Tag Archives: UC College-Conservatory of Music

Stanley E. Romanstein Named Dean of University of Cincinnati College of Music

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An accomplished leader in education and the arts as well as a UC alumnus,
Romanstein’s appointment follows a national search for CCM’s next dean

CINCINNATI, OH—Kristi A. Nelson, senior vice president for academic affairs and provost at the University of Cincinnati, today announced the appointment of Stanley E. Romanstein, PhD, as Dean of the College-­Conservatory of Music (CCM). Romanstein’s appointment becomes effective July 1, 2018, pending approval of the University’s Board of Trustees.

“I am delighted to welcome Stanley Romanstein back to his alma mater as Dean of UC’s College-­Conservatory of Music,” said Nelson. “He is an outstanding organizational leader, entrepreneur and scholar, in addition to being a proud UC alumnus. I was most impressed with his passion for arts advocacy, his engaging interpersonal skills, and his forward-­thinking and student-­centric approach to education.”

Romanstein is an accomplished nonprofit executive with 22 years of leadership and management experience in education and the arts. He comes to CCM from Georgia State University’s Creative Media Institute, where he has served as a professor of  ractice/music and the arts for the past four years. He also serves as a principal at BLJackson Associates, a consulting firm that works with arts, humanities and education-­focused nonprofits across the country. Romanstein was previously President and CEO of the Atlanta Symphony Orchestra, President and CEO of the Minnesota Humanities Center, Director of Development at the Frederick R. Weisman Art Museum at the University of Minnesota, Executive Director of the Baltimore School for the Arts and Baltimore School for the Arts Foundation, and Associate Professor and Chair of the Department of Music at St. Lawrence University.

“I have firsthand knowledge of CCM’s excellence in music and arts education and I am a proud beneficiary of those high standards. I am honored to have the opportunity to contribute to my alma mater’s continued success as its next dean,” said Romanstein. “CCM’s reputation as a leading performing and media arts school is 150 years strong, and that reputation continues to grow thanks to the talents and dedication of its faculty, staff, alumni, donors, volunteers and community partners. Working together, we will continue to nurture the talents of our students and inspire future generations of artists, teachers, creative thinkers, innovative problem-­solvers and media-­savvy arts entrepreneurs.”

Romanstein continued, “I have found ideal partners in President Pinto and Provost Nelson and I look forward to working with them to build on CCM’s history and successes while advancing CCM’s role within the university’s strategic direction, Next Lives Here.”

Romanstein’s appointment follows a national search begun in fall 2017. The search was led by the UC Provost Office and chaired by Greer Glazer, Dean of the College of Nursing.

Nelson expressed her gratitude to bruce mcclung, who has served as CCM’s interim dean since July 2016. “I would like to acknowledge the outstanding service of Dean mcclung,” said Nelson. “UC owes mcclung a huge debt of gratitude for his leadership during the past two academic years, culminating with CCM’s 150th anniversary celebration.”

About Stanley E. Romanstein
Stanley E. Romanstein, PhD, brings to his new role at CCM extensive experience as a visionary leader, entrepreneurial strategist, engaging communicator, passionate fundraiser and successful manager.

In November of 2014, Romanstein began his tenure as professor of practice/music and the arts at Georgia State University’s Creative Media Institute, where his work focused on building music industry collaborations. During this time, he also served as a principal at BLJackson Associates, a consulting firm based in Atlanta that works with arts, humanities and education-­focused nonprofits across the country. The firm creates and implements tailored solutions to challenges in organizational strategy, governance and development/fundraising.

Romanstein has 22 years of leadership and management experience in education and the arts. As President and CEO of the Atlanta Symphony Orchestra (2010-­14), he strengthened the orchestra’s connection to the community through expanded concert offerings and a wide range of impactful education offerings. He also created and implemented a new business model that reversed a 12-­year history of financial loss and positioned the orchestra for long-­term sustainability and artistic achievement.

As President and CEO of the Minnesota Humanities Center (2001-­10), Romanstein transformed the center from a small organization with a local focus to a highly regarded regional and national leader in its field. He also created and distributed acclaimed new media;; this included a collection of four Somali folk tales taken from oral tradition and written down for the very first time, as well as an Emmy Award-­winning documentary entitled Iron Range: Minnesota Building America.

