Tag Archives: UC College-Conservatory of Music

CCM and The Carnegie In Stitches Over BOEING BOEING

CCM AND THE CARNEGIE IN STITCHES OVER TONY AWARD WINNING SEX FARCE BOEING BOEING

TC_Boeing BoeingCOVINGTON, KY- How does one man stay secretly engaged to three sexy flight attendant fiancées at the same time? Make sure they work for different international airlines. Make sure to know the flight timetables. And make sure it’s the 60s.

The Carnegie proudly continues its 2013-14 Theatre Series with the Tony Award winning comedy BOEING BOEING, playing weekends November 8 – 24, 2013 at The Carnegie in Covington, KY. Co-produced with The University of Cincinnati College-Conservatory of Music Drama Program (CCM Drama), the show is directed by new faculty member Brant Russell in his Greater Cincinnati debut. Tickets are $17 – $24 and are available online at http://www.thecarnegie.com or by calling The Carnegie Box Office at (859) 957-1940 (open Tu – Fr, noon – 5pm).

“Boeing Boeing” is presented by special arrangement with SAMUEL FRENCH, INC.

The Plot Plot of BOEING BOEING
Bernard is engaged to Gloria. And to Gabriella. And to Gretchen. Three beautiful flight attendants kept secret from each other only by Bernard’s precise timetables of flights in and out of Paris. But when Boeing invents a faster engine, Bernard’s three foxy fiancées converge on his flat at the same time, igniting a mad dash of hidden women and nick-of-time maneuvers as Bernard tries desperately to save his perfect bachelor fantasy. Throw in a surprise visit by Bernard’s amorous old school chum, Robert, and Berthe, the reluctant housekeeper, and the New York Times writes that BOEING BOEING “soars right out of its time zone and into some unpolluted stratosphere of classic physical comedy.”

Gina Gershon, Jerry Lewis, Tony Awards and World Records
Debuting in France in 1962, Marc Camoletti’s BOEING BOEING enjoyed its 1965 English language premiere in London, where it ran for seven years and 2,000 performances on its way to becoming the most performed French play worldwide. In the same year, BOEING BOEING crossed the pond to the United States, where it had a brief stint on Broadway, but more memorably was adapted to a film of the same title, starring Tony Curtis as Bernard and Jerry Lewis at Robert.

Revived in 2008 at New York’s Longacre Theatre, BOEING BOEING played 279 performances on the strength of a revised script and all-star cast including screen actors Christine Baranski (Cybill, The Big Bang Theory) and Gina Gershon (Face/Off, Killer Joe, Rescue Me) and lauded Shakespearean actor Mark Rylance. The show would take home the Tony Award for “Best Revival of a Play,” as well as a “Best Actor” win for Rylance as Robert.

Script, Director Make Regional Debuts with CCM Talent
The Carnegie’s staging of BOEING BOEING will mark the regional premiere of the Broadway revival script, as well as the local debut of new CCM faculty member Brant Russell. An accomplished theatre artist and Chicagoland native with extensive experience as a director, actor and playwright, Russell joined the CCM staff this past fall.

“Coming to a place like CCM is exhilarating,” says Russell. “The talented, driven students, my gifted colleagues, the international reputation, the insistence on excellence all combine to provide a supportive and challenging atmosphere. I’m very grateful to be here.”

Despite impressive credentials working with nationally renowned playwrights, and staff experience with companies including Chicago Shakespeare Theatre, Writers’ Theater and Steppenwolf, Russell admits “BOEING is totally outside of my experience. Staging it will be a bit of an experiment for me, but it’s just the kind of fun experiment that a director really relishes.”

CCM’s co-production with The Carnegie is the fourth collaboration between the two organizations, following recent stagings of IN THE NEXT ROOM OR THE VIBRATOR PLAY and the musical PARADE, the latter receiving the League of Cincinnati Theatres award for “Best Musical of 2012-13.”

