Tag Archives: Human Race Theatre Company

The Human Race Theatre Company Announces Its 2016-2017 Eichelberger Loft Season

Company launches 30th Anniversary Season with updated logo
and mix of new work and well-known revivals

HRTC_30th Anniversay logo(Dayton, OH) — The Human Race Theatre Company is preparing to celebrate its 30th anniversary as Dayton’s premier professional regional theatre company by unveiling an updated company logo and announcing its 2016-2017 season of shows at its home, the Loft Theatre in downtown Dayton. The season, with two musicals and four plays, begins September 8, 2016.

The 2016–2017 Eichelberger Loft season opens with Stephen Sondheim and Hugh Wheeler’s Tony Award-winning musical thriller, Sweeney Todd: The Demon Barber of Fleet Street (September 8 – October 2, 2016); followed by Tom Dudzick’s comedy of faith, Hail Mary! (November 3 – 20, 2016); a world premiere drama about the Sandy Hook Elementary School shooting, 26 Pebbles (February 2 – 19, 2017), by Eric Ulloa; Ernest Thompson’s warm and welcoming On Golden Pond (April 6 – 23, 2017); and closes with Cincinnati writers Janet Yates Vogt and Mark Friedman’s musical adaptation of Anne of Green Gables, based on the novel by Lucy Maud Montgomery (June 1 – 25, 2017).

“Thirty seasons—it’s hard to believe,” reflects Human Race President and Artistic Director Kevin Moore. “It’s a great milestone and a testament to the support of our audiences—many of whom, like me, have been with The Human Race since our start in 1986.” Moore sees the thirtieth year as an opportunity to honor the company’s past successes while taking a leap into its future, primarily by introducing a updated logo. “We’ve streamlined our logo—updated it for a new generation—while retaining many of its former elements,” says Moore. “We’re still The Human Race Theatre, but as a company, we continue to grow and mature.”

To pay tribute to the theatre’s past during the 2016-2017 season, Moore has chosen to remount three well-received past productions – Sweeney Todd, On Golden Pond and Anne of Green Gables – for their first stagings in the Loft Theatre. “Every one of these shows was a great success when we did them at the Victoria Theatre for the Victoria Theatre Association’s Broadway Series,” says Moore, “and each time, we said to ourselves, ‘This would be great to do in the Loft.’” First produced in 1996, Sweeney Todd: The Demon Barber of Fleet Street starred Resident Artist Scott Stoney in the title role. Now, twenty years later, Stoney takes on the directing duties. The Human Race introduced Norman and Ethel Thayer, and their lakeside house, in On Golden Pond to Dayton theatregoers in 1999. The company’s history with Janet Yates Vogt and Mark Friedman’s adaptation of Anne of Green Gables began during the 2002-2003 season with a reading in its Musical Theatre Workshops program. Known then simply as Green Gables, the musical received a full production on the Victoria Theatre stage in 2005.

November’s production of Hail Mary! marks playwright Tom Dudzick’s third in the Loft. “Our audiences have absolutely loved his other plays,” exclaims Moore. “Over the Tavern in 2008 and Miracle on South Division Street in 2014 had people crying, they were laughing so hard. When I read this script, I knew right away we had to do it.”

In February, The Human Race will address the all-too-often occurrence of gun violence when it presents the world premiere of Eric Ulloa’s drama, 26 Pebbles. Following the 2012 mass shooting at Sandy Hook Elementary School, Ulloa visited Newtown, Connecticut, and interviewed a number of its townspeople about that tragic day and its aftermath. With their blessing, he collected those interviews and developed them into a six-person play where the actors take on multiple roles. “The hope and determination of the people of Newtown floored me in the weeks I spent up there,” says Ulloa. “I know that their fierce spirit will touch every person that leaves the theatre.” Bringing the play to the Dayton theatre felt like a natural move to the actor/playwright. “When many people think of Ohio, they think of Main Street, USA and all the nostalgic qualities that make it the heart of America,” he explains. “By having 26 Pebbles’ world premiere at The Human Race, my creative home since 2008, we have the unique opportunity of starting dialogue about this American epidemic right here in the heart of our great country.”

