Tag Archives: Cincinnati Playhouse in the Park

THE SECOND CITY: 65TH ANNIVERARY SHOW Runs Oct. 24-Dec. 29

THE SECOND CITY: 65TH ANNIVERSARY SHOW
Cincinnati Playhouse in the Park
Oct. 24-Dec. 29
Shelterhouse Theatre [Eden Park]

Having sold out with every outing at the Playhouse, The Second City is back! Celebrate 65 years of legendary laughs with some all-time favorite songs, sketches and characters written by some of The Second City’s most illustrious alumni, including Catherine O’Hara, Tina Fey, Keegan-Michael Key, Stephen Colbert, Tim Meadows, Bill Murray, Joan Rivers, Eugene Levy and so many more. With material handpicked from their iconic comedy archive and brought to life by the next generation of comedy superstars, see for yourself why The Second City continues to be the world’s most influential name in comedy for 65 years and counting. The Second City’s 65th Anniversary Show is recommended for adults and older teenage audiences. The comedy of the Second City generally contains adult language and mature themes and may include elements of audience participation. We may be able to provide more information closer to the show. However, we can’t predict what might happen during the improvisation sections – other than that it will be hilarious.

  • Thu-Fri, Oct. 24-25 at 7:30pm
  • Sat, Oct. 26 at 2pm & 7:30pm
  • Sun, Oct. 27 at 2pm
  • Tue-Fri, Oct. 29-Nov. 1 at 7:30pm
  • Sat, Nov. 2 at 2pm & 7:30pm
  • Sun, Nov. 3 at 2pm
  • Wed-Fri, Nov. 6-8 at 7:30pm
  • Sat, Nov. 9 at 2pm & 7:30pm
  • Sun, Nov. 10 at 2pm
  • Tue-Fri, Nov. 12-15 at 7:30pm
  • Sat, Nov. 16 at 2pm & 7:30pm
  • Sun, Nov. 17 at 2pm
  • Tue, Nov. 19 at 7:30pm
  • Wed, Nov. 20 at 1pm & 7:30pm
  • Thu-Fri, Nov. 21-22 at 7:30pm
  • Sat, Nov. 23 at 2pm & 7:30pm
  • Sun, Nov. 24 at 2pm
  • Tue-Wed, Nov. 26-27 at 7:30pm
  • Fri, Nov. 29 at 7:30pm
  • Sat, Nov. 30 at 2pm & 7:30pm
  • Sun, Dec. 1 at 2pm
  • Tue-Fri, Dec. 3-6 at 7:30pm
  • Sat, Dec. 7 at 2pm & 7:30pm
  • Sun, Dec. 8 at 2pm
  • Tue-Fri, Dec. 10-13 at 7:30pm
  • Sat, Dec. 14 at 2pm & 7:30pm
  • Sun, Dec. 15 at 2pm
  • Tue-Fri, Dec. 17-20 at 7:30pm
  • Sat, Dec. 21 at 2pm & 7:30pm
  • Sun, Dec. 22 at 2pm
  • Mon, Dec. 23 at 2pm & 7:30pm
  • Fri, Dec. 27 at 7:30pm
  • Sat, Dec. 28 at 2pm & 7:30pm
  • Sun, Dec. 29 at 2pm

Official page | Facebook event |

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MR. PARENT Review

By Katrina “Kat” Reynolds

MR. PARENT presented by Playhouse in the Park through Oct. 6th. I attended the opening night performance. 

Maurice Emmanuel Parent in Mr. Parent presented by Playhouse in the Park. Photo credit to Mikki Schaffner Photography

As its first 2024-2025 season offering in its Rosenthal Shelterhouse Theatre, Playhouse in the Park brings us MR. PARENT written by Melinda Lopez and Maurice Emmanuel Parent. Telling the story (or stories, rather) of an actor turned public school teacher in order to earn a steady paycheck, MR. PARENT is a one-person show told by the actor himself.

Director (and conception collaborator) Megan Sandberg-Zakian ensures the play space is used to its fullest. Incorporating a rather simple yet versatile set designed by Cristina Todesco, our actor-playing-a-teacher keeps the action going with steady movement. Lighting Designer Karen Perlow does an excellent job with mood-appropriate lighting – from the stark light of a classroom to the dimmer lights of a tense scene being performed in an audition.

