Tag Archives: Cincinnati Playhouse in the Park

Cincinnati Playhouse in the Park Announces Capital Project Update

PIP_Aerial view concept by BHDP Architecture

Aerial view concept by BHDP Architecture.

CINCINNATI – Artistic Director Blake Robison revealed late yesterday new developments in Cincinnati Playhouse in the Park’s capital building project to replace the current Marx Theatre with a brand-new mainstage theatre complex. The plan was first announced in February 2017. During a meeting with civic leaders at the Queen City Club, an updated plan for the proposed mainstage theatre complex was outlined, and it will allow performances to continue on-site during construction. The new mainstage theatre complex will cost $39.5 million.

Initially, the Playhouse anticipated that performances would have to take place off-site in order to build the new mainstage on the site of the Marx Theatre. The new approach created with project partners BHDP Architecture, Messer Construction and TriVersity Construction shifts the new theatre’s footprint to the north, allowing performances to continue in the Eden Park location during construction.

“This is a huge positive for our patrons,” said Robison. “Not only will they be able to enjoy productions in our familiar location, but also they’ll witness the creation of the new mainstage as it’s being built.”

The Playhouse, its Board of Trustees, the Cincinnati Park Board and the design and construction partners are working to understand and address the implications of this shift in strategy. The construction timetable and building project design are not final, but the current projected opening date will fall in late 2021. The Playhouse anticipates announcing the finalized construction timetable, projected opening date and finished project designs later this year.

“As you can imagine, there are a lot of moving parts,” said Robison. “We are going to take our time and do this thing right. Our brilliant design and construction team is dedicated to fully analyzing the plan. We all feel strongly that its huge positives outweigh a slightly longer wait for the final project design and our new mainstage.”

Fundraising for the capital campaign is on track. “With three leadership gifts and the committed support of 100 percent of our Board, we are well on our way,” said Woody Taft, Campaign Chairman. “We’ve raised $12.9 million, which includes $9.3 million toward the cost of the new building and an additional $3.6 million for endowment.”

In 2017, Cincinnati Playhouse in the Park announced a capital campaign to replace the current Marx Theatre with a brand-new mainstage theatre complex. The building project will feature a new, and even more intimate, mainstage theatre with support facilities including new dressing rooms, rehearsal rooms, green room, costume shop and backstage areas. The new theatre will enhance audience experience with better comfort, sightlines, acoustics and entry/exit. It will expand what can be done on stage with state-of-the-art theatre technology.

No major improvements have been made to the Marx Theatre since its construction nearly 50 years ago in 1968. It is the oldest unrenovated mainstage facility at any regional theatre in the country. The Playhouse’s last capital campaign was from 1994 to 1996 and culminated in a renovation of the public and production support areas in 1997, but did not include any significant improvements to the two theatres.

“We view this as a civic project that will bring benefits to the whole region,” Taft said. “The Playhouse already provides our city with significant economic impact and national recognition that helps bring people to live and work here. The new, state-of-the-art mainstage will build on the Playhouse’s contributions and success.”

Winner of two Tony awards, the Playhouse is the region’s preeminent professional theatre with unequaled access to the nation’s finest actors, directors and designers.

“The new theatre complex positions the Playhouse for the future,” explained Robison. “It will enhance our patrons’ experience and give our artists the modern technologies they need to produce top-notch theatre here in Cincinnati for generations to come.”

The Playhouse is supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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Cincinnati Playhouse Presents the World Premiere of SOONER/LATER

Romantic comedy explores the role of fate in love and life

pip_sooner%2flater-promo

Photo by Tony Arrasmith/Arrasmith & Associates.

CINCINNATI—Cincinnati Playhouse in the Park will present the world premiere of SOONER/LATER in the Shelterhouse Theatre March 24 (Opening Night is March 29). The play will run through April 21 with support from The Rosenthal Family Foundation, Season Sponsor of New Work.

Written by Allyson Currin, SOONER/LATER is a captivating story with a metaphysical twist that navigates the tricky paths of romance, marriage, and parenting, while examining the role of fate in each one.

