Tag Archives: Human Race Theatre Company

THE GLASS MENAGERIE Runs Feb. 4-21

HRTC_Glass Menagerie promo1

Claire Kenney as Laura, Drew Vidal as Jim, Jennifer Joplin as Amanda and Scott Hunt as Tom. Photo by Scott J. Kimmins.

THE GLASS MENAGERIE
Human Race Theatre Company
Feb. 4-21
Dayton

Directed by Greg Hellems

Cast: Scott Hunt as Tom, Jennifer Joplin as Amanda, Claire Kennedy as Laura & Drew Vidal as Jim

Memories as fragile as glass are tossed into the air in Tennessee Williams’ first great masterpiece. Dreams meet reality and love becomes desperate in a shimmering drama of a family on the edge. Tom struggles in a modern day world while his mother holds tight to a fantasy of Southern gentility and his sister hides amongst the glistening crystalline creatures she collects. With an edge as sharp as broken glass, it’s a story that cuts deep into the longing of human hearts

  • In preview Thu Feb. 4 at 8pm
  • Fri-Sat, Feb. 5-6 at 8pm
  • Sun, Feb. 7 at 2pm & 7pm
  • Tue, Feb. 9 at 7pm
  • Wed-Sat, Feb. 10-13 at 8pm
  • Sun, Feb. 14 at 2pm
  • Tue, Feb. 16 at 7pm
  • Wed-Sat, Feb. 17-20 at 8pm
  • Sun, Feb. 21 at 2pm

Official page |

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THE SANTALAND DIARIES Runs Dec. 10-19

Tom Lile as Crumpet.

Tom Lile as Crumpet.

THE SANTALAND DIARIES
Human Race Theatre Company
Dec. 10-19
Dayton

Directed by Scott Stoney

Starring Tim Lile

Meet the quintessential elf-gone-bad as he relives a series of less-than-merry misadventures in David Sedaris’ hysterical antidote for holiday havoc. Spend some time with the irreverent Crumpet—one of Santa’s little helpers during the Macy’s Christmas shopping rush—as he handles the hordes of insufferable shoppers and their kiddies with whacked out, wicked wit.

  • In preview Thu, Dec. 10 at 7pm
  • Fri, Dec. 11 at 7pm
  • Sat, Dec. 12 at 5pm & 9pm
  • Tue-Fri, Dec. 15-18 at 7pm
  • Sat, Dec. 19 at 5pm & 9pm

Official page |

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The Human Race Theatre Company Makes an Appointment for Laughter and Tears with STEEL MAGNOLIAS

Robert Harling’s Southern treasure makes its long-awaited return
November 5 – 29, 2015 at The Loft Theatre

Julia Geisler, Christine Brunner, Patricia Linhart, Carolyn Popp, Maretta Zilic and Caitlin Larsen. Photo by Scott J. Kimmins.

Julia Geisler, Christine Brunner, Patricia Linhart, Carolyn Popp, Maretta Zilic and Caitlin Larsen. Photo by Scott J. Kimmins.

(Dayton, OH) — One of the most beloved plays in modern theatre returns to The Human Race as Dayton’s premier professional theatre company revisits the popular tale of friendship among triumph and loss, STEEL MAGNOLIAS. Many things beside hair get done at Truvy’s hair salon, and that’s why it is the place to go in Chinquapin Parish, Louisiana. Gossip, revelations and witty Southern banter flow like refreshing sweet tea on a hot summer day. The opinionated Truvy and her new assistant, Annelle, play host to unlikely friends Ouiser and Clairee, the respectable and sociable M’Lynn and her beautiful daughter, Shelby. As the women come face to face with difficult times, they are brought together through strength and love. Robert Harling’s 1987 play is consistently one of the most widely produced shows in the country and has been twice adapted for the screen. The Human Race first produced STEEL MAGNOLIAS in 1989 at the Biltmore Hotel’s Muse Space, then again on the Victoria Theatre’s Broadway on Main series in 2001. This production on The Loft Theatre stage is being directed by Heather N. Powell. The preview performance of STEEL MAGNOLIAS is Thursday, November 5. Opening night is Friday, November 6. The production runs through November 29.