Romanstein proved to be an enthusiastic and productive fundraiser at the Minnesota Humanities Center, Frederick R. Weisman Art Museum and the Baltimore School of the Arts. He attracted new local, regional and national funding to support the center’s $4 million annual budget, including support from the Minnesota State Legislature by establishing partnerships with the state’s four ethnic councils: American Indian, African American, Latino and Asian. As Director of Development at the University of Minnesota’s Frederick R. Weisman Art Museum (2000-­01), Romanstein led what was, at the time, the highest grossing annual fund drive while laying the groundwork for the museum’s successful capital campaign. As Director of Baltimore School for the Arts (1996-­2000), Romanstein positioned the school for a successful capital campaign as well as a facility renovation and expansion.

From 1987-­96, Romanstein served as an associate professor and chair of the music department at St. Lawrence University, a highly selective liberal arts institution in New York. He refocused the department’s traditional music curriculum to emphasize interdisciplinary and multicultural perspectives and created meaningful connections with departments and colleagues across the campus.

Romanstein earned a Bachelor of Music Education degree, cum laude, from Carson-­Newman College in 1976. He then came to CCM to earn a Master of Music in Choral Conducting in 1980 and a PhD in Music in 1990. He was a Fulbright Scholar in Israel in 1985-­86 and in Japan in November-­December 1998.

About the University of Cincinnati College-­Conservatory of Music
Declared “one of the nation’s leading conservatories” by the New York Times, the University of Cincinnati College-­Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world’s stage.

CCM’s world-­class facilities provide a highly creative and multidisciplinary artistic environment. In 2017, the college completed a $15-­million renovation of its major performance spaces, ensuring that CCM’s facilities remain state-­of-­the-­art.

The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. More than 150 internationally recognized faculty members work with students from around the world, specializing in the areas of:

  • Composition/Musicology/Theory,
  • Electronic Media,
  • Ensembles and Conducting (Choral Studies, Commercial Music Production, Jazz Studies, Orchestral Studies and Wind Studies),
  • Keyboard Studies (Harpsichord, Organ and Piano),
  • Music Education,
  • Performance Studies (Strings, Voice and Woodwinds/Brass/Percussion)
  • Theatre Arts, Production and Arts Administration (Acting, Arts
    Administration, Dance, Musical Theatre, Opera and Theatre Design and
    Production).

The largest single source of performing arts events in the state of Ohio, CCM presents nearly 1,000 major public performances each year, ranging from faculty and guest artist concerts to fully supported acting, dance, musical theatre and opera productions.

CCM is an accredited institution of the National Association of Schools of Dance (NASD), the National Association of Schools of Music (NASM) and the National Association of Schools of Theatre (NAST), as well as a member of the University/ Resident Theatre Association (U/RTA).

Learn more by visiting http://ccm.uc.edu.

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CFF18: H2O: A PLAY ABOUT WATER

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H2O: A Play About Water presented by UC College-Conservatory of Music Drama

H2O: A PLAY ABOUT WATER
Part of the Cincinnati Fringe Festival ’18
Gabriel’s Corner
[Over-the-Rhine]

H20: A Play about Water. Water is life. 71% of our planet is water. Oceans rise. Droughts kill. Water soothes and water heals. H20 is an epic theatrical journey. Are you thirsty? Come have a drink of H20.

  • Sat, June 2 at 9pm
  • Mon, June 4 at 8:30pm
  • Wed, June 6 at 9pm

Official page | Press release | Facebook page | Facebook event | Official website

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CCM Acting Students Devise New Work for International Fringe Festival

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H2O: A Play about Water will debut in Cincinnati on April 19, 2018, as part of CCM Acting’s Studio Series. Tickets become available at noon on Monday, April 16 through the CCM Box Office.

CCM students have devised a new work to be presented this summer at Scotland’s Edinburgh International Fringe Festival. Before the production travels overseas, H2O: A Play about Water will premiere in Cincinnati as the final installment of CCM’s 2017-18 Studio Series on April 19-21 in Cohen Family Studio Theater.

