Tag Archives: UC College-Conservatory of Music

LYSISTRATA JONES Runs April 7-9

CCM_Lysistrata Jones logoLYSISTRATA JONES
UC College-Conservatory of Music Studio Series
April 7-9
University Heights

Directed by Emma Griffin
Music directed by Danny White
Choreographed by Patti James

Cast: Emily Kristen Morris as Lysistrata, Michelle Coben as Robin, Jenny Mollet as Myrrhine, Casey Wenger-Schulman as Cleonice, Emily Celeste Fink as Lampito, Tyler Johnson-Campion as Hetaira, Zach Erhardt as Mick, Alec Cohen as Xander, Karl Amundson as Todd, Paul Schwensen as Tyllis, Matthew Salvatore as Harold & Jordan Miller as Uardo

The Athens University basketball team hasn’t won a game in 30 years. But when spunky transfer student Lysistrata Jones dares the squad’s fed-up girlfriends to stop “giving it up” to their boyfriends until they win a game, their legendary losing streak could be coming to an end. Adapted from Lysistrata, Aristophanes’ classic Greek comedy, LYSISTRATA JONES takes student activism to a whole new level and celebrates the journey of discovering and embracing who you truly are.

Admission is free. Reservations are required. Tickets become available at noon on Monday, April 4. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

  • Thu-Fri, April 7-8 at 8pm
  • Sat, April 9 at 2pm & 8pm

Official pageFacebook event |

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CCM Pushes Boundaries With Green Day’s Punk Rock Musical AMERICAN IDIOT, March 3 – 13, 2016

CCM_American Idiot promo3

Louis Griffin, Ben Biggers, John Battagliese and Chris Collins-Pisano in CCM’s production of AMERICAN IDIOT. Photo by Mark Lyons.

CCM proudly presents the first local production of Green Day‘s iconic musical AMERICAN IDIOT from March 3 – 13 in Patricia Corbett Theater. The through-sung rock opera is directed by Patricia A. Corbett Distinguished Chair of Musical Theatre Aubrey Berg with musical direction by Adjunct Instructor of Musical Theatre Steve Goers.

Although many think of Broadway musicals as saccharin sweet, there have been shows throughout the decades that have burst onto the scene, changing theatre forever and defining a generation.

“In 1944, Leonard Bernstein’s ‘On The Town’ brought fresh faces and a jazz-inflected score to Broadway. My generation grooved to the sound of ‘Hair.’ In the 90s there was ‘Rent’ by Jonathan Larson, and for the current generation, it is ‘American Idiot’,” says Berg.

A high octane adaptation of Green Day’s 2004 Grammy-winning concept album of the same name, AMERICAN IDIOT features a raucous and exhilarating punk rock score yet offers a simple, contemporary fable in the style of the Brothers Grimm. Three disaffected young men – Johnny, Will and Tunny – plan to flee a stifling suburban lifestyle and parental restrictions. Along the way they deal with drugs, lost love, war, inner turmoil and living in an America that is forever changed and roiled by dark events, including the terrorist attacks of September 11 and the Iraq War.

Making sure CCM’s production reflects the style and temperament of the current generation was important to Berg. “AMERICAN IDIOT is a musical by the young, for the young,” he says. To keep the presentation authentic, Berg surrounded himself with a creative team of students. His associate director and choreographer, Tom Meglio and Samantha Pollino respectively, are both graduating seniors and are the perfect candidates to help shape this production.

“AMERICAN IDIOT was one of our generation’s very first artistic expressions of events that are ever present in our consciousness because, for the very first time, our generation can say: we lived them,” Meglio and Pollino suggest.

CCM’s production is set three years before the release of the album in the aftermath of the events of 9/11. Meglio and Pollino explain, “We wanted to create an atmosphere of immediacy, to highlight the themes of the show as a response to the terrorist attacks on the World Trade Center and explore the period of upheaval that immediately followed.”

Great theatre can delight and entertain, but it can also challenge audiences to confront their own closely held views and perceptions. American Idiot deals with potentially incendiary subjects. The show is loud, abrasive and confrontational. The language is raw and constant. There is simulated sex and simulated drug use. The musical presents an uncompromising view of a dystopian America, but it is also a foray into the psyche of a young generation struggling to make sense of its place in the world at a particular moment in time.

