Tag Archives: Footlighters

Auditions Announced for A STREETCAR NAMED DESIRE at Footlighters, Inc.

The Footlighters, Inc. announce auditions for our production of Tennessee Williams; A STREETCAR NAMED DESIRE.

Directed by Jerry Wiesenhahn
Produced by Kristen Vincenty and Robert Workley

Audition Dates/Times:

  • Sunday, September 14 from 7:00 p.m. to 9:00 p.m.
  • Monday, September 15 from 7:00 p.m. to 9:00 p.m.

Callbacks, if Needed:
Tuesday, September 17 at 7:00 p.m.

Signup:

Please sign up for an audition time slot here:  https://www.signupgenius.com/go/10C0448AEAE2BABFC1-57759467-footlighters#/

Location:
Footlighters’ The Stained Glass Theatre – 802 York Street, Newport, KY 41071

Audition Requirements:

  • Audition slots will be 1 hour each. 
  • Auditions will consist of cold readings from the script. You will be asked to read with those in your same time slot.
  • Please bring a list of conflicts between December 2025 and January 2026.
  • Print a copy of your theatrical resume. Headshots are not required but are very much appreciated.
  • Please contact director Jerry Wiesenhahn with questions about the script or audition process at wiezj@icloud.com.

Production Dates: January 29 – February 15, 2026

Rehearsal Times:

Rehearsals will begin in December and run through opening. Rehearsals will be held roughly three to four times per week, scheduled around cast availability. A meet-and-greet/read-through/headshot session will take place prior to January, potentially in November or December, depending on cast availability. No conflicts are permitted during tech week January 25 – 28.

This production staff is committed to bringing together a diverse group of people who are dedicated to bringing this story to life. We encourage performers of all races, ethnicities, sexualities, abilities, and body types to audition. No roles have been precast. 

Synopsis:

In Tennessee Williams’ explosive and groundbreaking Pulitzer Prize-winning drama, the seemingly refined Blanche DuBois relocates to the New Orleans home of her sister and brother-in-law, Stella and Stanley Kowalski, where she finds herself instantly at odds with Stanley. Through the course of the play, the Kowalskis’ apartment becomes a pressure cooker of sensuality and class tensions, until ultimately erupting into some of the most iconic dramatic moments seen on the modern stage.

Character Breakdown:

Blanche DuBois: female, stage age 30 to 32
Blanche is Stella’s older sister; she projects herself as a delicate, demure Southern belle. While giving the perception of old-South charm in what sometimes seems to be a fantasy world of her own creation, she’s unable to completely conceal her underlying sensuality. She’s suffered a lot of personal trauma and financial loss, and it’s pushed her to a desperate brink.

Stella Kowalski: female, stage age 25 to 27
Stella is Blanche’s younger sister and Stanley’s wife; she is warm, genuine, and much more practical and rooted in the real world than Blanche; she is completely devoted and passionately attracted to Stanley in spite of his sometimes rough and physically abusive treatment of her—for which she always forgives him.

Stanley Kowalski: male, stage age 28 to 30
Stanley is Stella’s husband; he’s rough, crude, physically strong, has a domineering presence, and is intensely proud of his masculinity and social position. Admired by his friends, he’s used to getting his way and succeeding by a combination of force of will and physical prowess. He loves Stella passionately but deals with frustration and disappointment in the only way he knows how—lashing out physically, often at Stella.

Harold “Mitch” Mitchell: male, stage age 28 to 30
Mitch is Stanley’s best friend; they served together in WW2. He’s single due to a combination of shyness, a lack of confidence, and living with his ailing mother. Affable and friendly, he becomes fascinated with Blanche, seeing her as an exotic, cultured woman compared with everything else in his life and he pursues her romantically.

Eunice Hubbell: female, stage age 40s
Eunice is Stella and Stanley’s upstairs neighbor and landlord, and wife to Steve. Eunice is sturdy and crude enough to keep up with the boys at the bar. She’s a friend to Stella and protective of her when Stanley gets physical, a bond they share due to her suffering similar abuse from Steve.

Steve Hubbell: male, stage age 40s
Steve is Stella and Stanley’s upstairs neighbor and husband to Eunice. He’s Stanley’s friend, bowling teammate, and part of the regular poker game. He is like Stanley in several ways, including taking out his frustrations physically on his wife.

Young Collector: male, stage age 18 to 22
A young man who comes to the Kowalskis’ to collect payment for the newspaper. He is polite, professional, and made uncomfortable by Blanche’s overt flirtations.

Pablo Gonzales: male, stage age 30s
Pablo is a poker buddy of Mitch, Steve, and Stanley. He’s of Hispanic descent, and his easy acceptance in the group points to the growing diversity of New Orleans, and particularly the Kowalskis’ neighborhood.

Strange Woman (Nurse): female, stage age 40s to 60s
She’s the harsh, unsympathetic, and firm nurse who attempts to physically coerce Blanche to accompany her and the Doctor to the sanitarium.

