Category Archives: Reviews

HANDS ON A HARDBODY Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Charlie Clark as Benny Perkins. Photo by Ryan Kurtz.

Charlie Clark as Benny Perkins. Photo by Ryan Kurtz.

HANDS ON A HARDBODY presented by Ensemble Theatre Cincinnati through Sept. 21. More information.

Based on the description, it would be easy to dismiss HANDS ON A HARDBODY as a gimmick show. What sets it apart is its book by Doug Wright. Two of his other works, I AM MY OWN WIFE and GREY GARDENS have been staged in recent years at ETC.

Director D. Lynn Meyers has found the heart in the story and cast an impressive group of character actors, with strong voices, to bring that story to life. Together, they have created so many little, emotionally-true moments that pull you in, and make you care about the people on stage. Even perfectly-loathsome Benny Perkins played by Charlie Clark.

The Company. Photo by Ryan Kurtz.

The Company. Photo by Ryan Kurtz.

Deb G. Girdler is a hoot as opinionated Janis Curtis. Phil Fiorini brings a nice, quiet dignity to JD Drew. He is paired with Kate Wilford as wife Virginia, who’s Act I exit is heartbreaking. Michael Gerard Carr and Brooke Steele make it easy to root for the budding romance of contestants Greg Wilhote and Killi Mangrum. Sara Mackie is perfectly fun as religious true-believer Norma Valverde.

Chris Alvaro, played by Dallas Padoven, has a strong voice and does well with his solo, “Stronger.” I do feel that the sunglasses worked against the actor, and the character comes off a bit too stoic. Since we can’t see Alvaro’s eyes for most of the show, the actor’s body language needs to be a bit bigger to give us an idea of what the character is thinking.

Michael Shawn Starks as Mike Ferris Annie Fitzpatrick as Cindy Barnes Michael G. Bath as Frank Nugent. Photo by Ryan Kurtz.

Michael Shawn Starks as Mike Ferris Annie Fitzpatrick as Cindy Barnes Michael G. Bath as Frank Nugent. Photo by Ryan Kurtz.

Props to Jim Hopkins for hopping into the role of Don Curtis with only 24 hours notice. Cast member Michael Flannery was called out of town for a family emergency, but will be returning to the role. Sending good vibes his way.

My favorite song in the show would have to be “Used to Be” performed by Fiorini and Clark with the Company. It is a melancholy lament about the changes to their small town, which immediately strikes an emotional cord with anyone of a certain age.

Patti James’ choreography is fun and inventive. Not an easy task when, for the most part, the cast must have one hand on a rotating truck. Favorite numbers include the backup trio of “Wonderettes” (Denise Devlin, Mackie & Steele) to Ronald McCowan’s (played by Geoffrey Warren Barnes II) “My Problem Right There,” Devlin and Michael Shawn Starks’s rockin’ duet “Burn That Bridge” and the Stomp-esque rendition of “Joy of the Lord.”

Dallas Padoven as Chris Alvaro and Company. Photo by Ryan Kurtz.

Dallas Padoven as Chris Alvaro and Company. Photo by Ryan Kurtz.

Opening night, I did struggle in most numbers to hear the lyrics over the music. Unfortunately Jordan De Leon’s heartfelt “Born in Laredo” was the most difficult to hear. If all lead singers’ mic could get a small bump in each number it might help.

Before the show, the audience question of the evening was “How did they get that truck into the theater?” Meyers’ provided the answer in her curtain speech, “Believe it or not, the truck fit through those double doors,” indicating the doors visible on audience-left wall.

Overall a fun and entertaining production and a great start to the 2014-2015 season. Tickets sales have been really strong. I recommend you get your tickets sooner rather than later.

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My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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HARRY AND THE THIEF Review

Jon Kovach as Overseer Jones & Darnell Benjamin as Knox. Photo by Deogracias Lerma.

