Tag Archives: Cincinnati Fringe Festival

Schedule C Productions Proudly Presents VELOUR at Cincy Fringe 2016

CFF_Velour logoThe creators of Where Is My Mind? (Critic’s Pick 2012) and The King & I: a Hunk of Burnin’ Love (Critic’s Pick 2014) are back for their 3rd Cincy Fringe with VELOUR, the story of Vinnie Velour,  former Driver to the Stars and current wannabe lounge singer. After his opening gig at the Palace Hotel Ballroom goes badly, Vinnie must fight for the right to sing again via a series of audience-chosen variety acts, including everything from plate spinning to tightrope walking, sword swallowing, and more. The audience choice component offers 27 possible outcomes, making every show completely unique!

“Most fun I’ve had fringing so far. One of this year’s best!” ~Indyfringetalks.com

CFF_Velour promoKevin Holladay, creator and star of VELOUR, has always been a fan of Hollywood’s Golden Age, when entertainers would routinely sing, dance, and perform variety acts in addition to acting. In fact, he’s spent much of his life being a bit of a renaissance artist himself, generating work as a playwright, actor, musician, storyteller, emcee, professional wrestler, and circus clown. Holladay was even an artist/instructor with the National Circus Project in New York, where he developed many of the variety acts in VELOUR.

“There’s nothing Vinnie can’t do…à la the screwball comedies of the ‘40’s. He also delivers the wildest, weirdest range of songs; including crooner classics, Mr. Rogers covers, and the funniest version of Sia’s ‘Chandelier’ I’ll ever see.” ~Nuvo Magazine

“Velour is a true talent.” ~John Lyle Beldon

Holladay is joined onstage by Jesska Pinyon, who plays the sassy, straight-shooting Palace Ballroom Booking Manager, Lux Lamé. Pinyon is Holladay’s partner in life as well as in his company, Schedule C Productions, having joined the team in 2013 to play the female lead in his play, The King & I: a Hunk of Burnin’ Love. The couple performed the show together at festivals in Cincy, Indianapolis, Chicago, and Rochester, NY, as well as at a special command performance for Elvis’s 80th birthday sponsored by the Indy Eleven professional soccer team. They premiered VELOUR at the 2015 Indyfringe, but have a special place in their hearts for the Cincinnati festival, where they actually got engaged in front of a sold out house the year before.

“Funny, sweet, well-written, and expertly performed, VELOUR even jerked a tear. One of my top picks!” ~Casey Ross Productions

VELOUR has a run time of 55 minutes, and can be seen at the Arts Academy Commons:

Friday, June 3, 6:30pm
Sunday, June 5, 6:30pm
Monday, June 6, 9:05pm
Friday, June 10, 9:20pm
Saturday, June 11, 3:00pm

Holladay will also be performing at the same venue in The O’Debra Sisters’, The Secrets of Avondale Falls. Visit www.cincyfringe.com for tickets and more information.

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Cincinnati Theatre Going National

Cincinnati’s All Shades Theater Performs its latest play in Three Fringe Festivals

CFF_Duryodhana logoCincinnati, OH. May 16, 2016: All Shades Theater of Cincinnati brings on stage its most recent production, DURYODHANA – THE UNCONQUERABLE during the forthcoming Cincy Fringe Festival organized and hosted by Know Theatres. During the ten day long festival, DURYODHANA – THE UNCONQUERABLE is scheduled to be staged five times beginning on June 1, 2016.

DURYODHANA is one of the most prominent characters from the great epic of Mahabharata. He is the main antagonist in this epic.

The literal translation of the word ‘Duryodhana’ is unconquerable. Thus the title emphatically expresses. But is there truly anyone who can be unconquerable? What happens to a person who feels invincible? And when he is defeated what comes after he falls? How does he view the world around him? And how does he impact the lives around him? What does life mean to him? How does he weigh values?

The play thematically explores the possible answers to those questions. Events in Mahabharata are believed to have taken place around 3139 BC and believed to be written between 540 BC and 300 BC. Regardless of the unverifiable authenticity of this timeline, a story that depicts human struggle of survival through the subtle paths of virtue, value and vision from thousands of years ago is still valid in today’s life. Jealousy, wrath, revenge as well as the conflicts of love, morality and austerity still prevail in contemporary societal structures and its constitutions.

