Tag Archives: Know Theatre of Cincinnati

Meet the New Faces of Know

Big news! We’re so very excited to have two fresh faces joining us on staff at the Know in the new year, and just as excited to introduce these beautiful people to all you beautiful people.

KTC_Ri Moodie headshotRi Moodie is joining us as our Operations & Company Manager, handling the business side of the company as well as logistics that affect the company as a whole. She comes to us fresh from receiving her Master of Arts Administration in Theater & Production Management from Ohio University in 2021. She has also been working as an administrative associate at Theatre Washington (home of the Helen Hayes awards).

Ri describes herself as “a biracial member of the LGBTQI+ community who is always looking to enact positive change, no matter how small, within her community.”  You can read about her work helping to establish a new student-run theater for BIPOC students at Ohio University here: https://www.vibrancytheater.com/ri-moodie-contact


KTC_Katie Hartman headshotOur next new staffer is new to the Know, but may already be a familiar face to Cincy Fringe fans! Katie Hartman will be taking on the mantle of Fringe Producer for the 2022 Cincinnati Fringe Festival. Katie is one half of the performing team The Coldharts, who have been bringing us smash-hit shows in Fringes since 2014, including The Legend of White Woman CreekEdgar AllanThe Unrepentant Necrophile, and Eddie Poe.

Katie is a founding member and and long-time producer of the Twin Cities Horror Festival, which operates on a very similar model to the Cincy Fringe. Katie has been an active independent touring artist at festivals across the US and Canada for the last ten years, giving them a ton of hands-on experience in how Fringe Festivals can and should be operated. The first female producer of the Cincy Fringe, they are thrilled to take on this new role, championing the Queen City as a bastion for new work and adventurous artists.

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SERIALS! 12: THUNDER HEDRON Runs Feb. 7-April 7

KTC_Serials 12 logoSERIALS! 12: THUNDER HEDRON
Know Theatre of Cincinnati
Feb. 7-March 28
[Over-the-Rhine | Livestream]

15 minute episodes of new plays, every two weeks, for a total of 5 installments–delivered to you in the comfort of your own home.

Every week, YOU, the audience, votes on which 3 plays will continue for another episode, and which 2 will be banished to a dystopian theatrical wasteland.

Watch Episode One through Four here.

Episode Five Line-Up

A LITTLE MERMAID by Emily Borst
A mermaid has to marry a prince. Maybe.

VINCENT & PAUL & MADAME by Jim Stark
Van Gogh and Gaugin were roommates. Really.

THE MACKEY TAPES by Zoe Peterson
You only THINK you know the legend of Bobby Mackey’s

NON-FUNGIBLE by Andrew Hungerford
A crypto scam goes very, very wrong.

HUMAN ZOO by Brandon Leatherland
Humans find themselves abducted and put in a zoo.

  • Mon, Feb. 7 at 7:30pm No in-person performance
  • Mon, Feb. 21 at 7:30pm No in-person performance
  • Mon, March 7 at 7:30pm In-person performance
  • Mon, March 21 at 7:30pm In-person performance
  • Mon, April 4 at 7:30pm In-person performance

Official page |

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GLASSHEART at the Know Theatre

KTC_Glassheart logo“Did you ever really like reality? This might be your only chance to leave.”

GLASSHEART
by Reina Hardy
November 19 – December 12, 2021
A tale as old as time. Mostly. 

For the holidays, we’re bringing you a fairy tale for the broken-hearted. You already know and love the characters: an enchanted beast, his devoted servant, and a kind-hearted young woman who’s been locked up … in a crappy Chicago apartment. Glassheart, running November 19 – December 12 at Know Theatre, brings you a daringly modern twist on the story of the Beauty and her Beast.

Whether you’re a young woman with her first Chicago apartment or a cursed Beast with a talking lamp who’s recently downsized, the hardest thing about moving to a big city can be making a genuine connection with people. Glassheart is a new kind of fairy tale: for the romantics, for the broken-hearted, and for everyone who’s ready to breathe a little magic back into the world.

