Tag Archives: Covedale Center for the Performing Arts

CLP Seeks Actor for Bobby Mills in A CHORUS LINE at Covedale Center

CLPCincinnati Landmark Productions is seeking one male to play the role of BOBBY MILLS in A CHORUS LINE, the Covedale’s 2015/16 season opener.

Requirements: Seeking a fit male to play the role BOBBY MILLS (bari/tenor vocal range). Auditionees will be tested for dance ability first, then will be asked to sing. Auditionees should prepare 16 bars of a song that best showcases his vocal ability. Auditionees will also dance may be asked to read from the script. Please dress appropriately.

MUST HAVE A RESUME listing theatrical experience in order to audition. A headshot/picture is appreciated but not required. Please prepare 16 bars of a song that best showcases vocal ability.

If interested in setting up an audition, please contact Jennifer Perrino at jenniferperrino@covedalecenter.com

Please note: No more than two conflicts will be accepted during the rehearsal process for this production.

Bobby Mills, Sheila’s best friend who jokes about his conservative upbringing in Buffalo, New York. (84)

A CHORUS LINE
September 3 – September 27, 2015
Conceived and Originally Directed and Choreographed by Michael Bennett; Book by James Kirkwood & Nicholas Dante; Music by Marvin Hamlisch; Lyrics by Edward Kleban; Co-Choreographed by Bob Avian; Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.

A CHORUS LINE is a stunning musical-vérité about a chorus audition for a Broadway musical. It tells of the achingly poignant ambitions of professional Broadway gypsies to land a job in the show, and is a powerful metaphor for all human aspiration. Memorable musical numbers include I Can Do That, At the Ballet, Dance: Ten; Looks: Three, The Music and the Mirror, What I Did for Love, One (Singular Sensation) and I Hope I Get It. It is a brilliantly complex fusion of dance, song and compellingly authentic drama. The show was instantly recognized as a classic.

Matthew Wilson, Director/; Michael Kennedy, Music Director; Angela Kahle, Choreographer; Production Stage Manager, Melanie D. Hall.

Rehearsals begin: Monday, July 27, 2015

Performance Dates:
Thurs. Sept. 3 – Fri. Sept. 4 – Sat. Sept. 5 – Sun. Sept. 6
Thurs. Sept. 10 – Fri. Sept. 11 – Sat. Sept. 12 – Sun. Sept. 13
Thurs. Sept. 17 – Fri. Sept. 18 – Sat. Sept. 19 – Sun. Sept. 20
Thurs. Sept. 24 – Fri. Sept. 25 – Sat. Sept. 26 – Sun. Sept. 27

Performances run Thursday 7:30 pm.; Friday and Saturday 8:00 pm and Sunday at 2:00 pm.

For more information on auditions, contact us at (513) 241 – 6550. Check us out on the web at www.cincinnatilandmarkproductions.com

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CLP Seeks Actress for Val Clark in A CHORUS LINE at the Covedale

CLPCincinnati Landmark Productions is seeking one female to play the role of VAL CLARK in a A CHORUS LINE, The Covedale’s 2015/16 season opener. 

Requirements: Seeking a not so shy and fit female to play the role VAL CLARK. It’s a belt role, vocal range G3-D5. Auditionees will be tested for dance ability first, then will be asked to sing. Auditionees will be given a song cut to sing (no need to prep a song separately) and finally, may be asked to read from the script. Please dress appropriately.

MUST HAVE A RESUME listing theatrical experience in order to audition. A headshot/picture is appreciated but not required. Please prepare 16 bars of a song that best showcases vocal ability.

If interested in setting up an audition, please contact Jennifer Perrino at jenniferperrino@covedalecenter.com

Please note: No more than two conflicts will be accepted during the rehearsal process for this production.

Val Clark, a foul-mouthed but excellent dancer who couldn’t get performing jobs because of her looks until she had plastic surgery (179)

A CHORUS LINE
September 3 – September 27, 2015
Conceived and Originally Directed and Choreographed by Michael Bennett; Book by James Kirkwood & Nicholas Dante; Music by Marvin Hamlisch; Lyrics by Edward Kleban; Co-Choreographed by Bob Avian; Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.