“We’re thrilled to be making another visit to Truvy’s,” says Human Race President & Artistic Director Kevin Moore. “STEEL MAGNOLIAS was a very popular show for us and has always been an audience favorite. We’ve been looking forward to the chance to bring it to The Loft stage for some time.”

While many of The Human Race’s patrons may know Heather N. Powell from her behind-the-scenes work as the company’s long-time prop master, most don’t know she is a trained director who has helmed a number of local productions and The Race’s in-school touring productions of Change and A Dickens of a Time. For this well-known story, Powell and scenic designer Eric Moore have a vision that is truly their own, and that is intentional. “It may surprise a lot of people neither I nor Eric have ever seen the 1989 movie or a staged version of the play,” she says. “When we realized this, we made a pact to not see the movie and to avoid exposure to it on the internet.” As for establishing the characters’ personalities and the world in which they live, “I am approaching the play by staying true to Harling’s words and the characters he gave me to play with,” states Powell. “His words are my only guide; so what you will see on stage is what Eric and I saw in our minds and through development working together with solely the script for reference.”

CAST AND DESIGN TEAM
For The Human Race’s 2015 production, director Powell has gathered a six-actress ensemble of faces both familiar and new to The Loft Stage. Christine Brunner (Play It by Heart, Permanent Collection, A Christmas Carol) is “Truvy,” owner of the beauty salon that is the play’s setting. Resident Artist Patricia Linhart (Torch Song Trilogy, Becky’s New Car, Every Good Boy Deserves Favour) is the town’s grande dame, “Clairee.” Caitlin Larsen (Lend Me a Tenor, Moonlight and Magnolias, Fiddler on the Roof) is the acerbic, but lovable, curmudgeon “Ouiser.” New to The Human Race are Julia Geisler (A Musical Christmas Carol and Boeing, Boeing at Pittsburgh CLO) as “Shelby,” the prettiest girl in town, Carolyn Popp (The Drilling Company’s Romeo and Juliet, and Bay Street Theatre’s To Kill a Mockingbird) as Shelby’s social prominent mother, “M’Lynn,” and Maretta Zilic (Richmond Shakespeare Festival’s A Midsummer Night’s Dream) as Truvy’s new assistant, “Annelle.”

“These women are perfect for their roles,” praises Powell as she recalls the show’s audition process. “We had so many talented actresses who auditioned, but there was just something special about each of these ladies. It became especially clear when they each read snippets of the show for their callbacks. I immediately saw them in full 80s hair and outfits bringing their character to life.”

Scenic designer Eric Moore (Miracle on South Division Street, and Footloose and The Music Man for Springfield’s Summer Arts Festival) has created the carport-turned-makeshift-beauty salon set. Costume designer Janet G. Powell (The Full Monty: The Broadway Musical, Family Shots, Avenue Q) has styled the cast in nostalgic 80s. This production marks Resident Lighting Designer John Rensel’s third time lighting STEEL MAGNOLIAS for The Human Race. Brian Retterer (Play It by Heart, Oliver!) returns to The Loft to oversee the sound design. Kay Carver serves as the production stage manager. The show’s producer is Human Race Associate Artistic Director Tara Lail.

Biographies on the cast and creative team can be found on The Human Race Theatre Company’s website.

The Human Race Theatre Company’s production of STEEL MAGNOLIAS is sponsored by Marion’s Piazza, Square One Salon and Day Spa, Larry S. Glicker—Glickler Funeral Home, Patricia Giering and One Call Now.

