Category Archives: Reviews

SHORT ATTENTION SPAN THEATRE Review

CFF_Short Attention SpanSHORT ATTENTION SPAN THEATRE presented by Short Attention Span Theatre as part of the 2014 Cincinnati Fringe Festival.

You can read the show description here.

Eight talented young performers from Tucson Az. tackle 30 original plays in 60 minutes, all written by the SAST Ensemble. Their success earns them bragging rights and candy. If they fail, the prize goes to the audience, who also choose the performance order. After a quick introduction by the host, the timer is set, the audience calls out their first script number, and we are off.

The wide variety of scripts are smart, clever and funny. The random order creates addition laughs as some play endings leave performers ill-prepared to jump into the next one. I was also impressed with the pacing of the show. Even though chaos reigns between the plays as the ensemble scrambles to strike and reset the stage, the actual performances never feel rushed. The opening night audience become strongly invested in the challenge, and were vocal in their disappointment when  the timer dinged during the final play.

Be sure to grab a performance card that includes all 3o play titles to follow along.

Overall an entertaining and unique experience.Well done.

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TRAGEDY: A TRAGEDY Review

CFF_Tragedy A TragedyTRAGEDY: A TRAGEDY presented by New Edgecliff Theatre as part of the 2014 Cincinnati Fringe Festival.

You can read the show description here.

TRAGEDY: A TRAGEDY, written by Will Eno (Thom Pain (based on nothing)), takes a satirical look at our 24-hour news cycle. Eno’s densely-written script has some smart and funny moments, but it did feel to me that the production lacked forward momentum in places.

Director Jim Stump has a talented cast, but I found the performances lacked character and individuality. Yes, everyone had the “news reporter” cadence to their voices, but with a sameness that would allow, for example, the female reporters to switch roles without really impacting the show.  Where are the strong personalities that deliver the news, such as Bill O’Reilly or Nancy Grace? Even “the witness” seemed a bit too normal for this over-sensationalized event. The pacing of the opening night performance was also hampered by slow line pick-ups among the cast.

Overall an interesting work that could use a bit more oomph.

Four performances remain through Thursday, June 5.

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SON OF A HUTCH Review

CFF_Son of a HutchSON OF A HUTCH presented by Left Out Productions as part of the 2014 Cincinnati Fringe Festival.

You can read the show description here.

Fringe favorite Joe Hutcheson (writer/performer 2011 Critics’ Pick of the Fringe MISS MAGNOLIA BEAUMONT GOES TO PROVINCETOWN) returns this year with a personal story.

Hutcheson’s script is smart, funny and touching as he shares memories of family and growing up as a “Hutch.” A great performer and storyteller, he easily slips in and out of characters as he reenacts key moments from his past. Due to how the show is structured, it does jump back and forth in time very often. There were a couple of instances where the transitions in time were a little unclear to me. Personally, I wouldn’t mind seeing some of the stories performed a bit bigger to offset the quieter moments.

Overall a great start to this year’s festival.

P. S. It’s nice to know that my dad wasn’t the only one that “watched” TV with his eyes shut.
P.S.S. Best dog name ever!

Only three performances remain through Sunday, June 1. The Gateways to Healing venue is on the smaller side, so I’d recommend getting weekend tickets early.

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4000 MILES Quick-Review

Vera Joseph (Rosemary Prinz) and her grandson, Leo Joseph-Connell (Robbie Tann), get reacquainted after years apart. Photo by Sandy Underwood.

Vera Joseph (Rosemary Prinz) and her grandson, Leo Joseph-Connell (Robbie Tann), get reacquainted after years apart. Photo by Sandy Underwood.

4000 MILES presented by Cincinnati Playhouse in the Park through March 9.

Veteran actress Rosemary Prinz shines as feisty grandmother Vera Joseph is this cute and offbeat comedic play. Robbie Tann also does well as Leo, but there were times he came off more caricature than character. Prinz and Tann have a believable relationship as grandmother and grandson. Opening night, Tann’s scenes with the other two actresses (Adina Verson as Bec & Christine Lin as Amanda/Lily) still felt a bit rough around the edges.

The set design by James Kronzer is well done. Director Blake Robinson’s blocking does have the actors side by side on the couch a bit too often for my tastes. It creates less-than ideal sight-lines for the four seats against the upstage wall of the side sections.

I also found the staging of the final scene to be a bit stagnant. For a show about continuing to move forward, it felt strange to have it end with the characters simply sitting on the couch.

Overall, a laugh out loud, funny script with some nice touching moments. Rosemary Prinz steals the show and our hearts.

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My rating: 3.75 out of 5

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SEMINAR Quick-Review

FT_Seminar

Michael Shooner as Leondard, Ian Kramer as Martin, Angel Zachel as Izzy, Merritt Beischel as Kate & Alec Bowling as Douglas.

SEMINAR presented by Falcon Theater through Feb. 15

Special guest artist Michael Shooner and a solid ensemble, under the direction of Alecia Lewkowich, create an entertaining evening with Theresa Rebeck’s SEMINAR. The script is smart and I found myself enjoying the first act more as new information came to light during the second act. The pacing and blocking of the show worked well, especially when moving all five actors around a smaller stage. Staging choices were spot on as the relationships among the characters changed over time. Every ensemble member made smart character decisions and had a moment to shine over the course of the show. The confrontation scene, between Martin (Ian Kramer) and Leonard (Michael Shooner), was a highlight for me.

Opening night, I did feel there were more comedic moments to be mined from the script. There were times during Doug’s bouts of verbal diarrhea when his dialogue did not sound like spontaneous utterances, but lines repeated from memory. I also found the one blackout mid-scene to be confusing, as all the other blackouts indicated a time jump.

Overall an entertaining evening of theater.

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My rating: 4 out of 5

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