Dine Under the Dome
On Saturday, November 9 at 6pm, The Carnegie will host Dine Under the Dome, a ticketed dinner in The Carnegie Galleries, to precede the performance. Tickets are $40 per person, and include a themed gourmet dinner by Jeff Thomas Catering, wine, dessert and gratuity. Dinner tickets do not include admission to the performance.

A full menu will be available at www.thecarnegie.com by October 9.

Reservations may be made by calling The Carnegie Box Office at (859) 957-1940 (open Tu – Fr, noon – 5pm).

Ticketing
Tickets to The Carnegie’s production of BOEING BOEING are $17 – $24 and may be purchased online at www.thecarnegie.com or by calling The Carnegie Box Office at (859) 957-1940 (open Tu – Fr, noon – 5pm).

BOEING BOEING will include nine performances over three weekends:

  • Friday, November 8, 7:30pm
  • Saturday, November 9, 7:30pm
  • Sunday, November 10, 3pm†
  • Friday, November 15, 7:30pm
  • Saturday, November 16, 7:30pm
  • Sunday, November 17, 3pm†
  • Friday, November 22, 7:30pm
  • Saturday, November 23, 7:30pm
  • Sunday, November 24, 3pm 

† Performance includes open captioning

Subscriptions
Subscriptions are still available for 2013-14:

Pick Three Subscription: Patrons attend the remaining three 2013-14 Theatre Series offerings, selecting one performance of their choice for each. Pick Three Subscriptions are $67 each ($3 off each of the three remaining performances).

Single Ticket Pricing

  • $24 Adults
  • $22 Carnegie and Enjoy The Arts Members
  • $19 Groups of 8 or More
  • $17 Students

About The Carnegie
THE CARNEGIE is a multidisciplinary arts venue serving the Northern Kentucky and Greater Cincinnati community. Over the course of the past ten years The Carnegie has “morphed” from a grassroots gallery with an education component into an all-inclusive arts organization offering professional theatre, art exhibitions showcasing the best of local and regional artists, and a comprehensive arts education program.

The Carnegie is home to The Carnegie Galleries, comprised of more than 6,000 square feet of gallery space where emerging and established artists exhibit in multiple shows throughout the year; the Eva G. Farris Education Center, which provides arts education to thousands of children, many of whom are at or below the poverty level; and the newly renovated 447-seat Otto M. Budig Theatre, which offers an affordable theatre space for local, up-and-coming and established production companies and is home to The Carnegie’s Theatre Series and Carnegie in Concert series. The Carnegie is the largest arts venue in Northern Kentucky.

The Carnegie receives ongoing operating support from ArtsWave, Kenton County Fiscal Courts, the Kentucky Arts Council, the Greater Cincinnati Foundation and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation.

About the College-Conservatory of Music
The University of Cincinnati College-Conservatory of Music (CCM) is recognized both nationally and internationally as one of the leading conservatories for the performing and electronic media arts, composition, scholarship and pedagogy. In the most recent rankings by U.S. News and World Report, CCM was honored as the sixth top program in the country for pursuing a graduate degree in music. CCM ensembles have performed internationally, recorded for major labels and won ASCAP awards for excellence and programming.

CCM is the largest single source of performing arts presentations in the state of Ohio. Its annual calendar boasts nearly 1,000 events, ranging from solo recitals to fully staged opera and musical theatre productions.

In 1999 CCM celebrated the completion of the CCM Village, the renovated and expanded home of the college. Its stunning, comprehensive performance and educational facilities are unrivaled in the nation. Designed by architect Henry N. Cobb, the CCM Village received a National Honor Award from the American Institute of Architects in 2001.

In 2011, CCM was officially recognized by the Ohio Board of Regents as the state’s first Center of Excellence in Music and Theatre Arts.

More than 150 internationally recognized faculty members work with students from around the world, specializing in one of eight academic divisions: Composition, Musicology, Theory; Dance; Electronic Media; Ensembles and Conducting; Keyboard Studies; Music Education; Opera, Musical Theatre, Drama, Arts Administration, Theatre Design and Production; and Performance Studies.

For more information, visit http://ccm.uc.edu. Experience the sound of synergy at UC’s College-Conservatory of Music.