The Know’s second show back on our Jackson Street MainStage after we were shuttered by the pandemic, Glassheart is written by Reina Hardy, who also penned the Know’s 2017 holiday show, the Victorian-lady-detective crime caper Susan Swayne and the Bewildered Bride. Glassheart will be presented both live onstage and as a digital streaming production.

Glassheart sets the oft-adapted tale of Beauty and the Beast firmly in the present day with the question: what if Beauty had never shown up? After centuries of waiting, the Beast and his one remaining servant, a plucky living lamp, have sold their fairy-tale European castle and decamped to Chicago, hoping that the city’s dense population holds at least one woman who can love a Beast. When Aiofe (say it “ee-fah;” it’s an Irish name that means “beautiful”) chances into their apartment in search of a runaway pet, the Beast and his Lamp think the curse’s power may soon be broken … but they may not be prepared for the sacrifices they’ll make along the way.

Tamara Winters, the Associate Artistic Director of the Know and director of this production, said of Glassheart, “After 20 months of living through a truth that is stranger than fiction, diving headfirst into a story that intentionally dances between fantasy and reality feels remarkably satisfying. It’s my favorite kind of story – one that takes what you think will be familiar and flips it on its head, asking all kinds of new questions you haven’t thought to ask before. It’s a grown-up kind of fairytale; a nice palate cleanser from predictable holiday fare. It’s a story that will keep you guessing, but ultimately one that will remind you what it takes to become human. I think, right now, we could all use that lesson.”

Adam Tran returns to the Know’s MainStage to play the Beast on the heels of this summer’s outdoor production of Mongrel, the solo show he wrote and performed. Joining him are a pair of leading ladies in their mainstage debuts: Hannah Gregory will play the Beast’s devoted Lamp, who schemes to find the true love that will break the Beast’s curse, and Julie Locker will appear as Aiofe, the young beauty who falls into imprisonment in the Beast’s home. Rounding out the cast as the Witch is Jodie Linver, who was last seen on our MainStage as the goat Bibb in 2020’s Alabaster.

Make a little magic with us this holiday season with this story of love, sacrifice, and redemption as we take a new twist on a tale as old as time.

Tickets are available on our website, knowtheatre.com, or by calling our box office at 513-300-5669.

CAST

  • Adam Tran as the Beast
  • Hannah Gregory as the Lamp
  • Julie Locker as Aiofe
  • Jodie Linver as the Witch

PRODUCTION TEAM

  • Director: Tamara Winters
  • Lighting & Scenic Designer: Andrew J. Hungerford
  • Costume Designer: Noelle Wedig-Johnston
  • Props Designer: Kayla Williams
  • Sound Designer: Douglas J. Borntrager
  • Technical Director: Jim Stark
  • Stage Manager: Ben Dudley

AT A GLANCE

Production: Glassheart by Reina Hardy

Dates: November 19 – December 12, 2021; Wednesday – Saturday shows are at 8 PM; Sunday matinees are at 3 PM.

Where: Know Theatre, 1120 Jackson Street in Over-the-Rhine

Tickets: The standard ticket price is $25. Audiences may opt to support the Know’s initiative to pay all artists and employees a living wage by selecting the $35 Living Wage Ticket. Low-cost admission available for $15. On Wednesdays, as part of our Welcome Experiment, tickets are $5 in advance or FREE beginning one hour prior to the show. The Welcome Experiment is bright to you this season by Judge Mark P. Painter (Ret). 

Know Theatre is Cincinnati’s Theatrical Playground. The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible. 

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign.  

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. 

Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr. Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

 Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network. 