The five plays perform in the Loft Theatre, The Human Race’s intimate 212-seat downtown performance space, located in the Metropolitan Arts Center at 126 North Main Street. Throughout the productions’ scheduled three- and four-week runs are a number of associated special events: a Thursday night preview performance, preceded by the “Inside Track” discussion with the director; Friday Opening Night with a free post-show party with the cast at downtown Dayton’s Uno Pizzeria & Grill; Lite Fare at The Loft, a Tuesday night pre-show dining in The Loft Lobby, with food items provided by Citilites Restaurant; a “While We’re on the Subject” talkback following a Sunday matinee; and a Saturday night signed and audio-described performance opportunity.

In addition to the five shows on the theatre’s subscription series, The Human Race presents a holiday add-on production, the return of last year’s sold out comedy, The Santaland Diaries by David Sedaris. Resident Artist Tim Lile once again stars as “Crumpet” for a limited-engagement run in The Loft Theatre (December 8 – 17, 2016).

THE 2016-2017 EICHELBERGER LOFT SEASON LINEUP

Sweeney Todd: The Demon Barber of Fleet Street
A Musical Thriller
music and lyrics by Stephen Sondheim
book by Hugh Wheeler
from an adaptation by Christopher Bond
September 8 – October 2, 2016

Attend the tale of Sweeney Todd, a barber unjustly imprisoned by corrupt Judge Turpin, who returns to 19th century London fifteen years later to take his revenge on the man who took him from his wife and young daughter. Todd’s need for vengeance becomes indiscriminately murderous—and profitable—when he partners with the unscrupulous Mrs. Lovett and opens his new barber practice above her failing meat pie shop. With his busy straight razors and her new secret ingredient, their fame grows until Todd comes face to face with the judge. Can he avenge his family before their dastardly deeds are uncovered?

Hail Mary!
by Tom Dudzick
November 3 – 20, 2016

Plucky novice Mary is causing trouble again, teaching her own unorthodox views on God to the third graders at Saint Aloysius Catholic Elementary School, where she’s hardly a favorite with her conservative Mother Superior. Mary’s aspirations of becoming a nun are in further jeopardy when her childhood sweetheart reappears and declares his love. Will she give up a life of Sisterhood for the man of her dreams? Or will she choose another path and listen to an eccentric priest who proclaims her to be the world’s next savior in this delightful comedy that puts the “fun” in fundamentalism.

A World Premiere
26 Pebbles
by Eric Ulloa
February 2 – 19, 2017

On December 14, 2012, an act of unbelievable madness took the lives of 20 innocent children and 6 adults at Sandy Hook Elementary School in Newtown, Connecticut. These 26 deaths—described by one local resident as “pebbles thrown into a pond”—created ripples that captured the attention of the entire nation. Now, through a series of interviews with the people of this small New England town, the true stories of that tragic day and its aftermath come to light in this powerful drama that asks, “How does a community endure the ultimate test, and what comes after the cameras and noise leave?”

On Golden Pond
by Ernest Thompson
April 6 – 23, 2017

For forty-eight years, Norman Thayer and his energetic wife, Ethel, have been spending the summers at their lakeside home on Golden Pond, fishing and watching for loons. This year, their divorced daughter, Chelsea, her new fiancé and his thirteen year old son make an unexpected visit. When Norman develops an unlikely friendship with the boy, it reinvigorates the grumpy retired professor and highlights the rocky relationship between this father and his now middle-aged daughter. As the summer days grow short, there is still time for their family to heal, and to rediscover the joys in everyday life.

Anne of Green Gables
book, music and lyrics by Janet Yates Vogt and Mark Friedman
based on Anne of Green Gables by Lucy Maud Montgomery
June 1 – 25, 2017

The timeless tale of Anne Shirley comes to life onstage. When Marilla and Matthew Cuthbert decide to adopt a boy to help run their farm on Prince Edward Island, the orphanage mistakenly sends them a young red-haired girl. Bright, talkative and extremely imaginative, Anne quickly wins them over and life in their close-knit farming village will never be the same. Her adventures are endless as she makes new friends and rivals, tries to dye her hair black and mistakes wine for raspberry cordial. It’s a musical story of family, home and irrepressible spirit fit for the whole family.