A CHORUS LINE is a stunning musical-vérité about a chorus audition for a Broadway musical. It tells of the achingly poignant ambitions of professional Broadway gypsies to land a job in the show, and is a powerful metaphor for all human aspiration. Memorable musical numbers include I Can Do That, At the Ballet, Dance: Ten; Looks: Three, The Music and the Mirror, What I Did for Love, One (Singular Sensation) and I Hope I Get It. It is a brilliantly complex fusion of dance, song and compellingly authentic drama. The show was instantly recognized as a classic.

Matthew Wilson, Director/co-choreographer; Michael Kennedy, Music Director; Angela Kahle, Co- Choreographer; Production Stage Manager, Melanie D. Hall.

Rehearsals begin: Monday, July 27, 2015

Performance Dates:
Thurs. Sept. 3 – Fri. Sept. 4 – Sat. Sept. 5 – Sun. Sept. 6
Thurs. Sept. 10 – Fri. Sept. 11 – Sat. Sept. 12 – Sun. Sept. 13
Thurs. Sept. 17 – Fri. Sept. 18 – Sat. Sept. 19 – Sun. Sept. 20
Thurs. Sept. 24 – Fri. Sept. 25 – Sat. Sept. 26 – Sun. Sept. 27

Performances run Thursday 7:30 pm.; Friday and Saturday 8:00 pm and Sunday at 2:00 pm.

For more information on auditions, contact us at (513) 241 – 6550. Check us out on the web AT www.cincinnatilandmarkproductions.com

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Auditions Announced for FOX ON THE FAIRWAY at Covedale Center

CCPACincinnati Landmark Productions will hold auditions for FOX ON THE FAIRWAY on:

Sunday, May 17 and Monday, May 18, 2015
6:30–9:30pm

All auditions will be held at the Covedale Center for the Performing Arts, 4990 Glenway Avenue in West Price Hill.

Important Audition Information:  You will be asked to read from the script.  Must be a minimum of 18 years of age to audition.

Cast members do not have to be the actual ages of the characters – just must be able to look age appropriate and act accordingly.  MUST HAVE A RESUME listing theatrical experience in order to audition. A headshot/picture is appreciated but not required.

Please note:  No more than two conflicts will be accepted during the rehearsal process for this production.

SYNOPSIS
A tribute from Ken Ludwig (Lend Me A Tenor, Moon Over Buffalo) to the great farces of the 1930s and 1940s, The Fox On the Fairway takes audiences on a hilarious romp which pulls the rug out from underneath the stuffy denizens of a private country club. Filled with mistaken identities, slamming doors, and over-the-top romantic shenanigans, it’s a furiously paced comedy that recalls the Marx Brothers’ classics. A charmingly madcap adventure about love, life, and man’s eternal love affair with… GOLF!

Directed by Bob Brunner

Rehearsals begin:  Monday, Sept. 14, 2015
Performance dates:  Oct. 22 – Nov. 15, 2015

All roles are paid positions.  No roles have been precast.

Roles include:

  • HENRY BINGHAM (mid 40s): Director of the Quail Valley Country Club. He is witty and cynical at times, much like Basil Fawlty from the british sitcom. He gets into a high-stakes bet on a golf tournament and is determined to do what it takes to win. He is also unhappy in his marriage to Muriel and becomes involved with Pamela.
  • PAMELA PEABODY (39): A member of the Quail Valley Country Club. She is very attractive and sophisticated, but a bit loose and a bit of a drinker. Throughout the production she aids Bingham in his plans to make sure their club wins.
  • JUSTIN HICKS (25): Bingham’s new eager-to-please assistant who volunteers his services as a golfer to help Quail Valley win the golf tournament. He is romantically involved with Louise and proposes to her early on, but becomes emotionally distraught when things become difficult between them.
  • LOUISE HEINDBEDDER (23): A waitress at the Quail Valley Country Club. She is very attractive, and a bit flighty, but studious. She gets engaged to Justin early on, but a mishap results in her becoming very upset over their future together, making her bawl at a moment’s notice.
  • DICKIE BELL (mid 40s): The director of the rival Crouching Squirrel Country Club, with whom Bingham gets into a high-stakes wager. He is a bit obnoxious, including his fashion sense, but tries to come off as good-natured. He is Pamela’s ex and has a thing for Bingham’s wife Muriel.
  • MURIEL BINGHAM (40s): Bingham’s wife, who runs an antique shop, which becomes part of the wager between Henry and Dickie. Generally overbearing and stern, she somehow has a soft spot for Dickie.