Strange Man (Doctor): male, stage age 50s
The kind, quiet doctor who uses his gentleness and calm demeanor to convince Blanche to accompany him to the sanitarium at the play’s end.

Hispanic Woman: female, stage age 40s to 60s
A Hispanic woman who makes several appearances selling “flores por los muertos,” or “flowers for the dead.”

African American Woman: female, stage age 30s to 50s
A friend of Eunice’s who meets Blanche when she appears on Stella’s doorstep. 

NOTEDirector reserves the right to cast an actor in multiple, smaller roles, pending auditions. No roles are being pre-cast.

For more information, go to our website or sign up for your audition time here.

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THE WIZARD OF OZ Runs Sept. 4-21

THE WIZARD OF OZ
Footlighters, Inc.
Sept. 4-21
Stained Glass Theatre [Newport]

Directed & choreographed by Zac Holman
Produced by Cathy Lutts and Michelle Burdett

Cast list |

Follow the yellow brick road in this timeless and beloved tale, in which a Kansas farm girl named Dorothy travels over the rainbow to the enchanted Land of Oz to discover the magical power of home. With its inspiring lessons about friendship, and featuring the iconic musical score from the MGM film, The Wizard of Oz has entertained and thrilled audiences for generations.

  • Thu-Sat, Sept. 4-6 at 7:30pm
  • Sun, Sept. 7 at 2pm
  • Thu-Sat, Sept. 11-13 at 7:30pm
  • Sun, Sept. 14 at 2pm
  • Thu-Sat, Sept. 18-20 at 7:30pm
  • Sun, Sept. 21 at 2pm

Official page |

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Cast Announced for THE ADDAMS FAMILY at Footlighters, Inc.

Footlighters and director Aubrey E. Wilson are excited to announce the cast of our second show of the season, the hilarious and spooky musical comedy THE ADDAMS FAMILY!

THE ADDAMS

  • MORTICIA ADDAMS – Isabella Huecker
  • GOMEZ ADDAMS – Jamie Sivrais
  • WEDNESDAY ADDAMS – Val Allen
  • PUGSLEY ADDAMS – Parker Culp
  • FESTER ADDAMS – Evan Blanton
  • GRANDMA – Stephanie L. Yoder
  • LURCH – Steve Phelan

THE BEINECKES

  • LUCAS BEINECKE – Clayton Edwards
  • ALICE BEINECKE – Jenni Sheets Parsons
  • MAL BEINECKE – Josh Stothfang

THE ANCESTORS

  • Adria Whitfill
  • Ben Locke
  • Gary Herman
  • Gillian Miller
  • Henry Farfsing
  • Jacob Gildenblatt
  • Julia Hasl Miller
  • Mary Mills
  • Michael Richart
  • Naomi Manson
  • Nathan Turner
  • Pamela Blessing
  • Ryan Wilking
  • Sienna Glaze
  • Zachary Julian

Season tickets are currently on sale and individual tickets can be purchased starting in September. Visit our website for more details!

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The Footlighters, Inc.’s 2025-2026 Season Subscriptions are Now on Sale

Enjoy the best of Greater Cincinnati/NKY community theater with a season subscription to Footlighters!

The 2025-2026 season is going to be a great one, and performances will sell quickly. Don’t get sold out of the shows you want to see by joining us as a season ticket holder! Season ticket holders enjoy exclusive perks at the lowest price.

As a season subscriber, you can:

  • Get first choice on seating and dates — Subscribers get to choose their preferred seating and dates long before individual ticket sales begin.
  • Never worry if your schedule changes — Ticket exchanges are free and easy.
  • Save your money — Get the biggest bang for your buck with a season subscription, a savings of $15 over single ticket pricing!
  • Never miss a sold-out show — Remember Legally Blonde? Our subscribers had their seats secured months in advance and never had to be on a waitlist for tickets!
  • Experience the Footlighters difference — Live orchestras accompany all our musicals in our  intimate venue, the renowned Stained Glass Theatre.

Guarantee your seat to our iconic 2025-2026 season!

For more information visit their website at footlighters.org.

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2024-2025 Orchid Awards for Footlighters, Inc.

THE DROWSY CHAPERONE

  • Excellence in Choreography – Peyton Wright
  • Excellence in Costume Design – Dennis Murphy & Anne Connor-Stanforth
  • Excellence in Direction – Dennis Murphy
  • Excellence in Musical Theatre Performance – Clare Hingsbergen
  • Excellence in Musical Theatre Performance – Michael Richart
  • Excellence in Musical Theatre Performance – James Lindeman
  • Excellence in Musical Theatre Performance – Kristin Schisler
  • Excellence in Musical Theatre Performance – Eric Thomas
  • Excellence in Stage Management – Janet Wisner
  • Excellence in Dance Execution – James Lindeman & Michael Rickart
  • Excellence in Ensemble – The Cast of ‘The Drowsy Chaperone’
  • Excellence in Lighting Design – Chuck Ingram
  • Excellence in Lighting Execution – Janet Wisner
  • Excellence in Musical Theatre Performance – Ben Essex
  • Excellence in Musical Theatre Performance – Lisa Breithaupt
  • Excellence in Musical Theatre Performance – Robert Weidle
  • Excellence in Musical Theatre Performance – Mary Ann Sprague
  • Excellence in Properties – Suzy Dorward
  • Excellence in Set Décor – Mackenzie Heuer-Hendren
  • Excellence in Set Design – Dennis Murphy
  • Excellence in Vocal Direction – Linda Abbott