ADD-ON PRODUCTION

The Santaland Diaries
by David Sedaris
adapted by Joe Mantello
starring Tim Lile as “Crumpet”
December 8 – 17, 2016

The quintessential elf-gone-bad is back to share a series of less-than-merry misadventures in David Sedaris’ hysterical antidote for holiday havoc. Spend some time with the irreverent Crumpet—one of Santa’s little helpers during the Macy’s Christmas shopping rush—as he handles the hordes of insufferable shoppers and their kiddies with whacked out, wicked wit in the return of 2015’s sold out hit comedy.

2016-2017 Loft Series subscribers can purchase tickets to this additional holiday offering at a discounted price before they go on sale to the general public.

SUBSCRIPTIONS AND TICKETS

Subscriptions are available in 3-, 4- and 5-show packages, as well as in Flex Pass plans. Package prices range from $102 – $190, and discounted subscriptions are available for students. Current 2015-2016 season subscribers can guarantee their seats by renewing before May 1, and reservations for new subscriptions can be made now to be seated starting May 23. Both renewing and new subscribers may place their orders with Ticket Center Stage by calling (937) 228-3630 or by visiting the Schuster Center Box Office. Subscribers can purchase tickets to The Santaland Diaries in advance when renewing or ordering a new subscription. Productions, performance dates and ticket prices are subject to change. Single tickets to Sweeney Todd and Hail Mary! go on sale August 1, with tickets to future productions on sale later in the season.

More ticketing and performance information on The Human Race Theatre Company’s 2016-2017 and 2015-2016 Loft seasons are available online at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

# # #

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces a summer Festival of New Works and special event programming. Under the direction of President and Artistic Director Kevin Moore, the company also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, the Muse Machine In-School Tour, and a summer youth program. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2015-2016 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson and Steve and Lou Mason. The 2015-2016 Loft season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health and Morris Home Furnishings.

Leave a comment

Filed under Press Releases, Season Announcements

Lewis Black’s ONE SLIGHT HITCH is a Wedding Day Dream Turned Disaster at the Human Race Theatre Company

HRTC_One Slgiht Hitch promo1

Alex Sunderhaus, Alex Curtis, Cecily Dowd, Brian Dykstra, Rita Rehn, Dana Berger & Kyle Nunn. Photo by Scott J. Kimmins.

Comedian/playwright Black’s romantic farce is a nightmare for any father of the bride at The Loft Theatre, April 7 – 24, 2016.

(Dayton, OH) — Spring has sprung and while love is in the air at The Human Race, April showers loom for the characters of the theatre company’s latest production, One Slight Hitch. Life in suburban Cincinnati is good for Doc and Delia Coleman on the morning they’re about to throw their eldest daughter the perfect wedding they never had, that is until her vagabond ex-boyfriend arrives on their doorstep and turns their best laid plans into total chaos. The result is a zany, door-slamming comedy about stressed-out parents, less-than-helpful siblings and interruptions galore from the mind of comedian Lewis Black. Will their daughter make it down the aisle or will the day end up a perfect disaster? The production at The Human Race’s downtown Dayton home at The Loft Theatre is directed by Margarett Perry and features actors Brian Dykstra and Rita Rehn, with Dana Berger, Alex Curtis, Cecily Dowd, Kyle Nunn and Alex Sunderhaus. The preview performance of One Slight Hitch is Thursday, April 7. Opening night is Friday, April 8. The production runs through April 24.