“While the play has serious themes, humor is my default setting,” Currin explains. “I don’t think I can write anything without packing in laughs. I prefer plays that make me laugh, so that’s what I try to write. I aspire to write plays that speak to the widest range of the human experience, and that includes both humor and pathos. It is my belief that plays that do both are the most universal and the easiest to care about.”

Currin was previously commissioned by the Playhouse to write High School Alien for the Playhouse’s Education and Outreach Series, and it toured to Greater Cincinnati schools and community centers in 2015.

In SOONER/LATER, single mother Nora somewhat reluctantly re-enters the dating scene. From the not-so-sidelines, her teenage daughter Lexie watches with particular — and highly vested interest — the mistakes her mom seems to make over and over again as she searches for the perfect partner. Following a series of inappropriate matches and then a string of prospect no-shows, Nora finds herself on the verge of giving up for good.

That’s when Griff improbably enters the picture — first as an inadvertent witness to Nora’s dating disasters and, ultimately, as a surprising and not-entirely-comfortable new suitor. But when complications inevitably arise, SOONER/LATER’s three characters must navigate fate’s unavoidable turns, exploring what happens when life moves from a world of possibility to one of certainty.

“With the character of Lexie, I gave myself a really special (and artistically luxuriant) opportunity to explore the dichotomies in teenagers, not only in terms of character but in structure as well,” Currin says. “I admire and respect the teen experience, and one of my biggest pet peeves is when older generations dismiss the intensity of that experience. It’s profound and important and formative… and should be treated as such in dramatic literature.”

Playhouse artistic director Blake Robison was immediately excited with the script for SOONER/LATER, which he describes as “smart, funny and heartbreaking, all at the same time.” He chose to make it the second consecutive world premiere production in the Playhouse’s Shelterhouse season this year. The fact that both premieres (the other being Deborah Zoe Laufer’s Be Here Now) are written by up-and-coming female playwrights is not coincidental.

“In recent years, the Playhouse has made a strong commitment to producing new plays by female playwrights, who have been underrepresented historically on our stages,” says Robison. “Ally is a rising star in the theatre world, and I wanted to make sure that Cincinnati audiences get to hear her voice.”

CAST
Mary Bacon as Nora, Todd Cerveris as Griff & Olivia Cygan as Lexie.

PRODUCTION
Lisa Rothe (Director); Narelle Sissons (Set Designer); Theresa Squire (Costume Designer); Barbara Samuels (Lighting Designer); Joe Payne (Sound Design and Composition); Stephanie Klapper (Casting Director); Brooke Redler (Stage Manager).

SPECIAL EVENT
Playwriting for Young Audiences with Allyson Currin
Saturday, March 31, 10 a.m. at the Playhouse. Cost is $50 per person. Open to adults and teens (16-year-olds and above). Please call the Playhouse Box Office to reserve your spot at 513-421-3888.

PERFORMANCES
Evening performances on Tuesdays, Wednesdays, and Thursdays start at 7:30 p.m;
Fridays and Saturdays at 8 p.m. and Sundays at 7 p.m. Matinee performance on Saturdays start at 4pm, Sundays at 2 p.m. as well as on Wednesday, March 28 at 1 p.m. Meet the Artists are scheduled after matinee performances on April 1 and 8, as well as after evening performances on April 11 and 19.

TICKETS
Prices for SOONER/LATER start at $35 depending on seat selection and performance day and are subject to change. Tickets for teens and students are $30. Student tickets are just $15 on the day of the show. Plus, Sunday is College Night, with tickets to all 7 p.m. performances just $10. In addition to calling the Box Office, tickets can also be purchased by visiting the Playhouse website at www.cincyplay.com.

ACCESS
The Playhouse is fully accessible. Large print programs and hearing enhancement receivers are available upon request.

BOX OFFICE
513-421-3888 or 800-582-3208 toll-free in Ohio, Kentucky and Indiana; or 513-345-2248 – TDD access (Telecommunications Device for the Deaf).