The play is an original 60-minute piece of theatre that was created by 30 students from the Acting, Musical Theatre and Technical Production Departments at CCM. Admission to the CCM performances is free, but reservations are required. Tickets become available at noon on Monday, April 16 through the CCM Box Office.

CCM Acting Department Chair Richard Hess conceived the show and directed the students as they crafted the new work. The play is a theatrical collage of scenes that explore the abundance, scarcity and restorative powers of water.

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“Water is life,” Hess says. “Seventy-one percent of our planet is water. Oceans rise. Droughts kill. Water soothes and water heals. H2O is an epic theatrical journey. Are you thirsty? Come have a drink of H2O.”

Faculty and students will travel to Scotland to present H2O: A Play about Water in four performances at the 71st Edinburgh International Fringe Festival on August 4-8, 2018. This is the first time CCM Acting students have presented an original work in the most prestigious Fringe Festival in the world.

“Some dreams can last 37 years, and when they come true, they are more vivid and more magical than expected,” says Hess about this opportunity. “In 1981 when I was a junior in college, I traveled to Scotland for a study abroad experience and stayed for the year studying drama and English at the University of Glasgow. I have dreamed of taking a show to the Edinburgh Fringe Festival since I first set foot in Scotland 37 years ago. Taking 30 CCM students to Scotland is a dream come true.”

You can see the Cincinnati premiere of H2O: A Play about Water in CCM’s Cohen Family Studio Theater from April 19-21. Visit CCM’s guide to Studio Series tickets for tips and tricks to secure your seats.
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Performance Times

  • 8 p.m. Thursday, April 19
  • 8 p.m. Friday, April 20
  • 2 and 8 p.m. Saturday, April 21

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Admission
Admission is free. Reservations are required. Tickets become available at noon on Monday, April 16. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Acting Studio Series Sponsor: Neil Artman and Margaret Straub

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Musical Theatre Meets Physics in CCM’s THE THEORY OF RELATIVITY

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The cast of THE THEORY OF RELATIVITY. Photo by Kaelin Butts.

Art and science unite in the next Studio Musical Theatre Series production at the University of Cincinnati College-Conservatory of Music. Using Albert Einstein’s general theory of relativity as a beautiful and thought-provoking metaphor, THE THEORY OF RELATIVITY offers a crash course in physics while telling the story of a group of interconnected people who are searching for love.

The musical runs Thursday, March 29 through Saturday, March 31, 2018, at CCM’s Cohen Family Studio Theater. Admission is free but reservations are required. Tickets become available at noon on Monday, March 26 through the CCM Box Office.

From Drama Desk Award nominees Neil Bartram and Brian Hill, THE THEORY OF RELATIVITY presents an array of characters experiencing life’s joys and heartbreaks and the inevitability and wonder of human connection.

The physics metaphors are expressed through lyrics, formulas and movement on stage, says CCM Assistant Professor of Musical Theatre Katie Johannigman, director and choreographer of THE THEORY OF RELATIVITY.

CCM’s production invited Dr. Richard Gass, Undergraduate Director of UC’s Physics Department, to give the cast a crash course on General Relativity to prepare for the show. What was planned as a 30-minute lesson turned into an over two-hour interactive lesson about light cones, Newton’s laws, The Theory of Relativity and more, Johannigman says.

“Our students became enraptured by the physics and it launched a huge discussion about technology usage in our generation, perceptions people try to maintain through social media and how important our every action is during our time here on Earth.”

Gass listened to the musical and applied all of the physics lessons through the lyrics in the songs. He later brought ten of his students to watch a rehearsal of the show and had a discussion with the cast of CCM Musical Theatre students about how art and science overlap. Johannigman and THE THEORY OF RELATIVITY cast are grateful for Gass’ help, she says.