For years, Lewis Black has been a nationally recognized comedian and social critic thanks largely to his regular “Back in Black” segments on The Daily Show and multiple Comedy Central specials. But years before he was a successful stand up, Black aspired to be a playwright, first studying at the University of North Carolina at Chapel Hill before earning an MFA degree at the Yale School of Drama. He served as the associate artistic director and playwright-in-residence of New York City’s West Bank Café Downstairs Theatre Bar, where he developed hundreds of one-act plays in the 1980s. Black’s stand-up comedy began as an opening act for the plays. His full-length plays include The Laundry Hour, The Czar of Rock and Roll, Nightfall and The Deal. His comedy CDs have earned him two Grammy Awards, and as an author, three of his books, Nothing’s Sacred, Me of Little Faith, and I’m Dreaming of a Black Christmas are New York Times best sellers. On film, Black has starred in such movies as Accepted, Unaccompanied Minors and Man of the Year, but is now probably best known as the voice of “Anger” in Disney/Pixar’s hit animated film, Inside Out.

Black wrote One Slight Hitch in the early 1980s, inspired by his breakup with a girlfriend who married quickly after their separation. Confused and upset over her nuptials, he turned his pain into a comedy that had some initial success with readings at various regional theatres and festivals. It was even optioned for Broadway before interest in the script faded for the better part of 30 years. Now a published work, Black attributes the play’s newfound success to his celebrity status as the “King of Rant,” but cautions that it is very different than his stand-up persona. “If my name weren’t on it,” he says, “nobody would know that I wrote this play.”

Director Margarett Perry returns to The Loft Theatre after having helmed The Human Race Theatre Company’s March 2015 production of Vanya and Sonia and Masha and Spike in the Victoria Theatre. The Resident Director at Ithaca, New York’s Kitchen Theatre, Perry has developed and directed new works Off-Broadway and in regional theatres across the country. Her other shows for The Human Race include Other Desert Cities, God of Carnage, Painting Churches, The Retreat from Moscow and the world premiere of Michael Slade’s Under a Red Moon. One Slight Hitch, however, holds a special place in heart as it allows her the opportunity to finally direct a play by one of her oldest, dearest friends, Lewis Black, and to bring her long-time collaborator, Brian Dykstra, along for the ride. “Brian and I have known Lew for years,” says Perry. “We met him when we were doing a play of Brian’s at the West Bank Café Downstairs Theatre Bar and Lew opened for our show every night with a 20 minute set. I had just moved to New York City. Lew was just getting started as a comedian, but we knew he was something special. When we first found out that this comedian would be opening for our show, we thought, ‘What?! How is that going to work?’ Obviously, it rocked.” Bound by a common sense of humor, the trio’s friendship has never wavered. She fondly recalls seeing Black perform on numerous occasions throughout the years and of more relaxed times at the West Bank Café’s weekend midnight comedy shows. “I have an enormous amount of respect for both Brian and Lew and so I’m really looking forward to working with both of them and sharing their talents with Dayton audiences,” beams Perry. “I’m getting nostalgic, but it’s just magical that all these years later we are working on Lew’s play in Dayton at The Human Race.” The director wants to let everyone in on one pleasant surprise, “You may not see it from his performances on The Daily Show, but Lew has a big heart. So naturally, One Slight Hitch is a funny, smart play with a big heart.”

CAST AND DESIGN TEAM

Perry has assembled a seven-member cast, most of whom will be new to Loft Theatre audiences. New York City actor and playwright Brian Dykstra (Lucky Guy on Broadway, The Body Politic and Call Me Waldo Off-Broadway, All the Way at The Repertory Theatre of St. Louis) is the harried father of the bride, “Doc.” Rita Rehn (Nine on Broadway, Last Dance and Defiance Off-Broadway) plays his wife, “Delia.” Alex Curtis (The Grapes of Wrath at Trinity Rep and Yellowjackets at Berkeley Rep) is “Ryan,” the ex-boyfriend with the worst timing. New York-based actress Dana Berger (Elementary on CBS, Seminar at Kitchen Theatre Company) is the bride, “Courtney,” and the oldest of three daughters. Cincinnati native Alex Sunderhaus (HRTC’s Vanya and Sonia and Masha and Spike at the Victoria Theatre and August: Osage County, HRTC’s collaboration with Wright State University) plays middle sister “Melanie.” Centerville High School junior Cecily Dowd (Muse Machine’s Mary Poppins) is teenage daughter “PB.” Cincinnati Conservatory of Music alum Kyle Nunn (HRTC’s Miracle on South Division Street) returns for his second comedy at The Loft as Courtney’s fiancé, “Harper,” a role for which he was hand-selected by Lewis Black himself.