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GLASSHEART Runs Nov. 19-Dec. 12

KTC_Glassheart logoGLASSHEART
Know Theatre of Cincinnati
Nov. 19-Dec. 12
[Over-the-Rhine | Online]

Directed by Tamara Winters

Cast: Adam Tran as the Beast, Hannah Gregory as the Lamp, Julie Locker as Aoife & Jodie Livner as The Witch

Whether you’re a young woman with her first Chicago Apartment, or a cursed Beast with a talking lamp who’s recently downsized, the hardest thing about moving to a big city can be making a genuine connection with people. GLASSHEART is a new kind of fairy tale: for the romantics, for the broken-hearted, and for everyone who’s ready to breathe a little magic back into the world from the author of Susan Swayne and the Bewildered Bride.

Video on demand option available through Dec. 27.

  • Fri-Sat, Nov. 19-20 at 8pm
  • Sun, Nov. 21 at 3pm
  • Wed, Fri-Sat, Nov. 24, 26-27 at 8pm
  • Sun, Nov. 28 at 3pm
  • Wed-Sat, Dec. 1-4 at 8pm
  • Sun, Dec. 5 at 3pm
  • Wed-Sat, Dec. 8-11 at 8pm
  • Sun, Dec. 12 at 3pm

Official page |

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SHOCK! The Spine-Tingling Tale of Miss Spidra Quick Review

KTC_Shock1

Tess Talbot as Joyce Billings | “Miss Spidra”. Photo by Dan R. Winters Photography.

SHOCK! The Spine-Tingling Tale of Miss Spidra presented by Know Theatre of Cincinnati through Oct. 24. I attended the opening night performance.

Know Theatre returns to in-person performances by celebrating a slice of Americana perfect for the Halloween season: the costumed hosts of locally-produced late night television B-horror movie shows.

The script by Joseph Zettelmaier is smart, laugh-out-loud funny and does a great job of capturing the time period. The scenes from the ’50s are intercut with video interview segments where an older “Miss Spidra” reminisces about her career as a horror host. Director Andrew Hungerford shows a deft hand in the tone and pacing of the production. A couple moments of blocking pulled me out of the moment, but this would be a very minor complaint.

KTC_Shock2

Paul Riopelle as Ray Coslaw & Tess Talbot as Joyce Billings | “Miss Spidra”. Photo by Dan R. Winters Photography.

Paul Riopelle is pitch-perfect as Ray Coslaw, the beleaguered local TV executive working to mimic the late-night success of other cities that have hopped on the horror-host craze. Tess Talbot shines as Joyce Billings, aspiring actress (and Ray’s sister-in-law) who reluctantly signs on as the hostess, fighting to make her character more than another vamp of the night. The chemistry between these two actors is central to the success of the production.

Brianna Bernard rounds out the on-stage cast as Lucy Lupnicki, the young sidekick brought in to keep the show “fresh.” She handles the arc of the character very well as Lucy learns the ropes of the local TV industry. Talbot’s real-life mother, Terry Neumann, does a nice job as the older Joyce in the video segments. Also Daniel Winters has a fun video cameo as local politician Oglesby.

KTC_Shock3

Paul Riopelle as Ray Coslaw, Brianna Bernard as Lucy Lupnicki & Tess Talbot as Joyce Billings | “Miss Spidra”. Photo by Dan R. Winters Photography.

The technical aspects of the show worked well. The video was enjoyably produced and felt like a modern-day documentary thanks to director of photography Ryan Lewis. Resident costume designer Noelle-Wedig-Johnston did a great job of capturing the look of the ’50s and in the creation of Miss Spidra’s look. The set and props design by Kayla Williams define the two performances spaces well. I did feel the bookcases looked a bit unadorned for the TV set and I couldn’t find the gargoyles mentioned during the interview. Speaking of things mentioned in the script, it would have been fun to see the dry ice fog roll in for Miss Spidra’s debut. [Director Andrew Hungerford kindly informed me that, as with many things, there is currently a dry ice shortage, so kindly ignore my last sentence. –Rob] Again, I’m just being picky. 🙂

Overall a wonderful return to live performances and a very enjoyable, nostalgic look back to the early days of local television.

My rating: 4.5 out of 5.

Click here for more information on the production.

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