“In addition to ‘rocking out,’ we ask the audience to take a moment to connect with, reflect on and embrace this piece as a raw fragment of history presented with the utmost respect and many unanswered questions,” Meglio and Pollino conclude.

CCM’s production of American Idiot is not recommended for children or those easily offended.

Green Day’s AMERICAN IDIOT
Music by Green Day
Lyrics by Billie Joe Armstrong
Book by Billie Joe Armstrong and Michael Mayer

The Company

  • Ben Biggers as Johnny
  • John Battagliese as St. Jimmy
  • Clara Cox as Whatsername
  • Chris Collins-Pisano as Will
  • Shauna Topian as Heather
  • Louis Griffin as Tunny
  • Cameron Anika Hill as Extraordinary Girl
  • Ensemble: Kyra Christopher, EJ Dohring, Joel Flynn, Ciara Alyse Harris, Marissa Hecker, Tyler Jent, Phillip Johnson, Chris Kelley, Stavros Koumbaros, Jackson Matteck, Emily Ashton Meredith, Hamilton Moore, Anya Olsen, Alex Stone, Donelvan Thigpen, Madelaine Vandenberg and Keaton Whittaker.

The Creative Team 

  • Aubrey Berg, director
  • Stephen Goers, musical director
  • Samantha Pollino, choreographer
  • Thomas C. Umfrid, scenic designer
  • CJ Mellides, lighting designer
  • Kevin Semancik, sound designer
  • Jillian Coratti, costume designer
  • Jillian Floyd, wig & make-up designer
  • Tom Meglio, assistant director
  • k. Jenny Jones, fight choreographer
  • Jenny Rissover, stage manager
  • Tom Kitt, musical arrangements and orchestrations

Performance Times

  • 8 p.m. Thursday, March 3
  • 8 p.m. Friday, March 4
  • 2 and 8 p.m. Saturday, March 5
  • 2 p.m. Sunday, March 6
  • 8 p.m. Thursday, March 10
  • 8 p.m. Friday, March 11
  • 2 and 8 p.m. Saturday, March 12
  • 2 p.m. Sunday, March 13

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to American Idiot are $31-35 for adults, $20-24 for non-UC students and $18-22 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/american-idiot.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

American Idiot is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | www.MTIShows.com

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CCM Presents a New Semi-Staged Production of Arthur Honegger’s JOAN OF ARC AT THE STAKE

Honegger’s monumental oratorio comes to life in cinematic fashion on the CCM stage on Saturday, Feb. 13, 2016

CCM_Joan of Arc at the StakeCINCINNATI, OH—The University of Cincinnati College-Conservatory of Music’s (CCM) Department of Choral Studies presents four exciting concerts this semester, beginning with a new semi-staged production of Arthur Honegger’s Jeanne d’Arc au bûcher (JOAN OF ARC AT THE STAKE) at 8 p.m. on Saturday, Feb. 13. This concert will be sung in English with surtitles.

Honegger’s monumental oratorio premiered in Basel, Switzerland, in May of 1938. Over the course of eleven scenes, Joan of Arc at the Stake recounts the timeless tale of 15th century French heroine Joan of Arc. Inspired by both popular and classical music trends of the 1930s, Honegger sprinkled his oratorio with flares of jazz, military fanfares, atonality and Hollywood styles.

CCM’s semi-staged concert production of this imposing work is a massive undertaking, requiring the combined forces of the CCM Philharmonia Orchestra, Chamber Choir and Chorale, along with the UC Men’s and Women’s Choruses and Cincinnati Children’s Choir. The production also features soloists from CCM’s voice and dramatic performance programs, along with technical support from the Lighting Design and Technology department, all of which allows Joan’s brief life to unfold in a truly dynamic fashion on stage.

CCM Director of Choral Studies Earl Rivers conducts this performance. “The drama takes place during Joan’s last minutes on the stake, with flashbacks to her younger days and her trial. Honegger entitled his work a dramatic oratorio, adding speaking roles and actors,” he says. “Joan’s life unfolds in cinematic scenes of heavenly visions, conquests, her trial and her eventual fate at the stake.”

