Tag Archives: Human Race Theatre Company

Lewis Black’s ONE SLIGHT HITCH is a Wedding Day Dream Turned Disaster at the Human Race Theatre Company

HRTC_One Slgiht Hitch promo1

Alex Sunderhaus, Alex Curtis, Cecily Dowd, Brian Dykstra, Rita Rehn, Dana Berger & Kyle Nunn. Photo by Scott J. Kimmins.

Comedian/playwright Black’s romantic farce is a nightmare for any father of the bride at The Loft Theatre, April 7 – 24, 2016.

(Dayton, OH) — Spring has sprung and while love is in the air at The Human Race, April showers loom for the characters of the theatre company’s latest production, One Slight Hitch. Life in suburban Cincinnati is good for Doc and Delia Coleman on the morning they’re about to throw their eldest daughter the perfect wedding they never had, that is until her vagabond ex-boyfriend arrives on their doorstep and turns their best laid plans into total chaos. The result is a zany, door-slamming comedy about stressed-out parents, less-than-helpful siblings and interruptions galore from the mind of comedian Lewis Black. Will their daughter make it down the aisle or will the day end up a perfect disaster? The production at The Human Race’s downtown Dayton home at The Loft Theatre is directed by Margarett Perry and features actors Brian Dykstra and Rita Rehn, with Dana Berger, Alex Curtis, Cecily Dowd, Kyle Nunn and Alex Sunderhaus. The preview performance of One Slight Hitch is Thursday, April 7. Opening night is Friday, April 8. The production runs through April 24.

For years, Lewis Black has been a nationally recognized comedian and social critic thanks largely to his regular “Back in Black” segments on The Daily Show and multiple Comedy Central specials. But years before he was a successful stand up, Black aspired to be a playwright, first studying at the University of North Carolina at Chapel Hill before earning an MFA degree at the Yale School of Drama. He served as the associate artistic director and playwright-in-residence of New York City’s West Bank Café Downstairs Theatre Bar, where he developed hundreds of one-act plays in the 1980s. Black’s stand-up comedy began as an opening act for the plays. His full-length plays include The Laundry Hour, The Czar of Rock and Roll, Nightfall and The Deal. His comedy CDs have earned him two Grammy Awards, and as an author, three of his books, Nothing’s Sacred, Me of Little Faith, and I’m Dreaming of a Black Christmas are New York Times best sellers. On film, Black has starred in such movies as Accepted, Unaccompanied Minors and Man of the Year, but is now probably best known as the voice of “Anger” in Disney/Pixar’s hit animated film, Inside Out.

Black wrote One Slight Hitch in the early 1980s, inspired by his breakup with a girlfriend who married quickly after their separation. Confused and upset over her nuptials, he turned his pain into a comedy that had some initial success with readings at various regional theatres and festivals. It was even optioned for Broadway before interest in the script faded for the better part of 30 years. Now a published work, Black attributes the play’s newfound success to his celebrity status as the “King of Rant,” but cautions that it is very different than his stand-up persona. “If my name weren’t on it,” he says, “nobody would know that I wrote this play.”

Director Margarett Perry returns to The Loft Theatre after having helmed The Human Race Theatre Company’s March 2015 production of Vanya and Sonia and Masha and Spike in the Victoria Theatre. The Resident Director at Ithaca, New York’s Kitchen Theatre, Perry has developed and directed new works Off-Broadway and in regional theatres across the country. Her other shows for The Human Race include Other Desert Cities, God of Carnage, Painting Churches, The Retreat from Moscow and the world premiere of Michael Slade’s Under a Red Moon. One Slight Hitch, however, holds a special place in heart as it allows her the opportunity to finally direct a play by one of her oldest, dearest friends, Lewis Black, and to bring her long-time collaborator, Brian Dykstra, along for the ride. “Brian and I have known Lew for years,” says Perry. “We met him when we were doing a play of Brian’s at the West Bank Café Downstairs Theatre Bar and Lew opened for our show every night with a 20 minute set. I had just moved to New York City. Lew was just getting started as a comedian, but we knew he was something special. When we first found out that this comedian would be opening for our show, we thought, ‘What?! How is that going to work?’ Obviously, it rocked.” Bound by a common sense of humor, the trio’s friendship has never wavered. She fondly recalls seeing Black perform on numerous occasions throughout the years and of more relaxed times at the West Bank Café’s weekend midnight comedy shows. “I have an enormous amount of respect for both Brian and Lew and so I’m really looking forward to working with both of them and sharing their talents with Dayton audiences,” beams Perry. “I’m getting nostalgic, but it’s just magical that all these years later we are working on Lew’s play in Dayton at The Human Race.” The director wants to let everyone in on one pleasant surprise, “You may not see it from his performances on The Daily Show, but Lew has a big heart. So naturally, One Slight Hitch is a funny, smart play with a big heart.”