As one can imagine, it can be difficult to go on at length over a 90 minute, one-person show. That does not mean, however, that this show lacks the proverbial punch. As an artist myself, I certainly have a kinship of sorts with Mr. Parent – but it is not necessary to share this kinship in order to get something from his art. The stories of a gay man of color trying to navigate the need to make his passion a way of paying the bills alone is a wonderful point of view for all to see. In addition, the transition from accepting a gig as a theatre teacher in the Boston Public School system for the stability by day so he could pursue artistic passion by night – leading him to realize he had actually learned to care about these children who sometimes lacked such care at home is a wild ride.

Mr. Parent (the writer/actor) gives audiences an all-encompassing performance that is clearly drawn from the students who touched his lives for a few short years. His delivery is spot-on and he keeps up the momentum easily. In addition, his tales are hilarious, relatable, touching, and heart-breaking – and even educational! Yes, there is a white board and dry erase markers and you will be taken to school.

In case you didn’t know, teachers have a thankless job – especially those in the public school sector. MR. PARENT is ultimately a love letter to those whose passion is to educate and better our future leaders with personal experiences to back it up. Maurice Emmanuel Parent is a passionate and sensitive human being who knows how to tell a story and this show is a lovely piece.

Click here for more information about the production.

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RUTKA: A New Musical Runs Oct. 13-Nov. 10

RUTKA: A New Musical
Cincinnati Playhouse in the Park
Oct. 13-Nov. 10
Rouse Theatre [Eden Park]

Directed by Wendy C. Goldberg

You’ll never forget her name. A powerful indie-rock musical makes its world premiere in Cincinnati to launch its path to Broadway. Rutka’s world is consumed by the usual teen concerns, like friendships, gossip, a new haircut and the flickers of first love — all of which she documents in her diary. But the world at large is far from usual. It’s 1943 in war-torn Poland, as Rutka and her friends are trying to live life as normally as possible while confined in the Jewish Ghetto. With their futures and fates uncertain, they reach for hope, resilience and resistance. This all-new musical is a compelling drama based on Rutka’s Notebook — a publication of the real diary left behind by 14-year-old Rutka Laskier, and a shining example of how even one small voice can make a difference in the world. Rutka is brought to life by an extraordinary ensemble of young performers and with a raw and emotional sound, promising an unforgettable musical experience. Advisory: RUTKA is recommended for ages 12 and up. The teenage characters in Rutka try to live normal lives with discussions of first feelings of love, first kisses and new haircuts. Yet, the reality of the world around them includes descriptions of the violence and death associated with the Holocaust.

  • In preview Sun, Oct. 13 at 2pm
  • In preview Tue-Wed, Oct. 15-16 at 7:30pm
  • Thu-Fri, Oct. 17-18 at 7:30pm
  • Sat, Oct. 19 at 2pm & 7:30pm
  • Sun, Oct. 20 at 2pm
  • Tue-Fri, Oct. 22-25 at 7:30pm
  • Sat, Oct. 26 at 2pm & 7:30pm
  • Sun, Oct. 27 at 2pm
  • Tue, Oct. 29 at 7:30pm
  • Wed, Oct. 30 at 1pm
  • Thu-Fri, Oct. 31-Nov. 1 at 7:30pm
  • Sat, Nov. 2 at 2pm & 7:30pm
  • Sun, Nov. 3 at 2pm
  • Wed-Fri, Nov. 6-8 at 7:30pm
  • Sat, Nov. 9 at 2pm & 7:30pm
  • Sun, Nov. 10 at 2pm

Official page | Facebook event |

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Cincinnati Playhouse Goes Back to School with Hilarious and Heartfelt Play MR. PARENT, Written and Performed by Former Teacher

Maurice Emmanuel Parent in the Boston Playwright’s Theatre production of MR. PARENT. Photo by Scornavacca Photography.

CINCINNATI (Sept. 6 2024) – The Rosenthal Shelterhouse Theatre transforms into an urban public school classroom as writer-performer Maurice Emmanuel Parent takes the stage in MR. PARENT beginning Sept. 6. The endearing and charismatic solo performance recounts his real-life adventures of being a struggling actor who turns to teaching for a steady paycheck thinking, “How hard could it be?” The show runs through Oct. 6. Opening night is Sept. 12.

Equal parts hilarious and heartfelt, MR. PARENT is based on Parent’s personal stories and real-life adventures teaching by day and acting by night, which proves more challenging than he expected. Along the way, he encounters inequitable systems, finds brilliance in every kid he teaches and learns how we might all find the space to be ourselves.