PERFORMANCE AND SPECIAL EVENT INFORMATION

Tickets for the preview performance of STEEL MAGNOLIAS on November 5 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances November 6 – 29, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities. Side-area seats are available at all performances for $25 each, on sale two weeks prior to performance. The Sunday, November 8 7:00 p.m. performance is “Sawbuck Sunday”, when any available seat can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for STEEL MAGNOLIAS are 8:00 p.m. on Wednesday through Saturday evenings. Performances on Sunday and Tuesday evenings begin at 7:00 p.m. and at 2:00 p.m. on Sunday matinees.

Tickets and performance information on STEEL MAGNOLIAS are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

# # #

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces a summer Festival of New Works and special event programming. Under the direction of President and Artistic Director Kevin Moore, the company also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, the Muse Machine In-School Tour, and a summer youth program. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2015-2016 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson and Steve and Lou Mason. The 2015-2016 Loft season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health and Morris Home Furnishings.

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STEEL MAGNOLIAS Runs Nov. 5-29

Julia Geisler, Christine Brunner, Patricia Linhart, Carolyn Popp, Maretta Zilic and Caitlin Larsen. Photo by Scott J. Kimmins.

Julia Geisler, Christine Brunner, Patricia Linhart, Carolyn Popp, Maretta Zilic and Caitlin Larsen. Photo by Scott J. Kimmins.

STEEL MAGNOLIAS
Human Race Theatre Company
Nov. 5-29
Loft Theatre [Dayton]

Directed by Heather N. Powell

Cast: Christine Brunner as Truvy, Julia Geisler as Shelby, Caitlin Larsen as Ouiser, Patricia Linhart as Clairee, Carolyn Popp as M’Lynn & Maretta Zilic as Annelle

Many things beside hair get done at Truvy’s hair salon, and that’s why it is the place to go in Chinquapin Parish, Louisiana. Gossip, revelations and witty Southern banter flow like refreshing sweet tea on a hot summer day. The opinionated Truvy and her new assistant, Annelle, play host to unlikely friends Ouiser and Clairee, the respectable and sociable M’Lynn and her beautiful daughter, Shelby. As the women come face to face with difficult times, they are brought together through strength and love.

  • In preview, Thu, Nov. 5 at 8pm
  • Fri-Sat, Nov. 6-7 at 8pm
  • Sun, Nov. 8 at 2pm & 7pm
  • Tue, Nov. 10 at 7pm
  • Wed-Sat, Nov. 11-14 at 8pm
  • Sun, Nov. 15 at 2pm
  • Tue, Nov. 17 at 7pm
  • Wed-Sat, Nov. 18-21 at 8pm
  • Sun, Nov. 22 at 2pm
  • Tue-Wed, Nov. 24-25 at 7pm
  • Fri, Nov. 27 at 8pm
  • Sat, Nov. 28 at 2pm & 8pm
  • Sun, Nov. 29 at 2pm

Official page |

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THE FULL MONTY Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Richard E. Waits, Matt Welsh, Christopher deProphetis, Matt Kopec, Peanut Edmonson & Jamie Cordes. Photo by Scott J. Kimmins.

Richard E. Waits, Matt Welsh, Christopher deProphetis, Matt Kopec, Peanut Edmonson & Jamie Cordes. Photo by Scott J. Kimmins.

THE FULL MONTY presented by Human Race Theatre Company through Oct. 4. Click here for more information on the production. I attended the opening night performance.

A strong, six-men ensemble leads this fun and entertaining production, solidly directed by Joe Deer.

Christopher deProphetis nicely handles the role of Jerry Lukowski, the proud and quick-to-anger single father. He is the one who comes up with the crazy get-rich-quick scheme to strip. The scenes with his son Nathan (played by Peanut Edmonson) go a long way in softening the character. “Breeze Off the River” was nicely done and a favorite ballad of the show.

Tracey L. Bonner, Adam Soniak, Scott Stoney, Sonia Perez, Richard Jarrett, Gina Handy, Scott Hunt & Andréa Morales. Photo by Scott J. Kimmins.

Tracey L. Bonner, Adam Soniak, Scott Stoney, Sonia Perez, Richard Jarrett, Gina Handy, Scott Hunt & Andréa Morales. Photo by Scott J. Kimmins.