SPONSORS
Atkins & Pearce is the Artist sponsor. The Shelterhouse Theatre Season is presented by Heidelberg Distributing Company. The Season Sponsor of New Work is The Rosenthal Family Foundation. The Shelterhouse Theatre Season Design Sponsor is Allan Berliant and Jennie Rosenthal Berliant Family Fund. The Harold and Mimi Steinberg Charitable Trust provided additional support.

The Playhouse is supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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Education Associate Sought by Cincinnati Playhouse in the Park

PIP_logoEDUCATION ASSOCIATE
Job Posting

Cincinnati Playhouse in the Park is an equal opportunity employer and encourages inquiries about this position from a broad spectrum of candidates reflecting the diversity of the community we serve.

Cincinnati Playhouse in the Park seeks to hire a full-time Education Associate. The Education Associate is responsible for the administration, management and teaching of assigned education and community engagement programs for Cincinnati Playhouse in the Park. Specific responsibilities include but are not limited to the following.

  • Manage the administration of assigned programs
  • Oversee registration and scheduling for programs
  • Manage the implementation of program budget and expenses
  • Teach classes, camps, residencies, and workshops
  • Develop curriculum and teacher guides
  • Orient and train staff on curriculum, classroom management and partner communication methods

Start Date: May 14, 2018
Full-time, exempt position with benefits. Salary commensurate with experience.

Nights and weekends are required for classes and community events. Start times do vary based on scheduled classes and workshops. The schedule is subject to change based on needs of programs.

COMPETENCIES:

  • B.A. in theater or education with a theater concentration or commensurate experience
  • Confident teaching Acting and Improvisation to a wide range of ages
  • Three years teaching experience
  • Experience teaching drama in schools is preferred
  • Administrative experience
  • Experience planning and executing events preferred
  • Experienced user of Microsoft office programs
  • Demonstrated ability to design curriculum

PHYSICAL DEMANDS:

  • The employee is frequently required to stand, walk, and occasionally stoop, kneel, crouch or crawl
  • The employee must frequently lift and/or move up to 10 pounds and occasionally lift up to 25 pounds
  • This position is partially sedentary.
  • The employee is required to regularly talk and hear.

Employment is contingent upon successful completion of a background check.

To apply, email cover letter, administrative and theater resumes, three references and a sample lesson plan to Daunielle Rasmussen, Director of Education and Community Engagement at daunielle.rasmussen@cincyplay.com. If invited into the next round of consideration, a video teaching sample or in person teaching observation will be requested.
Deadline to apply is March 23, 2018. No Calls please.

FULL JOB DETAIL:

ASSIGNED PROGRAMS TO MANAGE:
Acting and Adult Enrichment Classes
Enrichment Workshops
Experiential Workshops
Corporate Training
Backstage Tours
College Programs

PROGRAM MANAGEMENT:

  • Manage programs and various projects as assigned
  • Create contracts and invoice partners
  • Manage scheduling with schools and instructors
  • Create first draft of marketing communications as requested
  • Manage Communications: Provide updated information for website, collateral and Tessitura
  • Maintain partnerships with existing partners at schools and in communities
  • Create end of season program assessment reports
  • Maintain communications with other departments for program events
  • Ensure the highest quality customer service to all families and partners
  • Maintain expense tracker for program expenses
  • Input demographic statistics monthly to stats tracker
  • Ensure that evaluation & documentation materials have been distributed, received and processed
  • Prepare materials for classes and workshops
  • Observe, assess and provide feedback to Teaching Artists

TEACH:

  • Acting, Movement and Improvisation for classes and camps
  • Specialty subjects certified and qualified to teach
  • Drama Integration School Residencies and workshops
  • Pre-Show workshops
  • Week-long workshops around specific books/subjects
  • Enrichment day workshops
  • Adult and senior adult classes
  • Must be comfortable teaching acting, movement and improvisation in both a creative drama and conservatory setting

CURRICULUM DEVLEOPMENT & TRAINING:

  • Update and adapt core curriculum templates
  • Develop new workshops, classes and residency curriculum
  • Distribute curricula and train staff for each class/workshop
  • Train new teaching artists
  • Pilot new material and partnerships
  • Sub for classes and workshops as needed