Through the words of Duryodhana and his wife Bhanumoti, this play attempts to portray the nature of the rulers through the ages of history and the similarities as well as the universality of all rulers and ruling powers. Power thus becomes the central focus of the story while evolving around the struggle within it. From the emperors to the kings, to the provincial heads, to the landlords, to the commoners how the periphery of power, though get narrower, circulate with same intensity.

Mahabharata is not just an epic from the eastern world – the universality of it is explicitly observable throughout the world. It is not a story of gods and goddesses – it is rather a profound philosophy of the entire human race – full of flesh and blood. It has no boundary and no sectarian limitations, nor does the character of Duryodhana.

Do we see a glimpse of the modern day politics played by the politicians of our time? Do we see that nothing really has changed when it comes to ruling over people? Do we see, kings and prime ministers and presidents and chancellors occupying the same chair everywhere with exact same hidden agendas? Do we see Duryodhana or do we see all the leaders from our present time? In the disguise of Duryodhana, the character eventually transports the audience inside their home and inside their hearts. Do they see
themselves in the mirror called Duryodhana? Isn’t each of our life is an epic? Are we not another Duryodhana? Are we not another one of Duryodhana’s subject who while remaining silent, aspires to become him?

Thus a character and its corruption engulf our souls, our minds, our hearts and our psych. Thus a story that is otherwise foreign becomes identifiable with people from all parts of geography and of all backgrounds. Thus a play loses its regional appearance and becomes universal. Thus a theater becomes life. Borderless and free of boundary.

From its inception, All Shades Theater has been engaged to create a bridge between the theater of the east and theater of the west. All shades truly incorporate all the shades of life and all the shades of creation. And thus it remains color blind or colorless. DURYODHANA – THE UNCONQUERABLE is a production towards the same objective where All Shades Theater attempts to take another bold step towards introducing a story from the east and to assimilate with the west. The style of the western theater and its grammar are being embraced yet the essence of eastern theory of theater remains uncorrupted.

Following the performances at the Cincy Fringe Festival, All Shades Theater is scheduled to take this play on to the road. DURYODHANA – THE UNCONQUERABLE will be performed at the Chicago Fringe Festival between August 31 and September 11, 2016 and thereafter at the San Francisco Fringe Festival between September 11 and September 26, 2016.

DURYODHANA – THE UNCONQUERABLE is an original play written by Prabir Das of All Shades Theater and directed by Daryl Harris. Cast include Katie Eichler as Bhanumati and Taylor Greatbatch as Duryodhana. Scenic design by Tyler Gabbard. Sound and light design is being done by Bryce Liebert. Stage manager is Amanda Miller.

All Shades Theater is expected to take this play for an international tour to India in 2017.

Performance Schedule
DURYODHANA – THE UNCONQUERABLE
Art Academy of Cincinnati Auditorium
1212 Jackson Street, Cincinnati, OH. 45202

June 1, 2016: 7:25PM
June 2, 2016: 8:25PM
June 4, 2016: 4:00PM
June 8, 2016: 8:25PM
June 11, 2016: 7:25PM

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POST TRAUMATIC SUPER DELIGHTFUL Coming to Cincy Fringe

New Solo Show Finds Laughter in Healing after Sexual Assault
The Cincinnati Fringe presents: POST TRAUMATIC SUPER DELIGHTFUL: June 2 ­ June 11 

Cincinnati, OH­ – POST TRAUMATIC SUPER DELIGHTFUL is a one­-woman/ half­-clown/ half­monologue/all-feminist critique of the sexual assault crisis on college campuses. The play weaves the lives of survivors, perpetrators, and bystanders into the story of a community struggling to heal after assault. Through clowning, the show surpasses the victim/villain dichotomy and welcomes an open-­hearted conversation about healing.