CAST AND DESIGN TEAM

Perry has assembled a seven-member cast, most of whom will be new to Loft Theatre audiences. New York City actor and playwright Brian Dykstra (Lucky Guy on Broadway, The Body Politic and Call Me Waldo Off-Broadway, All the Way at The Repertory Theatre of St. Louis) is the harried father of the bride, “Doc.” Rita Rehn (Nine on Broadway, Last Dance and Defiance Off-Broadway) plays his wife, “Delia.” Alex Curtis (The Grapes of Wrath at Trinity Rep and Yellowjackets at Berkeley Rep) is “Ryan,” the ex-boyfriend with the worst timing. New York-based actress Dana Berger (Elementary on CBS, Seminar at Kitchen Theatre Company) is the bride, “Courtney,” and the oldest of three daughters. Cincinnati native Alex Sunderhaus (HRTC’s Vanya and Sonia and Masha and Spike at the Victoria Theatre and August: Osage County, HRTC’s collaboration with Wright State University) plays middle sister “Melanie.” Centerville High School junior Cecily Dowd (Muse Machine’s Mary Poppins) is teenage daughter “PB.” Cincinnati Conservatory of Music alum Kyle Nunn (HRTC’s Miracle on South Division Street) returns for his second comedy at The Loft as Courtney’s fiancé, “Harper,” a role for which he was hand-selected by Lewis Black himself.

Dayton area artist Ray Zupp takes his first turn as scenic designer at The Human Race, having created sets for a number of regional performing arts organizations. One Slight Hitch marks frequent Human Race costume designer Janet G. Powell’s twelfth production at The Loft. Resident Artist John Rensel is the lighting designer. Todd Mack Reischman (HRTC’s Seussical, Big River), resident sound designer at Indiana Repertory Theatre, serves as the sound designer. Kay Carver is the production stage manager.

Biographies on the cast and creative team can be found on The Human Race Theatre Company’s website.

The Human Race Theatre Company’s production of One Slight Hitch is sponsored by India and John Clarke and the Theda and Tamblin Clark-Smith Family Foundation, Doug Annala and Sam Rinehart, Heidelberg Distributing Company, Burhill Leasing Corporation and Matthew J. Scarr, CPA LLC.

Performance and special event information

Tickets for the preview performance of One Slight Hitch on April 7 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances April 8  – 24, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities. Side-area seats are available at all performances for $25 each, on sale two weeks prior to performance. The Sunday, April 10 7:00 p.m. performance is “Sawbuck Sunday”, when any available seat can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for One Slight Hitch are 8:00 p.m. on Wednesday through Saturday evenings. Performances on Sunday and Tuesday evenings begin at 7:00 p.m. and at 2:00 p.m. on Sunday matinees.

Tickets and performance information on One Slight Hitch are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office. 

# # #

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces a summer Festival of New Works and special event programming. Under the direction of President and Artistic Director Kevin Moore, the company also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, the Muse Machine In-School Tour, and a summer youth program. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2015-2016 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson and Steve and Lou Mason. The 2015-2016 Loft season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health and Morris Home Furnishings.

CALENDAR EDITORS, PLEASE NOTE:

The Human Race Theatre Company presents
ONE SLIGHT HITCH
by Lewis Black
Directed by Margarett Perry
April 7 – 24, 2016

Performed at The Loft Theatre
Metropolitan Arts Center
126 North Main Street (between First and Second streets)
Dayton, Ohio 45402

Life in suburban Cincinnati is good for Doc and Delia Coleman on the morning they’re about to throw their eldest daughter the perfect wedding they never had, that is until her vagabond ex-boyfriend arrives on their doorstep and turns their best laid plans into total chaos. The result is a zany, door-slamming comedy about stressed-out parents, less-than-helpful siblings and interruptions galore from the mind of comedian Lewis Black. Will their daughter make it down the aisle or will the day end up a perfect disaster?

For tickets:

Ticket prices start at: $35 – $50 for adults, $32 – $46 for seniors and $17.50  – $25.00 for students. Prices vary depending on performance date.

