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CCM’s SPEECH AND DEBATE Earns 4.5 Star LCT Rating

Owen Alderson, Ryan Garrett and Katie Langham. Photo by Richard E. Hess.

Owen Alderson, Ryan Garrett and Katie Langham. Photo by Richard E. Hess.

Panelists for the League of Cincinnati Theatres (LCT) have recognized the College Conservatory of Music Drama Department’s SPEECH AND DEBATE with a 4.5 Star Rating.

Written by Pulitzer Prize nominated playwright Stephen Karam, SPEECH AND DEBATE feels ripped from today’s headlines. What begins as a story of on-line stalking quickly snowballs into a play that is part mystery, part coming-of-age story; a smart comedy and an insightful reflection of what it means to be young in America today.

Panelists called SPEECH AND DEBATE “a wonderful production…contemporary, real, and sometimes raw.” They were unanimous in praising Richard Hess’s direction: “tight and economical, allowing his actors to bond together in their awkwardness while slowly revealing their secrets.” The ensemble in the show “couldn’t be better…they worked marvelously together as a seamless unit”. Panelists singled out actress Katie Langham’s performance as Diwata: “brilliant, quick-delivery, comic in the truest sense”.

League of Cincinnati Theatre panelists evaluate productions on a 5 star scale and recommend shows at either a 4 star or 5 star level. Nominations for LCT awards will be determined and announced at the end of the season and winners awarded at the annual LCT gala in the spring.

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Video: Trailer for CCM’S SPEECH AND DEBATE on Nov. 6-8

Owen Alderson, Ryan Garrett and Katie Langham. Photo by Richard E. Hess.

Owen Alderson, Ryan Garrett and Katie Langham. Photo by Richard E. Hess.

SPEECH AND DEBATE feels ripped from today’s headlines. What begins as a story of on-line stalking quickly snowballs into a play that is part mystery, part coming-of-age story; a smart comedy and an insightful reflection of what it means to be young in America today. Directed by Richard Hess.

Admission is free, but reservations are required. Tickets become available at noon on Monday, Nov. 3. Visit the CCM Box Office or call 513.556.4183 to reserve. Limit two tickets per order.

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CCM’s Studio Series Presents the Dark Comedy SPEECH AND DEBATE Nov. 6-8

Owen Alderson, Ryan Garrett and Katie Langham. Photo by Richard E. Hess.

Owen Alderson, Ryan Garrett and Katie Langham. Photo by Richard E. Hess.

CCM’s Department of Drama presents the regional premiere of Pulitzer Prize nominee Stephen Karam’s Speech and Debate as part of this fall’s Studio Series. Directed by CCM’s A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance Richard E. Hess, the production opens Thursday, Nov. 6, and plays through Saturday, Nov. 8.

Like all Studio Series productions, admission to Speech and Debate is free, but reservations are required. Tickets become available at noon on Monday, Nov. 3.This production features adult themes and is recommended for mature audiences.

According to Hess, Speech and Debate is “a 90 minute intermission-less romp through high school experienced by three socially awkward misfits. The play is a cry to be noticed from students on the fringe.”

“Both gender and sexual identity play a large role in this play.  [It’s] a recipe for comedy in dark and disturbing moments of angst,” Hess explains.

Sophomore Katie Langham discusses her experience playing the irreverent Diwata, a young woman who envisions her future on Broadway but can’t seem to get a part in the school play: “She keeps me on my toes and constantly surprises me. Playing this character is delightfully freeing because she’s so experimental in her own artistic life.”

“Each rehearsal is a time to play and explore, maybe regress back to the days of high school and re-discover adolescent feelings of precociousness, uncertainty and insecurity,” says Langham. It’s this attitude of discovery that makes the characters ofSpeech and Debate so authentic and engaging.

The play will take advantage of technology to enhance the storytelling. “A crucial plot element in the play is revealed in the very first scene,” Hess explains, “A computer conversation told entirely through projections when an 18 year old high school senior begins cruising on a gay chat line. This event sets the play in motion.”

