Tag Archives: Cincinnati Playhouse in the Park

MR. PARENT Runs Sept. 7-Oct. 6

MR. PARENT
Cincinnati Playhouse in the Park
Sept. 7-Oct. 6
Shelterhouse Theatre [Eden Park]

Conceived with and directed by Megan Sandberg-Zakian

Cast: Maurice Emmanuel Parent as Mr. Parent

You’re never too old to learn a thing or two. A struggling actor turns to teaching for a steady paycheck, thinking “how hard could it be?” But as he careens from an urban public school system by day to serious thespian at night, Mr. Parent starts to wonder where he really belongs. Based on personal stories and his own real-life adventures, writer-performer Maurice Emmanuel Parent takes the stage in a deeply felt and hilarious solo performance about crushingly inequitable systems, the brilliance of every kid and how we might all find the space to be ourselves. MR. PARENT is recommended for older teenage and adult audiences. This one-man show details the beauty and struggles of teaching at a public school while relaying stories about sexual identity, racism, profiling and inequitable systems that include descriptions of violence and strong adult language.

  • In preview, Sat, Sept. 7 at 7:30pm
  • In preview, Sun, Sept. 8 at 2pm
  • In preview, Tue-Wed, Sept. 10-11 at 7:30pm
  • Thu-Fri, Sept. 12-13 at 7:30pm
  • Sat, Sept. 14 at 2pm & 7:30pm
  • Sun, Sept. 15 at 2pm
  • Tue-Thu, Sept. 17-20 at 7:30pm
  • Sat, Sept. 21 at 2pm & 7:30pm
  • Sun, Sept. 22 at 2pm
  • Tue, Sept. 24 at 7:30pm
  • Wed, Sept. 25 at 1pm & 7:30pm
  • Thu-Fri, Sept. 26-27 at 7:30pm
  • Sat, Sept. 28 at 2pm & 7:30pm
  • Sun, Sept. 29 at 2pm
  • Tue-Fri, Oct. 1-4 at 7:30pm
  • Sat, Oct. 5 at 2pm & 7:30pm
  • Sun, Oct. 6 at 2pm

Official page | Facebook event |

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DIAL M FOR MURDER Runs Aug. 17-Sept. 15

DIAL M FOR MURDER
Cincinnati Playhouse in the Park
Aug. 17-Sept. 15
Rouse Theatre [Eden Park]

Written by Frederick Knott
Adapted by Jeffrey Hatcher
Directed by Tatiana Pandiani

Cast: Brandon Hearnsberger as Tony Wendice, Justin McCombs as Lesgate, Barry Mulholland as Inspector Hubbard, Geena Quintos as Maxine Hadley & Teresa Zimmermann as Margot Wendice

Murder and malice take center stage in a fresh adaptation of an iconic thriller! The setting is midcentury London. It’s been a year since Margot ended her affair with her lover, Maxine, and returned to life as usual with her husband, Tony — or so she thinks. Tony, in fact, knows about the affair and spins an intricate web of suspicion and deception. When his plan goes terribly awry, it sets in motion a series of deadly, unexpected twists threatening everyone involved. Best known for the 1954 film by Alfred Hitchcock, this masterful murder mystery receives a clever and fast-paced new treatment for the stage. DIAL M FOR MURDER is recommended for ages 13 and up. 

  • In preview, Sat, Aug. 17 at 7:30pm
  • In preview, Tue-Wed, Aug. 20-21 at 7:30pm
  • Thu-Fri, Aug. 22-23 at 7:30pm
  • Sat, Aug. 24 at 2pm & 7:30pm
  • Sun, Aug. 25 at 2pm
  • Tue-Fri, Aug. 27-30 at 7:30pm
  • Sat, Aug. 31 at 2pm & 7:30pm
  • Sun, Sept. 1 at 2pm
  • Tue, Sept. 3 at 7:30pm
  • Wed, Sept. 4 at 1pm
  • Thu-Fri, Sept. 5-6 at 7:30pm
  • Sat, Sept. 7 at 2pm & 7:30pm
  • Sun, Sept. 8 at 2pm
  • Tue-Fri, Sept. 10-13 at 7:30pm
  • Sat, Sept. 14 at 2pm & 7:30pm
  • Sun, Sept. 15 at 2pm

Official page | Facebook event |

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Cincinnati Playhouse in the Park – Seeking Tomás – TOMÁS AND THE LIBRARY LADY

PIP_logoShow: TOMÁS AND THE LIBRARY LADY adapted by José Cruz González and based on the book by Pat Mora.

Show Description: Tomás loves stories and knows all his Papá Grande’s by heart. As the young son of a migrant farm worker, Tomás has a chance encounter with a librarian in Iowa who introduces him to the wonderful world of books. His imagination takes off as he reads book after book and discovers worlds filled with dinosaurs, tigers and explorers. Based on the beloved book, this inspiring true story celebrates reading, imagination and creativity. Both English and Spanish speakers can readily understand this bilingual play.