Jon Kovach as Overseer Jones & Darnell Benjamin as Knox. Photo by Deogracias Lerma.

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

HARRY AND THE THIEF presented by Know Theatre of Cincinnati through Aug. 30. Read the show description.

Having tackled television with their summer theater experiment SERIALS!, Know takes on the summer movie blockbuster with HARRY AND THE THIEF.

The talented ensemble, under the direction of Holly L. Derr, does a great job of bringing this quirky script to life. Kudos to Keisha Kemper, who stepped in last minute on the first weekend, for an ailing actress.

I think the concept of the show is smart. If Hollywood can turn the story of “Noah’s Ark” into an overproduced special effects summer blockbuster, surely the inspirational story of Harriet Tubman could benefit from the same treatment. Simply add time-travel, modern weapons and explosions. The script touches upon some important social topics without getting heavy-handed.

Sola Thompson as Vivian, Ken Early* as Maddox, Burgess Byrd as Shiloh, Darnell Benjamin as Knox & Keisha Kemper as Harry. Photo by Deogracias Lerma.

Sola Thompson as Vivian, Ken Early* as Maddox, Burgess Byrd as Shiloh, Darnell Benjamin as Knox & Keisha Kemper as Harry. Photo by Deogracias Lerma.

Video (designed by Doug Borntrager & Andrew Hungerford) is used to set the scene locations and provides some fun visual gags throughout. Excellent costume design by Noelle Wedig, especially for the character of Anita.

Overall a strong production of an uneven script. The writing has some great moments, but could use a bit more polish.

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My rating: 3.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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SERIALS! Midseason Break Review

KTC_SerialsTonight, Aug. 11th, Know Theatre of Cincinnati presents the fourth episodes of their summer theater experiment, SERIALS!

If you have missed the previous performances, there is a brief recap before each episode.

Having seen three episodes of the six plays, below are some thoughts at the halfway point.

  • FLESH DESCENDING – After a slow start, the second and third episodes have done much to move the show forward. The origin of the falling meat has been explained, and all the signs point to the coming of the Anti-Christ.
  • FETUS AND THE GOD – In the second and third episode, God and the fetus “hit the road” together, giving the show an energy boost and some good laughs. A smart idea to recast God in each episode.
  • THE LISTENER – Continues to hold steady. I would like to see the energy level vary a bit within the episodes as the cast seems to be holding the same tone throughout, making it a bit flat.
  • SATURDAY THE 14TH – Continues to be my personal favorite. The would-be jumpers have indeed crashed that party, only to run into the man partly responsible for [Nik Pajic] suicidal leanings. The couple ducked into a bathroom to avoid him, only to become trapped inside. This allows [Miranda McGee] to share her hysterical “poop in a bag” story.
  • THE FUNERAL – In episode two, they pull a “Bewitched,” as Jared Earland assumes the male role originally portrayed by writer/director Jon Kovach. The show continues to be smartly-written and emotionally true. I do feel that the lengthy recaps created by the re-staging of previous scenes is starting to affect the forward momentum of the story.
  • MARS VS. THE ATOM – Much like FLESH DESCENDING, the second and third episodes have done much to move the story forward. Paul Kerford Wilson gains confidence on stage with each episode. The relationship between his character, and the two ladies in his life, has come together nicely. In the second episode, it was nice to get Sam Rueff out of his wheelchair for a charming flashback with Miranda McGee. The end of the third episode introduces the possible cause of the damage to Wilson’s home and of Rueff’s catatonia. Could it be aliens!!??!! (Great puppet btw!)

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THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Nicholas Rose and Jeremy Dubin. Photo by Rich Sofranko.

Nicholas Rose and Jeremy Dubin. Photo by Rich Sofranko.

THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) presented by Cincinnati Shakespeare Company through Aug. 16. Read the show description.