For more information on auditions, contact us at 513.241.6550.

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THE SOUND OF MUSIC Runs April 30-May 24

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner.

THE SOUND OF MUSIC
Presented by Covedale Center for the Performing Arts
April 30-May 24
West Price Hill

Co-directed by Ed Cohen & Dee Anne Bryll
Music directed by Steve Goers

Cast: Helen A. Raymond-Goers as Maria Rainer, Justin Glaser as Captain Georg Von Trapp, John Langley as Max Detweiler, Laurie Wyant-Zenni as Elsa Schrader, Angela Alexander Nalley as the Mother Abbess, Rita Winters as Sister Berthe, Mistress of Novices, Karen A. Vosseberg as Sister Margaretta, Mistress of Postulants, Patricia LaRosa as Sister Sophia, Emily Mohler as a New Postulant, Mary Vosseberg as Nun, Mason Taylor as Rolf Gruber, Samantha Toberman as Frau Schmidt/Nun, Tony Giver as Franz, The Butler, Gregory Bossler as Admiral Von Schreiber & Dave Woellert as Herr Zeller.
The Von Trapp Children: Margot Grom as Liesl, Alexander Mullins as Friedrich, Annabel Forman as Louisa, Jackson Higgason as Kurt, Jordan Darnell as Brigitta, Aine Steele as Marta & Violet Hicks as Gretl.

When a postulant proves too high-spirited for the religious life, she is dispatched to serve as governess for the seven children of a widowed naval Captain. Her growing rapport with the youngsters, coupled with her generosity of spirit, gradually captures the heart of the stern Captain. Upon returning from their honeymoon they discover that Austria has been invaded by the Nazis, who demand the Captain’s immediate service in their navy. The family’s narrow escape over the mountains to Switzerland on the eve of World War II provides one of the most thrilling finales ever presented in the theatre. Classic songs include: “Sixteen Going on Seventeen,” “Edelweiss,” “My Favorite Things” and the anthem, “Climb Every Mountain.”

  • Thu, April 30 at 7:30pm
  • Fri-Sat, May 1-2 at 8pm
  • Sun, May 3 at 2pm
  • Thu, May 7 at 7:30pm
  • Fri-Sat, May 8-9 at 8pm
  • Sun, May 10 at 2pm
  • Thu, May 14 at 7:30pm
  • Fri-Sat, May 15-16 at 8pm
  • Sun, May 17 at 2pm
  • Thu, May 21 at 7:30pm
  • Fri-Sat, May 22-23 at 8pm
  • Sun, May 24 at 8pm

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LCT Review of THE MARVELOUS WONDERETTES

LCT_VThis review has been reposted courtesy of the League of Cincinnati Theatres. For more LCT reviews click here to visit their reviews page.

If you like 1950’s music sung with 1950’s women’s quartets and enough plot to make it a musical instead of a concert, you will like THE MARVELOUS WONDERETTES at the Covedale. The 4-women ensemble consisting of Kate Elliott, Grace Eichler, Lauren Carr and Blair Godshall sing, dance and act well enough to provide an entertaining evening out of pretty thin material. The first act of the show is about four high school seniors at their 1958 prom who have been asked to provide the entertainment by creating a girl singing ensemble called the Marvelous Wonderettes. The second act shows the four women 10 years later at their high school reunion and we find out what has happened to each in the meantime. Their stories are told through their songs including 1950’s and 1960’s pop songs such as “Mr. Sandman”, “Lollipop”, “Dream Lover”, “It’s my Party” and “You Don’t Own Me”. The harmonies improved as the night progressed, plagued somewhat by early miking issues. The singers have powerful voices and I’m sure it will improve. The choreography is simple yet typical of the female (and male) groups of the day. The set is typical 1950’s high school gym/stage with a basketball scoreboard, a stage at the back and minutiae such as graffiti on the wall. This show is not Shakespeare but it is fun, entertaining and energetic led by a captivating and talented cast. It’s Wonderette enough. And, going to the Covedale is always a treat.

For more information on the production, click here.

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