Discounts: Select side-area seats available for $25 at all performances; “Sawbuck Sunday” April 10 at 7:00 p.m. – $10 seats available for walk up sales only

Group sales: Contact Betty Gould at (937) 461-8295 or Betty.Gould@victoriatheatre.com

ONE SLIGHT HITCH performance dates:

  • Wednesday, April 6 8:00 p.m.  Pay-What-You-CAN open rehearsal
  • Thursday, April 7 8:00 p.m.  “Inside Track” pre-show discussion/Preview performance
  • Friday, April 8 8:00 p.m.  Opening night with post-show party at Uno Pizzeria & Grill
  • Saturday, April 9 8:00 p.m.
  • Sunday, April 10 2:00 p.m.
  • Sunday, April 10 7:00 p.m.  “Sawbuck Sunday” – $10 tickets at the door
  • Tuesday, April 12 7:00 p.m.  Lite Fare at The Loft pre-show lobby dining
  • Wednesday, April 13 8:00 p.m.
  • Thursday, April 14 8:00 p.m.
  • Friday, April 15 8:00 p.m.
  • Saturday, April 16 8:00 p.m.  Audio Described/Sign Interpreted performance (reserve by April 1)
  • Sunday, April 17 2:00 p.m.  “While We’re on the Subject” post-show talk-back
  • Tuesday, April 19 7:00 p.m.
  • Wednesday, April 20 8:00 p.m.
  • Thursday, April 21 8:00 p.m.
  • Friday, April 22 8:00 p.m.
  • Saturday, April 23 8:00 p.m.
  • Sunday, April 24 2:00 p.m.  Closing performance

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ONE SLIGHT HITCH Runs April 7-24

HRTC_One Slgiht Hitch promo1

Alex Sunderhaus, Alex Curtis, Cecily Dowd, Brian Dykstra, Rita Rehn, Dana Berger & Kyle Nunn. Photo by Scott J. Kimmins.

ONE SLIGHT HITCH
Human Race Theatre Company
April 7-24
The Loft [Dayton]

Written by Lewis Black
Directed by Margaret Perry

Life in suburban Cincinnati is good for Doc and Delia Coleman on the morning they’re about to throw their eldest daughter the perfect wedding they never had, that is until her vagabond ex-boyfriend arrives on their doorstep and turns their best laid plans into total chaos. The result is a zany, door-slamming comedy about stressed-out parents, less-than-helpful siblings and interruptions galore from the mind of comedian Lewis Black. Will their daughter make it down the aisle or will the day end up a perfect disaster?

  • In preview Thu, April 7 at 8pm
  • Fri-Sat, April 8-9 at 8pm
  • Sun, April 10 at 2pm & 7pm
  • Tue, April 12 at 7pm
  • Wed-Sat, April 13-16 at 8pm
  • Sun, April 17 at 2pm
  • Tue, April 19 at 7pm
  • Wed-Sat, April 20-23 at 8pm
  • Sun, April 24 at 2pm

Official page |

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THE GLASS MENAGERIE Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob

THE GLASS MENAGERIE presented by Human Race Theatre Company through Feb. 21. Click here for more information on the production. I attended the opening Sunday matinee performance.

HRTC_Glass Menagerie3

Jennifer Joplin, Claire Kennedy and Scott Hunt. Photo by Scott J. Kimmins.

The Human Race returns for the new year with a gorgeously-staged, ethereal production of a Tennessee Williams’ classic.

The cast boasts a strong ensemble of four. Scott Hunt is engaging as Tom, the bitter and put-upon son who works a warehouse job to support his mother and sister. Tom also narrates this memory play. As family matriarch Amanda, Jennifer Joplin embodies a fading southern bell who spends equal amounts of time recounting the glories of her youth and scheming to find security for her uncertain future. Claire Kennedy gives a subtle, but layered performance as Laura, who seems every bit as fragile as her glass collection. Drew Vidal is bigger than life and full of energy as Jim, Laura’s would-be suitor in act two. Their scenes together had great chemistry and I enjoyed watching Laura struggle against her introverted nature under Jim’s charms.

HRTC_Glass Menagerie2

Drew Vidal and Claire Kennedy. Photo by Scott J. Kimmins.

Director Greg Hellems displays a smart and restrained hand in the staging and creates many beautiful stage pictures. The characterizations are real and easily believable.