BOEING BOEING Cast and Production Team List

Cast

Bernard Spencer House (CCM)
Bertha Hannah Halvorson (CCM)
Robert Shaun Sutton (CCM)
Gabriella Fabiola Rodriguez (CCM)
Gloria Sarah Vargo (CCM)
Gretchen Megan Marshall (CCM)

Production Team

Director Brant Russell (CCM)
Scenic Designer Christina Chester (CCM)
Lighting Designer Ethan Peterson (CCM)
Costumer Janet Powell
Sound Designer Cory Wills (CCM)
Properties Alex Kuntz (CCM)
Wig & Makeup Designer Taylor Malott (CCM)
Stage Manager Clare Jaymes (CCM)
Production Manager Bleu Pellman
Technical Director Richard R. Sillen, Jr.
Producer Joshua Steele

Director Biography
Brant Russell (director) teaches at the University of Cincinnati College-Conservatory of Music, and is Resident Director at the Kenyon Playwrights Conference. Last year at KPC, he developed new plays with Tracey Scott Wilson, Rona Munro, and Craig Lucas. He has directed in Chicago at Next, Steep, Collaboraction, Strawdog, Theater Seven and others. His acting work has been seen at Steep / Naked Angels, Next, TheaterHikes and Strawdog. His short plays have been produced by Collaboraction and American Blues Theater. He has been on staff at Chicago Dramatist, Chicago Shakespeare Theater, Writers’ Theater and Steppenwolf. He lives in Pleasant Ridge with his wife, Marta, son, Foster, and cats, Jackson and Pearl.

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Revival of CARRIE: THE MUSICAL Opens CCM’s 2013-2014 Studio Series

A CHILLING REVIVAL OF ‘CARRIE: THE MUSICAL’
OPENS CCM’S 2013-14 STUDIO SERIES 

From outcast to prom queen to mass murderer with paranormal abilities, Carrie isn’t exactly your typical high school student. CCM resurrects this Stephen King classic just in time for Halloween with a modern twist and more terror (and singing) than ever before.

Jennifer Hickman as Margaret White & Hannah Freeman as Carrie White. Photograph by senior Lighting Design major David Seitz.

Jennifer Hickman as Margaret White & Hannah Freeman as Carrie White. Photograph by senior Lighting Design major David Seitz.

Cincinnati, OH — The University of Cincinnati College-Conservatory of Music (CCM) opens its 2013-14 Studio Series with a newly reworked and fully re-imagined musical adaptation of Stephen King’s CARRIE running Oct. 10-12 in CCM’s Cohen Family Studio Theater. Under the direction of Aubrey Berg, Chair of CCM’s Department of Musical Theatre, with musical direction by Steve Goers and choreography by Vince DeGeorge, this Carrie promises to be both riveting and terrifying!

A pariah at school and a victim at home, Carrie is the story of a girl who, when pushed too far, discovers just how special she really is. Her paranormal abilities allow her to take matters into her own hands and strike back at those who have wronged her. But this isn’t the same old Carrie that you’ve seen before; this is Carrie modernized with a terrifying rock n’ roll edge, and there’s no escape!

CARRIE: THE MUSICAL was adapted from Stephen King’s 1974 bestselling novel by screenwriter Lawrence D. Cohen, who also authored the classic screenplay. New music by dream-team Michael Gore (composer) and Dean Pitchford (lyricist) will dazzle audiences. Gore and Pitchford garnered accolades for their previous collaboration on the Broadway play, Fame, together winning an Oscar, a Golden Globe and a Grammy nomination for Song of the Year.

A unique configuration of CCM’s Cohen Family Studio Theater presents seating on all sides and on every level of the performance space, allowing the audience to literally become part of the production. This intimate style of seating will have audience members twisting and turning in their seats at Carrie’s terrifying transformation, as the carefully choreographed chaos it creates happens all around. With live music, shocking special effects and spectacular acting, singing and choreography, Carrie is sure to amaze and frighten.

Tickets for all Studio Series productions are extremely limited, so get in line early. You don’t want to miss this performance of a lifetime! Recommended for mature audiences.