“Meet your new heroes… An opportunity for communities to come together to laugh, heal, and  learn.” – Marie Claire Magazine

CFF_Post Traumatic Super Delightful logoPLAYING IN THE ART ACADEMY COMMONS FOR FIVE NIGHTS ONLY:

June 2 at 7pm
June 4 at 9.15pm
June 5 at 8.45pm
June 7 at 7.30pm
June 11 at 5.55pm

Tickets are $15 and available at cincyfringe.com  Run time: 60min, no intermission

After premiering at the 2015 FRIGID New York Festival to overwhelming audience response, POST TRAUMATIC SUPER DELIGHTFUL has spent the last year touring colleges and festivals around North America. The play and creative team have received national attention, being featured by  Marie Claire Magazine and Autostraddle  and working with Glamour Magazine  to mentor  winners of their Top Ten College Women Competition.

“POST TRAUMATIC SUPER DELIGHTFUL is a play that demands to be heard at schools, crisis centers, and theatres across the country.” – Theater Is Easy

The team of collaborators behind this play came together to shatter the mold survivors are forced to fit into and explore how assault affects an entire community. Rape doesn’t happen in a vacuum. How is everyone hurt by one assault? Is it safe to laugh together? Can laughter create connection? Who is accountable? In Post Traumatic Super Delightful, the personal is political, the political is personal. And the person is a clown.

Playwright/performer Antonia Lassar is joined by director Angela Dumlao (award­-winning  director in the 2014 EstroGenius Festival; assistant director of Naked Angels’ SeaWife),  dramaturg Kati Frazier (Former Literary Director of All For One; playwright of Patronage, Fall  2015 at Random Access), scenic and costume designer Sam Garcia  (Glutton For Punishment,  EstroGenius Festival; dramaturg for STEIN­-DRAG at Target Margin Theater Lab), lighting  designer Darielle Shandler (Assistant Production Manager for The Civillians’ Pretty Filthy), stage  manager Olivia Hull, production assistant Molly Jones, cinematographer Sierra Garcia, and  educational programming coordinator Ashley Renee Thaxton .

POST TRAUMATIC SUPER DELIGHTFUL is in the Cincinnati Fringe Festival at the Art Academy Commons June 2 at 7pm, June 4 at 9:15pm, June 5 at 8:45pm, June 7 at 7:30pm and June 11 at  5.55pm. Tickets are $15 and available at cincyfringe.com. Please visit   www.PTSDtheplay.com  for more information.

Follow POST TRAUMATIC SUPER DELIGHTFUL on social media at @PTSDtheplay!

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Mariah MacCarthy’s BABY MAMA at Cincinnati Fringe Festival

CAPS LOCK THEATRE

BABY MAMA: ONE WOMAN’S QUEST TO GIVE HER CHILD TO GAY PEOPLE
as part of the 13th Annual Cincinnati Fringe Festival
May 31 – June 11, 2016

“Hilarious, gross, heartbreaking, courageous.” -Upworthy

CFF_Baby Mama promo

What:
Caps Lock Theatre presents Mariah MacCarthy’s BABY MAMA: ONE WOMAN’S QUEST TO GIVE HER CHILD TO GAY PEOPLE

Artists:
Written and performed by Mariah MacCarthy.
Directed by Sara Lyons.

Where:
Over-the-Rhine Community Church 1310 Race St Cincinnati, OH 45202

When:

  • Thursday, June 2, 8:15pm
  • Friday, June 3, 6:30pm
  • Sunday, June 5, 3:30pm
  • Wednesday, June 8, 7:00pm
  • Saturday, June 11, 7:20pm

Tickets & Passes:
www.cincyfringe.com

Websites/Twitter:
mariahmaccarthy.com @MariahMacCarthy
capslocktheatre.com @CapsLockTheatre

About BABY MAMA: ONE WOMAN’S QUEST TO GIVE HER CHILD TO GAY PEOPLE
Baby Mama tracks one birth mother’s true adoption journey, from conception to placement with the gay couple of her dreams—while still living her life, dating, and attending the occasional orgy. From adoption agencies to vaginal discharge, from burlesque to good-byes, this up-close-and-personal night of storytelling is everything about those ten months you ever wanted to know (and probably plenty that you didn’t). Bring hankies.