Seeking:

  • Tomás Track: Young Tomás / Florencio / voice of Papá Grande / Adult Tomás
  • Location: Show will tour to schools and community centers across the Greater Cincinnati tri-state region up to 75 miles away from our home base.
  • Show Style: Theater for Young Audiences, Play with Music, Bilingual (English & Spanish)
  • Contract Details: To be considered for this role you must be 21 years old or older, be a non-equity actor, have availability for 35-40hrs a week throughout the run of the show and rehearsal period, and have local housing in Cincinnati, OH (or be willing to provide your own housing if you are currently not based in Cincinnati).

Dates:

  • Fittings: Week of August 5, 2024
  • Rehearsals Start: August 21, 2024
  • Run: September 11, 2024– November 23, 2024

DURATION
August 21, 2024 – November 23, 2024

SALARY
Approx. $600 per week

How to Submit:
To be considered please submit a headshot/resume to education@cincyplay.com.

Please feel free to reach out to education@cincyplay.com with any questions.

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THE CHOSEN Review

By Katrina “Kat” Reynolds

THE CHOSEN presented by Cincinnati in the Park through May 12th. I attended the opening night performance. 

PIP_The Chosen2

The cast of THE CHOSEN presented by Cincinnati Playhouse in the Park. Photo credit to Mikki Schaffner.

Way back when I was a practicing Catholic and before I was Jew-ish, I was assigned to read a book in a high school religion class. In all honesty, The Chosen by Chaim Potok did not really pique my interest. I am uncertain if it was my age or my undiagnosed ADHD that served as the culprit, but I was not the book’s biggest fan. Make no mistake: I was thrilled to learn more about the Jewish faith through this story of an unlikely friendship formed between two boys who practiced different types of Judaism – but even after so much time had passed, I was of two minds about attending a stage adaptation. Fortunately for me (and for all of us), Aaron Posner’s adoption of the original text (not to mention his direction of the play itself) is nothing short of perfection.

Set Designer Daniel Conway gifts us with one of the most beautiful and functionally diverse sets ever seen. Complemented with creative and thoughtful lighting designed by Noele Stollmack, the stage is easily transformed from the homes of the boys to a baseball diamond to Reb Saunders’ shul (Yiddish for “synagogue”) and several other settings. Costume Designer Helen Q. Huang perfectly captures the orthodox garb of a Hasid in addition to the era-appropriate clothing of the modern orthodox members.

Mr. Posner’s direction of this extraordinarily talented ensemble of four performing artists is to be commended. Both pacing and use of the playing space are optimal. Further, we as the audience are emotionally invested from very nearly the first moment. In speaking with the lovely patron next to me who asked me at intermission if I was enjoying the show, she offered such a spot-on comment on how she felt about it: “It is as if you can feel the emotions coming off the stage right at you.” I agreed with her and enjoyed this description as it was a palpably impassioned experience.

As our narrator of sorts, Eli Mayer as Reuven Malter does an excellent job at aging right before our eyes by simply altering the way he carries himself throughout the production. Mr. Mayer is relatable and an excellent storyteller. In the role of Daniel “Danny” Saunders, Reuven’s would-be rival and eventual friend, Hillel Rosenshine delivers a top-notch performance of a brilliant yet socially awkward Hasid whose mind seems to be both a blessing and a curse. Mr. Rosenshine matches Mr. Mayer’s physicality in his own character’s journey and it is magical.

Not to be outdone by their on-stage progeny, Steve Routman is affable and paternal as David Malter, Rueven’s empathetic and kind father who encourages the boys to be friends. I do not believe there is a person out there who would not want a father as portrayed by Mr. Routman and I sincerely hope the poor man isn’t accosted by too many hugs after his performances.

While it is difficult to focus on any one actor above the other (truly, they are that good), particular praise must be paid to Ron Orbach as Reb Saunders, the consummate leader of his congregation. Reb’s emotional journey is perhaps the most dramatic of all, even when there are times you may wonder if you can possibly find the character at all sympathetic. So many of the audience’s audible reactions from laughs to “oohs” to tears are due to Mr. Orbach’s impeccable execution. (Fun fact: be sure to read his bio to find out which one of my favourite films from when I was a teen boasts his talents.)

Click here for more information on the production.

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VIETGONE, a Reinvention of the Romantic Comedy Will Capture Hearts and Laughs Beginning April 27

PIP_VietgoneCINCINNATI (APRIL 11, 2024) – An all-American love story about two very new Americans opens in previews on April 27 at the Rosenthal Shelterhouse Theatre. Presented by Ellen and Ray van der Horst, VIETGONE is a reinvention of the romantic comedy. Opening night is May 2. The production runs through June 2.
It’s 1975. Saigon has fallen. He’s lost his wife, she’s lost her fiancé, and home as they’ve known it will never be the same. But this is not a war story. It’s a love story. Based on playwright Qui Nguyen’s family, VIETGONE tells the partially true tale of how his parents, Quang and Tong, met in a refugee relocation camp in Arkansas during the Vietnam War. They navigate their new lives as new Americans amidst family pressure, the challenges of migration and a culture full of motorcycles, cowboys, fast food and dreams.

