many composers and librettists. The program has overseen the creation of several new operas, including Two Boys, composed by Nico Muhly with a libretto by Craig Lucas; Eurydice, composed by Matthew Aucoin with a libretto by Sarah Ruhl, based on her play; and Grounded, composed by Jeanine Tesori with a libretto by George Brant, based on his play—all three produced by the Met. Intimate Apparel, composed by Ricky Ian Gordon with a libretto by Lynn Nottage, based on her play, was produced by Lincoln Center Theater. Other projects in development include new works by Joshua Schmidt and Dick Scanlan; David. T. Little and Royce Vavrek; Maxim Kolomiiets and George Brant; Carlos Simon; and Valerie Coleman, Jessie Montgomery, and Joel Thompson.

The Met/LCT New Works Program is funded by a generous gift to the Met from the Francis Goelet Charitable Trusts, with additional support from Linda Hirshman.

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LITTLE WOMEN Runs Feb. 21-25

CCM_Little WomenLITTLE WOMEN
UC College-Conservatory of Music Musical Theatre
Feb. 21-25
Household Books [Walnut Hills]

Directed & choreographed by Vincent DeGeorge
Music direction by Julie Spangler

LITTLE WOMEN tells a story of personal discovery, heartache, hope and everlasting love. Based on Louisa May Alcott’s life, it follows the adventures of sisters, Jo, Meg, Beth and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested – her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America.

  • Wed-Sat, Feb. 21-24 at 8pm 
  • Sun, Feb. 25 at 3pm
    ALL PERFORMANCES ARE SOLD OUT

Official page | Facebook event |

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CLUE: ON STAGE Runs Feb. 8-10

CCM_ClueCLUE: ON STAGE
UC College-Conservatory of Music
Feb. 8-10
Patricia Corbett Theatre [University Heights]

Directed by Brant Russell

Based on the iconic 1985 Paramount movie which was inspired by the classic Hasbro board game, Clue is a hilarious farce-meets-murder mystery play. The tale begins at a remote mansion, where six mysterious guests assemble for an unusual dinner party where murder and blackmail are on the menu. When their host turns up dead, they all become suspects. Led by Wadsworth–the butler, Miss Scarlett, Professor Plum, Mrs. White, Mr. Green, Mrs. Peacock and Colonel Mustard race to find the killer as the body count stacks up. Clue is the comedy whodunit that will leave both cult-fans and newcomers in stitches as they try to figure out…WHO did it, WHERE, and with WHAT!

  • Thu-Fri, Feb. 8-9 at 8pm
  • Sat, Feb. 10 at 2pm & 8pm

Official page | Facebook event |

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