ACTING & ADULT ENRICHMENT CLASSES:

  • Create curriculum for all youth classes
  • Schedule and train adjunct Teaching Artists in collaboration with Director of Education and Community Engagement
  • Ensure that all needed supplies are purchased and prepared for classes
  • Oversee outreach and publicity for enrollment in collaboration with Marketing
  • Write course descriptions for marketing and parent information for the Education Coordinator
  • Create report summaries for enrollment and outcomes
  • Track and implement budget and expenses
  • Ensure that evaluations are distributed, completed and input at the end of each session
  • Working with The Director of Education and Community Engagement, create course offerings and possible partnerships
  • Recruit Instructors for Adult Workshops
  • Coordinate all logistics and communications for classes and adult workshops

SCHOOL ENRICHMENT & EXPERIENTIAL WORKSHOPS:

  • Solicit and book new workshops
  • Process requests that are received
  • Generate contracts and process payments
  • Coordinate final details and schedules with booked schools
  • Train teaching staff on each workshop
  • Prepare and transport materials and supplies
  • Create, distribute and input evaluations for every workshop
  • Fine tune and create curriculum as needed
  • Share dates of workshop final day presentations with development and coordinate funder visits

CORPORATE TRAINING:

  • Process requests, payments and schedule workshops
  • Create curriculum for trainings
  • Teach or schedule teachers
  • Solicit and book new partners

COLLEGE PROGRAMS:

  • Working with the Director of Education and Community Engagement, create and implement new programming to support local universities and integrate college students into the programs at Cincinnati Playhouse in the Park.

COMMUNITY EVENTS:
As a member of the Education and Community Engagement Department, the Education Associate is required to take shifts working booths at festivals and lead playmaking and activity booths at events.

  • Schedule and process payments for Backstage Tours
  • Give and train staff to give tours to outside groups
  • Teach workshops at community Events
  • Support the Off the Hill Tour by being the designated staff Host for one tour and sub as needed for additional tours
  • Moderate audience Q&A’s as needed

ALL STAFF RESPONSIBILITIES:

  • Attend all CPIP required events
  • Attend all Staff and department staff meetings
  • Oversee Pre-show engagement and seating support for student matinees
  • Perform other duties as assigned

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Summer Camp Counselor Sought by Cincinnati Playhouse in the Park

PIP_logoSUMMER CAMP COUNSELOR
Job Listing

Cincinnati Playhouse in the Park is an equal opportunity employer and encourages inquiries about this position from a broad spectrum of candidates reflecting the diversity of the community we serve.

Cincinnati Playhouse in the Park seeks camp counselors for our Summer Theatre Day Camp. Counselors help facilitate all aspects of camp, including serving as role models who assist and motivate campers. Throughout the day counselors facilitate their group’s activities including check-in and check-out, proctor student breaks, and support Teaching Artists as teaching assistants during classes. Ideal candidates have completed or are working towards a college degree, have experience working with children and are enthusiastic about teaching theatre to youth. Specific responsibilities include but are not limited to:

  • Group Leader for one group each week or floater as needed
  • Lead morning warm-up and afternoon group activities
  • Escort students to each class & assist Teaching Artists during classes
  • Proctor all student breaks and lunch
  • Provide assistance with room and administrative prep
  • Coach students one-on-one

Orientation/Prep Week: May 29 – June 1, 11:00am-5:00pm Camp dates: June 4 – July 27 (off the week of July2-6)
Hours:

  • Shift 1: 8:00am-5:00pm, Monday-Friday
  • Shift 2: 8:15am-5:15pm, Monday-Friday
  • Shift 3: 8:45am-5:45pm, Monday-Friday
  • Pay Rate: $10/hour

COMPETENCIES

  • Experience working with children, working in a large group setting preferred
  • Experience with administrative processes preferred
  • Currently attending college, graduated with a Bachelor’s Degree, or commensurate experience.
  • Good email communication skills
  • Experience with customer service
  • Organized and able to solve problems quickly and positively

PHYSICAL REQUIREMENTS

  • The employee is frequently required to stand, walk, stoop, kneel, crouch or crawl
  • The employee must frequently lift and/or move up to 10 pounds and occasionally lift up to 25 pounds
  • This position is partially sedentary and the employee is required to regularly talk and hear.