“The reason I created MR. PARENT was to add to the multiple messages out there about kids,” Parent explains. “Kids are such sponges so if they can absorb or soak up hearing me tell them they are smart, capable and have every right to everything in this world just like everybody else, that will help them when they hear other messages telling them they are not smart, not capable and don’t deserve a space in this world.”

While performing Dominique Morisseau’s workplace dramedy Skeleton Crew at Boston’s Huntington Theatre Company, Director Megan Sandberg-Zakian encouraged Parent, whose diverse acting credits include A Raisin in the Sun, Angels in America, Man of La Mancha and King Lear, to share his story.

“He was really funny,” recalls director Megan Sandberg-Zakian, who along with playwright Melinda Lopez collaborated with Parent to bring MR. PARENT to life on stage. “On every rehearsal break he was like holding court with the other actors. There would be hilarity coming from that corner [of the room], and I would go over and hear him tell a story about kids. The stories were entertaining, engaging and funny. As I started listening to them, I realized he had something to work out. His experience was unmetabolized. It was both funny and painful.”

“I created MR. PARENT based off the parts of me that I wanted people to share and see and what I thought would serve kids,” Parent says. “And after years of being only part of myself, I learned I can’t live like that. I can’t function or be my best self if I’m doing that. MR. PARENT is about education, but it’s also about finding your passion and not being able to let go of it. For me it was performing, making art.”

Parent also hopes that the play will inspire people to “think about their neighborhood schools or the schools in their state and the way their state funds its schools. I also hope they find ways to support their schools such as becoming a volunteer or advocating for more funding.”

ARTISTS

Maurice Emmanuel Parent* – Mr. Parent
Melinda Lopez – Playwright
Megan Sandberg-Zakian – Director
Cristina Todesco – Set Designer
Yao Chen – Costume Designer
Karen Perlow – Lighting Designer
Arshan Gailus – Original Music/Sound Designer
Christine Hamel – Associate Director
Brooke Redler* – Stage Manager
Brandon T. Holmes* – Stage Manager

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

TICKETS
Tickets begin at $35.00. Prices vary based on seating location and performance day. Preview performances take place at 7:30 p.m. on Sept 7, 10, and 11 and at 2 p.m. on Sept. 8. Opening night is Oct. 12 at 7:30 p.m.

Regular performances will take place on Tuesday-Fridays at 7:30 p.m., Saturdays at 2 and 7:30 p.m. and Sundays at 2 p.m. A weekday matinee will be offered Sept. 25 at 1 p.m.

To purchase tickets or for more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky, and Indiana at 800-582-3208) or visit http://www.cincyplay.com. Patrons who are deaf, hard-of-hearing, deaf-blind or speech disabled: dial 711 to connect to the Box Office via Ohio Relay Services.

EVENTS
Preview Performances:
Be among the first to see the show before opening night and save! Preview performance tickets are discounted.

  • Sat., Sept. 7 at 7:30 p.m.
  • Sun., Sept. 8 at 2 p.m.
  • Tue., Sept. 10 at 7:30 p.m.
  • Wed., Sept. 11 at 7:30 p.m.

Opening Night:
Share the excitement of Thursday opening nights.

  • Thu., Sept. 12 at 7:30 p.m.

Art Talks
(Formerly Meet the Artists), stay after select performances for a behind-the-scenes discussion with members of the artistic team.

  • Sun., Sept. 15 at 2 p.m.
  • Sun., Sept. 22 at 2 p.m.
  • Wed., Sept. 25 at 7:30 p.m.
  • Thu., Oct. 3 at 7:30 p.m.

HUES COMMUNITY NIGHT
Join Black influencers, leaders and tastemakers for an incredible evening of entertainment that highlights Black voices and stories, a pre-show reception and an ArtTalk with members of the artistic team after the performance. The pre-show reception from 6 to 7 p.m. is an additional $20 per person and includes light bites and beverages (beer, wine and soft drinks). The evening recognizes No Excuses College & Tours Programs for its important work in the community.

  • Fri., Sept. 20 at 7:30 p.m.
    Reception tickets can be purchased online or by calling the box office. Performance tickets are sold separately.

ADVISORY 
MR. PARENT is recommended for older teenage and adult audiences. This one-man show details the beauty and struggles of teaching at a public school while relaying stories about sexual identity, racism, profiling and inequitable systems that include descriptions of violence and strong adult language.