About Mariah MacCarthy
“Sweet and boisterous…an adventure and an event…and a lot of fun, too.” -The New York Times on MacCarthy’s Mrs. Mayfield’s Fifth-Grade Class of ’93 20-Year Reunion

Mariah MacCarthy’s work has been developed and presented at Ensemble Studio Theatre, Rattlestick, Primary Stages, Culture Project, New Dramatists, La MaMa, HERE, Dixon Place, The Brick, Atlantic Stage 2, Fringe NYC, various New York apartments, all over the country, and Paris. Indie Theater Hall of Fame, Doric Wilson Independent Playwright Award, Lotos Foundation Prize in the Arts and Sciences, two New York Innovative Theatre Award nominations, 20 Looking Glass Forum Awards, FringeNYC “Outstanding Performance,” nominee for the prestigious Playwright of New York fellowship, and Kate Bornstein once called her “f***ing brilliant.” Executive Artistic Director of Caps Lock Theatre, Associate Artistic Directorat-Large of The Brick, and a member of Ensemble Studio Theatre’s Obie award-winning Youngblood. mariahmaccarthy.com

About Sara Lyons:
Sara Lyons is a Brooklyn-based theatre artist. As a director, recent projects include Kirya Traber’s Overheard (Dixon Place, BAAD, others), Pilot’s Wings (Fordham U), Life After (HERE Arts Center), The Garden Party (Organs of State), and more with Culture Project, EST, Cherry Lane, Primary Stages, The Lark, BAX, Ars Nova, and more in NYC and around the country. She has performed original work at LaMaMa, PS 122, and with Organs of State. As a teaching artist with Opening Act, she devises new work with NYC high schoolers and has previously worked with students of all ages across the five boroughs as well as in South Africa, Mexico. Alum, EMERGENYC at NYU’s Hemispheric Institute, DirectorsLabChicago, UWisconsinMadison. MFA Candidate, Carnegie Mellon University’s School of Drama. Say hi at sara-lyons.com!

About Caps Lock Theatre:
Caps Lock Theatre does funny, ugly, human plays. We like plays where people are at both their worst and their best; where people screw each other—or themselves—over, and have to find a way to deal with it; where people’s hearts hurt, or open, or blossom. We also believe in fun. Our plays will probably make you laugh. Probably more than once. And, we believe in creating art by whatever means necessary. If we are fortunate enough to piece together enough resources for lavish sets and fabulous special effects, awesome. If (more likely) we have to make work on a shoestring budget, on-the-fly, in an unconventional location, then we’ll do that and still knock your socks off. capslocktheatre.com

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One-Man Nikola Tesla Biopic Electrifies 2016 Cincy Fringe

The only show this year to feature robots, tap dance, and rivalry with Thomas Edison!

CFF_Tesla3_sm

Ricky Coates as Nikola Tesla. Photo by JMC Photography.

OVER-THE-RHINE, MAY 31-JUNE 11: In 1892, the famed inventor Nikola Tesla awoke with partial amnesia. Using his incredible willpower, he pieced his life back, memory by memory. Cincinnati Fringe will be hosting the premier run of energetic original theatrical biography, Tesla Ex Machina. Seattle writer-actor Ricky Coates examines science and humanity through a virtuosic one-man performance, featuring charismatic live demonstrations of some of Tesla’s most renowned experiments, framed by a touching exploration of memory, family, and what it means to be human in an age of technology.

Born and raised in Cheyenne, Wyoming, Ricky received his BFA from the University of Arizona and has been working as a professional actor for over 15 years. He currently resides in Seattle, Washington and tours the world with his original plays. Ricky strives to break the conventional approach to solo-work and touring shows. He loves creating physical, intelligent, and entertaining theatrical productions with “nerdy” themes. He has received critical and audience acclaim for his one-man play Death of Brian: A Zombie Odyssey.

“Ricky Coates is a bit of genius in a slick and muscled body” – Edmonton Journal
“Coates gives a gut-munching master class in physical commitment” – Orlando Weekly

TESLA EX MACHINA
By Ricky Coates
17 E. Court

Thursday – June 2 – 8:30PM
Saturday – June 4 – 4:00PM
Tuesday – June 7 – 7:30PM
Wednesday – June 8 – 7:30PM
Friday – June 10 – 9:15PM

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