“We sing about the cosmos and our insatiable need to connect with each other through witty and contemporary lyrics that often reference Sir Isaac Newton and Albert Einstein’s findings,” Johannigman adds. “The Theory of Relativity is funny, sad, heart-warming and familiar — a whirl of stars figuring out where we fit into every expanding universe.”
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THE THEORY OF RELATIVITY
Music and Lyrics by Neil Bartram
Book by Brian Hill
Katie Johannigman, director and choreographer
Stephen Goers, musical director

CAST LIST

  • Delaney Guyer as Amy
  • Madison Deadman as Caroline
  • Camila Paquet as Catherine
  • Zoe Grolnick as Jenny
  • Kendall McCarthy as Julie
  • Mikayla Renthrow as Mira
  • Bailee Endebrock as Sara
  • Zach Triska as Adam
  • Dylan Mulvaney as Anthony
  • Dylan Dougal as Oliver
  • Jack Brewer as Mike
  • Sam Pickart as Paul
  • Frankie Thams as Ryan
  • Swings: Eli Goykham, Elle Zambarano

PERFORMANCE TIMES

  • 8 p.m. Thursday, March 29
  • 8 p.m. Friday, March 30
  • 2 and 8 p.m. Saturday, March 31

LOCATION
Cohen Family Studio Theater, CCM Village
University of Cincinnati

ADMISSION
Admission is free. Reservations are required. Tickets become available at noon on Monday, March 26. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

THE THEORY OF RELATIVITY is presented through special arrangement with Musical Theatre International (MTI). All authorized performance materials are also supplied by MTI. http://www.MTIShows.com

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CCM Announces 2018-2019 Mainstage Series of Acting, Dance, Musical Theatre and Opera

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The best is yet to come with the UC College-Conservatory of Music’s eight-part series of theatre arts productions! With new streamlined subscription packages, it’s never been easier to get the best tickets at the season’s best prices.

CINCINNATI, OH—The University of Cincinnati College-Conservatory of Music (CCM) will present eight masterworks spanning the spectrum of the theatre arts during its 2018- 19 Mainstage Series of Acting, Dance, Musical Theatre and Opera. Running from October 2018 through April 2019, these productions will showcase the phenomenal talent and polished professionalism of CCM’s young performing, design and media artists.

This season’s Mainstage Series includes classic and contemporary musicals with Frank Loesser, Abe Burrows and Jo Swerling’s Guys and Dolls and Alan Menken, Stephen Schwartz and Peter Parnell’s The Hunchback of Notre Dame, the best of comedic and dramatic acting with Nikolai Gogol’s The Government Inspector and Timberlake Wertenbaker’s Our Country’s Good, great operas from master composers with Benjamin Britten’s The Turn of the Screw and W.A. Mozart’s La Clemenza di Tito, and innovative dance programs that include a mixed repertoire concert of Birthday Variations and a fully-staged story ballet production of Sergei Prokofiev’s Cinderella.

The complete 2018-19 Mainstage Series lineup is listed below. Titles and dates are subject to change – rights pending. For the most current calendar of events, please visit us online at ccm.uc.edu.

CCM’S 2018-19 MAINSTAGE SERIES
Acting, Musical Theatre, Opera, Dance

THE GOVERNMENT INSPECTOR
Adapted by Jeffrey Hatcher from the original by Nikolai Gogol
Richard E. Hess, director

When the locals in a small Russian hamlet learn that an undercover government inspector is coming for a surprise visit, a case of mistaken identity sends the whole village spiraling into a world of panic and greed. Part farce, part slapstick and wholly entertaining, this timely and spirited adaptation of Nikolai Gogol’s classic play exposes the corruption of a provincial town with biting hilarity.

Performance Dates: Oct. 3 (preview), Oct. 4-7, 2018
Location: Patricia Corbett Theater

GUYS AND DOLLS
Book by Abe Burrows and Jo Swerling
Music and Lyrics by Frank Loesser
Based on The Idyll of Sarah Brown and characters by Damon Runyon
Diane Lala, director and choreographer
Roger Grodsky, musical director

Set in Damon Runyon’s mythical New York City, Guys and Dolls is the perfect musical comedy. Nathan Detroit is a gambler trying to find the cash to set up the biggest craps game in town while the authorities breathe down his neck. Meanwhile, his girlfriend and nightclub performer, Adelaide, laments that they’ve been engaged for 14 years. Nathan turns to fellow gambler Sky Masterson for the dough, and Sky ends up chasing straightlaced missionary Sarah Brown as a result. Guys and Dolls takes us from the heart of Times Square to the cafés of Havana, Cuba and even into the sewers of New York City, but eventually everyone ends up right where they belong.