TRAFFIC ADVISORY: CONSTRUCTION ON EDEN PARK DRIVE
The City of Cincinnati has begun a months-long project to stabilize the slope and repair the sidewalk on Art Museum Drive leading up from Eden Park Drive. With this work, there are currently some road closures on the approach to the Playhouse from Eden Park Drive that will last into December. Please refer to this online map for information on the closures and alternate routes and add extra time for your arrival to the Playhouse. Thanks for your patience and understanding. Please call the Box Office at (513) 421-3888 with any questions.

Sponsors
Production Sponsor is Digi and Mike Schueler. Design Sponsor is Mark and Rosemary Schlachter. Artist Sponsor is Homewood Suites by Hilton-Cincinnati Midtown. The Rosenthal Shelterhouse Theatre Season is presented by The Vontz Family.

The Playhouse is supported by the generosity of almost 40,000 contributors to the ArtsWave Community campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation.

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DIAL M FOR MURDER Review

By Katrina “Kat” Reynolds

DIAL M FOR MURDER presented by Playhouse in the Park through September 15th. I attended the opening night performance. 

Photo by by Mikki Schaffner Photography.

2024 marks the 70th anniversary of the classic Alfred Hitchcock film DIAL M FOR MURDER – so what better way to celebrate than by seeing a stage adaptation by the same name? Playhouse in the Park’s 2024-2025 season opener (and co-production with Alley Theatre) at Moe and Jack’s Place (The Rouse Theatre) brings audiences the tale of a man who carefully plots the murder of his wealthy wife. Frederick Knott’s screenplay on which the film was based has received a slight makeover by playwright Jeffrey Hatcher’s adaptation, but his choices are keen and all of the key factors have been kept intact.

Not enough great things can be said about the series of beautiful stage pictures director Tatiana Pandiani creates for DIAL M. It should come as no surprise that she is also an accomplished choreographer as the blocking is very much like a suspenseful ballet. Ms. Pandiani’s understanding of the text is remarkable and perfectly complemented by the impressive set designed by Marcelo Martinez Garcia. Short of the less-than-ideal happenings in the home in which the story takes place, I would gladly live in the opulent apartment if for no other reason than the gorgeous Art Deco French doors.

Lighting Design by Yuri Nakase Link and Costumer Design by Rodrigo Munoz seem to serve as additional characters to this tale. Lighting choices are smart and decisive and paint the mood very clearly in each moment. The costumes are perfectly tailored to each actor and the spectator immediately knows who each character is by their style. The choice of colours in both lighting and costume design is the crème de la crème.

With a cast of five incredibly talented artists, it is virtually impossible to choose a favourite. Playing the role of Tony Wendice, a charming failed writer who decides to plot some dastardly deeds, is Brandon Hearnsberger. Mr. Hearnsberger embodies the role of a seemingly distinguished English gentleman who has a dark side. With a spot-on dialect and expressive facials, you may find yourself so eager to know what he’ll be doing next that you’ll forget to hate him.

As Tony’s wealthy wife Margot, Teresa Zimmerman is extraordinary! Aesthetically the picture-perfect blonde bombshell of Hitchcock’s dreams, Ms. Zimmermann does not give us typical “damsel in distress” energy. Her execution of this role is enviable and I quite fell in love with her, almost exactly at first sight. Ms. Zimmermann shows us that Margot’s ability to keep secrets is perfectly matched with Tony’s ability to do the same. Tens across the board!

In addition to our failed couple, the stage boasts the talents of Geena Quintos as Maxine Hadley, a no-nonsense New York crime writer who speaks her mind quite plainly and dazzles in the period wardrobe. We are also graced with Cincinnati acting royalty by the casting of Justin McCombs as Lesgate and Barry Mulholland and Inspector Hubbard. Mr. McCombs owns the stage every moment he is on it and is able to elicit both disdain and pity from the audience with seemingly little effort. Mr. Mulholland is exactly the kind of inspector the good guys want and the bad guys fear – and like his Cincinnati colleague, he dons a hat like he was made for it.

In summary, DIAL M FOR MURDER is an excellent time at the theatre for both those who have seen the 1954 film and for those who have not. With top-notch directing, an incredibly well-written story, and superb performances, you will not want to miss out on this thrilling ride.

Click here for more information about the production.

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