Dayton area artist Ray Zupp takes his first turn as scenic designer at The Human Race, having created sets for a number of regional performing arts organizations. One Slight Hitch marks frequent Human Race costume designer Janet G. Powell’s twelfth production at The Loft. Resident Artist John Rensel is the lighting designer. Todd Mack Reischman (HRTC’s Seussical, Big River), resident sound designer at Indiana Repertory Theatre, serves as the sound designer. Kay Carver is the production stage manager.

Biographies on the cast and creative team can be found on The Human Race Theatre Company’s website.

The Human Race Theatre Company’s production of One Slight Hitch is sponsored by India and John Clarke and the Theda and Tamblin Clark-Smith Family Foundation, Doug Annala and Sam Rinehart, Heidelberg Distributing Company, Burhill Leasing Corporation and Matthew J. Scarr, CPA LLC.

Performance and special event information

Tickets for the preview performance of One Slight Hitch on April 7 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances April 8  – 24, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities. Side-area seats are available at all performances for $25 each, on sale two weeks prior to performance. The Sunday, April 10 7:00 p.m. performance is “Sawbuck Sunday”, when any available seat can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for One Slight Hitch are 8:00 p.m. on Wednesday through Saturday evenings. Performances on Sunday and Tuesday evenings begin at 7:00 p.m. and at 2:00 p.m. on Sunday matinees.

Tickets and performance information on One Slight Hitch are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office. 

# # #

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces a summer Festival of New Works and special event programming. Under the direction of President and Artistic Director Kevin Moore, the company also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, the Muse Machine In-School Tour, and a summer youth program. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2015-2016 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson and Steve and Lou Mason. The 2015-2016 Loft season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health and Morris Home Furnishings.

CALENDAR EDITORS, PLEASE NOTE:

The Human Race Theatre Company presents
ONE SLIGHT HITCH
by Lewis Black
Directed by Margarett Perry
April 7 – 24, 2016

Performed at The Loft Theatre
Metropolitan Arts Center
126 North Main Street (between First and Second streets)
Dayton, Ohio 45402

Life in suburban Cincinnati is good for Doc and Delia Coleman on the morning they’re about to throw their eldest daughter the perfect wedding they never had, that is until her vagabond ex-boyfriend arrives on their doorstep and turns their best laid plans into total chaos. The result is a zany, door-slamming comedy about stressed-out parents, less-than-helpful siblings and interruptions galore from the mind of comedian Lewis Black. Will their daughter make it down the aisle or will the day end up a perfect disaster?

For tickets:

Ticket prices start at: $35 – $50 for adults, $32 – $46 for seniors and $17.50  – $25.00 for students. Prices vary depending on performance date.

Discounts: Select side-area seats available for $25 at all performances; “Sawbuck Sunday” April 10 at 7:00 p.m. – $10 seats available for walk up sales only

Group sales: Contact Betty Gould at (937) 461-8295 or Betty.Gould@victoriatheatre.com

ONE SLIGHT HITCH performance dates:

  • Wednesday, April 6 8:00 p.m.  Pay-What-You-CAN open rehearsal
  • Thursday, April 7 8:00 p.m.  “Inside Track” pre-show discussion/Preview performance
  • Friday, April 8 8:00 p.m.  Opening night with post-show party at Uno Pizzeria & Grill
  • Saturday, April 9 8:00 p.m.
  • Sunday, April 10 2:00 p.m.
  • Sunday, April 10 7:00 p.m.  “Sawbuck Sunday” – $10 tickets at the door
  • Tuesday, April 12 7:00 p.m.  Lite Fare at The Loft pre-show lobby dining
  • Wednesday, April 13 8:00 p.m.
  • Thursday, April 14 8:00 p.m.
  • Friday, April 15 8:00 p.m.
  • Saturday, April 16 8:00 p.m.  Audio Described/Sign Interpreted performance (reserve by April 1)
  • Sunday, April 17 2:00 p.m.  “While We’re on the Subject” post-show talk-back
  • Tuesday, April 19 7:00 p.m.
  • Wednesday, April 20 8:00 p.m.
  • Thursday, April 21 8:00 p.m.
  • Friday, April 22 8:00 p.m.
  • Saturday, April 23 8:00 p.m.
  • Sunday, April 24 2:00 p.m.  Closing performance