The atmosphere for the show is beautifully handled by set designer Eric Barker, lighting designer John Rensel, composer/sound designer Jay Brunner and the costume designs of Ayn Kaetchen Wood. The small apartment, dressed in faded glory, floats above the floor. The un-faced front of the set is filled with everyday items. The upstage wall is dressed as if it were a giant window, with heavy blue drapes and yellowing sheer curtains. The hint of a staircase audience right was a great element.

HRTC_Glass Menagerie1

Scott Hunt, Claire Kennedy and Jennifer Joplin. Photo by Scott J. Kimmins.

The attention to detail was impressive across the show. I thought all the costumes for the dinner scene with Jim were perfection. I also enjoyed how the display table for Laura’s glass figurines lit up. There was this magical little moment where Amanda’s upstage exit was timed perfectly with Tom’s entrance from behind the upstage wall, stage left.

A few minor complaints. The pacing did seem to drag at times in the first act when the other actors matched Amanda’s gentile cadence. It was also unclear to me what the pattern in the floor represented. If they were meant to be cracks, I would have expected them to be more narrow and angular.

An impressive production. If you have never attended a show at The Loft, THE GLASS MENAGERIE is definitely worth the drive to Dayton.

My rating: 4.5 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Audience and Community Engagement Manager Sought at Human Race Theatre Company

HRTC_logoAudience and Community Engagement Manager

The Human Race Theatre Company (HRTC) is seeking a highly motivated team player to take part in  reinventing the Company’s brand. This marketing and publicity professional will promote the organization, its productions, programs and artists, as well as the “Loft Theatre experience” to new audiences in the greater Dayton region.

The Audience and Community Engagement Manager will work with the Director of Marketing and Communications to drive brand engagement to targeted audiences. The ultimate goal is to increase ticket sales and increase awareness of the company’s profile within the community. The successful candidate will work to raise the organization’s profile locally, regionally and nationally as an artistic voice in the greater Miami Valley and a leading force in the development of new American theater.

Primary responsibilities:

Marketing and Publicity

  • Generate content for and maintain existing social networking pages to increase friend/follower bases and engagement, and establish a presence on other relevant social media sites
  • Ingratiate HRTC into online conversations to increase awareness of the company’s profile and expertise
  • Build and maintain relationships with local and national media personnel, distribute press releases, pitch story ideas and coordinate artist interviews and appearances
  • Follow and maintain up-to-date knowledge of company news and events as well as the arts on local and national levels to post and share with HRTC’s social media followers
  • Photograph/video company/production-related events for posting/sharing on social media sites
  • Oversee the production of promotional and informational videos
  • Ensure that performances and events are listed on local websites’ and online event listings
  • Direct community outreach efforts and represent HRTC at area events
  • Assist in the development of campaigns and partnerships to attract new audiences
  • Recommend and make updates/enhancements to website to increase engagement and traffic
  • Compile analytical data and metrics to measure the success of social media, email marketing and online advertising campaigns
  • Stay current on digital and web marketing, advertising, social media, and CRM tools and trends, especially in terms of their applications within the entertainment industry
  • Oversee placement of show posters and fliers at area businesses

Administrative

  • Download and scan press articles and create post-production press kits
  • Maintain department files, databases and archives
  • Assist with the creation and coordination of production and collateral materials – contacting staff, guest artists and outside businesses/individuals
  • Other duties as assigned

Qualifications/Requirements:

  • Bachelor’s degree
  • Minimum 2 years of professional experience in marketing, communications, publicity or the arts
  • Strong understanding of social media skills and platforms, especially Facebook and Twitter
  • Excellent computer skills (Word, Excel and Outlook) and some experience with basic graphic design software as well as WordPress. Experience with Constant Contact email software, Adobe Creative Suite and Acrobat is helpful.
  • Basic photography and videography skills
  • Strong interest in and knowledge of the theatre or the performing arts industries preferred
  • Very strong interpersonal and communication skills, copy-writing and proof-reading skills
  • Excellent time and project management skills for deadline-driven tasks
  • Must be able to work occasional evening and weekend hours
  • Valid driver’s license and auto coverage for occasional travel to offsite events/meetings

Hours, salary and benefits:

  • 40 hours/week; flexible schedule (mostly daytime hours with some evenings and weekends)
  • $30,000-$35,000/year annual salary
  • Health & Dental insurance available
  • Paid Vacation
  • Complimentary tickets to productions

Performance and salary will be measured and reviewed annually.