Learn more about CCM’s 2013-14 Studio Series of Opera, Musical Theatre, Drama and Dance productions by visiting uc.edu/news/NR.aspx?id=18288.

Performance Times

  • 8 p.m. Thursday, Oct. 10
  • 8 p.m. Friday, Oct. 11
  • 2 and 8 p.m. Saturday, Oct. 12 

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission is free but reservations are required. Tickets become available at noon on Monday, Oct. 7. Visit the CCM box office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation 

Community Partner: ArtsWave

The University of Cincinnati College-Conservatory of Music (CCM) is recognized both nationally and internationally as one of the leading conservatories for the performing and electronic media arts, composition, scholarship and pedagogy.

All event dates and programs are subject to change. For a complete calendar of events or to view CCM’s 2013-2014 season brochure visit our website at ccm.uc.edu.

UC’s College-Conservatory of Music – Define Your Inspiration

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SINGIN’ IN THE RAIN Runs Oct. 31-Nov. 3

Senior Musical Theatre major Max Clayton is Don Lockwood

Senior Musical Theatre major Max Clayton is Don Lockwood

SINGIN’ IN THE RAIN
Presented by UC College-Conservatory of Music
Oct. 31-Nov. 3
University Heights

Directed by Diane Lala
Music direction by Roger Grodsky
Choreographed by Patti James & Diane Lala

One of the most-loved and celebrated MGM film musicals, SINGIN’ IN THE RAIN comes to the CCM stage in a joyous, graceful and thoroughly enjoyable adaptation. Set in 1927, the musical satirizes the panic surrounding the transition from the “Silents” to the “Talkies” as the revolution in sound sweeps through the Hollywood dream factory. With great songs, lots of flashbacks and buckets and buckets of rain, the musical showers you with good old-fashioned entertainment. The glorious score includes such standards as “Good Morning,” “Make ‘em Laugh,” “You Are My Lucky Star” and the legendary “Singin’ in the Rain.”

  • Thu-Fri, Oct. 31-Nov. 1 at 8pm
  • Sat, Nov. 2 at 2pm & 8pm
  • Sun, Nov. 3 at 2pm

Official page |

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Playhouse’s CABARET Brings Big Broadway Musicals Back to the Marx

PIP_CabaretCINCINNATI PLAYHOUSE’S PRODUCTION OF CABARET
BRINGS THE EXCITEMENT OF BIG BROADWAY MUSICALS
BACK TO THE ROBERT S. MARX THEATRE, OCT. 19 – NOV. 16

(CINCINNATI) – Show-stopping choreography. Unforgettable songs. Playhouse audiences are invited to take a seat at the Kit Kat Club as the excitement of big Broadway musicals returns to the Robert S. Marx Theatre stage with CABARET, from Oct. 19 through Nov. 16. English singer Sally Bowles and American novelist Clifford Bradshaw fall into a stormy romance as Nazi influence rises in pre-war Berlin and the political axis shifts.

Marcia Milgrom Dodge, best known for helming the acclaimed Broadway revival of Ragtime (for which she earned a 2010 Tony Award nomination for best director), is the director and choreographer for the Playhouse’s production of CABARET. For her, the musical’s enduring popularity is not surprising.

“We are swept into the world of 1930s Berlin with one of the best Broadway scores of the 20th century,” said Milgrom Dodge. “I believe a musical that draws you in by packing a wallop of entertainment while giving you meaningful themes to examine is the best kind of theatre, and CABARET does both, making it always relevant through the decades.”

CABARET began life as two separate novels by English writer Christopher Isherwood that were published collectively as The Berlin Stories. The vignettes came from diaries Isherwood kept while living in Berlin from 1929 to 1933, and one of them — “Sally Bowles” — was adapted into the 1951 play and 1955 film, I Am a Camera.