Leave a comment

Filed under Press Releases

ONE SLIGHT HITCH Runs April 7-24

HRTC_One Slgiht Hitch promo1

Alex Sunderhaus, Alex Curtis, Cecily Dowd, Brian Dykstra, Rita Rehn, Dana Berger & Kyle Nunn. Photo by Scott J. Kimmins.

ONE SLIGHT HITCH
Human Race Theatre Company
April 7-24
The Loft [Dayton]

Written by Lewis Black
Directed by Margaret Perry

Life in suburban Cincinnati is good for Doc and Delia Coleman on the morning they’re about to throw their eldest daughter the perfect wedding they never had, that is until her vagabond ex-boyfriend arrives on their doorstep and turns their best laid plans into total chaos. The result is a zany, door-slamming comedy about stressed-out parents, less-than-helpful siblings and interruptions galore from the mind of comedian Lewis Black. Will their daughter make it down the aisle or will the day end up a perfect disaster?

  • In preview Thu, April 7 at 8pm
  • Fri-Sat, April 8-9 at 8pm
  • Sun, April 10 at 2pm & 7pm
  • Tue, April 12 at 7pm
  • Wed-Sat, April 13-16 at 8pm
  • Sun, April 17 at 2pm
  • Tue, April 19 at 7pm
  • Wed-Sat, April 20-23 at 8pm
  • Sun, April 24 at 2pm

Official page |

Leave a comment

Filed under On Stage

THE GLASS MENAGERIE Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob

THE GLASS MENAGERIE presented by Human Race Theatre Company through Feb. 21. Click here for more information on the production. I attended the opening Sunday matinee performance.

HRTC_Glass Menagerie3

Jennifer Joplin, Claire Kennedy and Scott Hunt. Photo by Scott J. Kimmins.

The Human Race returns for the new year with a gorgeously-staged, ethereal production of a Tennessee Williams’ classic.

The cast boasts a strong ensemble of four. Scott Hunt is engaging as Tom, the bitter and put-upon son who works a warehouse job to support his mother and sister. Tom also narrates this memory play. As family matriarch Amanda, Jennifer Joplin embodies a fading southern bell who spends equal amounts of time recounting the glories of her youth and scheming to find security for her uncertain future. Claire Kennedy gives a subtle, but layered performance as Laura, who seems every bit as fragile as her glass collection. Drew Vidal is bigger than life and full of energy as Jim, Laura’s would-be suitor in act two. Their scenes together had great chemistry and I enjoyed watching Laura struggle against her introverted nature under Jim’s charms.

HRTC_Glass Menagerie2

Drew Vidal and Claire Kennedy. Photo by Scott J. Kimmins.

Director Greg Hellems displays a smart and restrained hand in the staging and creates many beautiful stage pictures. The characterizations are real and easily believable.

The atmosphere for the show is beautifully handled by set designer Eric Barker, lighting designer John Rensel, composer/sound designer Jay Brunner and the costume designs of Ayn Kaetchen Wood. The small apartment, dressed in faded glory, floats above the floor. The un-faced front of the set is filled with everyday items. The upstage wall is dressed as if it were a giant window, with heavy blue drapes and yellowing sheer curtains. The hint of a staircase audience right was a great element.

HRTC_Glass Menagerie1

Scott Hunt, Claire Kennedy and Jennifer Joplin. Photo by Scott J. Kimmins.