Email resume, two references and two publicity-related writing sample, and links to any blog/social media postings, video/photography sample work you wish to share, to, contact@humanracetheatre.org with the subject line: Audience and Community Engagement Manager. No phone calls, please. Application deadline is February 29, 2016.

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American Classic THE GLASS MENAGERIE Shatters Family Memories at the Human Race Theatre Company

Tennessee Williams’ masterpiece takes to The Loft Theatre stage February 4 – 21, 2016

HRTC_Glass Menagerie promo1

Claire Kenney as Laura, Drew Vidal as Jim, Jennifer Joplin as Amanda and Scott Hunt as Tom. Photo by Scott J. Kimmins.

(Dayton, OH) — The Human Race begins the second half of its 29th season with Tennessee William’s first great masterpiece, THE GLASS MENAGERIE. Memories come alive and love becomes desperate in this shimmering drama of a family on the edge. Tom struggles to make it in a modern day world while his reclusive sister hides amongst the small glistening crystalline creatures she collects. Their mother holds tight to a fantasy of Southern gentility and the belief that a certain gentleman caller will be the answer to their problems. With an edge as sharp as broken glass, it’s a story that cuts deep into the longing of human hearts. The production at The Human Race’s downtown Dayton home at The Loft Theatre is directed by Greg Hellems and features actors Scott Hunt, Jennifer Joplin, Claire Kennedy and Drew Vidal. The preview performance of THE GLASS MENAGERIE is Thursday, February 4. Opening night is Friday, February 5. The production runs through February 21.

Even before it opened on Broadway in 1945, THE GLASS MENAGERIE had proved itself to be a powerhouse hit with audiences and critics, quickly earning the then unknown Tennessee (real name “Thomas”) Williams national recognition as a voice of his generation. Considered to be semi-autobiographical in nature, the play takes elements of Williams’ own early life—growing up in St. Louis with an overprotective Southern mother and an emotionally troubled sister, toiling in a shoe factory, a difficult relationship with his father—and pours them into the tortured soul of its protagonist and narrator, “Tom Wingfield.” Described by the playwright as a “memory play,” THE GLASS MENAGERIE was unusual for its time, the script was filled with considerable and detailed stage directions from Williams to ensure its presentation in the manner he envisioned, the story is filled with intentional symbolism and its dialogue highly poetic and lyrical in nature. Even after Williams went on to win two Pulitzer Prizes for A Streetcar Named Desire and Cat on a Hot Tin Roof, his THE GLASS MENAGERIE was heralded as a defining work that changed the American Theatre and opened up new ways of writing dramatic literature.

In defining his vision of THE GLASS MENAGERIE for The Human Race, director Greg Hellems focused on Williams’ early life and how he sought to purge himself of guilt and regret, just as his doppelganger on stage, “Tom,” must do. “I see the theatre as Tom’s purgatory,” explains Hellems, “in which he must make his nightly confession to explain his actions and to justify his decision to abandon his mother and his disabled sister.” The story in the play is Tom’s memory, but it’s telling has an unintended consequence. “The ghosts of Tom’s illusion—his mother, his sister, his co-worker, Jim—respond with vitality and life, and won’t succumb to Tom’s conscious desire to win us over,” Hellems says. “Once Tom steps into his memory, it is no longer under his control, and he must face the reality of his past decision.”

CAST AND DESIGN TEAM

The four-member cast of The Human Race’s production features two of the company’s Resident Artists, native Daytonian Scott Hunt (Rent and Les Misérables on Broadway, Big River and Shenandoah with HRTC) as the troubled son, “Tom,” and Cincinnati’s Jennifer Joplin (HRTC’s Miracle on South Division Street, Other Desert Cities and God of Carnage) as his mother, “Amanda,” as well as Wright State University graduate Claire Kennedy (HRTC’s Lend Me a Tenor, Twelfth Night, Romeo and Juliet) as sister “Laura” and Ball State University assistant professor Drew Vidal (The Three Musketeers at Illinois Shakespeare Festival, Red Light Winter at Shafer Street Playhouse) as the gentleman caller, “Jim.”