About Richard E. Hess
Richard E. Hess has been the Chair of CCM Drama for the past 20 years. Recent directing credits at CCM include The CrucibleThe Laramie ProjectCoram BoyRENTYou Can’t Take It With You (ACCLAIM Award winner Outstanding University Play), Anon(ymous) (ACCLAIM Award winner Outstanding Play), Brigadoon (Cincinnati Entertainment Award for Outstanding Musical) and Tony Kushner’s Angels in AmericaPart One: Millennium Approaches (Cincinnati Entertainment Award for Best Ensemble Acting).

He made his New York directing debut at the Laurie Beechman Theatre on 42nd Street directing AN EVENING OF (Mostly) TRUE SONGS (with Andrea Burns), a new incarnation of Don’t Look Down, the music and lyrics of Adam Wagner, first seen in the Cincinnati Fringe Festival. Favorite directing credits at the Human Race Theatre Co., where he has been a resident artist since 1996, include RaceRedDoubtProofI Am My Own Wife and A Delicate Balance. He directed Miracle on South Division Street for the Human Race in September 2014.

Other credits include the Los Angeles staging of the one-woman show Besame MuchoO.K. That’s Enough (with Diana Maria Riva) and the smash hits The Pages of My Diary I’d Rather Not Read and The Catholic Girl’s Guide to Losing Your Virginity, both of which enjoyed sold out runs at the Hudson Theatre in Los Angeles. For five years Hess was the artistic director of Hot Summer Nights in Cincinnati, where he directed Violet (with Ashley Brown), Hello, Dolly! (with Pamela Myers), Godspell (with Shoshana Bean and Leslie Kritzer) and the premiere of We Tell The Story: The Songs of Ahrens and Flaherty, in collaboration with Stephen Flaherty.

He studied with the internationally acclaimed director Anne Bogart and members of the Saratoga International Theatre Institute (SITI Co.) in New York and Los Angeles for the past decade. He has worked with the KNOW Theatre, the Cincinnati Playhouse in the Park, the Chautauqua Institution, Cincinnati Symphony Orchestra, Cincinnati Pops and Cincinnati Opera Education. He is proud of fostering the new work of playwrights and has directed first productions of Richard Oberacker and Rob Taylor’s Don’t Make Me Pull This Show Over: Dispatches from the Front Lines of Parenting, Mark Halpin’s The Kid in the Dark, Ben Magnuson’s Four Minutes and Tom Korbee’s Will It Ever Stop Raining?

He made his debut as a playwright/creator in the Cincinnati Fringe Festival with (UN)Natural Disaster created with 13 actors and performed in an abandoned building in Over-the-Rhine. (UN)Natural Disaster was named the Producer’s Pick of the Fringe and subsequently re-mounted on the 2010 New York International Fringe Festival.

In June of 2011, Hess directed The Collapsible Space Between Us with the Dadaab Theater Project, comprised of five CCM Drama students, which was presented with eight refugees from the Dadaab Refugee Camp in Kenya for World Refugee Day sponsored by the United Nations in Nairobi, Kenya. He returned to Kenya as a Fulbright Scholar in 2014 and taught acting and directing at Kenyatta University in Nairobi and researched the creation of original works by creating KUMI NA MBILI (12), a stage show and a short film.

Hess was named Ernest Glover Outstanding Teacher at UC in 1999 and again in 2012 and was also named the ACCLAIM Award Theatre Trailblazer in 2009. He is an associate member of the Society of Directors and Choreographers (SDC).

Cast List

Ryan Garrett as Howie
Owen Alderson as Solomon
Katie Langham as Diwata
Sarah Davenport as Teacher and others
Colleen Ladrick as Reporter and others

Performance Times

  • 8 p.m. Thursday, Nov. 6
  • 8 p.m. Friday, Nov. 7
  • 2 & 8 p.m. Saturday, Nov. 8

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets

Admission is free, but reservations are required. Tickets become available at noon on Monday, November 3. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots. For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

Drama Studio Series Sponsor: Neil Artman & Margaret Straub

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LEGALLY BLONDE Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Lawson Young as Elle & Chris Collins-Pisano as Emmett. Photography by Mark Lyons.

Lawson Young as Elle & Chris Collins-Pisano as Emmett. Photography by Mark Lyons.