What happens when you take a 90-ish minute comedic send-up of all of Shakespeare’s works, add CSC veterans Jeremy Dubin, Justin McCombs and Nicholas Rose, and put it all under the direction Sara Clark? It’s not a question of the show being good or funny, but moreso a question of HOW good and HOW funny. The answer to both is “pretty damn.”

The jokes are fast and furious with a loving nod to the Scooby-Doo and Road Runner cartoons. There are more pop culture and movie references than you can shake a lightsaber at, many of which generated quick, knowing glances between my guest and I as they successfully landed. The performance has a great mix of smart verbal, visual and physical bits that add to the experience without bogging down the show. The three actors easily manage (or at least make it look easy) the demands of the show and balancing their interactions with the audience.

Nicholas Rose, Justin McCombs, and Jeremy Dubin. Photo by Rich Sofranko.

Nicholas Rose, Justin McCombs, and Jeremy Dubin. Photo by Rich Sofranko.

Excellent support from the production crew and their staff, led by stage manager Alice Flanders and costume designer Abbi Howson, keep this crazy train on track. Solid work from sound designer Doug Borntrager, scenic designer Andrew J. Hungerford and props headed by Travis McElroy & Tenley Pitonzo enhance the fun.

I did feel that there were a couple of places where the pacing slowed a bit. Coming back from intermission, it took a little too long getting the whole gang back together on stage. Things slowed down again during the audience participation segment. Perhaps reversing the order to bring the entire audience in for the fun first would help.

CSC_Complete Works2

Justin McCombs, Jeremy Dubin & Nicholas Rose.

The HAMLET hat-trick at the end of the show is a riot and something I’ll remember fondly for a long time.

As I was leaving the theater opening night, I passed a colleague in the lobby who said, “It must be a good show if you are leaving with a smile on your face.” I certainly can’t argue with that.  “!OOB”

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My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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SERIALS! Pilot Reviews

KTC_SerialsTomorrow night, July 7th, Know Theatre of Cincinnati presents the second episodes of their summer theater experiment, SERIALS!

If you missed the pilots on June 23, there will be a brief recap before each episode.

Having seen only the first 15 minutes of the six plays, below are some thoughts on the pilots.

  • FLESH DESCENDING – Cooked meat has fallen from the sky. A married couple hate each other and bicker, the wife is having an affair. You get about 7 1/2 minutes on each without alot of forward momentum. Not much too pull you in for the next episode.
  • FETUS AND THE GOD – A fetus walks into God’s study…and they talk…alot…about stuff. The script tends to meander with no real setup for the second episode.
  • THE LISTENER – A fun tongue-in-cheek concept that fully embraces the serialized concept. Good setup and it even includes a tag for the second episode. I wouldn’t mind seeing the lead have a stronger presence on stage. Given that you seem to be going for updated noir fiction, it might be fun so have some of the modern references in the classic-style narration.
  • SATURDAY THE 14TH – Miranda McGee & Nik Pajic make a entertaining couple who decide, independently, to jump off a bridge in deference to Valentine’s Day. The pilot serves as an entertaining setup with some fun physical comedy. Looking forward to seeing what is in store as the couple delay their demise to jointly crash a party.
  • THE FUNERAL – Jon Kovach and Tara Williams are totally believable as son and mother in this smart, tightly-written and emotionally true script. Kovach packs alot into just 15 minutes without it feeling too dense or hurried. Definitely intrigued by the big question of the son’s reluctance to attend the funeral being held downstairs.
  • MARS VS. THE ATOM – This one I had a hard time getting into. The main storyline with Erin Ward & Paul Kerford Wilson seemed under-rehearsed and uneven. I was totally confused by the costuming of Wilson’s agoraphobic? and entomophobic? character. He was dressed in a bee keeper’s helmet (the seam of which constantly blocked part of his face), oven mitts and poncho, but nothing to cover his exposed legs. So apparently he is only worried about being bit/stung from the waist up? It’s hard to get into a show when the main character is so undefined.

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