Artist Diploma candidate Marcus Shields provides the stage direction for this production, explaining, “In a typical concert presentation of Joan of Arc at the Stake, the soloists would be using music with music stands. For our production, all of the solo parts are going to be memorized, allowing us to realize Joan’s story in three-dimensional space. This allows us to shift the focus to real characters forging real relationships, detached from a music stand.”

This production’s feature soloists include soprano Tara Morrow as St. Catherine, mezzo-soprano Alyssa Narum as St. Marguerite and soprano Ann Toomey as the

Virgin, along with tenor Robert Stahley and bass-baritone Junbo Zhou.

Joan of Arc at the Stake‘s two primary roles are actually spoken roles, so Rivers and Shields have also enlisted two actors from CCM’s Department of Dramatic Performance: Laura McCarthy as Joan and Landon Hawkins as Brother Dominique.

The last documented performance of Honegger’s Joan of Arc at the Stake in Cincinnati was at the May Festival in 1952, making CCM’s new production a very rare treat.

 

Event Information

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Drama Presents Bittersweet Production of Eugene O’Neill’s Comedy AH, WILDERNESS! Feb. 10-14

CCM_Ah Wilderness promoCCM resumes its Mainstage Series with Eugene O’Neill’s AH, WILDERNESS!: A Comedy of Recollection in Three Acts, playing Feb. 11-14 with a special preview performance on Wednesday, Feb. 10. The show also bids a fond farewell to its director, and Associate Dean of Academic Affairs and Graduate Studies, R. Terrell Finney as he retires from fulltime status at CCM.

The words “Eugene O’Neill” and “comedy” are rarely used in the same sentence unless that sentence is “Eugene O’Neill does NOT write comedy.” The Pulitzer Prize-winning writer of Long Day’s Journey into Night and Mourning Becomes Electra is primarily known for his semi-autobiographical plays about characters who struggle to maintain their hopes and aspirations but ultimately slide into despair and disillusionment. Ah, Wilderness! is not one of those plays.

Set in an idyllic Connecticut town (presumably New London, O’Neill’s hometown) on the Fourth of July weekend of 1906, the play focuses on the Miller family and their 16-year-old son Richard, whose coming of age story offers a tender portrait of small town family values, teenage growing pains, and young love.

“It’s really quite the opposite of a typical O’Neill family story,” says director R. Terrell Finney. “The subtitle of the play is ‘A Comedy of Recollection,’ so my take on it is this is the family unit that O’Neill wishes he had.”

Even though it’s a comedy, the show still has plenty of the classic O’Neill depth-of-character for which he is known, “If it were written by a playwright of lesser skill, it could verge on the sentimental, but [O’Neill] brings elements that his other plays deal with: alcoholism, squandered love, intolerance and political strife. So, although it is a very loving and romantic portrait of a family, it has some depth as well,” explains Finney.

CCM’s production will be very true to the original look and feel of the play as written. “We’ve tried to create a world that’s going to let us live in 1906, so everything on stage is very period-specific,” says Finney. For example, it was important to obtain the exact music requested by O’Neill for various parts of the play, “I have to thank Dr. bruce mcclung from the Department of Musicology; he really helped us locate the music and source material so we could stay true to the original script,” Finney adds.

Ah! Wilderness!’s tender feel makes it a fitting farewell for it’s director, R. Terrell Finney. Finney’s tenure as a fulltime faculty member will come to an end this semester after 33 years of service as a member of the Department of Drama and head of CCM’s Division of Opera, Musical Theatre, Dramatic Arts and Arts Administration (now known as the Division of Theatre Arts, Production and Arts Administration, or TAPAA). Finney has most recently served as Associate Dean of Academic Affairs and Graduate Studies at CCM.

Finney says directing Ah Wilderness! has reinvigorated his love for the creative process and, even though he’s entering a much-deserved retirement, he hopes to stay involved in the future, “I’ve had a ball directing this show. It’s been six years since I’ve directed and it’s been so liberating. It’s amazing to be involved in the creative process, so if you had asked me, without having done this show, what I wanted to do in retirement I may have just said, ‘Oh, tend my garden,’ but now I would hope that I can continue to direct. I’m not quite ready to be put out to pasture!”Over his time at CCM, Finney’s approach to directing has changed, he says, for the better, “I’d like to think I’m more relaxed than when I started! Sometimes you just have to roll with the punches in the theater. I’ve also really come to respect and trust actor instinct. If a director can open a door to the creativity the actor can bring, he’s done his job.”