Employment is contingent upon successful completion of a background check.

For more information, go to cincyplay.com and click on the Employment tab.

To apply:
Please send a resume and three references to Daunielle Rasmussen, Director of Education and Community Engagement at daunielle.rasmussen@cincyplay.com.
No calls please.
Application Deadline: March 22, 2018

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Playhouse in the Park’s New Season is Music to Theatre Lovers’ Eyes and Ears

A version of this article was originally published online Feb. 27, 2018

CBC_logo
By Rob Bucher

A Lin-Manuel Miranda musical, a stage adaptation of a Stephen King thriller and an original work exploring Cincinnati’s place in music recording history are just a sampling from Cincinnati Playhouse in the Park’s 2018-2019 season. For Artistic Director Blake Robison, the season also represents the Playhouse “continuing our commitment to gender equity as we move forward, eighty percent of the works this season are by women and artists of color.”

PIP_In the Heights promo

Photo by Tony Arrasmith/Arrasmith & Associates.

That commitment also extends to the directing chair. Nationally-renowned director May Adrales makes her Playhouse debut with the Cincinnati premiere of Lin-Manuel Miranda’s Tony Award-winner for Best Musical, “In the Heights.” From his Washington Heights bodega, Usnavi follows the nonstop rhythm of this friends and family as they navigate their hopes and dreams, loves and losses, fortunes and fates.  A co-production with Seattle Repertory Theatre and Milwaukee Repertory Theater, performances begin Jan. 19, 2019 in the Marx Theater. Cincinnati audiences have the opportunity to see both of Miranda’s works in the order they were created.

“[In the Heights] is exactly the kind of show only Playhouse can do. Because of its scale, because we have the resources to produce on this level. You have to go to the Playhouse to see something like this. That is a service we provide to all of the theater lovers in Cincinnati area.” The Playhouse is blessed with a very loyal audience and boasts a 12,700 subscription base, the most of any theater in the Midwest, outside of Chicago.

PIP_Cincinnati King promo

Philip Paul, legendary King Records session drummer. Photo by Tony Arrasmith/Arrasmith & Associates.

A highlight of the Shelterhouse season is “Cincinnati King,” a world premiere musical about Cincinnati’s King Records, written and directed by Associate Artist, KJ Sanchez. Based on hundreds of interviews with people connected to the historic record label, the show features King Records’ hits including “The Twist,” “Blues Stay Away From Me,” “Fever,” and “Need Your Love So Bad.”

Originally planned as a documentary play, a staged concert reading in Washington Park in the summer of 2015 led the playwright to incorporate the songs more strongly in the script, creating a jukebox/documentary hybrid. “A juke-umentary,” Sanchez jokes. Also important to the playwright was the need to “hang on to the quality of the music, to capture that sound of the music; how it was played and recorded at the time.”

The two-time Tony Award-winning Cincinnati Playhouse in the Park announced in February 2017 that it would remain in Eden Park and move forward with a major capital campaign to replace the Playhouse’s current fifty-year-old mainstage theater with a new state-of-the-art facility commensurate with the Playhouse’s artistry and national reputation. In August, the selection of BHDP Architecture was approved by the PIP Board of Trustees. As plans are finalized, an exact fundraising goal along with designs for the future space is expected to be announced in the fall.

PIP_Misery promo

Barbara Chisholm as Annie Wilkes. Photo by Tony Arrasmith/Arrasmith & Associates.

The Marx Theatre season kicks off in September with a stage adaptation of the Stephen King classic, “Misery.” Romance novelist Paul Sheldon wakes from a winter car accident to find himself incapacitated and under the seemingly tender mercies of his “Number One Fan” Annie Wilkes (Barbara Chisholm, “Erma Bombeck: At Wit’s End” 2017). Discovering he is more prisoner than patient, can Sheldon outwit his captor?

PIP_Miss Bennet promo

Photo by Tony Arrasmith/Arrasmith & Associates.