“This is my origin story not only as a human being but as an artist as well,” Nguyen said. “I don’t think I would’ve become a writer if it wasn’t for my grandmother, who told me when I was very young, maybe 8 or 9, why she told me so many stories. She said when she escaped Vietnam, she left very fast without packing her bags, carrying jewelry or money, or (bringing) photos from home. All she had was her stories. And honestly, I think stories are the only thing anyone has of value.”

Qui Nguyen is an Emmy-Award-winning TV writer, filmmaker, playwright, and co-founder of the pioneering geek theatre company, Vampire Cowboys. Notable plays include Vietgone, Poor Yella Rednecks, Bike Wreck, and the acclaimed Vampire Cowboys productions of She Kills Monsters (recently awarded a 2024 Kennedy Center College Theatre Festival Gold Medallion Award). For TV/Film, he’s written for Marvel Studios, Netflix, AMC, SYFY, and PBS. He recently penned Disney’s Raya and the Last Dragon (nominated for a 2022 Academy Award for Best Animated Feature) and co-directed and wrote Disney’s Strange World.

One unique aspect of VIETGONE is the use of original hip-hop and rap music to elevate the inner thoughts of the characters. The music in the play is composed by Shane Rettig.

“It’s not a musical, but the music is important to the piece,” said Joanie Schultz, who directs the play and serves as the Playhouse’s Associate Artistic Director. “The songs work like arias in an opera and give the characters an opportunity to explore an emotional state, but by using contemporary pop music styles, they are even more relatable to us as a modern audience.”

Nguyen added, “I hope people just enjoy a good love story. I hope they long for Quang and Tong to get together. And I hope in the final scene they get a new perspective on what being American and being Vietnamese means.”

CAST

  • Tong – Sami Ma
  • Thu/Huong – Olivia Oguma
  • Playwright/Giai/Bobby – Julian Remulla
  • Quang – Hyunmin Rhee
  • Nhan/Khue – Viet Vo

Production

  • Playwright – Qui Nguyen
  • Director – Joanie Schultz
  • Set Designer – Chelsea M. Warren
  • Costume Designer – Jessica Wegener Shay
  • Lighting Designer – Jennifer Fok
  • Original Music/Sound Designer – Shane Rettig
  • Fight Director – Rod Kinter
  • Associate Director – cara hinh
  • Casting Director – Stephanie Klapper, CSA
  • Stage Manager – Andrea L. Shell
  • Assistant Stage Manager – Shelby Scaffidi

TICKETS
Tickets begin at $35.00. Prices vary and seating location and performance day. Preview performances take place on April 27, April 30 and May 1 at 7:30 p.m. Opening night is May 2 at 7:30 p.m. Regular performances will take place on Tuesday-Fridays at 7:30 p.m., Saturdays at 2 and 7:30 p.m. and Sundays at 2 p.m. A weekday matinee will be offered on May 15 at 1 p.m.

To purchase tickets or for more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky, and Indiana at 800-582-3208) or visit http://www.cincyplay.com. Patrons who are deaf, hard-of-hearing, deaf-blind or speech disabled: dial 711 to connect to the Box Office via Ohio Relay Services.

EVENTS

Preview Performances:
Be among the first to see the show before opening night and save! Preview performance tickets are discounted.

  • Sat., Apr. 27 at 7:30 p.m.
  • Tue., Apr. 30 at 7:30 p.m.
  • Wed., May 1 at 7:30 p.m.

Opening Night:
Share the excitement of Thursday opening nights with a lively post-show cast party.

  • Thu., May 2 at 7:30 p.m.

Art Talks
(Formerly Meet the Artists), stay after select performances for a behind-the-scenes discussion with members of the artistic team.

  • Sun., May 5 at 2 p.m.
  • Sun., May 12 at 2 p.m.
  • Wed., May 15 at 7:30 p.m.
  • Thu., May 23 at 7:30 p.m.

ADVISORY
VIETGONE is recommended for older teenage and adult audiences. In this hopeful, funny and irreverent story about love, the characters sometimes express their emotions through rap music, use very strong language and make sexual references. The play includes descriptions of violence, discrimination and the aftermath of the war in Vietnam.

SPONSORS
Presented by Ellen and Ray van der Horst. Production Sponsor is Roto-Rooter. Design Sponsor is Geiler. Season Sponsor is the Vontz Family.

The Playhouse is supported by the generosity of almost 40,000 contributors to the ArtsWave Community campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation.

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