The Company

  • Jonah Sorscher as Tommy Miller
  • Olivia Passafiume as Mildred Miller
  • Owen Alderson as Arthur Miller
  • Katie Langham as Essie Miller
  • Rachel Baumgarten as Lily Miller
  • Devan Pruitt as Nat Miller
  • Andrew Iannacci as Sid Davis
  • Andrew Huyler Ramsey as Richard Miller
  • Spencer Lackey as David McComber
  • Mickey Tropeano as Norah
  • Isaac Hickox-Young as Went Selby
  • Annie Grove as Belle
  • James Egbert as Bartender
  • Ryan Garrett as Salesman
  • Emily Walton as Muriel McComber

The Creative Team

  • R. Terrell Finney, director
  • Thomas C. Umfrid and Whitney Glover, scenic designers
  • Adam Ditzel, lighting designer
  • Mathew D. Birchmeier, sound designer
  • Maria Lenn, costume designer
  • Missy White, wig & make-up designer
  • k. Jenny Jones, fight choreographer
  • Scott Slucher, stage manager

Performance Times

  • 8 p.m. Wednesday, Feb. 10 (preview)
  • 8 p.m. Thursday, Feb. 11
  • 8 p.m. Friday, Feb. 12
  • 2 and 8 p.m. Saturday, Feb. 13
  • 2 p.m. Sunday, Feb. 14

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Ah, Wilderness! are $27-31 for adults, $17-20 for non-UC students and $15-18 UC students with a valid ID. Tickets to the Feb. 10 preview performance are just $15.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/ah-wilderness.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Ah, Wilderness!: A Comedy of Recollection in Three Acts is presented by special arrangement with SAMUEL FRENCH, INC.

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AMERICAN IDIOT Runs March 3-13

CCM_American Idiot promo3

Louis Griffin, Ben Biggers, John Battagliese and Chris Collins-Pisano in CCM’s production of AMERICAN IDIOT. Photo by Mark Lyons.

AMERICAN IDIOT
UC College-Conservatory of Music
March 3-13
Patricia Corbett Theater [University Heights]

Directed by Aubrey Berg
Music Directed by Steve Goers
Choreographed by Samantha Pollinno

Cast: Ben Biggers as Johnny, John Battagliese as St. Jimmy, Clara Cox as Whatsername, Chris Collins-Pisano as Will, Shauna Topian as Heather, Louis Griffin as Tunny & Cameron Anika Hill as Extraordinary Girl
Ensemble: Kyra Christopher, EJ Dohring, Joel Flynn, Ciara Alyse Harris, Marissa Hecker, Tyler Jent, Phillip Johnson, Chris Kelley, Stavros Koumbaros, Jackson Matteck, Emily Ashton Meredith, Hamilton Moore, Anya Olsen, Alex Stone, Donelvan Thigpen, Madelaine Vandenberg and Keaton Whittaker.

The two-time Tony Award-winning hit musical American Idiot, based on Green Day’s Grammy Award-winning multi-platinum album of the same name, boldly takes the American musical where it’s never gone before. Johnny, Tunny and Will struggle to find meaning in a post-9/11 world. When the three disgruntled men flee the constraints of their hometown for the thrills of city life, their paths diverge when Tunny enters the armed forces, Michael is called back home to attend familial responsibilities, and Johnny’s attention becomes divided by a seductive love interest and a hazardous new friendship. An energy-fueled rock opera, American Idiot features minimal dialogue and instead relies on the lyrics from Green Day’s groundbreaking album to execute the story line.

This production contains mature subject matter, including references to drug use, sexual content and profanity.

  • Thu-Fri, March 3-4 at 8pm
  • Sat, March 5 at 2pm & 8pm
  • Sun, March 6 at 2pm
  • Thu-Fri, March 10-11 at 8pm
  • Sat, March 6 at 2pm & 8pm
  • Sun, March 13 at 2pm

Official page |

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