JOSEPH AND HIS AMAZING TECHNICOLOR DREAMCOAT

  • Excellence in Costume Design – Elaine Michael
  • Excellence in Direction – Megan Horton
  • Excellence in Lighting Design – Justin T. Fry
  • Excellence in Musical Direction – Alan Masters
  • Excellence in Musical Theatre Performance – Dennison Keller
  • Excellence in Musical Theatre Performance – Justin Reilmann
  • Excellence in Musical Theatre Performance – Megan Ainsley Schneider
  • Excellence in Producing – Jennifer Day & Eric Day
  • Excellence in Set Design – Ryan Oelker
  • Excellence in Choreography – Kyle Fisher
  • Excellence in Ensemble – The Brothers
  • Excellence in Ensemble – The Cast of ‘Joseph & The Amazing Technicolor Dreamcoat’
  • Excellence in Musical Theatre Performance – Aaron Whitehead
  • Excellence in Musical Theatre Performance – Alex Shaw
  • Excellence in Musical Theatre Performance – Michael Richart
  • Excellence in Orchestral Performance – The Joseph Orchestra

ALTAR BOYZ

  • Excellence in Direction – Bunny Arszman
  • Excellence in Musical Direction – George Drewyor
  • Excellence in Musical Theatre Performance – Christopher Ball
  • Excellence in Musical Theatre Performance – Michael Richart
  • Excellence in Musical Theatre Performance – Ray Garcia
  • Excellence in Orchestral Performance – George Drewyor, Shawn Charton, Christian Arellano, Hayden Floro
  • Excellence in Producing – Tom Peters & Mary Stone
  • Excellence in Set Design – Dan Dermody
  • Excellence in Stage Management – Wendy Williams
  • Excellence in Choreography – JV Katz
  • Excellence in Ensemble – The Cast of ‘Altar Boyz’
  • Excellence in House – Cathy Lutts
  • Excellence in Lighting Design – Beth Boland
  • Excellence in Lobby Display – Jim Curtis & Jill Herzner
  • Excellence in Musical Theatre Performance – Alex DeVore
  • Excellence in Musical Theatre Performance – Jacob Gildenblatt
  • Excellence in Set Construction – Gregg Dietrich & Crew
  • Excellence in Set Décor – Wes Ledyard
  • Excellence in Sound Design – Forrest Goodwin
  • Excellence in Vocal Direction – Libby Beiting-Lipps

DIRTY ROTTEN SCOUNDRELS

  • Excellence in Choreography – Jerry Wiesenhahn & Kimmie Anne Thierauf
  • Excellence in Costume Design – Carolyn Martinez & Kristie Marasch
  • Excellence in Dance Execution – Jules Breslin & Kyle Fisher
  • Excellence in Direction – Jerry Wiesenhahn
  • Excellence in Ensemble – The Cast of ‘Dirty Rotten Scoundrels’
  • Excellence in Lighting Design – Aubrey Wilson
  • Excellence in Lighting Execution – Natasha Boeckmann, Kelly Holtgrefe, Allison McBride, Kristen Vincenty, and Aubrey Wilson
  • Excellence in Lobby Display – Ed & Sandy Gates
  • Excellence in Musical Direction – Charles Wilhelm
  • Excellence in Musical Theatre Performance – Jen Drake
  • Excellence in Musical Theatre Performance – Jonathan Cody White
  • Excellence in Musical Theatre Performance – Kyle Fisher
  • Excellence in Musical Theatre Performance – Laura Petracco
  • Excellence in Musical Theatre Performance – Rebecca Wall
  • Excellence in Musical Theatre Performance – Robert Breslin IV
  • Excellence in Musical Theatre Performance – Robert Workley
  • Excellence in Musical Theatre Performance – Wayne Wright
  • Excellence in Orchestral Performance – The Orchestra for ‘Dirty Rotten Scoundrels’
  • Excellence in Overall Performance Quality – The Cast of ‘Dirty Rotten Scoundrels’
  • Excellence in Overall Technical Quality – The Crew of ‘Dirty Rotten Scoundrels’
  • Excellence in Producing – George Fee & Kristen Vincenty
  • Excellence in Program – Erica Beimesche
  • Excellence in Set Décor – Wes Ledyard
  • Excellence in Set Design – Ryan Oelker
  • Excellence in Stage Management – Shannon Eaton & Karrie Stoner
  • Excellence in Video Production Design – Ryan Oelker

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