Earlham College professor Eric Barker’s (The Repertory of St. Louis, CATCO, Richmond Shakespeare Festival) set combines a stylistic setting with real world furnishings in his first turn as scenic designer for The Human Race. Local artist/designer Ayn Kaethchen Wood (The Zoot Theatre Company, Yellow Springs Kids Playhouse, HRTC’s Under a Red Moon) serves as costume designer. Resident Artist John Rensel returns to set the mood as lighting designer. Sound designer Jay Brunner (HRTC’s The Santaland Diaries, The Full Monty, Family Shots) has created an original musical score to accompany the action onstage. Kay Carver is the production stage manager. The show’s producer is Human Race Associate Artistic Director Tara Lail.

Biographies on the cast and creative team can be found on The Human Race Theatre Company’s website.

The Human Race Theatre Company’s production of THE GLASS MENAGERIE is sponsored by the Roberts Foundation, an Anonymous Sponsor in Joyful Memory of Marsha Hanna, and David and Dulie Greer.

PERFORMANCE AND SPECIAL EVENT INFORMATION

Tickets for the preview performance of THE GLASS MENAGERIE on February 4 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances February 5 – 21, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities. Side-area seats are available at all performances for $25 each, on sale two weeks prior to performance. The Sunday, February 7 7:00 p.m. performance is “Sawbuck Sunday”, when any available seat can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for THE GLASS MENAGERIE are 8:00 p.m. on Wednesday through Saturday evenings. Performances on Sunday and Tuesday evenings begin at 7:00 p.m. and at 2:00 p.m. on Sunday matinees.

Tickets and performance information on THE GLASS MENAGERIE are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

# # #

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces a summer Festival of New Works and special event programming. Under the direction of President and Artistic Director Kevin Moore, the company also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, the Muse Machine In-School Tour, and a summer youth program. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2015-2016 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson and Steve and Lou Mason. The 2015-2016 Loft season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health and Morris Home Furnishings.

CALENDAR EDITORS, PLEASE NOTE:

The Human Race Theatre Company presents
THE GLASS MENAGERIE
by Tennessee Williams
directed by Greg Hellems

February 4 – 21, 2016

Performed at The Loft Theatre Metropolitan Arts Center
126 North Main Street (between First and Second streets)
Dayton, Ohio 45402

Memories as fragile as glass are tossed into the air in Tennessee Williams’ first great masterpiece. Dreams meet reality and love becomes desperate in a shimmering drama of a family on the edge. Tom struggles in a modern day world while his mother holds tight to a fantasy of Southern gentility and his sister hides amongst the glistening crystalline creatures she collects. With an edge as sharp as broken glass, it’s a story that cuts deep into the longing of human hearts.

For tickets:

Ticket Center Stage box office phone: (937) 228-3630

Box office hours: Monday – Friday, 10:00 a.m. – 6:00 p.m.; and two hours prior to each performance

Online: www.humanracetheatre.org or www.ticketcenterstage.com. Ticket prices start at: $35 – $50 for adults, $32 – $46 for seniors and $17.50 – $25.00 for students. Prices vary depending on performance date.

Discounts: Select side-area seats available for $25 at all performances; “Sawbuck Sunday” February 7 at 7:00 p.m. – $10 seats available for walk up sales only

Group sales: Contact Betty Gould at (937) 461-8295 or Betty.Gould@victoriatheatre.com.

THE GLASS MENAGERIE performance dates:

  • Wednesday, February 3 8:00 p.m. Pay-What-You-CAN open rehearsal
  • Thursday, February 4 8:00 p.m. “Inside Track” pre-show discussion/Preview performance
  • Friday, February 5 8:00 p.m. Opening night with post-show party at Uno Pizzeria & Grill
  • Saturday, February 6 8:00 p.m.
  • Sunday, February 7 2:00 p.m.
  • Sunday, February 7 7:00 p.m. “Sawbuck Sunday” – $10 tickets at the door
  • Tuesday, February 9 7:00 p.m. Lite Fare at The Loft pre-show lobby dining
  • Wednesday, February 10 8:00 p.m.
  • Thursday, February 11 8:00 p.m. Friday,
  • February 12 8:00 p.m.
  • Saturday, February 13 8:00 p.m. Audio Described/Sign Interpreted performance (reserve by January 29)
  • Sunday, February 14 2:00 p.m. “While We’re on the Subject” post-show talk-back
  • Tuesday, February 16 7:00 p.m.
  • Wednesday, February 17 8:00 p.m.
  • Thursday, February 18 8:00 p.m.
  • Friday, February 19 8:00 p.m.
  • Saturday, February 20 8:00 p.m.
  • Sunday, February 21 2:00 p.m. Closing performance

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