The attention to detail was impressive across the show. I thought all the costumes for the dinner scene with Jim were perfection. I also enjoyed how the display table for Laura’s glass figurines lit up. There was this magical little moment where Amanda’s upstage exit was timed perfectly with Tom’s entrance from behind the upstage wall, stage left.

A few minor complaints. The pacing did seem to drag at times in the first act when the other actors matched Amanda’s gentile cadence. It was also unclear to me what the pattern in the floor represented. If they were meant to be cracks, I would have expected them to be more narrow and angular.

An impressive production. If you have never attended a show at The Loft, THE GLASS MENAGERIE is definitely worth the drive to Dayton.

My rating: 4.5 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews

Audience and Community Engagement Manager Sought at Human Race Theatre Company

HRTC_logoAudience and Community Engagement Manager

The Human Race Theatre Company (HRTC) is seeking a highly motivated team player to take part in  reinventing the Company’s brand. This marketing and publicity professional will promote the organization, its productions, programs and artists, as well as the “Loft Theatre experience” to new audiences in the greater Dayton region.

The Audience and Community Engagement Manager will work with the Director of Marketing and Communications to drive brand engagement to targeted audiences. The ultimate goal is to increase ticket sales and increase awareness of the company’s profile within the community. The successful candidate will work to raise the organization’s profile locally, regionally and nationally as an artistic voice in the greater Miami Valley and a leading force in the development of new American theater.

Primary responsibilities:

Marketing and Publicity

  • Generate content for and maintain existing social networking pages to increase friend/follower bases and engagement, and establish a presence on other relevant social media sites
  • Ingratiate HRTC into online conversations to increase awareness of the company’s profile and expertise
  • Build and maintain relationships with local and national media personnel, distribute press releases, pitch story ideas and coordinate artist interviews and appearances
  • Follow and maintain up-to-date knowledge of company news and events as well as the arts on local and national levels to post and share with HRTC’s social media followers
  • Photograph/video company/production-related events for posting/sharing on social media sites
  • Oversee the production of promotional and informational videos
  • Ensure that performances and events are listed on local websites’ and online event listings
  • Direct community outreach efforts and represent HRTC at area events
  • Assist in the development of campaigns and partnerships to attract new audiences
  • Recommend and make updates/enhancements to website to increase engagement and traffic
  • Compile analytical data and metrics to measure the success of social media, email marketing and online advertising campaigns
  • Stay current on digital and web marketing, advertising, social media, and CRM tools and trends, especially in terms of their applications within the entertainment industry
  • Oversee placement of show posters and fliers at area businesses

Administrative

  • Download and scan press articles and create post-production press kits
  • Maintain department files, databases and archives
  • Assist with the creation and coordination of production and collateral materials – contacting staff, guest artists and outside businesses/individuals
  • Other duties as assigned

Qualifications/Requirements:

  • Bachelor’s degree
  • Minimum 2 years of professional experience in marketing, communications, publicity or the arts
  • Strong understanding of social media skills and platforms, especially Facebook and Twitter
  • Excellent computer skills (Word, Excel and Outlook) and some experience with basic graphic design software as well as WordPress. Experience with Constant Contact email software, Adobe Creative Suite and Acrobat is helpful.
  • Basic photography and videography skills
  • Strong interest in and knowledge of the theatre or the performing arts industries preferred
  • Very strong interpersonal and communication skills, copy-writing and proof-reading skills
  • Excellent time and project management skills for deadline-driven tasks
  • Must be able to work occasional evening and weekend hours
  • Valid driver’s license and auto coverage for occasional travel to offsite events/meetings

Hours, salary and benefits:

  • 40 hours/week; flexible schedule (mostly daytime hours with some evenings and weekends)
  • $30,000-$35,000/year annual salary
  • Health & Dental insurance available
  • Paid Vacation
  • Complimentary tickets to productions

Performance and salary will be measured and reviewed annually.

Email resume, two references and two publicity-related writing sample, and links to any blog/social media postings, video/photography sample work you wish to share, to, contact@humanracetheatre.org with the subject line: Audience and Community Engagement Manager. No phone calls, please. Application deadline is February 29, 2016.

Leave a comment

Filed under Casting Call