LEGALLY BLONDE presented by UC College-Conservatory of Music through Nov. 2. Click here for more information on the production. I attended the opening Saturday matinee performance.

For their fall Mainstage performance, CCM Musical Theatre mounts a high-energy production of the movie-musical, LEGALLY BLONDE. Directed and choreographed by Diane Lala.

One thing you can always count on at CCM is great vocals. From ensemble to leads, the show sounded great, supported by the orchestra under the music direction of Craig Dalton. From my seat, I did encounter some sound execution issues with the balance between the cast and orchestra.

Lawson Young does well as Elle Woods. I did feel that she came off a bit tentative at times in the first act, but she really came into the role in act two. Young’s chemistry with Emmett, played by Chris Collins-Pisano, was believably and grew appropriately with the well-done “Take it Like a Man” serving as a natural turning point for their relationship. I would have like to have seen a bit more energy out of Emmett sooner in the show.

Photo by Mark Lyons.

Photo by Mark Lyons.

“There! Right There” was very funny from start to finish and a comedic highlight of the show for me.

Strong support work from the other legal interns: Emily Trumble as Vivienne, Ben Biggers as Warner and Gina Santare as Enid. I also enjoyed Adam Zeph as the loathsome Callahan.

Madeline Lynch does well as Paulette, but considering how big the character is in the movie, I would have liked to have seen Paulette be a bit more bawdy and not quite so sophisticated. Conversely, Paulette’s ex-boyfriend Dewey, played by Jay McGill, was taken to such a trailer-park-trash extreme that it strains the credibility of the two as a couple for ten years. Mills does a good job as Kyle, but his sexy strut needs work.

The choreography by Lala worked well, with the “Legally Blonde Remix” being a great production number. There were a couple of numbers that brought performers all the way downstage to the right and left of the orchestra pit, which blocked my sight-line for a couple of the numbers. That afternoon, the jump ropes were not being very cooperative for “Whipped into Shape.”

CCM_Legally Blonde6011

Photo by Mark Lyons.

I was very impressed by the set design of guest artist, Joe Leonard. The two towers in the opening number immediately brought Barbie’s Dream House to mind. The brick facade on the back side of the towers, in different combinations with the suspended bridge, the three archway walls with multiple inserts and other pieces did a great job of creating unique looks for the many different locations.

A very fun and entertaining show. Excellent work.

My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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CCM’s LEGALLY BLONDE Awarded a 4.5 Star Recommendation

Lawson Young as Elle & Chris Collins-Pisano as Emmett. Photography by Mark Lyons.

Lawson Young as Elle & Chris Collins-Pisano as Emmett. Photography by Mark Lyons.

Panelists for the League of Cincinnati Theatres (LCT) have awarded University of Cincinnati’s College Conservatory of Music production of LEGALLY BLONDE with a 4.5 star recommendation.

In LEGALLY BLONDE, Harvard’s beloved blonde takes the stage by pink storm in this fun, upbeat musical that is ridiculously enjoyable from start to finish. Based on the adored feature film of the same name, this musical about self-discovery stays true to form with a peppy score and playful book. Winner of the Olivier Award for Best New Musical in 2011, this all-singing, all-dancing romantic comedy is about knowing who you are and showing what you’ve got!.

Panelists loved the CCM’s production: “Going back to college for the opening night of CCM’s Legally Blonde did not disappoint! the stage becomes a powerhouse of song and dance…Ohmigod you guys, just go see this show and have a lot of fun.” Panelists praised Diane Lala’s “well designed and executed” choreography (“the highlight of the show”) and scenic designer Joe Leonard’s “spectacular” scenic design: “Sophisticated…transforms constantly and seamlessly.” Lead actress Lawson Young as Elle, Lead actor Chris Collins-Pisano as Emmett, and supporting actress Madeline Lynch as Paulette were all singled out for their outstanding performances, but they gave kudos to all the performers: “the real strength of this musical was the total ensemble singing and dancing their hearts out for the pure joy felt by the audience.”

CCM’s LEGALLY BLONDE runs through Nov. 2. Tickets can be purchased at http://ccm.uc.edu/boxoffice.

Nominations for LCT awards will be determined and announced at the end of the season and winners awarded at the annual LCT party in the summer.

The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.info.

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