Performance Dates: Oct. 19 and 21, Oct. 26-27, 2018
Note: A special gala performance of Guys and Dolls will be presented on Saturday, Oct. 20, in honor of CCM Musical Theatre’s 50th anniversary; special pricing applies.
Location: Corbett Auditorium

THE TURN OF THE SCREW
Music by Benjamin Britten
Libretto by Myfanwy Piper, after a story by Henry James
Mark Gibson, conductor
Vince DeGeorge, director

Based on Henry James’ classic ghost-story novella, Britten’s compelling chamber opera presents the story of a governess charged with the care of two orphaned children at their absentee uncle’s country estate, where the ghosts of a former valet and his lover haunt the grounds. With a blend of 12-tone techniques, arresting motifs and stirring lyricism, the action moves with incredible fluidity, creating a chilling tale of sexual repression and the corruption of innocence.

Performance Dates: Nov. 15-18, 2018
Location: Patricia Corbett Theater

BIRTHDAY VARIATIONS
Jiang Qi, director

CCM Dance showcases an array of classic and contemporary works restaged and choreographed by CCM Dance faculty members. The thrilling highlight of the evening is Birthday Variations, originally choreographed by Gerald Arpino, former Artistic Director of the Joffrey Ballet, to music by Giuseppe Verdi. Birthday Variations is presented by arrangement with the Gerald Arpino and Robert Joffrey Foundation.

Performance Dates: Dec. 6-9, 2018
Location: Patricia Corbett Theater

OUR COUNTRY’S GOOD
By Timberlake Wertenbaker
Based on the novel The Playmaker by Thomas Keneally
Susan Felder, director

Set in Botany Bay in 1789, Our Country’s Good is a darkly comedic tale based on the true story of Australia’s first theatrical performance. A marine lieutenant decides to put on a play to celebrate the king’s birthday. He casts the play with convicts who populate an Australian prison camp. Few of them can read, let alone act, and the play is produced against a background of food shortages and barbaric prison punishments. Our Country’s Good is as an inspiring tribute to the transforming power of drama. For mature audiences.

Performance Dates: Feb. 13 (preview), Feb. 14-17, 2019
Location: Patricia Corbett Theater

THE HUNCHBACK OF NOTRE DAME
Music by Alan Menken
Lyrics by Stephen Schwartz
Book by Peter Parnell
Based on the Victor Hugo novel and songs from the Disney film
Originally developed by Disney Theatrical Productions
Aubrey Berg, director
Stephen Goers, musical director
Katie Johannigman, choreographer

Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame begins as bells sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer, observes all of Paris reveling in the Feast of Fools, but he is held captive by his devious caretaker, the archdeacon Dom Claude Frollo. He escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though — the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies and it’s up to Quasimodo to save them all.

Performance Dates: March 7-10, 2019
Location: Corbett Auditorium

LA CLEMENZA DI TITO
(THE CLEMENCY OF TITUS)
Music by Wolfgang Amadeus Mozart
Libretto by Caterino Mazzolà
Aik Khai Pung, conductor
Robin Guarino, director

Mozart’s last opera seria displays some of his most memorable and marvelous arias! The story centers on Roman emperor Titus (Tito) who must choose a wife, but is unable to find a suitable match. In his search for an empress, Tito narrowly avoids an assassination plot instigated by his best friend Sesto and the former emperor’s daughter, Vitellia, who wants the throne for herself. Caught between his duty and his heart, the emperor must choose whether to rule with mercy or with an iron fist.

Performance Dates: April 12-14, 2019
Location: Corbett Auditorium

CINDERELLA
Jiang Qi, director

Celebrate spring’s arrival with a fully staged fairytale ballet. A poor girl wishes to escape the authoritarian rule of her evil stepmother and stepsisters, so her fairy godmother gives her a ticket to the ball! The girl meets Prince Charming and they fall in love, but she vanishes when the clock strikes midnight. Set to music by Sergei Prokofiev, Cinderella is known for its jubilant melodies, lush scenery and graceful retelling of the timeless romance by Charles Perrault.