Matt Welsh is excellent as Jerry’s best friend and partner in crime, Dave Bukatinsky. Welsh gives the everyman character a vulnerability that the audience responds to. Both scenes with wife Georgie (Leslie Goddard) were touching and I found myself rooting for them as a couple.

Jamie Cordes gives high strung, former-manager Harold Nichols alot of heart. Like Dave, Harold’s biggest vulnerability is failing his wife. When his struggle to keep up appearances finally fails, the scene that follows with wife Vicki (played by Sonia Perez) works well.

Richard E. Waits is fun as Noah “Horse” T. Simmons, the oldest member of the dance crew, comically struggling to live up his nickname and dance with his trick hip.

Matt Kopec is very sweet as naive and gawky Malcolm MacGregor. The relationship between Kopec’s Malcolm and Ethan was handled well.

Matt Welsh, Matt Kopec, Josh Kenney, Christopher deProphetis, Jamie Cordes and Richard E. Waits. Photo by Scott J. Kimmins.

Matt Welsh, Matt Kopec, Josh Kenney, Christopher deProphetis, Jamie Cordes and Richard E. Waits. Photo by Scott J. Kimmins.

Josh Kenney is over-the-top fun as Ethan Girard. Kenney has so much energy, that at times he was performing a bit too much over the rest of the ensemble, stealing focus.

Deb Colvin-Tener was fun as Jeanette Burmeister, the feisty piano accompanist. She did come off a little one-note for me. The character voice used seemed to limit her vocal variety.

Tracey L. Bonner, Gina Handy, Leslie Goddard & Andréa Morales. Photo by Scott J. Kimmins.

Tracey L. Bonner, Gina Handy, Leslie Goddard & Andréa Morales. Photo by Scott J. Kimmins.

I also enjoyed how the character of Jerry’s ex-wife was handled. As played by Jillian Jarret, she keeps Pam from becoming bitter or nagging. It easy to believe the Pam and Jerry once had feelings for each other, and that Pam’s main goal is keeping their son happy.

The ladies of the ensemble, Tracey L. Bonner, Handy, Leslie Goddard and Andréa Morales, strut their stuff early in the first act with the women-power number, “It’s a Woman’s World.”

The band sounded great under the direction of Sean Michael Flowers.

Christopher deProphetis, Jamie Cordes, Matt Welsh, Josh Kenney, Richard E. Waits, Matt Kopec and Deb Colvin-Tener. Photo by Scott J. Kimmins.

Christopher deProphetis, Jamie Cordes, Matt Welsh, Josh Kenney, Richard E. Waits, Matt Kopec and Deb Colvin-Tener. Photo by Scott J. Kimmins.

The choreography by Dionysia Williams fit the show and was well-managed by the cast, but it didn’t hold any surprises. There were a few times, particularly with Keno’s (Richard Jarrett) strip tease, where the choreography felt confined to the counts of the music. The spontaneity of the numbers was missing.

The set design by Dick Block worked well and I enjoyed the versatility of it, with the rotating platform and the storybook walls. The only scene that didn’t work for me was the Nichols’ home. The set pieces used didn’t read as affluent.

Richard E. Waits, Matt Welsh, Josh Kenney, Christopher deProphetis, Matt Kopec & Jamie Cordes. Photo by Scott J. Kimmins.

Richard E. Waits, Matt Welsh, Josh Kenney, Christopher deProphetis, Matt Kopec & Jamie Cordes. Photo by Scott J. Kimmins.

Early in the show, when Jerry & Dave are stuck hiding in the bathroom stall, it might have been fun to see their feet react to the less than complimentary things being said about them. I was surprised to hear “You Walk with Me” sung so powerfully at the graveside. Don’t get tme wrong, the number was handled well by Kopec and Kenney, I was just surprised by the belting.

Overall a solid, heartfelt musical featuring a entertaining and charismatic cast.

My rating: 4.25 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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