While legendary director and producer Harold Prince was not the first person to consider adapting The Berlin Stories into a musical, he did connect Isherwood’s fable of a nation blind to the rising propaganda of the Nazi Party with the 1960s American parallels of the Civil Rights Movement and the escalation of the Vietnam War. Prince recruited Joe Masteroff to write the book and turned to the up-and-coming composer/lyricist team of John Kander and Fred Ebb to create the musical’s unique sound. CABARET was just the third collaboration for Kander and Ebb, but it cemented their place in musical theatre history with such iconic songs as “Don’t Tell Mama,” “Two Ladies,” “If You Could See Her” and the much-imitated title number.

The original Broadway production of CABARET opened on Nov. 20, 1966, and ran for 1,165 performances, making it one of the most successful musicals of the decade. The show won the New York Drama Critics’ Circle Award for best musical of the season, as well as eight Tony Awards, including best musical. The subsequent 1972 film relaunched the career of director/choreographer Bob Fosse and made a star of Liza Minnelli, both of whom won Academy Awards for their work.

CABARET features some of the most iconic characters in musical theatre history. The cast is headed by Broadway and New York stage veterans Nathan Lee Graham (The Wild Party and Priscilla Queen of the Desert as well as blockbuster films Sweet Home Alabama, Hitch and Zoolander) as the Emcee, Hunter Ryan Herdlicka (the recent revival of A Little Night Music) as Clifford Bradshaw, Liz Pearce (Billy Elliot; she is also a University of Cincinnati College-Conservatory of Music graduate) as Sally Bowles, Mary Gordon Murray (whose many Broadway credits include Hands on a Hardbody, Footloose and the revival of Little Me, for which she received a best actress Tony nomination) as Fräulein Schneider and Michael Marotta (whose New York credits include the bicentennial salute to Noel Coward, Mad About the Boy) as Herr Schultz. The cast also includes Bradley Benjamin as Rosie/Ensemble/Assistant Choreographer/Dance Captain, Blake Clendenin as German Sailor/Ensemble, Carl Draper as Bobby/German Sailor/Ensemble, Blake Ellis as Ernst Ludwig, Timothy Hughes as Customs Officer/Max/Ensemble, Jolina Javier as Frenchy/Ensemble, Dennis Kenney as German Sailor/Ensemble, Sean Maddox as Victor/German Sailor/Ensemble, Angelica Richie as Lulu/Ensemble and Dana Winkle as Fritzie/Fräulein Kost/Ensemble. All are making their Playhouse debuts.

The creative team for CABARET includes Christy Crowl (music supervisor/music director/orchestrations), Henry Palkes (associate music director), Michael Schweikardt (set designer), Angela Wendt (costume designer), John Lasiter (lighting designer) and Acme Sound Partners (sound designer). Becky Merold is the stage manager, and Jenifer Morrow and Denise Cardarelli are the second stage managers.

The production is sponsored by David C. Herriman. The orchestra sponsor is Ohio National Financial Services, design sponsor is Skidmore Sales and Distributing Co. and artist sponsor is Barbara and Bill Weyand.

Prices for CABARET range from $30 to $80, depending on seat location. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. Teen and student tickets are $25 each. Previews are at 8 p.m. Saturday, Oct. 19; 2 p.m. Sunday, Oct. 20; 7:30 p.m. Tuesday, Oct. 22; and 7:30 p.m. Wednesday, Oct. 23. The official opening night is Thursday, Oct. 24, at 8 p.m.

Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

Special performances include free Meet the Artists programs that allow audiences to interact with cast members and others associated with the production after the show. Meet the Artists performances are at 2 p.m. Sunday, Oct. 27; 7:30 p.m. Wednesday, Oct. 30; 2 p.m. Sunday, Nov. 10; and 8 p.m. Thursday, Oct. 14. The production will be audio described for those with visual impairments at 4 p.m. Saturday, Nov. 9, and signed for persons with hearing impairments at 2 p.m. Sunday, Nov. 10. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to CABARET are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit http://www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2013-14 Marx Theatre Series is sponsored by The Otto M. Budig Family Foundation, and the Robert S. Marx season design sponsor is Macy’s. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported, in part, by the generosity of the tens of thousands of individuals and businesses that give to ArtsWave.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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CCM Opens Mainstage Series With THE CRUCIBLE

UC’S COLLEGE-CONSERVATORY OF MUSIC OPENS ITS 2013-14 MAINSTAGE SERIES WITH AN AMERICAN CLASSIC, THE CRUCIBLE

CCM takes on Arthur Miller’s classic drama in a timely performance of this powerful story that resonates even today.