The romantic comedy “Miss Bennett: Christmas at Pemberley” continues the story begun in Jane Austen’s Pride and Prejudice. Taking place two years later, the story shifts focus to middle sister Mary. An unexpected encounter at a holiday gathering offers the dutiful daughter a chance at love. Co-writer Lauren’s Gunderson’s play The Revolutionists was presented by the Playhouse in 2016.

The Cincinnati tradition that is Playhouse’s “A Christmas Carol” is back for the holidays. Bruce Cromer returns as Scrooge for his 14th year under the direction of Michael Evan Haney. This production is a season extra.

PIP_Two Trains Running promo

Photo by Tony Arrasmith/Arrasmith & Associates.

In March, the Playhouse returns to the works of August Wilson with “Two Trains Running.” Set in 1960s Pittsburgh, long-time regulars gather at the local diner against the backdrop of the civil rights movement. Associate Artist Timothy Douglas (Wilson’s “Jitney” 2016), whom Robison describes as “one of the nation’s top interpreters of August Wilson’s work,” returns to direct this co-production with Milwaukee Repertory Theater. Cincinnati audiences can also see Wilson’s “Fences” in January.

PIP_Charlie Brown promo

Photo by Tony Arrasmith/Arrasmith & Associates.

The Marx Season concludes with the third musical of the season, “You’re a Good Man, Charlie Brown.” Charles M. Schulz’s Peanuts characters come to life on stage in a show that appeals across generations. New musical arrangements of the original 1967 production has the cast playing their own accompaniment. The production reunites the “Little Shop of Horrors” (2017) director Bill Fennelly with his male lead, Fairfield native Nick Cearley in the role of Linus.

PIP_The Roommate promo

Photo by Tony Arrasmith/Arrasmith & Associates.

The Shelterhouse Theater season opens with Jen Silverman’s wickedly funny comedy “The Roommate.” Her play “All the Roads Home” received its world premiere at the Playhouse in early 2017. The life of recently divorced, 50-something Sharon goes off the rails when she opens her home to Robyn, a woman who needs a place to hide and a chance to start over.

The Second City, Chicago’s world famous improvisational theater troupe, makes their third appearance at Playhouse in the Park with the season extra, “It’s Not You, It’s Me.” This limited run of their latest show, one of the first performances outside of Chicago, examines modern dating and the age-old phenomenon of falling in love.

PIP_The Last Wide Open promo

Photo by Tony Arrasmith/Arrasmith & Associates.

Robison takes the directorial reigns with the romantic world premiere of “The Last Wide Open” in February. A late-night thunderstorm traps young waitress Lina and co-worker Roberto, an Italian immigrant, alone in the restaurant at closing time. After years of little interaction, the two find their lives intersecting in surprising and mystical ways.

PIP_Thanksgiving Play promo

Photo by Tony Arrasmith/Arrasmith & Associates.

In March, plans to create a culturally sensitive holiday program for elementary schools goes hilariously astray in Larissa FastHorse’s “The Thanksgiving Play,” Playhouse’s first production by a Native American playwright. Watch as the well-meaning plans of a group of liberal artists dissolve into a satirical send-up of “PC” behavior.

The final play title in the Shelterhouse Theatre season will be announced at a later date.

2018-2019 Marx Theatre Season

  • “Misery,” Sept. 1-29
  • “Miss Bennett: Christmas at Pemberley,” Oct. 13-Nov. 10
  • “A Christmas Carol,” Nov. 21-Dec. 29*
  • “In The Heights,” Jan. 19-Feb. 17
  • “Two Trains Running,” March 2-30
  • “You’re a Good Man, Charlie Brown,” April 20-May 18

2018-2019 Shelterhouse Season

  • “The Roommate,” Sept. 22-Oct. 21
  • “Cincinnati King,” Nov. 3-Dec. 23
  • “It’s Not Me, It’s You,” Jan. 10-17*
  • “The Last Wide Open,” Feb. 9-March 10
  • “The Thanksgiving Play,” March 23-April 21
  • TBA, May 4-June 9

*Season Extras

For more information visit www.cincyplay.com.

 

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