Performance Dates: April 26-28, 2019
Location: Patricia Corbett Theater

Mainstage Series Subscriptions

The 2018-19 CCM Mainstage Series of Acting, Musical Theatre, Opera and Dance
productions includes subscription packages for combinations of Eight Shows, Six
Shows, Four Shows or Three Shows. Newly streamlined subscription packages make this process easier than ever before. Simply choose your shows and select whether you want seats in Section A (the best views) or Section B (the lowest prices)!

Renewal subscriptions are on sale now with packages ranging in price from $78-$176. Subscribers to CCM’s 2017-18 Mainstage Series can receive priority access to seating by renewing their subscriptions by May 1, 2018.

Subscription packages for new subscribers go on sale May 2, 2018, with packages ranging in price from $81-$192.

Single tickets go on sale beginning Sept. 10, 2018, but subscribing is the only way to guarantee your seats and your savings for CCM’s Mainstage Series!

To order subscriptions, contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation
Mainstage Season Production Sponsor: Macy’s

UNIVERSITY OF CINCINNATI COLLEGE-CONSERVATORY OF MUSIC
2018-19 MAINSTAGE SERIES OF ACTING, MUSICAL THEATRE, OPERA, DANCE

THE GOVERNEMENT INSPECTOR
Performance Times:

  • 8 p.m. Wednesday, Oct. 3 (preview)
  • 8 p.m. Thursday, Oct. 4
  • 8 p.m. Friday, Oct. 5
  • 2 p.m. Saturday, Oct. 6
  • 8 p.m. Saturday, Oct. 6
  • 2 p.m. Sunday, Oct. 7

Location: Patricia Corbett Theater

GUYS AND DOLLS
Performance Times:

  • 8 p.m. Friday, Oct. 19
  • 8 p.m. Saturday, Oct. 20 (CCM Musical Theatre 50th Anniversary gala performance; special pricing applies)
  • 1 p.m. Sunday, Oct. 21
  • 7 p.m. Sunday, Oct. 21
  • 8 p.m. Friday, Oct. 26
  • 2 p.m. Saturday, Oct. 27
  • 8 p.m. Saturday, Oct. 27

Location: Corbett Auditorium

THE TURN OF THE SCREW
Performance Times:

  • 8 p.m. Thursday, Nov. 15
  • 8 p.m. Friday, Nov. 16
  • 8 p.m. Saturday, Nov. 17
  • 2 p.m. Sunday, Nov. 18

Location: Patricia Corbett Theater

BIRTHDAY VARIATIONS
Performance Times:

  • 8 p.m. Thursday, Dec. 6
  • 8 p.m. Friday, Dec. 7
  • 8 p.m. Saturday, Dec. 8
  • 3 p.m. Sunday, Dec. 9

Location: Patricia Corbett Theater

OUR COUNTRY’S GOOD
Performance Times:

  • 8 p.m. Wednesday, Feb. 13 (preview)
  • 8 p.m. Thursday, Feb. 14
  • 8 p.m. Friday, Feb. 15
  • 2 p.m. Saturday, Feb. 16
  • 8 p.m. Saturday, Feb. 16
  • 2 p.m. Sunday, Feb. 17

Location: Patricia Corbett Theater

THE HUNCHBACK OF NOTRE DAME
Performance Times:

  • 8 p.m. Thursday, March 7
  • 8 p.m. Friday, March 8
  • 2 p.m. Saturday, March 9
  • 8 p.m. Saturday, March 9
  • 2 p.m. Sunday, March 10

Location: Corbett Auditorium

LA CLEMENZA DI TITO
Performance Times:

  • 8 p.m. Friday, April 12
  • 8 p.m. Saturday, April 13
  • 2 p.m. Sunday, April 14

Location: Corbett Auditorium

CINDERELLA
Performance Times:

  • 8 p.m. Friday, April 26
  • 2 p.m. Saturday, April 27
  • 8 p.m. Saturday, April 27
  • 2 p.m. Sunday, April 28

Location: Patricia Corbett Theater

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio Titles and dates are subject to change.

For a complete calendar of events, please visit us online at ccm.uc.edu.

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