Laura McCarthy as Abigail Williams & Joe Markesbery as John Proctor. Photo by Mark Lyons.

Laura McCarthy as Abigail Williams & Joe Markesbery as John Proctor. Photo by Mark Lyons.

Cincinnati, OH — The University of Cincinnati College-Conservatory of Music (CCM) opens its 2013-14 Mainstage Series with an intensely physical retelling of the American classic THE CRUCIBLE. This epic drama of morality and justice runs Oct. 3 through 6 in CCM’s Patricia Corbett Theater, with a preview performance at 8 p.m. on Wednesday, Oct. 2.

Under the direction of Richard Hess, Professor and Chair of CCM’s Department of Drama, this production of The Crucible “is a post-modern expression” of the world we live in, says Hess. “There’s no fanciness; it doesn’t need to be tampered with. The Crucible was powerful when it was presented in a time and place where it resonated beyond the Salem witch trials.”

Audience members will be surprised by the amount of physicality on stage. “This Crucible will not be stuffy people standing and talking and arguing. They’re going to be running, tearing at each other, moving. It’s pretty down and dirty,” explains Hess. The physicality of the characters embodies the conflicts and moral dilemmas that they face. “It’s not a pretty costume drama.” Even the recognizable setting of Salem may feel different. The scenic design by Dana Hall, second-year scenic design graduate student, will be stark and very clean with a three-story motorized wall that moves throughout the performance.

Joe Markesbery, senior, plays the role of John Proctor, while Abigail Williams is brought to life by sophomore Laura McCarthy. Anna Stapleton plays Elizabeth Proctor. “What I love so much about Richard’s direction of this show is that one really gets a sense of the hysteria, betrayal and selfish ambition that John Proctor fights so hard against,” says Markesbery of his portrayal of John Proctor. “Proctor is a man who, because of his affair with Abigail, truly isn’t sure if he is good or evil. Ultimately, every action he commits in the play is to defend the truth and bring evil to the light, but still he thinks himself a fraud. From peace and simplicity to betrayal and the destruction of a man and his good name: there’s the tragedy for me.”

View the official trailer for CCM’s Mainstage Series production of
THE CRUCIBLE here
.

About THE CRUCIBLE
Written in 1953 by American playwright Arthur Miller and set in 1692 in Salem, Mass., this drama tells a story of hysteria and witchcraft as young girls fall victim to strange hallucinations and seizures, which are attributed to the devil. Miller crafted the play as an allegory of McCarthyism when the U.S. government began blacklisting accused communists.

Performance Times

  • 8 p.m. Wednesday, Oct. 2 (preview)
  • 8 p.m. Thursday, Oct. 3
  • 8 p.m. Friday, Oct. 4
  • 2 & 8 p.m. Saturday, Oct. 5
  • 2 p.m. Sunday, Oct. 6

Location: Patricia Corbett Theater, CCM Village, University of Cincinnati

Purchasing Tickets: Tickets to The Crucible are $27-$31 for adults, $17-$20 for non-UC students and $15-$18 for UC students, with $12-$15 student rush tickets available for the Saturday matinee beginning at 1 p.m. on Oct. 5. Tickets to the Oct. 2 preview performance are just $12.

Customizable subscription packages are also available.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/crucible.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Community Sponsor: ArtsWave

Mainstage Season Production Sponsors: Macy’s

The University of Cincinnati College-Conservatory of Music (CCM) is recognized both nationally and internationally as one of the leading conservatories for the performing and electronic media arts, composition, scholarship and pedagogy.

All event dates and programs are subject to change. For a complete calendar of events or to view CCM’s 2013-2014 season brochure visit our website at ccm.uc.edu.

UC’s College-Conservatory of Music – Define Your Inspiration

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